White Balance vs Color Temperature | Film Lighting Techniques

Поділитися
Вставка
  • Опубліковано 2 сер 2024
  • ►► Download your free Lighting Breakdowns and a Color Temperature Chart here: creative-path.ck.page/8870ecaec5
    So what is the relationship between color temperature and white balance?
    Today, we're going to be discussing what is white balance and how does it and the color temperature in lighting interact with each other? We’ll discuss the white balance meaning and demonstrate what happens when you manipulate your white balance and color temperatures to achieve different looks.
    Understanding white balance, as well as the color temperature scale, gives you tremendous control over the look of your videos. Today we explain what happens when you change your white balance and give you some white balance examples of light sources at different kelvin values.
    When we think about the scale, we need to look at color temperature in kelvin values. We can start at lower, warmer values (2500k) and go all the way up to 9500K. We also explore the primary color temperatures (5600K Daylight and 3200K Tungsten) which are most applicable to photography and video.
    We demonstrate discuss several different light sources, including: candles and fire, incandescent globes, tungsten lights, sunlight, LED lights, fluorescent lights, overcast sun, TV's and monitors.
    Next week we'll be discussing how you can use white balance and color temperature creatively to create unique looks and moods for your scenes.
    ===
    Color Temperature Series:
    What is Color Temperature?: • What is Color Temperat...
    Color Temperature & Emotion: • Color Temperature & Em...
    Make sure to checkout our other videos on film lighting basics in our film lighting techniques and filmmaking tutorials playlists!
    Film Lighting Techniques Playlist:
    • Film Lighting Techniques
    Filmmaking Tutorials Playlist:
    • Filmmaking Tutorials
    Gear Reviews Playlist:
    • Gear Reviews
    Our Lighting Kit:
    Amazon US Product Links (affiliated):
    Aputure Amaran 100D: amzn.to/3mj1Eha
    Aputure Amaran 200D: amzn.to/3yLqoUg
    Aputure 120D II: amzn.to/3qD7zPJ
    Aputure 300D: amzn.to/3EkTR8L
    Aputure Amaran P60c: amzn.to/3tquJdZ
    Aputure MC: amzn.to/3MGS8Pe
    Aputure f7: amzn.to/3yKfttY
    Aputure Lightdome Mini II: amzn.to/33MyuAK
    Aputure Lightdome II: amzn.to/32kPIEw
    Aputure Lantern: amzn.to/3phntji
    Aputure 2x Fresnel: amzn.to/3fCSQSP
    Godox 95cm Umbrella Octobox: amzn.to/39kXnqh
    Nanlite Forza 60B: amzn.to/3xoRMam
    Nanlite Forza 300: amzn.to/3xIicW9
    Nanlite FL-20G Fresnel Lens for Forza 200/300/500: amzn.to/3O68XEr
    Nanlite FL-11 Fresnel Lens for Foza 60 Series: amzn.to/3NKCfZr
    Lee Master Location Gel Pack: amzn.to/3e2jYtY
    Falconeyes 12-T: amzn.to/3qbHE1i
    6m Extension Cord for Falconeyes 12T: amzn.to/3stByMx
    Avenger 40” C-Stand (standard): amzn.to/30MTBBR
    Avenger 40” C-Stand (detachable leg): amzn.to/3sofra0
    Matthews 40” C-Stand (sliding leg): amzn.to/3eslvq5
    Matthews 20” C-Stand (sliding leg): amzn.to/3mmPaF8
    Impact Heavy-Duty Air-Cushioned Light Stand (8’): amzn.to/3stAHeN
    Impact Heavy-Duty Air-Cushioned Light Stand (9.5’): amzn.to/3FjvIAH
    Impact Heavy-Duty Air-Cushioned Light Stand (13’): amzn.to/33N3AYZ
    Kupo Folding Base Mini Stand: amzn.to/3H45m5V
    Manfrotto 026 Umbrella Adapter: amzn.to/3v0AeBW
    Adorama Product Links (affiliated):
    Arri 650+: geni.us/ARRI-650-120v
    Arri 750+: geni.us/Arri-750-plus-single
    Arri 2000+: geni.us/Arri-2000-120v
    Arri 650+ Three Light Kit: geni.us/Arri-650-Kit-120v
    Arri 750+ Three Light Kit: geni.us/Arri-750-Kit
    Arri 650+ Globe (120v) Amazon USA: amzn.to/3edBckA
    Arri 750 Globe: geni.us/Arri-750-bulb
    Arri 2000 Globe: geni.us/Arri-2000-bulb-120v
    Affiliate Notice: Some of the links on this channel are affiliate links. If you choose to make a purchase using any of these links, we may receive a small commission (at no cost to you) which helps to support the channel.
    Follow us on Instagram: @creativepathfilms
    Facebook: / creativepathfilms
    Website: www.creativepathfilms.com
    #creativepath #creativepathfilms #filmmakingtutorial

КОМЕНТАРІ • 27

  • @ginotarabotto
    @ginotarabotto 2 роки тому +2

    Best explanation. Thank you!

  • @bruce-le-smith
    @bruce-le-smith Рік тому +1

    fantastic, informative, easy to understand, quick. A+!

  • @joonajks
    @joonajks 3 роки тому +1

    Great video!!

  • @gthusidh2933
    @gthusidh2933 3 роки тому +1

    Easily can understand ❤️

    • @CreativePathFilms
      @CreativePathFilms  3 роки тому

      Thanks you 🙏🏼 I’m so pleased you enjoyed the video 😊
      ~ Dave.

  • @aajay7733
    @aajay7733 3 роки тому +2

    Firstly thanks for making good informative video. Liked & subscribed
    My suggestion @3:30 min if you have placed 3 images side by side for few seconds to compare that would have been great, so that viewer's can compare rather thank playing back and forth.
    Do a video on how to shoot at dark scenes without noise and grains & also perfect exposure.

    • @CreativePathFilms
      @CreativePathFilms  3 роки тому +1

      Thanks A Ajay, that’s a good note and would have made the comparison clearer. Thanks for your suggestion!
      Also, thank you for the video request, I’ll se what I can do :)

  • @AjaMonae
    @AjaMonae 3 роки тому +2

    Thanks for this video! Just subscribed. Question: for self-portrait photography & UA-cam videos would you recommend bi-color lights or can I get away with daylights and adjusting temp in my camera/photoshop/final cut pro? I’m going back and fourth on this because daylights are pretty inexpensive! Thanks

    • @CreativePathFilms
      @CreativePathFilms  3 роки тому +1

      Hi Aja! Welcome to the tribe!
      Great question! How I go about it, is that I use daylight balanced lights for my main light sources when I'm prioritising getting the most output from the light (because on bi-color lights, only half the LED's are daylight, so it typically halves your output). If I want a warmer look, I then gel those daylight lights using CTO gel.
      This would probably be my recommendation - get daylight balanced lights and gel them when needed to warm them up. You can pickup CTO gels in different strengths in this pack: kit.co/CreativePathFilms/our-studio-production-kit/lee-filters-lighting
      ...Or you can pickup a more complete gel kit which should cover all the different types of gels you're likely to need in the future:
      kit.co/CreativePathFilms/our-studio-production-kit/lee-filters-master-l
      When I buy smaller lights for fill lights, hair lights, background lights or other smaller applications, that's when I tend to select bi-color lights, when my priority is speed and flexibility over output.
      I'll be doing a video on using gels and their effects in the new year so keep an eye out for that one!
      In the meantime you can could checkout this video on Tungsten lights, which has a small section on CTB conversion gels @08:20 (ua-cam.com/video/TW90KmZ7Tfo/v-deo.html).
      You need CTO with daylight lights, but they are essentially doing the same thing, only the other way round (CTB = 3200k Tungsten -> 5600k daylight, CTO = 5600k daylight -> 3200K tungsten).
      Hope that helps (and makes sense!).
      Have a wonderful new year ahead!

    • @aajay7733
      @aajay7733 3 роки тому +1

      @@CreativePathFilms good answer

  • @resurrectedmedia1794
    @resurrectedmedia1794 Рік тому +1

    Question for you! I have a few ambient tungsten lights in my setup, a bi color key light and natural light that gets in even with blinds down (can’t buy blackouts). I have no idea what to do with the white balance here. Should I set the key light to match the tungsten temperature?

    • @CreativePathFilms
      @CreativePathFilms  Рік тому

      It’s hard to give an exact recommendation without seeing what your working with, but here’s something you could try.
      In mixed lighting situations like that, I would tend to split the difference and set the WB to around 4700k. Your tungsten ambients (household practicals I presume) will still retain some warmth and your daylight spill will be cooler, but not too blue.
      Then play with the CT of your key to find the sweet spot you like for the look. Play around with it.
      I would probably go neutral be default (4700 to match WB), but depending on the feeling you want the scene to have you could go slightly warmer (5600k), slight cooler (3000-3200k).
      Play with it, see what feels right. Let me know how you go!

    • @resurrectedmedia1794
      @resurrectedmedia1794 Рік тому

      Will do! Thank you!

  • @pragmaticapproachenglish6875
    @pragmaticapproachenglish6875 2 роки тому +1

    plz make videos on sunrise sunset cloudy day mid-day setting all tem

  • @pragmaticapproachenglish6875
    @pragmaticapproachenglish6875 2 роки тому +1

    now i got it better

    • @CreativePathFilms
      @CreativePathFilms  2 роки тому

      Thanks again! Glad to hear this video helped you understand better 😊

  • @ABArtandInfo
    @ABArtandInfo 3 роки тому +1

    I have one question....please let me know if I want to shoot one horror kind of short movie during night but I have all warm lights like show lamps soft box with warm lights ..I do have white led lights as well. But I want my clips to look blue for scary emotion ..So should I keep the white balance to cooler side..Or keep it 4500 k and then set it post prod to cool...please help me with it..

    • @CreativePathFilms
      @CreativePathFilms  3 роки тому +1

      Great question, if you would like your LED’s to be cooler and your warmer lights to be neutral, set your white balance to around 3200K.
      If you would like your warmer lights to be cool as well, try setting it to 2500-2700. Your LED’s will then be quite blue and you’re warm lights will be slightly cool as well. Have a play, see what you like!
      You can make some adjustments in post as well if you want to tweak it further :)
      I hope that helps!

    • @ABArtandInfo
      @ABArtandInfo 3 роки тому +1

      @@CreativePathFilms Woahh thanks alot....you are a life saver...And I know i am going to learn so many things from you in these regards..please keep posting and helping beginners like me..Huge respect and love. Thanks a ton for your videos and Guidance🙏

    • @CreativePathFilms
      @CreativePathFilms  3 роки тому +1

      @@ABArtandInfo thank you for the love 🙏🏼 always more then happy to help. If you ever have any questions or if there’s something you’re struggling with, don’t hesitate to reach out 😊

    • @CreativePathFilms
      @CreativePathFilms  3 роки тому +1

      One more thing, I’d suggest using the cooler of the lights (LED) as your backlight and your warmer lights as your key for a horror style look. 👻

    • @ABArtandInfo
      @ABArtandInfo 3 роки тому

      @@CreativePathFilms aye aye captain...wil for sure follow these great tips....thanks a ton again..🥰🥰