Really adore your practicality in exhibiting these goodies... You are one of the most trusted few unbiased plug-in reviewers around... Keep Rolling these & God Bless... Cheers :)
I use compression mostly to get consistency for channel levels , also to cut of transients and tails . This plug seems to add some form of sonic clipping distortion ( the good kind 😎) also you seem to able dial it in so that you can adjust other sonic properties in the music. They got my interest 😁!!!🔥🔥
Thanks for the video. I'm not sure the Input knob have something to do with the clipping/saturation stage. Neold states (in the manual) : This control (Input) sets the amount of gain applied to the signal AFTER the clipper stage, before it enters the compressor. If you want more saturation, you just have to deal with the Density knob. Maybe i'm wrong.
So to make you know that I am not trolling nor have any animus, I feel your assessment is spot-on, and you should use this compression on the 2-bus and Tone Project's Unisum MC on the master bus. See: I am your acquaintance after all. No moot point here. 👍
Would be nice if you tried a little harder match the gain. Its almost like youre trying to make the wet version a few dBs louder before doing the bypass test
Well maybe i already tried a litle harder... Thats the reason why i actually increased output, to make sure the before and after are equal. Compressioon reduces dynamics so you really need to adjust with output to get a fair comparison.
@@whitenoisestudio i second that. while reading your cmment i also realise this means it has no Autogain . Bummer. Thats why i love Powair. It has one of the best working Autogain`s that i`ve tried
Accurately reproducing a piece of gear from 1957 that was discontinued right away. Maybe for a reason? So if it's accurate analog, does it mean it's automatically good? Saying this is a discussion starter, I haven't tried it yet but I will...
try it! If you like it great, if you dont, fine as well. I refer to proper build analog gear in the video. There's enough crap sounding analog gear out there for sure.
Check how good Neold can capture ANALOG sound with teh Neold v76u73 Preamp Compressor as well: ua-cam.com/video/C-G843T5fBA/v-deo.html
This one I want to rave about, it's a knockout plugin and delivers better than your ears will expect it to do. Love it!
I fully agree.
Thank you so much for the great video, Marlon. Much appreciated!
And thank you for this wonderful plugin!
Really adore your practicality in exhibiting these goodies... You are one of the most trusted few unbiased plug-in reviewers around... Keep Rolling these & God Bless... Cheers :)
I appreciate that! I absolutely try to be that. Thanks@
Love the sound and the aesthetics of this plugin! It makes using it a pleasure. Great video!
Yeah spot on.
This plugin really invites to play around with the dials.
Nice channel! I completely agree, love this plugin and also Neolds Big Al.
Thanks! I would also check their u76 plugin, they all sound so thick.
Sounds really good. Thank you very much man!
Thanks for watching!
This thing sound great !
It’s REALLY good
In recreating review 👍🏽 you said some things that got me thinking .
I wonder about what ;-)
I use compression mostly to get consistency for channel levels , also to cut of transients and tails .
This plug seems to add some form of sonic clipping distortion ( the good kind 😎) also you seem to able dial it in so that you can adjust other sonic properties in the music.
They got my interest 😁!!!🔥🔥
Thanks for the video. I'm not sure the Input knob have something to do with the clipping/saturation stage. Neold states (in the manual) : This control (Input) sets the amount of gain applied to the signal AFTER the clipper stage, before it enters the compressor. If you want more saturation, you just have to deal with the Density knob. Maybe i'm wrong.
So to make you know that I am not trolling nor have any animus, I feel your assessment is spot-on, and you should use this compression on the 2-bus and Tone Project's Unisum MC on the master bus. See: I am your acquaintance after all. No moot point here. 👍
Where is the 'detector' above the input signal? (knob U --> L)
I notice drum bus section, it shows up.
Stereolink. So on mono channels , not there.
Would be nice if you tried a little harder match the gain. Its almost like youre trying to make the wet version a few dBs louder before doing the bypass test
Well maybe i already tried a litle harder...
Thats the reason why i actually increased output, to make sure the before and after are equal.
Compressioon reduces dynamics so you really need to adjust with output to get a fair comparison.
@@whitenoisestudio i second that. while reading your cmment i also realise this means it has no Autogain . Bummer.
Thats why i love Powair. It has one of the best working Autogain`s that i`ve tried
Ho, It seems to work well on stare and High frequency, but not interesting for bass
Its leaves your low end more intact than most compressors. Use the shape , frequency , density and emphasis dials to finetune that.
Accurately reproducing a piece of gear from 1957 that was discontinued right away. Maybe for a reason? So if it's accurate analog, does it mean it's automatically good? Saying this is a discussion starter, I haven't tried it yet but I will...
try it! If you like it great, if you dont, fine as well.
I refer to proper build analog gear in the video. There's enough crap sounding analog gear out there for sure.