이 곡을 처음 들은 건 15년 전이고 중학생이었습니다. 그 때는 가사의 의미를 알려고하기보다는 외우기 바빴죠. 15년만에 제대로된 의미를 알고나서는 이 노래를 듣거나 부를 때마다 눈물이 나네요. 라이브 퍼포먼스도 무척이나 멋집니다. 사운드 호라이즌 정말 좋아했습니다. 멋진 노래와 공연 감사합니다. 言葉に表現できない素敵な曲です❤
Yuki's tone was more stable and not breathy in this version, compared to an older version I watched recently. Her being more experienced, having Kaori on Stage, and them doing the choreography made this the best version I've heard.
6:29 That dynamic and tonal change in the music was so sweet and Inoue's voice perfect for it! Just listened again and she has the perfect amount of control to sing those soft dynamics without going too breathy and she's able to do it multiple times in the same phrase, in and out! I notice many Japamese pop female singers do this odd dip in dynamics when singing often going breathy or breaking off the breath flow. I'm not sure if there was some popular and influential singers from the past that caused that effect to be so widespread. Or does it come from ancient vocal styles in not aware about I don't hear it in shigin" (through Yuko Suzuhana of "Wagakki Band) nor in"enka" singing and I don't hear that affect.
Inoue Azumi has such an exquisite tone and dynamics. She's a top singer indeed. Loved the first song, with the "Excusez moi" lyric. Really nice pop chords and the acting and duet between Kaori and Yuuki.
이 곡을 처음 들은 건 15년 전이고 중학생이었습니다. 그 때는 가사의 의미를 알려고하기보다는 외우기 바빴죠. 15년만에 제대로된 의미를 알고나서는 이 노래를 듣거나 부를 때마다 눈물이 나네요.
라이브 퍼포먼스도 무척이나 멋집니다.
사운드 호라이즌 정말 좋아했습니다. 멋진 노래와 공연 감사합니다. 言葉に表現できない素敵な曲です❤
歌詞わかれるところ好きすぎる……
織田香織さんは存じてたけどSound Horizonを知ったのは今日が初めてです。
とても好きになりました！
Welcome.
ダメだ…
どーしても一回しかグッドボタン押せない😭
マジで大塚明夫さんかっこいい
ライブ行きてぇなぁ
This version of Harnais is my favorite
めちゃくちゃ格好良くて笑ってしまった。
世界観がエグすぎて鳥肌
2005년도 부터 알다가 모이라 앨범이후 ... 잠시 잊고 살앗는데 이제 다시 보니 연출 음악 모든게 대단하네요~
Yuki's tone was more stable and not breathy in this version, compared to an older version I watched recently.
Her being more experienced, having Kaori on Stage, and them doing the choreography made this the best version I've heard.
6:29 That dynamic and tonal change in the music was so sweet and Inoue's voice perfect for it!
Just listened again and she has the perfect amount of control to sing those soft dynamics without going too breathy and she's able to do it multiple times in the same phrase, in and out!
I notice many Japamese pop female singers do this odd dip in dynamics when singing often going breathy or breaking off the breath flow. I'm not sure if there was some popular and influential singers from the past that caused that effect to be so widespread.
Or does it come from ancient vocal styles in not aware about
I don't hear it in shigin" (through Yuko Suzuhana of "Wagakki Band) nor in"enka" singing and I don't hear that affect.
井上あずみさん居るの嬉しいんだよな
ただ、すき。サンホラが、、
あずみさんの歌で泣きそうになる
Inoue Azumi has such an exquisite tone and dynamics. She's a top singer indeed. Loved the first song, with the "Excusez moi" lyric. Really nice pop chords and the acting and duet between Kaori and Yuuki.
星屑の革紐と零音の世界、続けて歌って欲しかったな
それはromanのライブでやってるからね
Just realized that Yuuki's heels are way taller than Kaori's, I guess so they dolls look closer in height
LAURANT *roll credits*
REVO様の曲の最後のギターの振り、最高です～♥
カッコイイ❤❤❤
おぉ〜♥♥♥
REVO様、素敵すぎて眠れません～～～❤❤❤
I see where you got the name "Laurant" from.
これは、人気出るわぁ～♬❤
素敵やもん！！♥♥♥
Shaytan meets Hiver? xD
it's because of the next song, which is south American styled.
"Shayver"
@@reip6978 Isn't it Hivertan?
Noir Laurant Hivertan kawaiiiiiiii!!
イヴェ様それキメラやw
イヴェタンｗ
大塚さんの力強語り❤の後
REVO様の甘い歌声～❤❤❤
♬♬はるか♬地平線の向こうへ～♬♬♬……切ない❤❤❤
じまさん～素敵なトーク❤
あずみさんの歌声がとても
清々しい❤♥
REVO様のギターを弾く小指が
とても気になります♥♥♥
大塚様もとても渋くて
素敵です～！❤❤❤
胸キュン❤❤❤
素敵～～～！！！❤❤❤ヾ( 〃∇〃)ﾂ ｷｬｰｰｰｯ♪
一番大好き❤❤❤
めちゃくちゃカッコイイ～～❤❤❤惚れ惚れ❤❤❤
ヾ( 〃∇〃)ﾂ ｷｬｰｰｰｯ♪
あ、