'El Conde' Cinematographer Breaks Down the Flying Vampire Nun Sequence Using a 90-Foot Crane & Wires
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- Опубліковано 12 лют 2024
- Director of Photography Ed Lachman worked with Director Pablo Larraín to produce a unique black and white look for Netflix's film 'El Conde.' Lachman had Arri build a custom B&W senor Alexa, had 1930s Baltar lenses rehoused, and hung a grip with a camera off a 90-foot crane to capture the astounding, acrobatic sequence.
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This man knows his stuff! Impressive breakdown of how he approaches his craft.
That scene was soooooo beautiful! I remember telling myself: this isn't a green screen, it looks too real. Beautiful cinematography and a very unique movie. It truly will be in amongst my "best cinematography-movies--of all time-list"!
This sequence was the most cinematic moment of last year in my mind. Truly breathtaking 🙏
The review for the new "Dune" movie is in! Check it out here: iamgermane.blogspot.com/2024/03/movie-review-dune-part-two-2024.html
I thought the movie was ok but that scene is incredible.
this man is a complete legend. his advancements with things like the EL zone has helped SO much.
Fantastic. His dedication to traditional authentic lensing and monochromatic imagery, married with digital convenience enabled by Arri with the sensor, in essence freed him to implement his exposure system vision to a wonderful conclusion. Brilliant.
That scene was amazingly beautiful. The first time I saw it I replayed the scene several times just to watch in awe. It completely blew me away.
Que increíble poder escuchar a Ed Lachman relatando el proceso de la dirección de fotografía y también comentando el argumento de la película, sus apreciaciones personales. Gracias.
These look like some of the flying scenes in my dreams. Now I know how my mind does it.
I had assumed the movie had been shot on native digital color and then converted into B&W in post! Amazing! 🤩
Worth watching El Conde for this sequence alone.
Thank you for this incredible breakdown, Mr. Lachman. Variety, more of this sort of content, please!
This was insane! Loved the movie and Ed Lachman did such a beautiful work
That was such a great and welcome breakdown of a fantastic and beautiful film
Remarkable photography. I want to learn more about his system for placing tones.
I know nothing of cinematography but I can listen to this man for hours.
This was a fascinating video 👍
This was excellent. 👏🏼👏🏼👏🏼
A phenomenal film.
That scene was truly poetic
Amazing! Go ARRI!
Bravo 👏🏼
This sequence is already a classic and is imprinted permanently in Film history.
It’s such a great looking movie
It's a Wild Movie!
This movie deserved a best cinematography nom
Wow
A+
He sure looks like he'd know how a flying vampire looks like
He is dressed like a distinguished old world vampire.
Burberry’s Open Spaces commercial?
Back to the Future Doc
He looks like he's after Roger Rabbit
I'm guessing that quite a few people reading this are cinemaphotographers. If so can anyone recommend any filters, that will help me achieve a similar look on micro budget film? I'm using an Ursa Mini. It's a long shot, but you never know.
Test some older lenses - possibly Carl Zeiss Jenas, Canon FLs
The Ursa Mini has a colour sensor, so a lot of the look will come in the grading. Tue monochrome sensor use colour filters to affect contrast in camera. For example, in tru B&W, to capture blue sky as dark grey, with white clouds you need a yellow, or orange or red filter. The darker filters get a darker grey. Those filters will not work with a colour sensor. In post, you will have to avoid de-saturatiing and instead mix the channels to mimic a true B&W look.
@@stevenhightop2518 Thanks Steven
looking like judge doom from Roger Rabbit
🦇 cinema
Did they get inspired by Burberrys Open Spaces commercial?
I'm going to see it Monday at the Sam Goldwyn. Can't wait. I'm going to watch "Spirit of the Beehive" this weekend to get my anti-fascist vibes warmed up again. Thank you Nicholas, Ramin, Cynthia, Mitch, Mark, Jazz and Rob (nice rhythm!)
You're telling me this ISN'T Bruce Dern??
Stamp
Why not just shoot it in color and then have the additional ability to bring the light levels and the dark levels of every color down or up in post production ?
So the studio doesn’t change their mind and force them to release a colour version. It’s happened before in the past.
@@FramesPerSecond imagine if there was a hidden feature on the 4k blu ray where if you watch the film at home at least 10 times.. you can unlock the color version
Because capturing images on a sensor without the RGB Bayer filter allows you to obtain a much superior resolution and contrast and a truer black & white tone plus the posssibility, if you wish, to use color filters in front of the lenses. Add the chance to combine all that with the EL Zone System and the difference its pretty remarkable. It's not even close to be the same.
This old jew fella knows so much about cinematography, he should spare us his political opinions on Pinochet, he wouldn't appreciate ignorant takes on Isreal and palestinians so prevalent today among stupid woke college students
Conosciuto " a casa mia" diciamo. Un vero D.O.P. altri sono solo artigiani. Lui è un fuoriclasse.✨🌟🎥