F. Chopin - Etude Op. 25 no. 4 in A minor - analysis - Greg Niemczuk's lecture
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- Опубліковано 14 лис 2024
- #etude #chopin #chopinproject #tutorial
Concert pianist describes and analizes Chopin's Masterpieces for the piano.
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This etude is maybe my favourite, I don`t know why, is a true masterpiece.
Yes it is! But so demanding!
Contagiante seu entusiasmo e energia ! Obrigada !
Obrigado!
It's very jazzy with the syncopated right hand and it's kind of like stride piano in the left hand. I could imagine Tatum improvising on this and absolutely killing it.
Another fantastic lecture from Maestro Greg Niemczuk on my favorite polka-style etude of Chopin. It is very fun to play. 💃🕺
I sincerely love your videos
I am beginning to study the etudes, starting with op. 25 no. 7. I found this channel by accident and it instantly became one of my favorite piano channels. The way you present the material (full of emotion and with a good sense of fun and humor!) is perfect. Thank you for all of your work, now I watch this channel after work between practice sessions for inspiration! Congratulations on this series. This is one of my favorite etudes and it is really enjoyable to hear about it in more detail, I hope one day to play it.
Hello Sima. I'm so happy reading your comment! Share this with everyone who might find it helpful and interesting. Thank you!
@@gregniemczuk I surely have been! And the response has been wonderful :) Best wishes and I look forward to all the upcoming videos!
Fantastic videos
SO WONDERFUL AS ALWAYS, MAESTRO!!!!! Thank you for one of my favourite Chopin's "Paganini" Etudes in an excellent rendition and for your great analysis/tutorial, congratulations for over 6.000 subscribers to your channel, you deserve more and more...,again my best regards, have a nice Sunday/happy new week. Joanna
Fun fact. Schumann also wrote a piece called "Paganini" in Carnaval which is also very much like this piece!
this guy is underrated
keep up the good work
Thanks for this video! Just this morning practicong it I was so upset that I was going to give up...but your enthusiastic analysis made me think that it's worth studying even if it's so terribly demanding...I must accept Chopin's tricky challenge!! Grazie!
I'm so happy I could help!
I practice these etudes by the Cortot edition because there are plenty of explanations there. But you explained many crucial points not written in the Cortot edition for this etude. I now realized the importance of the left hand and the relationship between left and right by watching your video. You always teach me essential things and open my eyes. I am impressed, maestro. Dziękuję💖
You have no idea how happy I am reading those words!
Bravo! Very much enjoyed this tutorial! I had to stop in the middle of it and go sit down and try it as I’ve never even looked at it before and it is so much fun. I think Chopin does chromatics and modulations for the sheer joy of it and you’re right, he can’t stop! He does write for the pianist! I feel so grateful to have Chopin in my life. I was a piano major in college and dropped out because of lack of confidence and self-esteem, i played virtually no Chopin because I thought he was too hard, all the ink on the page scared me and in the last few years i’ve actually learned how to practice. I don’t know what I was doing for those first 15 years but fast forward 50 years and I’m playing better now than I ever have. I’m grateful for a teacher who didn’t want hear me play scales he said go play an étude instead and so I played my first étude and have not looked back and I am just loving It. I have been working on his Sonata in B mi for the last year and it’s really brilliant as well.
So thank you MonsIeur GREG for your enthusiastic and ebullient classes they are so inspiring and I look forward to the next one. Keep doing what youre doing its amazing for us!
Wonderful! You're lucky and I respect your enthusiastic approach. Keep going! And thank you for watching!!!
FASCINATING ♥♥♥♥♥♥♥
Thank you for making more sense of this strange "rag time". Btw there *is* another example of two different articulations in one hand. This means you didn't do the video about the three extra etudes so far.
YES!! I completely ignored them!!!
And now I've played them already through and found it! What a shame 😊😊😊😊
@@gregniemczuk Now when I think it over, the other a minor etude also has staccato and legato in the same hand. Even though there is not much need to think of it, as it comes out automatically as a result of having to play that scale. Outside of the etudes I dont know of any example. The technique is useful for playing polyphonic music like Bach because once you decide to have staccato in the fugue theme you have to follow through with it no matter what. Another interesting question is where the etudes are reused. E.g. op 25, no. 1 is used in the E-flat prelude and in the f# sharp minor prelude (but with the thumb having the melody) and the last etude is used at the end of the fourth ballade. I think the etudes are mainly reused in ballades and preludes where the focus is on creating interesting sound effects.
@@jenskluge7188 yes, this is true!
Oh, i forgot about this comment already, so much happened in between. i think the late nocturne in Eb also uses two articulations in one hand. Its maybe difficult to add something really interesting: everything is said already what there is to say about this etude i believe.
Hello Greg! Sorry but at 5:06, syncopations is the word you are looking for, right? But thank you very much for this helpful analysis. 🙂
Yes! We can call it like that!
Cool, really great material. Bardzo fajne.
So demanding and difficult, more difficult than people think
I would love to see some Maurice Ravel