Esta sonata me fue siempre entrañable. Aquí, la interpretación igualada de Pierre Fournier y Artur Schnabel, le aporta tanto más intensidad que piano y cello se libran a un combate “despiadado” en el que se requiere poderío equivalente, al no haber vencedor ni vencido sino porfía entre pares. Porfía que nos transporta no a los campos de Marte sino a las praderas celestiales.
Der Dialog zwischen dem tiefen Ton des Cellos und dem klaren Schlag des Klaviers klingt echt intim und perfekt synchronisiert. Erstklassige Interpretation dieses fein komponierten Meisterwerks!
This sonata - withiout slow movement, as the fothcoming op. 39 of Brahms - is a model of rigorous construction and of fierce melodism. We have hee an authoritative version.
Went to hear Kian Soltani and Julio Elizalde perform a lovely recital at the Kennedy Center in D.C. last night. As beautiful as their playing was of this piece and the rest of the program, Schnabel's tempi seems so much more responsive to the music. The first movement is not a dirge - it's a lively "allegro ma non tanto".
Schnabel, in his later years, was the "father figure" of The Albeneri Trio, America's first permanent Piano Trio. Founded in 1944, their recordings are now available for the first time here on UA-cam.
I’m surprised that you don’t find this interpretation to your liking. Certainly Fournier is an excellent cellist; he’s one of my favorites along with Casals, Rostropovich, DuPre, Piatigorsky, and Feuermann.
저가 태어난 1947년 녹음이라니,또 뛰어난 두분의 연주를 들을수 있다니,너무 고맙습니다.
At first I was startled with how fast it is. Soon I realized, as always with Schnabel, that it is exactly right and thrilling.
Fabulous duo!
Love the tempo--this music has such great kinetic energy when these two play it.
Thank you from the bottom of my heart for uploading this outstanding performance.
Love it too
Esta sonata me fue siempre entrañable. Aquí, la interpretación igualada de Pierre Fournier y Artur Schnabel, le aporta tanto más intensidad que piano y cello se libran a un combate “despiadado” en el que se requiere poderío equivalente, al no haber vencedor ni vencido sino porfía entre pares. Porfía que nos transporta no a los campos de Marte sino a las praderas celestiales.
Der Dialog zwischen dem tiefen Ton des Cellos und dem klaren Schlag des Klaviers klingt echt intim und perfekt synchronisiert. Erstklassige Interpretation dieses fein komponierten Meisterwerks!
This sonata - withiout slow movement, as the fothcoming op. 39 of Brahms - is a model of rigorous construction and of fierce melodism. We have hee an authoritative version.
Esplêdido! meu violoncelista preferido, sem comentários.
Splendido
Went to hear Kian Soltani and Julio Elizalde perform a lovely recital at the Kennedy Center in D.C. last night. As beautiful as their playing was of this piece and the rest of the program, Schnabel's tempi seems so much more responsive to the music. The first movement is not a dirge - it's a lively "allegro ma non tanto".
I consistently thought Rostropovich with Richter were the supreme partnership in these works, then I heard this account!. Need I say more.
Excelente ejecución sólida, real. 👏 ♥️🎶🎶🎶🎶
Schnabel, in his later years, was the "father figure" of The Albeneri Trio, America's first permanent Piano Trio. Founded in 1944, their recordings are now available for the first time here on UA-cam.
Beethoven in en iyi çello sonatı
******
Why is Schnabel playing with this naive cellist ? Didn't he find something better ? Feuermann had catch a cold and Piatigorsky a broken leg ?
I’m surprised that you don’t find this interpretation to your liking. Certainly Fournier is an excellent cellist; he’s one of my favorites along with Casals, Rostropovich, DuPre, Piatigorsky, and Feuermann.