Charpentier : Te Deum, per soli, coro e orchestra
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- Опубліковано 15 кві 2011
- Marc-Antoine Charpentier (1634/43-1704) : Te Deum per soli, coro e orchestra
(registrazione storica 1963)
Martha Angelici, Jocelyn Chamonin, soprani ; André Mallabrera, controtenore; Rémy Corazza, tenore ; George Abdoun, Jacques Mars, bassi ; Marie-Claire Alain, organo; Maurice André, tromba ; Chorale de Jeunesse Musicales de France ; Orchestra Jean-François Paillard , direttore Louis Martini
per anni sigla dell'Europa televisiva... bellissimo!
CHE BELLA MUSICA 😄
What a joy to hear this played and sung with love and spirituality. Such a welcome change from the dessicated, sterile, synthetic offerings from modernist performers.
I partly agree with you. Nevertheless, this rendering appears to me a bit too theatrics. I quite understand that such a "decorum" was in Louis XIV's vision, but here we tend a bit towards the romantic operatic style.
magnifique ! très belle interprétation, très beaux interprètes ...
Dommage que la prise de son ne soit pas très bonne.
Enfin de la musique baroque avec un beau son de conservatoire. Merci. 😂
Je retrouve là l'enregistrement que je possède (disque vinyle ERATO de 1963). Cette interprétation n'a guère vieilli, même si on lui donne aujourd'hui plus de profondeur spirituelle. C'est toujours très beau et je me rappelle la première écoute : quel moment de bonheur. C'était fabuleux!
L'écoute du verset 20 "Te ergo quaesumus" m' émeut toujours.
Oui, je crois bien qu'il s'agit de la version de réfèrence. On n'a pas fait mieux!
Jean - Pierre Fauvet : vous avez tout à fait raison..." l'Esprit souffle " en effet sur cette interprétation superbe, et qui renvoie toute considération de "style baroque" ou pas aux oubliettes.... La spiritualité avant le vernis supposé !!..et en prime la trompette de Maurice André qui transperce tout comme un soleil irradiant !
Quelle joie de retrouver cet enregistrement auquel j'ai participé avec les solistes "habituels" de Louis Martini. Et comme le dit Wm McGonagall cela fait du bien de participer à l'enthousiasme de la chorale des JMF et à retrouver une prononciation du latin plus conforme à notre temps !
Entièrement d'accord.
La prononciation du XVIIème siècle (dominus et sactis au lieu de dominous et sanctous) m'est très désagréable. Elle enlève tout charme et toute musicalité.
Éternel grandiose cette musique qui nous fait rêver qui vous emportes sur une autre terre en cette époque si triste que l on vie merci Charpentier a bientôt au paradis vive le baroque merci you tube.
C’est magnifíque! 🤩🙏🏼
A relief to hear this piece played with feeling rather than the over-researched, short bow, modern theories of how this music *may* have sounded. Especially Maurice André on trumpet playing like he means it, rather than the usual subdued-out-of-existence modern renderings. Gotta love the trombone reinforcement to the continuo and just the right amount of French bouncing around when resolving the cadences. Addictive.
Bella esecuzione!
This is the best version of those I've heard so far. Magnificent!
GRANDIOSO!!
This may be a recording, made more than half a century ago, it still sounds as fresh as a recording made yesterday! Impressive!!
Je ne me lasse pas de réécouter cette version du Te Deum. Formidable Marc-Antoine Charpentier et hommage aux "redécouvreurs" de cette merveilleuse musique qui nous transporte vers d'autres horizons et une époque qui fut tellement glorieuse pour notre pays, aujourd'hui ravalé au rang d'un simple land du nouvel "empire germanique". Pitoyable...mais n'y pensons pas, délectons nous de cette fabuleuse musique.
Je réécoute cette splendide interprétation qui me "prend aux tripes" et me flanque une colère "jupitérienne" contre l'infâme Macron et sa clique, mais aussi contre ses prédécesseurs qui ne cessèrent de saper le malheureux pays dont ils s'étaient emparés en abusant du faible jugement de son peuple. J'ai 83 ans et j'en arrive à un triste moment, celui où "les vivants en viennent à envier les morts". Pauvre France.
TRANSIT GLORIA MUNDI: ERGO TRANSIBIT GLORIA IMPERII GERMANIAE !
Et, Dei Gratia, transibit etiam - et in contumeliam magnam- nefastum imperium Britannorum et Americanorum
Ave. Haec sententia certe et vere non in anima componere erat!!!!
la France ne restera pas toujours une province de l'empire euro-atlantiste... elle retrouvera son indépendance, et ce jour là on jouera le Te Deum de Charpentier.
@@jean-pauldoguet8342 Commentaire idiot d'un fidèle du régime. Je maintiens totalement mon commentaire qui n'a rien d'une politisation de l'oeuvre impérissable de Marc Antoine Charpentier.
Simply outstanding - in performance as well as in it's composition.
Maravilhoso!!!
espectacular
magnificus per se in Deo laudamus - sic non transit gloria mundi quam illa gloria divina est.
BRAVÍSIMO.
BEAUTIFUL
This piece is magnificent!! Just can love it!
magnifique
This is a most stirring and heartfelt performance. Having owned the LP, I have painstakingly and lovingly produced my own digitalization. I'm delighted to say that this sounds just about as good. It can be argued, I suppose, that other, more recent performances are more French in their pronunciation of the text and in their general approach. I know that probably means a great deal to the French and it would mean much to Charpentier, but I prefer this version. Other performances may impress me, but they do not move me as this one does.
the ordinary French don't care about the "baroque mafia" which tells pseudo-scientific nonsense to impose its musical, aesthetic and mental malthusianism. A real cancer since 40 years ! Drying up the music with academic concepts and famished and mannered interpreters is not a "historically informed approach" but a swindle subsidized by the taxpayer, controlled by the mafia of cultural institutions and argued by complicit journalists. Martha Angelici, Jacques Mars, Marie-Claire Alain (sister of Jehan Alain the composer) and of course Maurice André were great performers whose names have come down to us. The others are also excellent, even if I did not know their names. Feel free to follow your own instincts as a music lover. And long live free France !
Glorious 😀😇
É excelente
Amazing!
Te Deum laudamus:
te Dominum confitemur.
Te aeternum Patrem
omnis terra veneratur.
Tibi omnes Angeli;
tibi caeli et universae Potestates;
Tibi Cherubim et Seraphim
incessabili voce proclamant:
Sanctus, Sanctus, Sanctus, Dominus
Deus Sabaoth.
Pleni sunt caeli et terra
maiestatis gloriae tuae.
Te gloriosus Apostolorum chorus,
Te Prophetarum laudabilis numerus,
Te Martyrum candidatus laudat exercitus.
Te per orbem terrarum
sancta confitetur Ecclesia,
Patrem immensae maiestatis:
Venerandum tuum verum
et unicum Filium;
Sanctum quoque
Paraclitum Spiritum.
Tu Rex gloriae, Christe.
Tu Patris sempiternus es Filius.
Tu ad liberandum suscepturus
hominem,
non horruisti Virginis uterum.
Tu, devicto mortis aculeo, aperuisti
credentibus regna caelorum.
Tu ad dexteram Dei sedes,
in gloria Patris.
Iudex crederis esse venturus.
Te ergo quaesumus, tuis famulis subveni:
quos pretioso sanguine redemisti.
Æterna fac cum sanctis tuis in gloria numerari.
Salvum fac populum tuum,
Domine, et benedic hereditati tuæ.
Et rege eos, et extolle illos usque in æternum.
Per singulos dies benedicimus te;
Et laudamus Nomen tuum in sæculum,
et in sæculum sæculi.
Dignare, Domine, die isto sine peccato nos custodire.
Miserere nostri domine, miserere nostri.
Fiat misericordia tua,
Domine, super nos,
quemadmodum speravimus in te.
In te, Domine, speravi:
non confundar in æternum.
grande....
L'Esprit souffle sous la baguette de celui qui a découvert cette pièce lorsqu'il était professeur au "Cours Complémentaire " Félix Pécaut en 1954
Vraiment ??
The horn player Andre did very well indeed. Chorus quite strong, just a touch of dissonance now and then, but overall, clear and at a good tempo. I would recommend this performance to any Charpentier fan.
Glory.
GRAND STUFF, THIS. THANKS FOR THE UPLOAD, macdonald!!!!
pour moi , pour toujours , la version de reference ..( corboz est tres bien aussi )
Je partage votre avis.
Just the right tempo actually. Life in those older days was much slower and reverential. People had larger attention spans and weren't spoiled rotten by modern technology and gimmickery :)
Undoubtedly. At least for those who could afford to go to the opera or concerts regularly - i.e. not plebs like us (?). Though, this particular piece isn't especially long and was first performed in a church, probably after a victory in some battle or other. So, unless only the King and court were in the church the rest of the congregation would have heard it, too - the only chance for normal people to get music like this for free (I assume). Music was also much more ephemeral in those days, of course, you heard it in the church or a concert, and then it was gone - hard to imagine today, when we can get all the songs we want at the touch of a button, when- and wherever we want.
Martha Angelici, Jacques Mars, André Mallabrera remarquables? Dommage que cet enregistrement ne soit pas reédité en CD
Charpentier le da odas a DIOS a su lado
With all due respect… French Baroque cocktail: Take a large cup. Pour in a glass of pure Jean-François Paillard. Add three glasses of water. Shake or stir to taste. And there you have it: our famous William Christie cocktail! 😉
Firtst of all, Merry Christmas to all of you. 🎄🌠😊. I'll like to use 4 s from 19:01 to 19:04 of this masterpiece in my brand identity of graphic, do you know who can I ask for? Thank you for any advice 🤗
avec Maurice André, forcément ca fait la dif
Et Marie-Claire Alain .....et tous les autres : fantastiques. Épatante direction de Louis Martini.
I think there are a mistake: is this Martini?
ချပေန်တီယာ
and fortunately the singers speak Latin correctly! in many recorded songs I can not feel they speak the U in french! that is not Latin........
I agree WHOLEHEARTEDLY!!
before the tyranny of the "baroquists", French musicians used to sing Latin without these stupid rules ! One comes to a concert, not to a university lecture ! We want artists, not pretentious and mannered librarians ! Besides, this supposedly 'historical' pronunciation is only practised in the snobbish circles of the subsidised entre-soi and the institutional mafias. It serves to say: "we are bad and boring as underground corridors, but we have a historical pronunciation". This record brings together some of the greatest French musicians of their time, and they didn't care about all that: they played with their talent, their inner science...
Registrazione vecchia e con diversi errori interpretativi.
Però è migliore di molte altre registrazioni moderne.
Like a wild horse but slightly touchness not feeling to hearing inside deep.
"Philological" vs "Romantic" performance are really just modern opinions. The music is the music. I have seen the original MS of this work and there is nothing that indicates a precise style of performance. I tell you what, I will set up an elitist group of "philological" performers. We will dress up in baroque style clothing & only use candles for lighting. Then our "performance" will be the most correct? Yes? Rubbish. I agree with Vaughan-Williams & Pierre Boulez - music is not archeology.
8 years later, I agree :)
music is not archeology ... yes !
When the doors explode 400 guards come in with king and queen your like.......HOLY FUCKING MARY OF JESUS
Ave. Haec sententia certe et vere non in animo componere erat!!!!