Hey Ted; My daughter's Taylor 810 has just arrived back to me in the Chippewa and I have to express my gratitude for your expert work, thoughtfulness and eloquence. You did warn me that the crack would be visible after the repair and the results would easily pass anyone's close scrutiny. I do hope that this repair can also be a stepping stone to repair the fissure that has developed between my daughter and I. My kudos and thanks Ted.
As he's playing notes on the middle strings to check for buzz I said to myself "a little bit" right before he says "a little bit" and I've never been more proud of myself.....
Nice :D My guitar buzzes kinda like that when unplugged, but when plugged in and with a bit of gain its not noticeable anymore, so I expected him to not be concerned
I never thought I'd be someone who waited all week for a UA-cam video, but here we are! I suppose it replaces waiting all week for serialised TV shows which doesn't really exist anymore now we all stream TV.
Try cold wat motors for more Canadian classic car fixing and banter with possible beers drunk.....now I have 2 of the very best to watch with a late beer on Saturday
I think he should be more proud of his soundboard-crack work. Nothing is more destressing than when your love one cracks - and it happens so often however careful one is. These repairs seems lovely; one doesn't love one's granny less after her open-heart surgery, resonably more.
When setting up a trem I use a block to hold the trem in the desired final resting position. Depending on the trem, the block could be on the underside or the top. Tighten the trem claw springs to the point where the bridge is firmly resting on the block. Tune the strings to pitch. Then, very gradually, loosen the trem claw springs evenly on both sides until the block is just loose enough to remove. Strings in tune, bridge in proper place, no hassles with iterating back and forth between tuning and trem claw. Works for Floyds and Strats. Side benefit - no fear to remove all strings when changing strings, so you can do a good neck clean (much better than changing one string at a time).
Yeah, I have a tapered block that I use, set it between the body & inertia block so that the bridge-plate is @ desired height, tune to pitch then tighten "claw-screws" until the block just starts to fall out.
I watch these videos not so much to learn how to do it myself (I know my limitations) but for what is possible and practical for a pro to fix as my guitars get older and "worn in" starts to become "worn-out"... But it is so satisfying to watch.
Boeshield T-9 is really good stuff. It tends to not pick up dirt and dust, and is an excellent corrosion preventer. I have used it for years on CNC machines.
I got a Taylor that had identical cracks to that. Left it out of the case over Christmas break, came back after a week of -30 degrees and let's just say you only make that mistake once.
@@patriottothecore6215 I'm not happy with the Taylor stories I've heard, or experienced. I was at a Lutherier's place about 15 years ago, he had just gotten a NEW $5k Taylor, and the hardware was falling off!! My Mexican Taylor won't stay in tune at all, but I think that's because I moved to Pennsylvania, where evidently, nothing stays in tune...
@@that_thing_I_do I'm suspicious that they've gone way down hill. Reminds me of Breyers Ice Cream being destroyed by Unilever buying it, then ruining it. Most expensive guitars are good, regardless of brand.
The timing of this is absolutely perfect. I have two acoustics (one steel string, one nylon string) from a customer who moved down here to the desert a couple of years ago from northern Oregon and keeps them on stands. Both are very dried out with the steel string being far worse and it has developed some cracks as well as both Becks developing back bows. It took me a bit to realize they are severely dehydrated. Been trying to slowly rehab them in their cases, but I may try the plastic bag trick you mentioned. I always appreciate your videos and your helpful knowledge, friend. Thanks so much.
It's so funny to me. You say, I've done quite a few refretting videos recently, so no need to explain everything, but end up telling us the step by step anyways. I love your work ethic. Even though the guitar isn't in for a refret or something else you've noticed it needed after getting into it you just can't not address it. Your work ethic & pride in your work is top notch.
Hi, Ted. If you ever get a true floating, non-floyd style bridge in there to set up, I would love a video about that. I've got a G&L Legacy (Strat) and I've been tearing my hair out for years trying to get it set up comfortably. The proof if this is the fact that I am completely bald. It also has the tilt-neck widget on the 3-screw neck joint which throws another factor into the mix. So, if ever...
The last guitar produced that Leo himself designed. I've got a '93 Legacy. It can do just about anything. I am not worthy of it. Never had any problems with the trem but perhaps you know more about these things. I rarely use it.
Wow, flashback city! One of my first few electrics was a metallic red HSS Strat copy much like that. Sold it at a yard sale about 20 years ago. I'm more of a LP/Tele single-cut guy, but I could see a Telestrat in my future (Tele with Strat pickups and a go-out-of-tune lever 😀
Yes. I noticed that.. I usually play using my thumb instead of a pick and so that haze of skin particles is something I always try to remove before putting guitars back in cases. On black pickguards it looks real messy.
The way you said not to adjust spring tension and tuning is exactly the way I do it, and I had never taken a long time to do, no longer than your method, I’ve been doing it for so long it’s like 2nd nature
I’ve started working on guitars some in last few years. I have learned so much from these videos. A good retirement hobby in a year or two. Thanks so much
It's not unusual to set up Strat tremolos to allow some amount of string bending before the baseplate lifts. Clearly this one was very tight. When I set up my own, I tune the D string up to E and the G to G# which is more than enough.
Love that red and black combination. I’m really enjoy your videos. I love guitars and having the privilege to watch a master craftsmen at work as a master luthier is a lesson in perfection.
That's a Texas flood type stratocastor with the two single neck/ middle pickups and the dual humbucker bridge. My favorite strat configuration. :)p.s. rear cover plates are optional equipment in my book :)
When you've got guitars worth thousands of dollars, a humidifier is a pretty cheap investment. I like having my own guitars where I can see them and easily grab one. Wall hangers. A Boneco humidifier keeps my music room at RH of 50% year round. (Middle of the 45-55 range Taylor recommends.) Recommend the Boneco because it boils water for steam vapor. Other types of humidifier are a prescription for bacterial biofilm buildup. As well, a guitar at the proper moisture level sounds at its best to my ears.
That's the truth. I don't have a room humidifier so all my guitars stay in their cases until I want to play them. I've been using the soap dish method for over 40 years and have never had a crack in one of my guitars. As you say, when you have an acoustic worth thousands there is no way I'm going to be careless with it!
I’ve got a bunch of fender strats and one G&L Legacy USA made in 1996, which also has a two point fulcrum. On that guitar, you can’t bottom out the pivots to get a “on the body” bridge, you have no choice but to set it up to float, and even then, the two springs need to be relaxed to even get it to move, which causes the rear of the bridge to ride high. You simply have to adjust the geometry of the neck angle to saddle height to gain great action and correct intonation. It’s a better trem than the Fender, it just takes a few extra minutes to get set up! Great video Ted!
I'm glad to see that people are still doing proper repair work. Much better than just buying new guitars. Oh, it's "Vibrato", not "tremolo". Tremolo is an increase and decrease in volume, Vibrato is increase and decrease in pitch ;) Nice work.
Love your explanation on everything you do! Keep doing these videos, they're awesome, thank you! Already shared with friends of mine, greetings from Brasil!
I’ve never cared for any of the tremolo systems out there. But I know a lot of other people do, they really are a pain in the ass. I do however love the green way a Strat sounds and have wanted a hard tail for quite some time.
Leo designed the trem on a strat to be floating, although >not< with the baseplate level. Wonder why the bar is soo frikkin' high on a strat? That's why. It's supposed to be tilted, so the bar is closer to level, and it doesn't smack the input jack when at rest. It's ok the way most ppl do it Ie: with the baseplate level or "flush" Eddie did it for years. In fact most do. (The way I do it is the "Leo" way, even if I block it for dive only) Another thing ppl stress over is why does the G string go flat when either pulling a bend or using the bar. It's all in the physics of the strings break angle. The G and low E saddles are really close to the hole the string exits the plate. This makes for a really high degree of break angle. It's too much in fact for the strings to hold tune. Tilting the plate, as described above, makes for a lower break angle and better (albeit not perfect) stability. Play around with tilting the plate. You'll find where you like it. This may seem odd to you if you've never experimented with doing this. For me it's all about making work and not a (false) traditional way we've always done it. Cheers!
Love your videos find them very relaxing but I had to laugh when you said Yam- (pronounce like the tuber) aha.... I've always heard Yah- maha... Anyway I love to watch the methods and techniques and I've learned a lot that I can use on my own instruments.. thank you
I am not a fan of Taylor guitars and glad to see u run out of time and hence I would of been bored watching a Robert Taylor guitar being attended to . Lol so much going on here. I am always been impressed how well you carefully work on a customers guitar. So much knowledge you have and it counts for continued successes . Cheers Alberta Dave 🇨🇦😊🇨🇦
@@zapa1pnt , Interesting. We used to use this to spray electrical connectors on boats in order to seal around them and prevent moist air from corroding the connections. My brother had a small boat which I rewired with individual fuses for the lighting, radio and so in, and a barrier terminal strip in a plastic project box as a sort of bus bar for the power distribution, and I sprayed it with Boe-shield when I was done. His son tied it up incorrectly at the dock and the boat got flooded with water, but the wiring survived and worked fine after drying out, and lasted for years afterwards without corroding. (It was fresh water: salt water might have not been so kind to the wiring)..
I really don't get the reason for the spring tension to bring the bridge all the way down. In my experience, I NEVER get the guitar to return to zero when you do that. The bridge does what it's supposed to do much better when it's floating.
Out of novice curiosity, regarding the oxidised crack on the Taylor. I get the forcing the crap into the crack when cleaning and the exposure to the air making it dark and not being able to hide it. Considering the thickness of the gap would a gentle sanding of the sides of the crack help? Like using a really thin bit of sandpaper to take the oxidation off before gluing and clamping?
If you mean sanding the internal "matching" edges, that would not be a good idea as it would only widen the crack and make your life harder. As the guitar sits, those edges are about as even as even as they'll get, and the finish has broken as sharp as life allows. Sanding would round the top edges (removing extra finish) and because the grains would sand differently - and it would take more work to create that piece to slide inside.
I don't know about a factory, but it seems to make sense for each luthier to spend a couple of hours a year (or less often) to make a batch like that. Good idea.
Nothing like a luthier daddy video to ease a man to sleep after a long day of tracking drums. Oh and that red finish is gorgeous, almost makes me want to lick the guitar
If you mean sanding the internal "matching" edges, that would not be a good idea as it would only widen the crack and make your life harder. As the guitar sits, those edges are about as even as even as they'll get, and the finish has broken as sharp as life allows. Sanding would round the top edges (removing extra finish) and because the grains would sand differently - and it would take more work to create that piece to slide inside.
Big big fan! What’s your position on leaving a vintage laminate top classical guitar on a stand, in a room where the humidity usually covers around 40 to 60% but can dip down a little below that sometimes?
My 63 SJ is flawless but developed a very fine crack at same spot behind the bridge. No bulge behind the bridge. Would you repair as soon as you see one even if so fine that no opening is apparent? Great series
Greetings ! I really enjoy watching a fine craftsman at work . So satisfying and you just learn all kinds of tricks and methods .... Thanks for taking the time to make these videos ..... I have a totally off topic question for Ya ...... A few months ago I did a warmoth tele build and it came out great . The only thing is I chose walnut for the body . Sounds great and everything but it's super heavy . I don't mind the heft but I was wondering if it might be bad for the neck to hang it on the wall ...... Thinking that all that weight might stress the neck in some way .... Any thoughts ? Thanks and keep up the great work .... :D
Would it make sense to run a super thin kerf saw into the crack? Hear me out. This way the crack would be uniform, clean exposed wood and the dark exposed grain of the crack would be sawn off.
I thought the action on my latest guitar was a bit high but I never measured it. I was only going by look & feel. Turns out it's already at 3/64ths on the low and 3.5/64ths on the high side. Yea. I had no idea it was already at an acceptable level for a Les Paul. I can, stop worrying about that for now. The luthier cut the low e slot just a tad low so the bridge is raised a little extra to compensate. I was attempting to fix that bit it seems like I really don't need to since action is well within spec and where I like it.
Hey Ted;
My daughter's Taylor 810 has just arrived back to me in the Chippewa and I have to express my gratitude for your expert work, thoughtfulness and eloquence. You did warn me that the crack would be visible after the repair and the results would easily pass anyone's close scrutiny. I do hope that this repair can also be a stepping stone to repair the fissure that has developed between my daughter and I.
My kudos and thanks Ted.
You again!
As he's playing notes on the middle strings to check for buzz I said to myself "a little bit" right before he says "a little bit" and I've never been more proud of myself.....
Nice :D My guitar buzzes kinda like that when unplugged, but when plugged in and with a bit of gain its not noticeable anymore, so I expected him to not be concerned
Let me just say the n word
Hi man your videos are so therapeutic , I’m currently nursing my way through covid and they are a joy to watch, please keep up your excellent work
That crack just looks like a dark grain mark, nice repair.
I never thought I'd be someone who waited all week for a UA-cam video, but here we are! I suppose it replaces waiting all week for serialised TV shows which doesn't really exist anymore now we all stream TV.
Anyone else push thumbs up before even watching?
Yep.
Best guitar channel on UA-cam. Thanks for your time and effort!
Have you found any other channels
You sir are a great teacher and and a top notch craftsman....thanks!
Man your videos are literally helping me through depression and hopelessness thanks 🙏
Thanks Ted, for explaining Fender trems. They are truly a measure of Leo's genius.
Oh yes. Saturday is complete.
I was thinking the same thing 😆
Try cold wat motors for more Canadian classic car fixing and banter with possible beers drunk.....now I have 2 of the very best to watch with a late beer on Saturday
@@BenPortmanlewes Beer! I knew I was forgetting something! I'll be right back . . .
Agreed
how did you know it’s saturday
I think he should be more proud of his soundboard-crack work. Nothing is more destressing than when your love one cracks - and it happens so often however careful one is. These repairs seems lovely; one doesn't love one's granny less after her open-heart surgery, resonably more.
When setting up a trem I use a block to hold the trem in the desired final resting position. Depending on the trem, the block could be on the underside or the top. Tighten the trem claw springs to the point where the bridge is firmly resting on the block. Tune the strings to pitch. Then, very gradually, loosen the trem claw springs evenly on both sides until the block is just loose enough to remove. Strings in tune, bridge in proper place, no hassles with iterating back and forth between tuning and trem claw. Works for Floyds and Strats. Side benefit - no fear to remove all strings when changing strings, so you can do a good neck clean (much better than changing one string at a time).
Yeah, I have a tapered block that I use, set it between the body & inertia block so that the bridge-plate is @ desired height, tune to pitch then tighten "claw-screws" until the block just starts to fall out.
I got a 3d printer recently
I just made a custom template that locks it shut while i work
Yes, I watched Uryi Shishkov demo video with this technique!) Thx
@@fufc1231gay
I watch these videos not so much to learn how to do it myself (I know my limitations) but for what is possible and practical for a pro to fix as my guitars get older and "worn in" starts to become "worn-out"... But it is so satisfying to watch.
Nice repair on the top with the spline. Good tip about scoring around the frets before pulling them out so the tines don't tear up the fretboard.
Boeshield T-9 is really good stuff. It tends to not pick up dirt and dust, and is an excellent corrosion preventer. I have used it for years on CNC machines.
I have only just started my journey with the strat, and this is the best set up video I have found, thanks Ted...
Hearing you on the Strat with the whammy bar and I said "Is that Jeff Beck???". ;-)
May God bless you for the work you do, my friend.
Great Job Sr. And learning a lot thanks for sharing may God bless you
I absolutely love your illustrations of what you're doing, they're extremely informative & very comprehensive. thank you for all that you do.
I couldn't see the cracks at all once done. Magic!
I got a Taylor that had identical cracks to that. Left it out of the case over Christmas break, came back after a week of -30 degrees and let's just say you only make that mistake once.
I had a less than 1 year old 414 which cracked close to the bridge. It had only been out of the case for playing
@@patriottothecore6215 I'm not happy with the Taylor stories I've heard, or experienced. I was at a Lutherier's place about 15 years ago, he had just gotten a NEW $5k Taylor, and the hardware was falling off!! My Mexican Taylor won't stay in tune at all, but I think that's because I moved to Pennsylvania, where evidently, nothing stays in tune...
Interesting because Taylors are so high end and recent yet Mr Ted seems to do enough repairs to them
@@that_thing_I_do I'm suspicious that they've gone way down hill. Reminds me of Breyers Ice Cream being destroyed by Unilever buying it, then ruining it.
Most expensive guitars are good, regardless of brand.
@@3373-g8z But did you move to Erie PA...home of the Wonders?...their guitars always stayed in tune.
Gonna have to check those new Strat-O-Caster guitars out, very unique and futuristic design, crazy stuff 😱
The timing of this is absolutely perfect. I have two acoustics (one steel string, one nylon string) from a customer who moved down here to the desert a couple of years ago from northern Oregon and keeps them on stands. Both are very dried out with the steel string being far worse and it has developed some cracks as well as both Becks developing back bows. It took me a bit to realize they are severely dehydrated. Been trying to slowly rehab them in their cases, but I may try the plastic bag trick you mentioned.
I always appreciate your videos and your helpful knowledge, friend. Thanks so much.
I watch these for the opening one liners. The craftsmanship is cool too.
It's so funny to me. You say, I've done quite a few refretting videos recently, so no need to explain everything, but end up telling us the step by step anyways.
I love your work ethic. Even though the guitar isn't in for a refret or something else you've noticed it needed after getting into it you just can't not address it. Your work ethic & pride in your work is top notch.
Hi, Ted. If you ever get a true floating, non-floyd style bridge in there to set up, I would love a video about that. I've got a G&L Legacy (Strat) and I've been tearing my hair out for years trying to get it set up comfortably. The proof if this is the fact that I am completely bald. It also has the tilt-neck widget on the 3-screw neck joint which throws another factor into the mix. So, if ever...
The last guitar produced that Leo himself designed. I've got a '93
Legacy. It can do just about anything. I am not worthy of it. Never had any problems with the trem but perhaps you know more about these things. I rarely use it.
I use a framing gun and latex caulk to fix my cracked tops. I have to admit yours look so much better ! Beautiful work !!!!!!
Love your work brother…. One of the best! Keep up the great work….
Tons of love from the U.S.A.
Filling that crack in with the insert is "pure craftsmanship" as usual.👍
Wow, flashback city! One of my first few electrics was a metallic red HSS Strat copy much like that. Sold it at a yard sale about 20 years ago. I'm more of a LP/Tele single-cut guy, but I could see a Telestrat in my future (Tele with Strat pickups and a go-out-of-tune lever 😀
Holy moly, my mother would have made me clean my guitar before I hand it over to anybody
Same with selling cars ....always wash and vacuum my soon to be departed cars before exchanging !
Yes. I noticed that.. I usually play using my thumb instead of a pick and so that haze of skin particles is something I always try to remove before putting guitars back in cases. On black pickguards it looks real messy.
Your videos are just so enjoyable, relaxing and satisfying to watch. Thank you for making them and bringing us into your workshop.
That strat had that nice "Candy Cola" finish Fender was using several years ago...Nice!
The way you said not to adjust spring tension and tuning is exactly the way I do it, and I had never taken a long time to do, no longer than your method, I’ve been doing it for so long it’s like 2nd nature
I love your videos. You are a master luthier indeed! And an excellent teacher as well. Hats off my friend.
Onttjrissgsjgsitsigsg city lm lnn in do tv k o y p
At 5:43 you talk about the bridge height. This is something I've always overlooked. I've since looked at my strats and made adjustments. Thank You!
I’ve started working on guitars some in last few years. I have learned so much from these videos. A good retirement hobby in a year or two. Thanks so much
Just remember, hobbies are expensive and this one is No different. (don't ask)
i love this channel
It's not unusual to set up Strat tremolos to allow some amount of string bending before the baseplate lifts. Clearly this one was very tight. When I set up my own, I tune the D string up to E and the G to G# which is more than enough.
Thats one dirty strat
It is such a privilege to watch and learn from your videos!
Another informative, and enjoyable video Ted. First thing I look for, when I wake up on a Sunday Morning. Excellent work as always👌
Love that red and black combination. I’m really enjoy your videos. I love guitars and having the privilege to watch a master craftsmen at work as a master luthier is a lesson in perfection.
That's a Texas flood type stratocastor with the two single neck/ middle pickups and the dual humbucker bridge. My favorite strat configuration. :)p.s. rear cover plates are optional equipment in my book :)
When you've got guitars worth thousands of dollars, a humidifier is a pretty cheap investment. I like having my own guitars where I can see them and easily grab one. Wall hangers. A Boneco humidifier keeps my music room at RH of 50% year round. (Middle of the 45-55 range Taylor recommends.) Recommend the Boneco because it boils water for steam vapor. Other types of humidifier are a prescription for bacterial biofilm buildup. As well, a guitar at the proper moisture level sounds at its best to my ears.
That's the truth. I don't have a room humidifier so all my guitars stay in their cases until I want to play them. I've been using the soap dish method for over 40 years and have never had a crack in one of my guitars. As you say, when you have an acoustic worth thousands there is no way I'm going to be careless with it!
@@ronwhited1224 What's the dish soap method?
I’ve got a bunch of fender strats and one G&L Legacy USA made in 1996, which also has a two point fulcrum. On that guitar, you can’t bottom out the pivots to get a “on the body” bridge, you have no choice but to set it up to float, and even then, the two springs need to be relaxed to even get it to move, which causes the rear of the bridge to ride high. You simply have to adjust the geometry of the neck angle to saddle height to gain great action and correct intonation. It’s a better trem than the Fender, it just takes a few extra minutes to get set up! Great video Ted!
Surprised at how traditional that #4 position sounds on the Strat with a bridge humbucker.
That is a beautiful top on that Taylor.
That's a Yamaha.
I'm glad to see that people are still doing proper repair work. Much better than just buying new guitars. Oh, it's "Vibrato", not "tremolo". Tremolo is an increase and decrease in volume, Vibrato is increase and decrease in pitch ;) Nice work.
Tell that to fender.
That might be the best video you ever did. Definitely the best Strat setup video I've ever seen!
Love your explanation on everything you do! Keep doing these videos, they're awesome, thank you! Already shared with friends of mine, greetings from Brasil!
Boeshield works the treat on open pore aluminum castings too
That paper technique for setting trem springs is great thank you
That big crack on the Yamaha was pretty much invisible...don't see how it could have been repaired any better Ted:)
I’ve never cared for any of the tremolo systems out there. But I know a lot of other people do, they really are a pain in the ass. I do however love the green way a Strat sounds and have wanted a hard tail for quite some time.
Great stuff to watch and absorb. Thanks.
So awesome. Definitely learned something new today.
A lot of gunk between the Strat's pickups!
Oh what a joy it is to own an acoustic.
Always found the open style Mexican strat bridges seemed to resonate really well
Beautiful job on the yammy, sir!
Excellent job 👏🏽👏🏽👏🏽
The intro music is SO perfect👍👍👍👏👏👏👏🤣
The Yamaha turned out great IMO, if I owned that guitar I would be super happy with the results!
You are such a perfectionist,that is why i watch your clips,Laurajane
My Brian May Wilkinson wave has all the same issues. Now I know how to sort it out. Thanks, Gang Leader.
You're great dude.
I’ve been a strat player for decades and somehow never thought about this. Also, amazing work on the soundboards. Really great episode!
Learning to set up a Strat trem system is one of the easiest things to learn yourself, literally 10-15 mins
BoeShield is the best. Used it all the time sailboat racing in saltwater. Kept the shackles from locking up and rusting. WD40 made the problems worse
Leo designed the trem on a strat to be floating, although >not< with the baseplate level.
Wonder why the bar is soo frikkin' high on a strat?
That's why.
It's supposed to be tilted, so the bar is closer to level, and it doesn't smack the input jack when at rest.
It's ok the way most ppl do it
Ie: with the baseplate level or "flush"
Eddie did it for years.
In fact most do.
(The way I do it is the "Leo" way, even if I block it for dive only)
Another thing ppl stress over is why does the G string go flat when either pulling a bend or using the bar.
It's all in the physics of the strings break angle.
The G and low E saddles are really close to the hole the string exits the plate.
This makes for a really high degree of break angle.
It's too much in fact for the strings to hold tune.
Tilting the plate, as described above, makes for a lower break angle and better (albeit not perfect) stability.
Play around with tilting the plate.
You'll find where you like it.
This may seem odd to you if you've never experimented with doing this.
For me it's all about making work and not a (false) traditional way we've always done it.
Cheers!
How often should one have a setup for their instruments?
When it no longer plays right. It's not like going to the doctor. There is nothing preventative.
Thank you for the upload. Your presence is calming.
Cracks in solid-top Yamaha's attrack me like a kid to candy. Stabilize them and they usually sound great. Sounds like that one's got good mojo.
Exceptional work, Awesome!
Love your videos find them very relaxing but I had to laugh when you said Yam- (pronounce like the tuber) aha.... I've always heard Yah- maha... Anyway I love to watch the methods and techniques and I've learned a lot that I can use on my own instruments.. thank you
Awesome work sir... You are a true Craftsman
I am not a fan of Taylor guitars and glad to see u run out of time and hence I would of been bored watching a Robert Taylor guitar being attended to . Lol so much going on here. I am always been impressed how well you carefully work on a customers guitar. So much knowledge you have and it counts for continued successes . Cheers Alberta Dave 🇨🇦😊🇨🇦
Doin’ crack and playin’ strat😂
I have fluro grease from Chris Reeve pocket knives have been using it on my guitars and works amazingly. It's meant for pivots so why not
As always awesome content thank you very much
At 10:27, Boe-Shield! I haven't seen that stuff since the late 1980's when I was a marine navigation-equipment installer. Great stuff!
Any bicycle shop.
@@zapa1pnt , Interesting. We used to use this to spray electrical connectors on boats in order to seal around them and prevent moist air from corroding the connections. My brother had a small boat which I rewired with individual fuses for the lighting, radio and so in, and a barrier terminal strip in a plastic project box as a sort of bus bar for the power distribution, and I sprayed it with Boe-shield when I was done. His son tied it up incorrectly at the dock and the boat got flooded with water, but the wiring survived and worked fine after drying out, and lasted for years afterwards without corroding. (It was fresh water: salt water might have not been so kind to the wiring)..
Great job!
As always, Ted. Very nice work!
I really don't get the reason for the spring tension to bring the bridge all the way down. In my experience, I NEVER get the guitar to return to zero when you do that. The bridge does what it's supposed to do much better when it's floating.
Love your work !!
Out of novice curiosity, regarding the oxidised crack on the Taylor. I get the forcing the crap into the crack when cleaning and the exposure to the air making it dark and not being able to hide it. Considering the thickness of the gap would a gentle sanding of the sides of the crack help? Like using a really thin bit of sandpaper to take the oxidation off before gluing and clamping?
If you mean sanding the internal "matching" edges, that would not be a good idea as it would only widen the crack and make your life harder. As the guitar sits, those edges are about as even as even as they'll get, and the finish has broken as sharp as life allows. Sanding would round the top edges (removing extra finish) and because the grains would sand differently - and it would take more work to create that piece to slide inside.
Wouldn't it save you guys a bunch of time if some factory made spruce cleats and sold them in like bags of 1,000?
I don't know about a factory, but it seems to make sense for each luthier to spend a couple of hours a year (or less often) to make a batch like that. Good idea.
Nothing like a luthier daddy video to ease a man to sleep after a long day of tracking drums. Oh and that red finish is gorgeous, almost makes me want to lick the guitar
forbidden hard candy
@@kurdemati7655 Hey, I remember her! 🤣🤣🙄🙄
If you can get a feeler gauge into the crack, can't you sand the crack and remove the darkening/oxidation so that a splint would be less obvious?
If you mean sanding the internal "matching" edges, that would not be a good idea as it would only widen the crack and make your life harder. As the guitar sits, those edges are about as even as even as they'll get, and the finish has broken as sharp as life allows. Sanding would round the top edges (removing extra finish) and because the grains would sand differently - and it would take more work to create that piece to slide inside.
Big big fan! What’s your position on leaving a vintage laminate top classical guitar on a stand, in a room where the humidity usually covers around 40 to 60% but can dip down a little below that sometimes?
Nice job.
My 63 SJ is flawless but developed a very fine crack at same spot behind the bridge. No bulge behind the bridge. Would you repair as soon as you see one even if so fine that no opening is apparent? Great series
Greetings ! I really enjoy watching a fine craftsman at work . So satisfying and you just learn all kinds of tricks and methods .... Thanks for taking the time to make these videos .....
I have a totally off topic question for Ya ...... A few months ago I did a warmoth tele build and it came out great . The only thing is I chose walnut for the body . Sounds great and everything but it's super heavy . I don't mind the heft but I was wondering if it might be bad for the neck to hang it on the wall ...... Thinking that all that weight might stress the neck in some way .... Any thoughts ? Thanks and keep up the great work .... :D
Great show it all makes sense now!
Would it make sense to run a super thin kerf saw into the crack? Hear me out. This way the crack would be uniform, clean exposed wood and the dark exposed grain of the crack would be sawn off.
Perfect timing!
I was expecting some Dimebag divebombs lol
I thought the action on my latest guitar was a bit high but I never measured it. I was only going by look & feel. Turns out it's already at 3/64ths on the low and 3.5/64ths on the high side.
Yea. I had no idea it was already at an acceptable level for a Les Paul. I can, stop worrying about that for now. The luthier cut the low e slot just a tad low so the bridge is raised a little extra to compensate. I was attempting to fix that bit it seems like I really don't need to since action is well within spec and where I like it.