I thought I was the only other person in the world that watched these two films. The "it's more realistic" excuse needs to go away already. I'm with you, the older directors/writers knew what they were doing. You easily have my favorite channel on YT these days, can't wait for your next one.
Your commentary about losers, realism, likability, etc made me feel less lonely in this world. I am delighted that someone else sees this in media today.
Moviewise , i would like to thank you very much , that you have introduced me to a different world of cinema . I had thought that watching films before the 70s would be useless, but thanks to you after just trying some movies from this Era , i have fallen in love. I love these classic type films , they have great pacing and aren't a sensory overload. Its a treat to watch longer shots , great blocking and staging and a sort of class that comes with dialogue dilevery . Thanks
This is a FANTASTIC video. Thoroughly enjoyable on so many levels: great topic, great insight, great movies and hilarious to boot. Criminally undersubbed!
I love this comparison. I always wondered why some remakes are bad. This makes things clear. It's nice to finally see a channel that actually gives critisim and not just passing his opinion as critisim.
Billy Wilder’s range was so amazing, from dark noir to brilliant comedy. Like so many he was he was a Jewish immigrant having fled the Nazis in the 30’s. His return to Berlin to help rebuild the German film industry and to erase the cultural scourge of fascism was particularly poignant in that much of his family were Holocaust victims. Thanks for giving me an even deeper appreciation of this film genius.
David Bordwell wrote an interesting (as ever) blog entry contrasting the visual style of both films: Intensified continuity revisited www.davidbordwell.net/blog/2007/05/27/intensified-continuity-revisited/
Ever since Every Frame a Painting stopped making videos it was hard to find a quality, yet fun UA-cam channel that analyses film excellently. I don’t often comment but thank you for your content, I always learn something new whilst being entertained :))
I CAN'T BELIEVE I found a cinema channel on youtube with someone WHO ACTUALLY KNOWS WHAT HE'S TALKING ABOUT!!!! Slow.....clap....so happy to have found you!
I´m not even a big fan of the original version (despite being a Wilder movie and having these amazing actors) and I only managed to sit through half of the remake...but boy, is the original a masterpiece in comparison! Thanks again for an utterly entertaining and informative feature!
That's the movie that made Jimmy Cagney retire...until that other film, many years later. I forgot what it was, probably not memorable except it got Cagney back.
@@Skanda1111 No , he got so tired with the pacing of the film that he felt completely exhausted. The pacing did it to him and he came out for one final film which is of course directed by Milos Forman
I really love your points about modern loser characters, with just this one quibble: I don't think the point is realism, I think it's audience self-pity and wish fulfilment: _I am that loser and I too can appear lovable despite my loserdom, and ultimately find love, without ever stopping being a loser_
Such an excellent video. Made me go off and watch the original Sabrina, and I haven't enjoyed a film so much for a long time as seeing this one having watched your analysis first. Every scene is new, but at the same time like an old friend. Great job.
visual storytelling Visual Storytelling VISUAL STORYTELLING Great analysis. Another similar example for me is Cukor’s BORN YESTERDAY which was so perfect imo that it ruined all other versions, including its original stage play.
I appreciate this way of scene-by-scene comparison between the original and remake very much. Hilarious. Thank you! Hope to see more of these now and then. Made me immedately wanting to rewatch Billy Wilder's "Sabrina"! Audrey Hepburn 🥰 and Bogy! 🤗
Your videos are true lessons from the masters of classic cinema Finally someone doing justice to the real father of many filmmakers who think they learned something at university.
This goes to one of my big peeves of modern cinema...especially comedies. Everyone is inarticulate and getting lost for words is seen as a substitute for humour. Paul Feig films are the worst at this but you see it here in the remake of Sabrina. "I'm just going to do that thing...with the thing....yeah...you know....I'm...I'm....yeah....I'm just going to go........and do.........the thing........". Wilder's characters, whether in a comedy or a drama, are never inarticulate.
One of the appeals of dialogue in fiction is that the charcters get to immediately and effortlessly say the witty or intelligent thing we might think of in the shower two days later. So much modern writing takes that away because they want to seem relatable.
Your scripts are the same. Tight articulate and no filler edits. I am to have your articulation one day very soon. Thank you for the wisdom. Definitely sharing this to all my friends
Can't do it without a script and direction (and sometimes Pollack is a great director - just not here. See 1975s Three Days of the Condor) @@GregJamesMusic
I bet Pollack was aware of how lame his version was-- he's too good of a filmmaker and student of film. I choose to believe that it was merely a director-for-hire kind of job and he was just getting a paycheck. Thanks for the video! As always, another gem and I learn about a dozen things :)
You're quite right, and Pollack explicitly references his Sabrina experience in this documentary about the making of Some Like it Hot: "My advice to anybody that wants to remake a Billy Wilder film is: don't." ua-cam.com/video/7CH7sXaXe5A/v-deo.html (at 2:33)
Another brilliant analysis! Inspired to juxtapose the two versions. As usual you have an excellent concept and brilliant execution. I’ve been binge watching your content, and I’m never disappointed. Thanks much for your hard work!
Another fantastic video! I keep waiting for your channel to blow up, and I must confess I'm a little jealous of those who'll get to binge your library for the first time. Thanks again, Moviewise! 🤩
1) Audrey Hepburn is probably the most beautiful actress who has ever lived. Maybe the most beautiful women who has ever lived. 2) The scene of them dancing with his mother getting closer is simply wonderful. 3) Bogart. I try to understand how did they dare to even try to make a remake.
The only filmmakers I can think of who get anywhere close are the Coen Brothers. Like Wilder, they’ve successfully written and filmed a wide variety of genres; and they also have a knack for creating memorable, slightly larger-than-life dialogue and characters that leave a big impression with a small amount of screen time. It’s too bad Joel and Ethan are working separately now - they’re nowhere near as good apart as they were together.
Excellent video. Witty and educational at the same time. Could you share some of your views on the importance of plot in films, please? What tools can directors use to enhance their storytelling? Do you think one could make up a list of conditions that must be met for a film to be called "good"? I am greatly impressed by your work. Thank you and keep it up.
You might want to read a book on Alexander MacKenderick's rules for film-making, it's at the IA online library lending or Anna's archive. He was a teacher in America after leaving films and was a master film-maker; 'Whiskey Galore', 'The Man in the White Suit', 'The Ladykillers', 'The Sweet Smell of Success', etc.
Perhaps a comparison between the original and new versions of A Miracle on 34th Street for Christmas? Sorry, perhaps too sappy for this channel, but I do love the format!
I don't think film criticism gets any sharper, smarter, or funnier than this. Brilliant stuff. I also like how it works in a critique of our diminishing culture. Congratulations. Regards
Strange that Sydney Pollack made one of the true comedy greats of the '80s, 'Tootsie' but completely missed the mark here. A case of a great script, perhaps.
It is extremely irritating that the studio system demands substandard generational remakes of these classic & unimprovable gems purely for the love of filthy lucre & no respect for the art form itself & no desire to foster new genuine talent.
I recently watched "Oppenheimer" , learned a lot from it and found it interesting... Can you make a video on the thing it gets right or wrong like a review.. It will really help.
Paused this video at the start to watch the of sabrina. will probably never see the remake. What a great video that highlights the magic of old Hollywood as well as the futility of remakes.
I am tired of when realism is used as an argument as if there was any inherent quality to making things realistic. Well executed story of any kind>>>>>>>realism. So many things are not realistic in movies/stories.
Wow… my Dad was a major Bogart fan, so we watched all his movies; Sabrina has always been an absolute favorite. Such a treasure!! Bogart, Hepburn, and William Holden, plus the terrific cast, writing, and directing. Thank you so much for this video! I never planned to see the remake, because I figured it was about as likely to succeed as a remake of On The Waterfront, and you have confirmed I was correct. 😊😊
Wow! It’s unbelievable how they ruined the remake. I have such appreciation for the classic movies now thanks to you, Moviewise. Thanks also for “sprezzatura”!
I'm not going to lie, I enjoyed the modern version of Sabrina when it came out, even though I was already a fan of the original movie at the time. (It could have been something to do with Harrison Ford; I was also a fan of his.) But as time has passed, I've gone back to watch original movie over and over again, always LOVING it. The one time I went back to watch the remake I couldn't quite place why I didn't like it so much... I don't know why but I've always had a love of much older movies, More so than newer movies, (and you can forget about any movie of today!) I believe you have managed to illustrate and explain why I feel the way I do in this video. Thank you so much!
Make an essential reading material for cinema lovers - like, idk- Hitchcock/Truffaut, Maya Deren's cinema commentary book, The World Stage by Kirschnir, Bergman's The Magic Lantern, Scenario's / screenplay books, Akira's autobiography, Tarkovsky's sculpting in time, Truffaut early criticisms, Cahiers- magazines and so on... but still, deep as I am in to cinema, I feel slighted of knowledge of good magazines for example, good critics and essayists who aren't on youtube / isn't a famous director~ for the most part
Fun Fact: Sabrina (1954) was a pre-VistaVision aspect ratio -the actual aspect ratio of Sabrina was 1.75:1. I believe the dvd used the 4:3, while the blu-ray uses the pre VistaVision wide aspect ratio.
Firstly, love all your videos! Just a small note, but this looks like a 4x3 TV safe transfer of Wilder's '54 version. The extra headroom at the top is meant to be cropped for theatrical exhibition.
The worst clichee the remake falls in is having Sabrina wear glasses initially. Then ta-da, after Paris she has perfect eyesight, suddenly they consider her beautifull!🤦♀️
Billy Wilder was a great script writer, we have been gradually losing that art, I think its got to do with we losing out on our human emotions, it reflects in our work.
I had only seen the remake and hardly remembered it. So I never felt the need to watch the original one. But after watching this I finally did and I’m glad I did. It is pretty great and way better than the remake. Thanks
Linus was written with Cary Grant in mind. Cary Grant stealing a girl from Bill Holden is easily digested... Bogart stealing a girl from a young beautiful William Holden... Casting undid this, otherwise, marvelous picture. Wilder was a genius.
I’m gonna look through your Channel and see, I’m new to you! I love ya Vids. I’m curious if you have a There will be Blood video, or a DEER HUNTER vid. I think you’d really knock thoses out the park!
""The remake is ashamed of being a comedy." Noticed that too with Charade and its remake The Truth About Charlie, where they replaced Cary Grant with Mark Wahlberg,
Mr. Moviewise, I would be very interested to hear your comments regarding Gerry Anderson and his work on shows such as Thunderbirds, Joe90, etc. Disregard the fact that the characters are all 'puppets' and concentrate on the technical aspects of the shows, story, dialogue, and so forth. How does it compare to human-action filmmaking.
I thought I was the only other person in the world that watched these two films. The "it's more realistic" excuse needs to go away already. I'm with you, the older directors/writers knew what they were doing. You easily have my favorite channel on YT these days, can't wait for your next one.
What are your other favourite Analysis channels?
but Lion King....lol
I hope you know you're probably the best film channel on YT.
Knowledgeable, concise and great narration.
Oh yeah, hands down.
Really up there with CinemaStix
Brilliant brilliant!
Undoubtedly
“Probably”?
This IS the best. I’ve watched them all.
Your commentary about losers, realism, likability, etc made me feel less lonely in this world. I am delighted that someone else sees this in media today.
Moviewise , i would like to thank you very much , that you have introduced me to a different world of cinema . I had thought that watching films before the 70s would be useless, but thanks to you after just trying some movies from this Era , i have fallen in love. I love these classic type films , they have great pacing and aren't a sensory overload. Its a treat to watch longer shots , great blocking and staging and a sort of class that comes with dialogue dilevery . Thanks
This is a FANTASTIC video. Thoroughly enjoyable on so many levels: great topic, great insight, great movies and hilarious to boot. Criminally undersubbed!
I love this comparison. I always wondered why some remakes are bad. This makes things clear.
It's nice to finally see a channel that actually gives critisim and not just passing his opinion as critisim.
Billy Wilder’s range was so amazing, from dark noir to brilliant comedy. Like so many he was he was a Jewish immigrant having fled the Nazis in the 30’s. His return to Berlin to help rebuild the German film industry and to erase the cultural scourge of fascism was particularly poignant in that much of his family were Holocaust victims. Thanks for giving me an even deeper appreciation of this film genius.
Lubitsch's The Shop Around the Corner vs You've Got Mail would make another good comparison.
David Bordwell wrote an interesting (as ever) blog entry contrasting the visual style of both films: Intensified continuity revisited
www.davidbordwell.net/blog/2007/05/27/intensified-continuity-revisited/
Ever since Every Frame a Painting stopped making videos it was hard to find a quality, yet fun UA-cam channel that analyses film excellently.
I don’t often comment but thank you for your content, I always learn something new whilst being entertained :))
I CAN'T BELIEVE I found a cinema channel on youtube with someone WHO ACTUALLY KNOWS WHAT HE'S TALKING ABOUT!!!! Slow.....clap....so happy to have found you!
Great commentary! When I get to the 1990s in my American Cinema class, I'll share this with my students!
I´m not even a big fan of the original version (despite being a Wilder movie and having these amazing actors) and I only managed to sit through half of the remake...but boy, is the original a masterpiece in comparison! Thanks again for an utterly entertaining and informative feature!
I'm a big fan of Mr. Wilders films and his direction. My favourite of his films will always be one, two, three. Man is a legend. He is a film school.
That's the movie that made Jimmy Cagney retire...until that other film, many years later. I forgot what it was, probably not memorable except it got Cagney back.
@@westernnoir4808 - His performance is the best in the film! I love him! Why did he retire? It didn't run well?
@@Skanda1111 No , he got so tired with the pacing of the film that he felt completely exhausted. The pacing did it to him and he came out for one final film which is of course directed by Milos Forman
Now I realise, it's not nostalgia that draws me to older films...it's because they are better.
I am in a film school but I leaned more from your videos in one month than I have learned in a whole Year. Thank you and keep making Videos 👍🏻
Yup
I just graduated from film school (which was great), but Moviewies has taught me SO much!
I have been waiting for a Billy wilder video for ages thank you moviewise 🙏 my favourite director
I really love your points about modern loser characters, with just this one quibble: I don't think the point is realism, I think it's audience self-pity and wish fulfilment: _I am that loser and I too can appear lovable despite my loserdom, and ultimately find love, without ever stopping being a loser_
Such an excellent video. Made me go off and watch the original Sabrina, and I haven't enjoyed a film so much for a long time as seeing this one having watched your analysis first. Every scene is new, but at the same time like an old friend. Great job.
Amazing critique of the two movies...very thorough!
I had never heard of Sabrina before but now I have to go watch the billy wilder one
I've found myself paying more attention to blocking and appreciating it more in general because of your videos, grateful for your work.
visual storytelling
Visual Storytelling
VISUAL STORYTELLING
Great analysis.
Another similar example for me is Cukor’s BORN YESTERDAY which was so perfect imo that it ruined all other versions, including its original stage play.
you have a really knack for finding beauty in film and unpacking it. there is no shortage of “movie reviews” on youtube but you stand alone
I appreciate this way of scene-by-scene comparison between the original and remake very much. Hilarious. Thank you! Hope to see more of these now and then. Made me immedately wanting to rewatch Billy Wilder's "Sabrina"! Audrey Hepburn 🥰 and Bogy! 🤗
Thanks
Thank you as ever, N. Loco! Or should I say kudos
My favorite director of all time!
hi i am from india an aspiring filmmaker... your videos are helpful for me in my persuit keep them coming, you are doing great job.
This is the one of the best channels I've discovered this year. A real gem.
Do more videos about Wilder, he's my fave director and writer.
I think I found my people! I LOVED this. Subscribed!
Your videos are true lessons from the masters of classic cinema Finally someone doing justice to the real father of many filmmakers who think they learned something at university.
You are the best cinematic channel on UA-cam. These videos are as artistic as the amazing films they explore
This puts into words what I've felt for so long. Wonderful video!
your take on films is mesmerizing
This goes to one of my big peeves of modern cinema...especially comedies. Everyone is inarticulate and getting lost for words is seen as a substitute for humour. Paul Feig films are the worst at this but you see it here in the remake of Sabrina. "I'm just going to do that thing...with the thing....yeah...you know....I'm...I'm....yeah....I'm just going to go........and do.........the thing........". Wilder's characters, whether in a comedy or a drama, are never inarticulate.
One of the appeals of dialogue in fiction is that the charcters get to immediately and effortlessly say the witty or intelligent thing we might think of in the shower two days later. So much modern writing takes that away because they want to seem relatable.
Thanks for showing people what they're missing in the classics. Love your vids
Your scripts are the same. Tight articulate and no filler edits. I am to have your articulation one day very soon. Thank you for the wisdom. Definitely sharing this to all my friends
I, for one, am shocked that the guy from Stuck on You could not keep up with the guy from Sunset Boulevard
Can't do it without a script and direction (and sometimes Pollack is a great director - just not here. See 1975s Three Days of the Condor) @@GregJamesMusic
@@GregJamesMusicmight be, that the director made him limit his "acting tools"
Haha! Stuck on him we are not. She is lovely, yes - but they come up soooo short against supernova stars Holden and Hepburn.
I bet Pollack was aware of how lame his version was-- he's too good of a filmmaker and student of film. I choose to believe that it was merely a director-for-hire kind of job and he was just getting a paycheck. Thanks for the video! As always, another gem and I learn about a dozen things :)
You're quite right, and Pollack explicitly references his Sabrina experience in this documentary about the making of Some Like it Hot: "My advice to anybody that wants to remake a Billy Wilder film is: don't." ua-cam.com/video/7CH7sXaXe5A/v-deo.html (at 2:33)
Joly cow this man is really the best cinema youtuber out there.
another increduble video, you quickly became my favorite channel related to cinema. keep up the great work
Thanks!
Thank you!
I'm happy this channel is growing, in this moment is my favourite on UA-cam.
Another brilliant analysis! Inspired to juxtapose the two versions. As usual you have an excellent concept and brilliant execution. I’ve been binge watching your content, and I’m never disappointed. Thanks much for your hard work!
Billy is the GOAT! Thank you for such a great video! I’m
Going to rewatch Sabrina right now!
Another fantastic video! I keep waiting for your channel to blow up, and I must confess I'm a little jealous of those who'll get to binge your library for the first time. Thanks again, Moviewise! 🤩
1) Audrey Hepburn is probably the most beautiful actress who has ever lived. Maybe the most beautiful women who has ever lived.
2) The scene of them dancing with his mother getting closer is simply wonderful.
3) Bogart.
I try to understand how did they dare to even try to make a remake.
As for your no.1 topic, you clearly never heard of Veronika Lake, Barbara Bouchet, and Greta Garbo 😋
@@dr.juerdotitsgo5119 Hearing of them has nothing to do with how you see them, clearly.
Your videos are better than most movies. Cheers!
One of your best videos! Excellent analysis
LOVE these videos! Both informative and laugh-out-loud funny. Thanks!
This might be my favorite video of the year. Who's the Billy Wilder of our generation? No one I can think of even comes close.
The only filmmakers I can think of who get anywhere close are the Coen Brothers. Like Wilder, they’ve successfully written and filmed a wide variety of genres; and they also have a knack for creating memorable, slightly larger-than-life dialogue and characters that leave a big impression with a small amount of screen time. It’s too bad Joel and Ethan are working separately now - they’re nowhere near as good apart as they were together.
Excellent video. Witty and educational at the same time.
Could you share some of your views on the importance of plot in films, please?
What tools can directors use to enhance their storytelling?
Do you think one could make up a list of conditions that must be met for a film to be called "good"?
I am greatly impressed by your work. Thank you and keep it up.
You might want to read a book on Alexander MacKenderick's rules for film-making, it's at the IA online library lending or Anna's archive. He was a teacher in America after leaving films and was a master film-maker; 'Whiskey Galore', 'The Man in the White Suit', 'The Ladykillers', 'The Sweet Smell of Success', etc.
@@bobbyj-x7v will do. Thank you
@@bobbyj-x7v just started reading. It's awesome. Great recommendation.
Thank you.
The Thanks button should be renamed the Kudos button in your honour, Wiseman.
Perhaps a comparison between the original and new versions of A Miracle on 34th Street for Christmas? Sorry, perhaps too sappy for this channel, but I do love the format!
So true! Good to hear an unabashed, articulate critique. Looking forward to more.
I don't think film criticism gets any sharper, smarter, or funnier than this. Brilliant stuff. I also like how it works in a critique of our diminishing culture. Congratulations. Regards
Thanks for the video. This truly makes you think.
Classic films are better than modern ones
Damn straight.
This was outstanding! Your best analysis that I have seen. Thank you, I learned a lot.
Trying to make Audrey look plain was Wilder's biggest challenge with all his talent and abilities
I like all the Wilder's I have watched. "You're blocking my view. I can't see my yacht.:"
Strange that Sydney Pollack made one of the true comedy greats of the '80s, 'Tootsie' but completely missed the mark here. A case of a great script, perhaps.
Your analysis is absolutely delightful.
Excellent analysis
you've probably read it, but the Billy Wilder biography Dancing On The Edge is so good if you haven't
Really enjoyed this, thank you - and great choice... love Wilder
It is extremely irritating that the studio system demands substandard generational remakes of these classic & unimprovable gems purely for the love of filthy lucre & no respect for the art form itself & no desire to foster new genuine talent.
wow... this analysis is... uh .. good!
Amazing
Ok mr. Moviewise goddammit you convinced me with this one channel of yours
Spot on. Just found your channel. This essay made me Subscribe. Looking forward to catching up on your other videos.
I recently watched "Oppenheimer" , learned a lot from it and found it interesting... Can you make a video on the thing it gets right or wrong like a review.. It will really help.
Good comparison. Video editing made it possible. I've seen the first Sabrina.
Paused this video at the start to watch the of sabrina. will probably never see the remake. What a great video that highlights the magic of old Hollywood as well as the futility of remakes.
I am tired of when realism is used as an argument as if there was any inherent quality to making things realistic. Well executed story of any kind>>>>>>>realism. So many things are not realistic in movies/stories.
Wow… my Dad was a major Bogart fan, so we watched all his movies; Sabrina has always been an absolute favorite. Such a treasure!! Bogart, Hepburn, and William Holden, plus the terrific cast, writing, and directing. Thank you so much for this video! I never planned to see the remake, because I figured it was about as likely to succeed as a remake of On The Waterfront, and you have confirmed I was correct. 😊😊
Wow! It’s unbelievable how they ruined the remake. I have such appreciation for the classic movies now thanks to you, Moviewise. Thanks also for “sprezzatura”!
My favorite: "Learn to speak, damn you!"
Very good. Billy Wilder was an exceptional artist.
I'm not going to lie, I enjoyed the modern version of Sabrina when it came out, even though I was already a fan of the original movie at the time. (It could have been something to do with Harrison Ford; I was also a fan of his.)
But as time has passed, I've gone back to watch original movie over and over again, always LOVING it. The one time I went back to watch the remake I couldn't quite place why I didn't like it so much...
I don't know why but I've always had a love of much older movies, More so than newer movies, (and you can forget about any movie of today!)
I believe you have managed to illustrate and explain why I feel the way I do in this video.
Thank you so much!
Make an essential reading material for cinema lovers - like, idk- Hitchcock/Truffaut, Maya Deren's cinema commentary book, The World Stage by Kirschnir, Bergman's The Magic Lantern, Scenario's / screenplay books, Akira's autobiography, Tarkovsky's sculpting in time, Truffaut early criticisms, Cahiers- magazines and so on... but still, deep as I am in to cinema, I feel slighted of knowledge of good magazines for example, good critics and essayists who aren't on youtube / isn't a famous director~ for the most part
Great work!
Great work! The remake certainly looks a lot like The Room...
Agree with every single thing you said. Harrison Ford was outside his limited range
Ok, i need to see all Billy Wilder's films
This is such a good analysis! I never liked the remake and now I know why!
Saw this video a mile away when you’ve posted about sabrina in twitter
You are one of my favorite film channels on YT. I'm wondering if you've ever seen the movie Sophie's Choice? It has great blocking and cinematography.
Would love to see your comparison of Waterloo and Napoleon as well!!
Moviewise, this is a most savage and well-argued takedown.
How about a comparison of Cape Fears?
Fun Fact: Sabrina (1954) was a pre-VistaVision aspect ratio -the actual aspect ratio of Sabrina was 1.75:1.
I believe the dvd used the 4:3, while the blu-ray uses the pre VistaVision wide aspect ratio.
NAILED IT. God, I could listen to you shit talk all day.
man you should make a movie.
Firstly, love all your videos! Just a small note, but this looks like a 4x3 TV safe transfer of Wilder's '54 version. The extra headroom at the top is meant to be cropped for theatrical exhibition.
Never crop
iamright@@iammraat3059
I haven’t seen the original or the remake but the remake looks absolutely excruciating.
The worst clichee the remake falls in is having Sabrina wear glasses initially. Then ta-da, after Paris she has perfect eyesight, suddenly they consider her beautifull!🤦♀️
Billy Wilder was a great script writer, we have been gradually losing that art, I think its got to do with we losing out on our human emotions, it reflects in our work.
Hi! Recent fan here :)
Can you do one for the Coen bros pls? Love to hear your opinion on them (more than a mention here and there)
I had only seen the remake and hardly remembered it. So I never felt the need to watch the original one. But after watching this I finally did and I’m glad I did. It is pretty great and way better than the remake. Thanks
Linus was written with Cary Grant in mind. Cary Grant stealing a girl from Bill Holden is easily digested... Bogart stealing a girl from a young beautiful William Holden...
Casting undid this, otherwise, marvelous picture. Wilder was a genius.
I’m gonna look through your Channel and see, I’m new to you! I love ya Vids. I’m curious if you have a There will be Blood video, or a DEER HUNTER vid. I think you’d really knock thoses out the park!
""The remake is ashamed of being a comedy."
Noticed that too with Charade and its remake The Truth About Charlie, where they replaced Cary Grant with Mark Wahlberg,
Mr. Moviewise, I would be very interested to hear your comments regarding Gerry Anderson and his work on shows such as Thunderbirds, Joe90, etc. Disregard the fact that the characters are all 'puppets' and concentrate on the technical aspects of the shows, story, dialogue, and so forth. How does it compare to human-action filmmaking.
And the impact they had on the Bond films via Derek Meddings