Madurai Mani Iyer- Sukhi Evvaro- Kanada- Adi- Thyagaraja

Поділитися
Вставка
  • Опубліковано 3 жов 2024
  • Indian Carnatic Vocal - Concert Recording
    Lyrics:
    pallavi
    sukhi evarO rAma nAma sukhi evarO
    (sukhi)
    anupallavi
    sukhi evarO sumukhi evarO akhila sAramagu tAraka nAma
    (sukhi)
    caraNam
    satyamu tappaka sakala lOkulaku bhrtyuDai daiva bhEdamu lEka
    nityamaina susvarapu gAnamutO nirantaramu tyAgarAjanuta rAma
    (sukhi)

КОМЕНТАРІ • 45

  • @psgopalan6389
    @psgopalan6389 8 місяців тому +2

    What a great voice

  • @MoniVHS
    @MoniVHS 4 роки тому +4

    What a great performance by all, just with two mikes, and just in an ordinary stage , sides and top decorated with a white cloth , and singing one krithi for 37 minutes, are we getting this self satisfaction of attending a Kutcheri , which is performed with all kinds of decorations, with front speakers for the artists to hear what they are performing, with Laptop& books to refer?

  • @varadarajanr4960
    @varadarajanr4960 2 роки тому +1

    Blissfully enjoyed a good treat of legend veteran Madurai Mani Iyer in his Kanada ragha krithi. His magical unique swaraprastharams carry the listeners to great heights as in this krithi also. I was gifted to hear several of his concerts. We are giftedvto hear him again and again through his recordings.

  • @loganathans6166
    @loganathans6166 3 роки тому +2

    unique rendition by master of masters

  • @KnottyNun
    @KnottyNun 9 місяців тому

    Awesome….I have recently started hearing his renditions and I am moved to ecstasy. He keeps the listener engrossed and waiting for the “ laya” phase and delivers fully. Truly magical when you realize this is all done conforming to talam and ragam and is extempore in many occasions. Music of the gods!! Thanks for loading. The violin and mridangam are exceptional and truly represent carnatic classical’s parallel to Jazz, or even more as the “laya” continues throughout the rendition.

  • @venusundarrajan6514
    @venusundarrajan6514 5 місяців тому

    🙏🙏

  • @18krishh
    @18krishh 7 років тому +3

    thanks for the treat What a scintillating swarams and wonderful violin and mrudangam accompaniments.We are blessed.
    I am also blessed to listen to him in person Perambur Sangeetha Sabha first as a school boy and later in many other sabhas .temples.

  • @rajagopalaniyengar3463
    @rajagopalaniyengar3463 3 місяці тому

    Sri Madurai Mani Iyer has done SURUTI Ragam Swararagam which I heard sometime back which I could not save. It came in yuotube. Could you get it by you and forwarded. 24:18

  • @MoniVHS
    @MoniVHS 2 роки тому +2

    Only one Mic for the singer, which picked up the Violin and the Mridhangham, no front speakers & no notes or iPad or Laptop. Violin did not have any amplifying attachments. They performed min three and half hours.

  • @surfingsage
    @surfingsage Рік тому

    My sincere thanks for the upload.

  • @gayathrijayaraman9011
    @gayathrijayaraman9011 2 роки тому +3

    Violin by mayuram v.r govindaraja ppillai mridangam by c.s.murugaboopathi.the above concert was held in mayuram in the year 1960 Thula uthsavam.

    • @surfingsage
      @surfingsage Рік тому

      awesome. if you can quote the source it’ll be wonderful.

    • @RajalakshmiSritharan
      @RajalakshmiSritharan 5 місяців тому

      Thanks for adding this valuable information.

  • @shobharathna18
    @shobharathna18 6 років тому +1

    God of carnatic music. Sahasra pranamam.

    • @ramanivenkata3161
      @ramanivenkata3161 Рік тому

      Yes. God of Carnatic Music.
      Salute the Ganakaladharar.
      The only Ganakaladharar

  • @jayaramanvaidyanathaparand8312

    What a lovely rendition of the song
    A great indeed.

  • @anantamurthy5525
    @anantamurthy5525 2 роки тому

    MMI at his best.His creativity is unmatched till this day.The violin and mridhangam vidwans are equal to the occasion and blended with Iyer totally .Technology must be able to remove the unwanted background noise so that only pure music is presented.Hope.

  • @rajagopalaniyengar3463
    @rajagopalaniyengar3463 3 місяці тому

    My request to Carnatic Ecstasy. 28:29

  • @sainathkarlapalem1134
    @sainathkarlapalem1134 4 роки тому

    what a swaraprastharana. excellent and thanks a ton for uploading

  • @natarajansomasundaram9956
    @natarajansomasundaram9956 6 років тому +1

    Exemplary.
    Kudos to the entire Troup.

  • @fouzdarvarjula6911
    @fouzdarvarjula6911 4 роки тому

    Excellent, lost for days

  • @CharulathaRamanujam
    @CharulathaRamanujam 4 роки тому +2

    Kumbakonam rajamanikam pillai on violin

  • @venkatramaniyer4399
    @venkatramaniyer4399 Рік тому

    The pakka vadhyams are kumbakonam rajamanikkam Pillai and subbudu which please note

  • @bangalorerajashekar1214
    @bangalorerajashekar1214 4 роки тому +1

    Excellent. Blessed to listen to this. Little distortion at the end unfortunately.

  • @ramanswaminathan6416
    @ramanswaminathan6416 4 роки тому +1

    Can anyone ever imagine to sing so nicely and effortlessly , virtually all rasikas are lifted to a place of divine bliss. Excellent support from Lalgudi and plan.

    • @ramanswaminathan6416
      @ramanswaminathan6416 4 роки тому

      Palani subramaniapillai and Lalgudi were the two eyes of MADHURA mani

    • @vijayrk7329
      @vijayrk7329 3 роки тому +1

      @@ramanswaminathan6416 violin is surely not Lalgudi; Most probably it is Govindaraja Pillai

  • @balasubramanikr1223
    @balasubramanikr1223 3 роки тому

    namasthe sir, divinity through kanada

  • @venkataramannatarajan6662
    @venkataramannatarajan6662 4 роки тому +1

    Who is on the violin ? What a team & Swaras rendered are so nice. Anantha koti namaskarams to the artists

  • @sunderesanpattabiraman2122
    @sunderesanpattabiraman2122 4 роки тому

    Sweet and scentilating swaraprasthara which only he could deliver in plenty lalgudi and palani subramaniams mridangam adding more beauty and charm charm

  • @hsvkrish
    @hsvkrish 2 роки тому

    eedu inayatra sangeetham🙏🙏🙏

  • @krishnamurthyar393
    @krishnamurthyar393 4 роки тому

    Super concert

  • @gopinathannair.p3463
    @gopinathannair.p3463 4 роки тому

    Excellent

  • @sm9214
    @sm9214 Рік тому

    The pace of singing I honestly could hear with any one else.
    The mridhangam is unintrusive and the violin too true their roles as accompanists.

  • @jsridhar72
    @jsridhar72 9 років тому +4

    Thanks a ton sir for the upload.Scintilating Swaraprasthara of Kannada and Sudden change of Raga in 23:41 to Hamir Kalyani(If wrong may be corrected) to Mohanam, Begada and finally with his fatorite Sindhu Bairavi. What a violin accompaniment equaling the legend..Thanks for uploading a master piece. Can anyone even emulate like this?

    • @natarajansomasundaram9956
      @natarajansomasundaram9956 6 років тому +1

      VEERARAGHAVAN J Sir
      I fully endorse your views.
      But Genius like MM are above board.
      They have the Liberty to cross boundaries'
      Thanks

    • @vshivkumar1
      @vshivkumar1 6 років тому +2

      Isn’t it Saranga and not Hamir Kalyani ?

    • @sugunakapali1
      @sugunakapali1 5 років тому +1

      Shiv Visvanathan yes,it is Saranga

    • @balumuthu
      @balumuthu 5 років тому +1

      Violin Jayaraman is okay in thani but displays obvious unwillingness to accompany him professionally during Raaga alapanai suggesting that the main artiste MMI should adjust his alapanai with elongated gaps for violinist to play as per his own imagination without reference to MMI's presentation.

    • @meeragopalakrishnan8417
      @meeragopalakrishnan8417 5 років тому +1

      @@natarajansomasundaram9956 it is perfectly allowed but in this case two tracks seem to have been spliced. From that point on it is not sukhi evaro

  • @schwaarnkreddy7805
    @schwaarnkreddy7805 2 роки тому +1

    With all due respect.... the rendition of this sahitya is an echo-replica of 'Alaipaayudhay' in Thamizh or vice versa - listen to it intensely from 8:15 onwards , particularly from 8:40 onwards till 10:10 and beyond! Any sahitya in Kaanadaa, irrespective of its language and the vocalist, sound the exact same except for the timbre of the vocalist.Same goes for any Raga rendition, for that matter. They all sound the same and a sense of deja vu(in a manner of speaking)persists in any concert.
    That comes across as an inherent shortcoming of the genre and either points to lack of verdant imagination of the vocalists or the genre's constrictive, martinet-ish structural dictates,most of them man-made!
    On the other hand, Hindustani music as a genre, seems to offer some bandwidth within the lucid boundaries
    for personal interpretations to both vocalists and instrumentalists and really challenges the imagination quotient & the qualitative cachet of vocalists as well as accompanists!