Sequential Trigon-6 Demo (no talking): Presets for Ambient, Electronica and Techno
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- Опубліковано 28 лип 2024
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Sequential Trigon 6 Demo (no talking): Presets for Ambient, Electronica and Techno - "Solstice" Sound Pack
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▶ ""Solstice" Sound Pack for Trigon-6: limbicbits.com/sequential-tri...
▶ Purchase Link Sequential Trigon-6* (Thomann / EU): www.thomann.de/intl/sequentia...
▶ Purchase Link Sequential Trigon-6* (Perfect Circuit / USA):
link.perfectcircuit.com/t/v1/...
▶ Book "Electronic Music Production": limbicbits.com/book-electroni...
▶ Online shop with Patch Banks for Ambient, Techno, IDM, and Electronica: limbicbits.com
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0:00 (PADS) Doomsday
1:00 Boarder Pad
2:00 7th Pad
2:24 Brighter Strings
2:57 Zombi Pad
3:32 Subtle Warmth
4:12 E-Motion Pad
4:59 Gater
5:30 Dubbed
5:58 Psytrance Pad
6:50 Overdriven Scape
7:46 Airsheep Pad
8:19 Lullaby Pad
9:24 U can't hide
9:54 Bad Tape Lead
10:22 Last of us
11:33 Frogger Pad
11:52 Trance Pad
12:10 Fake Delay Pad
13:04 It's alive!
13:43 (LEAD / BASS) Detuned Lead
14:09 Lead to nowhere
14:20 Trance Lead
15:12 Acid Lead
15:38 Growler
15:59 Cotton Lead
16:36 Fundamental
16:46 Modded
17:07 Synced
17:26 Melodic Techno Lead
17:57 Basic Lead
18:14 Supersize me
18:26 Quantum Entanglement
18:59 Vacuum Cleaner
19:17 Main Floor
19:59 Gamma-Ray Burst
20:33 Techno Sequence
20:48 El Ec Tro
21:21 Grounded
21:32 Bass Mallets
21:54 Electro Kick
22:02 Every 90s Goatrance-Track
22:13 Just playing
22:29 Psy-Zap
22:40 Bended Bass
22:45 Vitalized
23:00 Level-Up
23:32 Waver Lead
23:52 Father Lead
24:07 Aggro Tech Arp
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▶ Subscribe: ua-cam.com/users/limbicbits
▶ ""Solstice" Sound Pack for Trigon-6: limbicbits.com/sequential-trigon-6-presets-solstice-sound-pack/
▶ Purchase Link Sequential Trigon-6* (Thomann / EU): www.thomann.de/intl/sequential_trigon_6.htm?offid=1&affid=397
▶ Purchase Link Sequential Trigon-6* (Perfect Circuit / USA):
link.perfectcircuit.com/t/v1/8-12626-260812-9759?sid=trigon-6&url=https%3A%2F%2Fwww.perfectcircuit.com%2Fsequential-trigon-6.html
▶ Book "Electronic Music Production": limbicbits.com/book-electronic-music-production/
My two cents: Sequential Trigon-6 is a fantastic-sounding polyphonic analog synth. It is very organic and powerful at the same time. It offers numerous sweet spots and has the potential for creating really aggressive sounds. The build quality is great too. I had hoped for a more complex mod matrix, but I guess that would have interfered with the one-knob-per-function philosophy.
The downside is, once again, the internal effect section, which simply isn't on par with the overall sound engine. Of course, it's great to have internal effects, especially when using the synth live. And for that purpose, the Chorus, RingMod, and partially the Delay effects are okay. However, the Trigon-6 truly starts to shine when paired with a dedicated effect unit.
Well, that is the trend with 99% of synths with built-in effects.
Wowee. That’s a synth
4:37 really captures something classic and modern, John Carpenter to Trent Reznor , as if Dave and Bob collaborAted on this synth
that makes sense, as this is like a polyphonic Moog in some ways
This is a brilliant modern take, just too rich for me, if anything, it gets grittier than a Pro 3 with the ladder filter and who wouldn't want that?
Damn this is one fine sounding Analog. Nice sound demo. That price has to be beheld! #richboisynth
the psytrance pad!
Best T6 patches I‘ve heard. But still not sure if I want this synth. If it sounded 100% like a Memorymoog I would, but it doesn‘t.
Is it just me or does this synth sound really harsh and thin in the high end and thin - kind of like was said about the prophet 08. Sort of metallic. Maybe it's just the distortion? Some very emotive patches but at the same time leaves me cold in some way. Maybe i'm more an OB guy?
Its the distortion on everything
Great Patches! for raw sound would you prefer this or the polybrute?
Thanks! To be honest, the polybrute is one of the synths I've had on my list for quite a while but unfortunately never had the chance to check it out, yet. So I don't feel comfortable giving any advice just based on reading
@@limbicbits It seems like it would be right up your ally as it seems its capable of a lot of textures. Always great hearing how you coax your own vision out of these separate sound machines!
I'll likely give it a try next year. @@marekrosinski3025
My nr 1 question, why haven't you created a pack for the one and only Virus Ti synth yet?
Simple answer- having owned a B and a TI for quite a while I just got completely oversaturated with their sound character. These are great and flexible synths but there is something in the virus sound I just don’t like anymore
@@limbicbits Ah interesting, I can imagine getting that saturated feeling with a synth. I had that with the Iridium. I just ordered the TI2 mainly for Dub Techno, creating a dub chord sound pack as well.
How would you compare the Trigon with the Pro3? If you put the poly vs mono thing to the side and compare just the raw sound I have the impression the Trigon sounds raw and agressive while the Pro3 has a warmer less agressive sound.
Hard to say. Both can sound hard and aggressive if you like but just based on the sound the Trigon-6 is more present, defined in the details when it comes to overdriven tones.
Pro 3 is great for sound design, though, due to its many features. Trigon-6 would be a great sweet spot synth when you're looking for a synth that fits easily in the mix but at the same time can be a powerful main synth for everything analog with a moog-flavor
I have both machines and can say Trigon 6 is most prefeered for me as it sounds way more pleasent. But the pro 3 is fun with lots of modulation possibility. However i think Trigon 6 is the winner for me. Somehow the Trigon always goes in the expected direcrion when sound designing. The pro 3 is very easy to overload signal path in. So just keep that in mind. Many blames pro 3 to sound brutal because they turn mixer to maximum before filter stage.
Where does this rate amongst other sequentials? Does it beat OB6?
I think the Trigon-6 is the most underrated out of that range and I don't get why, tbh. It's a fantastic synth that sits a bit in the middle between Prophet and Moog. I'd still prefer the OB-6 as its sound character fits my taste best, but that's just a matter of taste.
Would you get the Trigon-6 if you had the Rev-2? Or even sell the Rev-2 to buy the Trigon?
Actually, yes. Well, I wouldn't keep each of them. I had to choose and leave out the budget aspect, I'd go with the Trigon-6. But like always it's a matter of taste.
I'm simply not digging the Sequential poly-prophet sound. Hence, almost every synth that tends to sound that way doesn't speak to me.
The Rev 2 is cool for sound design and offers more possibilities. But I'm simply not a huge fan of its character.
Trigon 6 hands down. Not even a question.
Bro comparing to prophet 6, can you give me an advice which should I buy?
Actually, I have never tried the Prophet 6 so I can't really give you an advice here. The Trigon-6 combines Moog-Filters with discrete VCOs which results in an overall rich and musical sound.
The Prophet iterations I've tried all tend to fit a bit easier in the mix but don't offer that strong low-end and rawness the Trigon-6 has. That's also due to its great filter saturation and overdrive.
My choice would thus be the Trigon-6. But again, I haven't tried the Prophet 6 so far and (maybe I should have mentioned that in the first place) I'm generally not a huge fan of the prophet-sound, so my opinion can't be more biased, I guess.
He means the Prophet sounds too plain compared to this absolute beast
Top Dollar Mack-chine
No dub?
This time, only one dub-related preset has made it into the sound pack. For whatever reason, I don't find the Trigon-6 to excel at these kinds of sounds (at least without massive help from external effect units and I found that to be a bit of misleading, here)
@@limbicbits which is your favourite synth for dub?
@@pedrogomis For old school Rhythm and Sound, Basic Channel etc. it's the MEGAfm. For more contemporary stuff, it's Korg opsix and Digitone.
@@limbicbits I bought the MEGAfm after watching your videos but I had to return it because of quality issues. Opsix I bought recently the Opsix SE platinum
@@pedrogomis Agreed, build quality on the opsix could be better but I really like its sound design possibilities. I find the MEGAfm to be rock solid, though. Of course, you have to like noise and artefacts when using that synth
As someone who's been dabbling with synths since the mid '70s, I feel like this generation is stuck in the 1980s. All we're doing is rehashing old designs and to the exception of a handful of companies like Waldorf, we seem incapable of crafting anything new. Is there no horizon beyond subtractive/additive/west-coast/FM/granular/wavetable and resonators ?
Where are today's champions of synth design ? Probably more in the modular realm, but there again, the vast majority of it is Moog 55 trapped in Groundhog Day. The only (valuable) progress I've seen in the last 15 years is the tremendous drop in price ; back when I was a 20, these synths cost the price of a car, and the Synclavier, the price of a house ; so today the commoditization is in full swing and that's a good thing. But now, please, let's move beyond 80s synthpop.
Just because you focus your attention on analog gear, you project that it's an 80s synth.
There is a ton of newer gear released that isn't 80s based, far from. You just can't see them because of your myopic view.
c15 synth by nonlinear labs, John Bowen Solaris, Motas 6, and Norand Mono to name a few off the top of my head. All of those you can build and do things than nothing from the 80s etc could do before. Totally forward thinking.
@@millenniummastering 3rdWave is another great synth, UDO Gemini is fantastic too.
Both Harken from the 80s however are not stuck in the 80s.
Synthesizers have the answer in their name, you synthesize sounds.
I would add that this is a synth that Dave Smith couldn't build in the 80s--for the stupidest of reasons. Moog was known to litigate against companies that used filter designs similar to their transistor ladder. They definitely had legal tangles with both ARP and Roland, who changed the design of synths already in the market (ARP Odyssey and Roland SH-2000) to use a non-infringing filter design.
Try the Minifreak
Man I have an Ob-6 and it makes me feel the same as this - these synths are too simple. The sounds are too boring for me. My Prophet 08 makes way better sounds honestly.
All a matter of taste and perception. “Better” is a very individual statement. For example, I like the sound of a REV2 way less than the sound of an OB-6, for example. Plus, I was hoping to get a modern Matrix 1000 with the Rev2 but it’s just not on par with it for me.
And it is the general sound of the oscs, filter, EG etc that have to convince me, not the complexity of a synth. If both are given, great. If not, I’d always choose sound over features and fill that other gap with a different synth.
@@limbicbits Same here. If you want conplexity you can get a Yamaha Motif that will play an entire film soundtrack on one note.😂
@@davebellamy4867 Motif isn't analogue, to be fair, and romplers have always been the most complex, ignoring big walls of Eurorack 🤣