VIDEO TIME STAMPS 00:00 - My Please to Every Drummer 00:21 - Playing Intro 00:27 - Video Introduction 00:45 - Join my Jazz Drum Set Community! 01:17 - Lesson Explanation 01:49 - Let's gooooooo! 02:02 - Is it YOUR birthday today? 02:17 - The Lesson 03:16 - Happy Birthday Song Form 07:33 - C Jam Blues (blues form, WRONG PDF😔) 11:05 - Meet the Flinstones (Rhythm Changes form) 14:42 - Closing RemarQs
Excellent lesson! I find this takes a lot of practice to become a natural thing to do.We play C Jam Blues on my current gig, so I am looking forward to practicing this more intently!
It takes a lot of dedication for sure, keep at it! So glad you're a part of the Q/munity. Hopefully we get your Zoom sound working ok today. Cheers T 🚗!
Great lesson Q! My jazz band prof in college would go above and beyond to drill this into people's heads. It came in handy on cruise ships, because in our jazz/lounge sets we mostly play off lead sheets and traded 4s a lot.
I really love these lessons about what to focus on as a drummer while playing in a jazz band. And coming from a professional and experienced drummer, your advices are so valuable, Thank you so much!!
My pleasure Simon! You should come join the Q/munity! It's a supportive group of drummers sharing music, ideas, and having fun Zoom sessions. Check it out: www.skool.com/jazzdrumming/about
Thank you man - I need to work and practice that a lot more. Even though I easily know/feel where 8 and therefore 16 and 32 bars are, I could mess up in the A and B and lose it. Happy New Year! :D
Same here. It’s frustrating. One thing I listen out for is the Chord change in the B section. Sometimes people at the jam don’t make it as easy to follow though
We've all be there man! You should come join the Q/munity! It's a supportive group of drummers sharing music, ideas, and having fun Zoom sessions. Check it out: www.skool.com/jazzdrumming/about
I appreciate that my man! You should come join the Q/munity! It's a supportive group of drummers sharing music, ideas, and having fun Zoom sessions. Check it out: www.skool.com/jazzdrumming/about
Love what you did @5:50 and 6:50. I played in a wedding/dance band. We would have to play 'happy birthday' 3 and 4 times over until the birthday person came up, took bows, and blew out the candles. The last time through I would Billy Cobham it at the end. 😅
Hey q, would you consider doing a breakdown of some of the licks/patterns you’re using in the intro (as well as when you’re demonstrating the form and playing more “exotic”textures? I’m particularly interested in some of the “quick actions” you’re using on the snare (drags, fast doubles, single hand buzz) to add interest… that’s something I’ve always had trouble unlocking (or even finding information on). Or if you’ve already done that I’d appreciate a link! You just got a new subscriber, great lesson man!
I lose the form all the time when soloing despite my best efforts. More specifically I lose the melody and have to go back to counting bars in order to stay on track, but then that causes my solo to lose relevance to the tune. For me the issue is more syncopated melodies, specifically monk tunes. I can sing the melody while soloing but that causes me to play to close to the melody. Tunes like billies bounce, Gloria’s step, moose the mooche also give me trouble.
Try focusing on one tune at a time. Spend a week just playing, listening, and singing a tune like Billie's Bounce or other highly syncopated tunes at a slow tempo to deeply internalize it. Once it feels natural, gradually speed it up while experimenting with solo ideas. This will help you lock in the melody and form without overthinking during solos! You can learn anything and get better at anything if you work diligently at it.
Hey Quincy from Ned in Spain and another rolling rollacoaster o rhythm to thank you for. Love all the examples but Meet the Flinstones reminds me of when cartoons used to have some seriously swingin theme songs and some great musicians playing them. Top Cat, Jetsons, Jonny Quest, Space Ghost and Spider-Man. Don't get me started on all the TV themes by greats like Basie, Elmer Bernstein, Lalo Schifrin, Earl Hagen, Jerry Goldsmith... All the best Dr Q
Nutty! You are totally right. Those themes were all so good and very memorable. Music ain't the same anymore. You should come join the Q/munity! It's a supportive group of drummers sharing music, ideas, and having fun Zoom sessions. Check it out: www.skool.com/jazzdrumming/about. It would be great to have you!
Q: If you read this comment here's something that messes me up and that's what to play at the end of an 8, 16 or 12 bar phrase WITHOUT LOSING THE TIME! Sometimes I choose to play time right through, but it's those embellishments (or subtle hits) at the end of the phrase that often get me in trouble. I've not only lost the time, but my place in the tune as a result. Got any suggestions? Tx
Great question! Here's a suggestion: start simple. Practice adding small, clear embellishments (like a single snare hit or cymbal crash) at the end of phrases while keeping a steady quarter-note pulse on the hi-hat or ride. This gives you an anchor to stay locked into the time. Gradually experiment with more complex ideas, but always prioritize clarity over complexity. Recording yourself can also help pinpoint where things go off track. Over time, these phrase endings will feel natural and won't disrupt your sense of time or form. Hope that helps!
So fun and useful - thank you! Any tips for keeping form when the melody is not particularly iconic or memorable and/or you're playing an unfamiliar song (like at a jam session)? :)
Great question! For less memorable or unfamiliar tunes, focus on the form structure rather than the melody. Break it into smaller chunks (like 4- or 8-bar sections) and use harmonic or rhythmic landmarks as guides. Also, try to keep your ideas simple. This is what helps me not lose form on songs I don't know well. Hope that helps! Also, you should come join the Q/munity! It's a supportive group of drummers sharing music, ideas, and having fun Zoom sessions. Check it out: www.skool.com/jazzdrumming/about. It would be great to have you!
Thanks for a great lesson, Quincy! I understand that this is an introductory course with simple examples. It is much more difficult to split consciousness into two levels. One half should be autopilot and the other creative. My question is how to balance in this without losing the meaningfulness and logic of the solo and keep the form?
Great lesson. How do you keep the melody in your head while also trying to be in the moment and react to the other musicians? I find singing the melody to be a little all encompassing for my brain power
Great question! The key is deeply internalizing the melody so it feels second nature-this way, it’s always in the background without needing your full focus. Instead of singing the whole melody, anchor yourself to key phrases or rhythmic motifs that act as guideposts through the form. Hope that helps KO!
Great lesson! Thanks for sharing. How do you deal with interacting with the soloist while you’re singing the melody during the solos? Are those drums made of maple or WB?, they sound great! Thanks
Yes those drums are maple. Check the description box for more info about them. Regarding your first question, the key is deeply internalizing the melody so it feels second nature-this way, it’s always in the background without needing your full focus. Instead of singing the whole melody, anchor yourself to key phrases or rhythmic motifs that act as guideposts through the form. Hope that helps Rob!
Excuse me if this is a silly question, but say a pianist is soloing, do you sing the form in your head at the same time while listening intently and reacting to their solo ? thanks.
Great question! The key is deeply internalizing the melody so it feels second nature-this way, it’s always in the background without needing your full focus. Instead of singing the whole melody, anchor yourself to key phrases or rhythmic motifs that act as guideposts through the form. Hope that helps Mikey!
Hi quincy Yoyoka Japanese drummer Girl now lives in the usa voted top 500 drummer in the world ua-cam.com/video/SfqiglmaCAc/v-deo.htmlsi=aGOdDXXWkCPoZaEe
VIDEO TIME STAMPS
00:00 - My Please to Every Drummer
00:21 - Playing Intro
00:27 - Video Introduction
00:45 - Join my Jazz Drum Set Community!
01:17 - Lesson Explanation
01:49 - Let's gooooooo!
02:02 - Is it YOUR birthday today?
02:17 - The Lesson
03:16 - Happy Birthday Song Form
07:33 - C Jam Blues (blues form, WRONG PDF😔)
11:05 - Meet the Flinstones (Rhythm Changes form)
14:42 - Closing RemarQs
Excellent lesson! I find this takes a lot of practice to become a natural thing to do.We play C Jam Blues on my current gig, so I am looking forward to practicing this more intently!
It takes a lot of dedication for sure, keep at it! So glad you're a part of the Q/munity. Hopefully we get your Zoom sound working ok today. Cheers T 🚗!
Great lesson Q!
My jazz band prof in college would go above and beyond to drill this into people's heads.
It came in handy on cruise ships, because in our jazz/lounge sets we mostly play off lead sheets and traded 4s a lot.
That's amazing! All students should have to take a "form" class. That's how important it is.
I really love these lessons about what to focus on as a drummer while playing in a jazz band. And coming from a professional and experienced drummer, your advices are so valuable, Thank you so much!!
My pleasure Simon! You should come join the Q/munity! It's a supportive group of drummers sharing music, ideas, and having fun Zoom sessions. Check it out: www.skool.com/jazzdrumming/about
Cracking stuff QD, enjoyed that. 👍🏻🥁
Thank you man - I need to work and practice that a lot more. Even though I easily know/feel where 8 and therefore 16 and 32 bars are, I could mess up in the A and B and lose it. Happy New Year! :D
Same here. It’s frustrating. One thing I listen out for is the Chord change in the B section. Sometimes people at the jam don’t make it as easy to follow though
I'm with you! Some people don't realize how important that change in tonality is.
We've all be there man! You should come join the Q/munity! It's a supportive group of drummers sharing music, ideas, and having fun Zoom sessions. Check it out: www.skool.com/jazzdrumming/about
最高のレッスンありがとうございます😊今年もよろしくお願いします🎉
いつも見てくれてありがとうございます。こと書も LET'S GOOOOOO!!
You are such a great teacher Q!
I appreciate that my man! You should come join the Q/munity! It's a supportive group of drummers sharing music, ideas, and having fun Zoom sessions. Check it out: www.skool.com/jazzdrumming/about
This advice is priceless, am practicing some tunes and will help massively, cheers Quincy😊
Right on my man!
Good lesson. Thank you. Will share with my students.
Thanks Tony!
Love what you did @5:50 and 6:50. I played in a wedding/dance band. We would have to play 'happy birthday' 3 and 4 times over until the birthday person came up, took bows, and blew out the candles. The last time through I would Billy Cobham it at the end. 😅
Ha! I would love to hear a Billy Cobham version of happy birthday. LOL!
Melody, melody, melody💚🥁💜
And one more time for the people in the back, 'MELODY!' lol
I got the Q jam blues! Keeping the form might be the only reason I’m a fun drummer to play with even though I’m not that good, great lesson
Much respect for being able to keep the form Oh Henry!
Great as always Q! I would love to see a video of your mic setup, the drums sound incredible and well balanced
Thank you Alex! I'm using 2 RODE M5 mics and 1 Shure Beta 52A mic.
Hey q, would you consider doing a breakdown of some of the licks/patterns you’re using in the intro (as well as when you’re demonstrating the form and playing more “exotic”textures? I’m particularly interested in some of the “quick actions” you’re using on the snare (drags, fast doubles, single hand buzz) to add interest… that’s something I’ve always had trouble unlocking (or even finding information on). Or if you’ve already done that I’d appreciate a link! You just got a new subscriber, great lesson man!
I appreciate you hopping on board. I'll consider breaking down the opening licks a little. Cheers my man!
Great video!
Thank you!
yo Q during the blues you got the PDF for the flinstones instead of the C Jam Blues
I was going to mention this to him. Glad you did.
Thanks for point that out Johnny!
Great video.🥁😎🥁
Appreciate that Dwayne!
I lose the form all the time when soloing despite my best efforts. More specifically I lose the melody and have to go back to counting bars in order to stay on track, but then that causes my solo to lose relevance to the tune. For me the issue is more syncopated melodies, specifically monk tunes. I can sing the melody while soloing but that causes me to play to close to the melody. Tunes like billies bounce, Gloria’s step, moose the mooche also give me trouble.
Try focusing on one tune at a time. Spend a week just playing, listening, and singing a tune like Billie's Bounce or other highly syncopated tunes at a slow tempo to deeply internalize it. Once it feels natural, gradually speed it up while experimenting with solo ideas. This will help you lock in the melody and form without overthinking during solos! You can learn anything and get better at anything if you work diligently at it.
@ thanks Q, I didn’t expect a response but what a nice surprise!
This possibly might have been the best clinic video you've provided, ever. Maybe. But well done and thanks!
Appreciate that very much Ricky! Great to have you in the Q/munity my man.
Thank you. Very true. It took you about 3 min to get to the point. I m glad you are not a surgeon 😅.
Hey Quincy from Ned in Spain and another rolling rollacoaster o rhythm to thank you for. Love all the examples but Meet the Flinstones reminds me of when cartoons used to have some seriously swingin theme songs and some great musicians playing them. Top Cat, Jetsons, Jonny Quest, Space Ghost and Spider-Man. Don't get me started on all the TV themes by greats like Basie, Elmer Bernstein, Lalo Schifrin, Earl Hagen, Jerry Goldsmith... All the best Dr Q
Nutty! You are totally right. Those themes were all so good and very memorable. Music ain't the same anymore. You should come join the Q/munity! It's a supportive group of drummers sharing music, ideas, and having fun Zoom sessions. Check it out: www.skool.com/jazzdrumming/about. It would be great to have you!
Great lesson Q once again! Drummers lose the form way too much. I think I've been guilty of this a few times...🤣
We've all been there before GD! lol
Q: If you read this comment here's something that messes me up and that's what to play at the end of an 8, 16 or 12 bar phrase WITHOUT LOSING THE TIME! Sometimes I choose to play time right through, but it's those embellishments (or subtle hits) at the end of the phrase that often get me in trouble. I've not only lost the time, but my place in the tune as a result. Got any suggestions? Tx
Great question! Here's a suggestion: start simple. Practice adding small, clear embellishments (like a single snare hit or cymbal crash) at the end of phrases while keeping a steady quarter-note pulse on the hi-hat or ride. This gives you an anchor to stay locked into the time. Gradually experiment with more complex ideas, but always prioritize clarity over complexity. Recording yourself can also help pinpoint where things go off track. Over time, these phrase endings will feel natural and won't disrupt your sense of time or form. Hope that helps!
@@drumqtips Thank You Q
So fun and useful - thank you! Any tips for keeping form when the melody is not particularly iconic or memorable and/or you're playing an unfamiliar song (like at a jam session)? :)
Great question! For less memorable or unfamiliar tunes, focus on the form structure rather than the melody. Break it into smaller chunks (like 4- or 8-bar sections) and use harmonic or rhythmic landmarks as guides. Also, try to keep your ideas simple. This is what helps me not lose form on songs I don't know well. Hope that helps! Also, you should come join the Q/munity! It's a supportive group of drummers sharing music, ideas, and having fun Zoom sessions. Check it out: www.skool.com/jazzdrumming/about. It would be great to have you!
Great lesson.
Thank you!
Thanks for a great lesson, Quincy!
I understand that this is an introductory course with simple examples.
It is much more difficult to split consciousness into two levels. One half should be autopilot and the other creative. My question is how to balance in this without losing the meaningfulness and logic of the solo and keep the form?
That's awesome! There should be a class for keeping the form. That's how important it is. Cheers Mikko!
Thank you🎶🥁
Hey Q, your Flintstones scat singing is right up there with Ella Fitzgerald. 👍
Ha! That's VERY kind of you Luigi. Just having a good time. lol
Whoa! what was that coming out at the end of your rhythm changes solo? Wicked, and thanks for the video & inspiration.
I have no idea. LOL! Just got lucky I guess:)
Great lesson. How do you keep the melody in your head while also trying to be in the moment and react to the other musicians? I find singing the melody to be a little all encompassing for my brain power
Great question! The key is deeply internalizing the melody so it feels second nature-this way, it’s always in the background without needing your full focus. Instead of singing the whole melody, anchor yourself to key phrases or rhythmic motifs that act as guideposts through the form. Hope that helps KO!
Great lesson! Thanks for sharing. How do you deal with interacting with the soloist while you’re singing the melody during the solos?
Are those drums made of maple or WB?, they sound great!
Thanks
Yes those drums are maple. Check the description box for more info about them. Regarding your first question, the key is deeply internalizing the melody so it feels second nature-this way, it’s always in the background without needing your full focus. Instead of singing the whole melody, anchor yourself to key phrases or rhythmic motifs that act as guideposts through the form. Hope that helps Rob!
Q da 🐐 no 🧢
🤣🤣🤣🤣
Form equals function
Hey Quincy I think you're showing a different chart when you're demonstrating the C Jam Blues. Chart title says "3. Meet the Flinstones"
Thanks for catching that Chris! Unfortunately, too late now. It's etched in UA-cam history forever. Lol! Great to have you in the Q/munity btw
Argh! Thanks for having us in the Qmunity, it’s been fun and inspirational so far
Excuse me if this is a silly question, but say a pianist is soloing, do you sing the form in your head at the same time while listening intently and reacting to their solo ?
thanks.
Great question! The key is deeply internalizing the melody so it feels second nature-this way, it’s always in the background without needing your full focus. Instead of singing the whole melody, anchor yourself to key phrases or rhythmic motifs that act as guideposts through the form. Hope that helps Mikey!
Thanks Q, actually it’s my birthday
HAPPY BIRTHDAY!!!!!!! You're the only one who watched this who had a bday apparently😂
Does Yoyoka ever lose form on the drums check her out.
I don't know her. I'll check her out!
I've been playing 30 years, still struggling...
I've been playing for 40 years. Still struggling...:)
Hi quincy Yoyoka Japanese drummer Girl now lives in the usa voted top 500 drummer in the world ua-cam.com/video/SfqiglmaCAc/v-deo.htmlsi=aGOdDXXWkCPoZaEe