TootArd - Syrian Blues
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- Опубліковано 16 вер 2024
- TootArd: Laissez Passer
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I do not exist on an ID card
A string and a piece of wood are my gunpowder
A Laissez Passer. Let him pass. That’s the document the stateless carry. It’s all that those from the occupied Golan Heights possess. Since 1967 the area has been part of Israel, but the inhabitants aren’t Israelis. They don’t have any citizenship. They don’t have passports. Just a Laissez Passer. And for the members of TootArd who all grew up in the village of Majdal Shams in the Golan, it’s a very apt name for their new album.
“Laissez passers are special situation papers,” explains singer and guitarist Hasan Nakhleh. “It took us a while to realise the effect. We’re permanent residents in Israel, but not citizens. We have no travel documents. When we travel we need the laissez passer. With no nationality, we’re officially ‘undefined.’”
But in statelessness, the five-piece has discovered musical freedom. TootArd grew up understanding that borders are something imposed by governments, lines that only exist on a map. On a disc, in concert, they can go wherever their imagination carries them. They carry their citizenship inside.
“What we do now is the result of everything we’ve ever done and heard,” Nakhleh says. “We began listening to Tuareg music and we fell in love with it. It resonated with us. North African music is something we’ve heard since we were children. We all grew up with classical Arab music. In finding our own sound, we’ve discovered things from all over.” With Laissez Passer, the past has helped create the future.
On the title cut, Nakhleh notes, “the first verse is the reality, the second is our solution. Our people are stateless. We have no flag, no sense of belonging. It also reflects our emotions. We feel undefined, we don’t know where we belong, when everything in the world tells us we should belong. People always want you to say who you are.”
With its insistent riff that evokes the space of the desert, glorious driving, funky percussion, and an electric guitar that Nakhleh modified with extra frets to sound like an oud, the song builds a manifesto that bonds West Africa and the Maghreb to the Levant. It’s a thrilling opener; more than that, it’s a very catchy one, with the subtle reggae flourishes adding a very organic, international feel. But those were a natural touch for the band, a nod towards their musical beginnings.
Laissez Passer is the sound of a band that’s found its voice. The songs seemed to be pulled from the air, to have found them, whether it’s the catchy optimism that transports “A’sfur,” the biting groove that propels “Oya Marhaba,” or the flickering shadows-and-light shifting guitarscape of “Sahra.”
The album closes with the yearning “Syrian Blues,” a gaze across the Golan Heights into the distance and history of another country.
“It’s something calm to finish, a very emotional quality. Our region used to be a part of Syria. Historically we’re Syrians, but I’ve never been to there. I feel the music has an emotional quality, and sadness in the harmonies. I even wrote it in the Rast scale, the one that’s most used in Arabic music. I thought it would evoke Syria.”
The result is an Arabic blues, the quiet, sad music of people who have a home but no nationality.
With music I become a flying bird
I change my feathers, I change my strings.
TootArd are not ‘undefined’; they’ve fashioned their own identity in their music, creating a bond of the stateless that reaches from the Levant to the Tuareg - another people without a real home - and reaches out far beyond. Let them pass.
origin Kurdish song. From Seid Yûsif
This song is from “Seid Yusif-Xwe Veşere Kubare”. So its Kurdish Blues :)
Outstanding especially 1:00
Ouiiiiiiiiiiiii
Köyüm geldi aklıma dinlendirici
TÜRKİYE DEN BÜTÜN AFRİKAYA SELAM
Wonderful music... Hello from 🇬🇷 greece
Hello Malaka
Geia sou malaka
Amazing. Well Done
Wow this is amazing. I want to hear more from African music, I love how the different cultures mix things up and make something new!
Greetings from Argentina.
African yeah! I hear a touch of turkish/syrian influence also
I love your enthusiasm, but I am not sure there is anything African about this. This is Western Asia/Near East, with a good twist of Western jazz sounds. It doesn't make it any less interesting!
This is not African music it's pure Middle East
for me people make music. But if you want to put it in who, where, when, whatever categories then you should know the origion from blues is the african continent (especially Mali).
@@yannickloger7012 it's Kurdish and Syrian
When i need to chill after a f..... week of work i listen this and i feel so quiet...
The mix of rock and oriental songs are so fucking good!
So Good
I enjoyed this tune couple years ago and never found anything similar to this genre. Middle eastern accent with western instruments.
jolie musique
Slav. Ev stran û muzîk ji alîye Seîd Yûsiv hatîye gotin. Orîjînalê wî “ Xwe Ne Veşêre Kûbar “ e . Ji ber we yekê stran Kurdîsh blues e ne syrîan e. Ji kerema xwê ev agahî jî bide
Soultouching!
رهيبين
C'est juste magnifique
beautiful
This is “ Xwe Veneşêre Kûbar” from Seid Yusif. Its a Kurdish song not syrian. Please respect and share with this information.
My favorite part 1:48
روقان
فجأة حسيت اني بسمع ل king gizzard من العظمة 🔥🔥🔥🤍
Kurdish blues!
Amazing .from which songs it’s mixed?
01:00 ❤
نفسي اشوفهم بيلعبوها لايف
I hear a touch of "Lemchaheb" and "Tinariwen"
kıvamı güzel parça. Tr'ye bunlarla gelinsksjajsj