Vilja aria from Lehár's The Merry Widow ǀ English National Opera

Поділитися
Вставка
  • Опубліковано 11 бер 2019
  • The Merry Widow | 1 March - 13 April 2019 | London Coliseum |
    Tickets from £12, with 500 tickets available at every performance for £20 or less.
    Find out more: www.eno.org/widow
    The Merry Widow is Franz Lehár‘s comic masterpiece, played out in a stream of memorable melodies including the familiar ‘Vilja Song’ and ‘Merry Widow Waltz’.
    With a truly glamorous setting, Lehár’s operetta centres on the relationship between the dazzling and wealthy young widow Hanna and Danilo, who has an appetite for wine and women.
    As this delightful tale of a woman’s quest for love unfolds, their burgeoning romance is hampered by mishap, intrigue and comedic misadventure.
    Making their ENO debuts with Lehár’s classic are director Max Webster (The Lorax at Old Vic) and sought-after Estonian conductor Kristiina Poska.
    As the vivacious Hanna, ENO favourite Sarah Tynan returns for her second major appearance of the 2018/19 season. She is joined by Nathan Gunn as Danilo, while ENO legend Andrew Shore plays the pompous Zeta.
    English lyrics by Richard Thomas
    English book by April de Angelis
    See The Merry Widow at the London Coliseum from 1 March - 13 April 2019.
    Learn more and book tickets: www.eno.org/widow
    --
    About English National Opera:
    English National Opera is founded on the belief that opera of the highest quality should be accessible to everyone.
    Musical storytellers
    At ENO opera is theatre; expressing drama through the unique combination of music, text, dance and design. We sing in English. We believe that singing in our own language connects the performers and the audiences to the drama on stage, and enhances the experience for all.
    We collaborate across contemporary art forms, to reflect the growing diversity of our culture. And we take a fresh approach right across the repertoire, from baroque to contemporary, as well as commissioning new works as part of our commitment to the future of the art form.
    Widening access
    We bring our productions to the widest possible audience, whether at the London Coliseum, nationally or internationally. We make our work accessible by offering a large proportion of tickets at affordable prices, and by distributing it widely on screen and digital media.
    We also aim to introduce completely new audiences to the magic of opera through stimulating and creative participation programmes.
    Nurturing Creative talent
    We are a national company of internationally recognised standard. We nurture talent across the entire company, whether on stage, backstage, or in the pit. We provide a platform for young singers to develop global careers.
    We tell the world’s most timeless stories, unforgettably.
    Subscribe to ENO and never miss another video: goo.gl/ljEMBr
    Keep up to date with the latest from ENO:
    ENO on UA-cam | / englishnationalopera
    ENO on Facebook | / englishnationalopera
    ENO on Twitter | / e_n_o
    ENO on Instagram | / englishnationalopera
    More great opera | www.eno.org/

КОМЕНТАРІ • 55

  • @Corinthian44
    @Corinthian44 2 роки тому +12

    It seems , that people have to be a certain age to appreciate beautiful operettas like this ! Such a shame !

  • @richmerne3593
    @richmerne3593 3 роки тому +37

    Perhaps the soprano should have been credited - she deserves it!!!

  • @mattyd3079
    @mattyd3079 3 роки тому +5

    the singer has an excellent voice, but i am not feeling the Viennese style. There is no light and shade. The tempo is too slow for my taste. And there seems to be a disconnection between singer and orchestra - maybe because she is perched so high. But it is almost like the singers hardly rehearsed with the orchestra.

  • @mortalcoil1541
    @mortalcoil1541 2 роки тому +4

    I’m here from M. T. Anderson’s book “Symphony for the City of the Dead.” Evidently this is one of Adolf Hitler’s favorite pieces of music. It’s still beautiful though!

  • @louisepasquill3837
    @louisepasquill3837 Рік тому +9

    This was the most beautiful moment. The music, the voice, the colours, the costume, the lighting, the sound, the set. Actually magical and I will remember it forever.

  • @Zen_Viniti

    My grandmother sang this in 1967. She was so beautiful. RIP MARY JENNINGS 🙏 4-23-24

  • @viliabouilly4643
    @viliabouilly4643 Рік тому +9

    My father named me after this song…Vilia ❤

  • @jenniferponsford
    @jenniferponsford 3 роки тому +18

    The first operetta I ever heard when I was about 10 always well remembered for last 68years @

  • @terrellholmes2726
    @terrellholmes2726 2 роки тому +5

    John Coltrane's take on this aria brought me here.

  • @briantilke
    @briantilke 2 роки тому +7

    Beautiful girl with a beautiful voice

  • @dmitryklenin3359
    @dmitryklenin3359 3 роки тому +17

    Fantastic! Sarah Tynan is a tremendous soprano.

  • @randallmaluenda
    @randallmaluenda Рік тому +8

    My favorite "Vilja" rendition. Sarah nails it!

  • @robnap828
    @robnap828 2 роки тому +8

    The chorus to this aria is glorious!

  • @johnfryer3051

    Absolutely beautiful singing and set.

  • @edithbuttaro7998
    @edithbuttaro7998 2 роки тому +3

    I was raised on opera, my father had a Sunday radio program every week, Bach contatas. Station WONO in Syracuse, NY. Love this!

  • @dennisokeefe9255
    @dennisokeefe9255 3 роки тому +8

    Simply beautiful.

  • @lynryall1317
    @lynryall1317 Рік тому +2

    67 now me .. Welsh with song in my heart....the best of the best Robert Round .....me thinks xx and June Bronhill. ..grew up with those beautiful voices xxxx

  • @dab505279
    @dab505279 5 років тому +11

    I like this very much indeed, but I will be disappointed if we can't watch the entire opera. Much respect to Sarah Tynan!

  • @gunnarbaldwin
    @gunnarbaldwin 2 роки тому +4

    Why isn’t this song more popular?

  • @nagyibolya7043
    @nagyibolya7043 Рік тому +4

    Super!!!!