I agree with most of your points, such as exploring a larger variety of mediums. But I think practicing by using the right methods are also very important and not just putting in the hours.
Saw this artwork in your Instagram. Impressive)) I saw better result when I started to paint rare than usually but put more time into each artwork and think more about next steps and composition. So for now have less artworks but better quality
I don't support the idea of wasting materials, not all of us can afford to trash things we worked hard on. Maybe suggest giving it away, donating it in a frame to a charity shop. Something a bit more sustainable that also will mean you have to let go of it
That’s a good idea! it’s more the idea behind it rather than the actual process. but there is no reason why it couldn’t be done with cheap supplies or even on a chalkboard or dry erase board so then supplies aren’t wasted. It’s completely up to the individual artist. I’d recommend doing this with very cheap newsprint paper and charcoal personally
I’m sorry mate I support your channel but this information is not true , if you want to be a great wildlife artist keep painting wildlife! It’s as simple as that , the more you paint animals the more you will improve, if your a carpenter you master carpentry, you don’t also have a go at plumbing to , don’t be a jack of all trades master one .
I agree with this in regards to carpentry and plumbing as they are different skills and aren’t transferable. For myself there are many valuable lessons to be taken from painting abstracts, portraits and landscapes that are 100% transferable to wildlife art. Even sculpture gives us information about form and anatomy of a subject that helps with the fundamentals that are required for accurate Wildlife art helping us to better understand and visualise the 3D structure what we are trying to create. I’m not saying disregard practicing your subject I am simply saying that experimenting with different mediums and subjects frequently is a good way to inspire new ideas and learn techniques that can be transferred to your chosen subject. Again personally I felt like I plateaued with my Wildlife art a few years ago because I only painted animals, it was stretching and challenging myself with new subjects that has helped me grow as an artist. But again that’s just my experience of it.
@@StudioWildlife yes I do understand the point your trying to make , and of coarse these are personal experiences for us all , sometimes I believe wildlife artist go off the beaten track and try other subjects because they feel it’s what the art world desires, I’ve seen a lot of that and I’m guilty of it to ! But if your heart and passion is wildlife art you will always do a full circle and come back to painting animals , of coarse landscapes are part of that puzzle so I understand that you need to practice landscape painting , as for painting a lemon ( not a chance ) , the best advice I’ve taken so far is if you do anything in life that’s good enough, people will want it , so for me it’s mastering painting animals and there’s surroundings , no time to waste on other subjects as life is to short , keep up the great work , your doing a good job 👍
Excellent words and lesson, thank you so much
I agree with most of your points, such as exploring a larger variety of mediums. But I think practicing by using the right methods are also very important and not just putting in the hours.
Saw this artwork in your Instagram. Impressive)) I saw better result when I started to paint rare than usually but put more time into each artwork and think more about next steps and composition. So for now have less artworks but better quality
Thank you so much
You're brilliant
Nice
🤗🤗🤗🤗🤗🤗🤗🤗
hello, it would be cool Russian subtitles, otherwise I can’t understand everything 😃
I don't support the idea of wasting materials, not all of us can afford to trash things we worked hard on. Maybe suggest giving it away, donating it in a frame to a charity shop. Something a bit more sustainable that also will mean you have to let go of it
That’s a good idea! it’s more the idea behind it rather than the actual process. but there is no reason why it couldn’t be done with cheap supplies or even on a chalkboard or dry erase board so then supplies aren’t wasted. It’s completely up to the individual artist. I’d recommend doing this with very cheap newsprint paper and charcoal personally
I’m sorry mate I support your channel but this information is not true , if you want to be a great wildlife artist keep painting wildlife! It’s as simple as that , the more you paint animals the more you will improve, if your a carpenter you master carpentry, you don’t also have a go at plumbing to , don’t be a jack of all trades master one .
I agree with this in regards to carpentry and plumbing as they are different skills and aren’t transferable. For myself there are many valuable lessons to be taken from painting abstracts, portraits and landscapes that are 100% transferable to wildlife art. Even sculpture gives us information about form and anatomy of a subject that helps with the fundamentals that are required for accurate Wildlife art helping us to better understand and visualise the 3D structure what we are trying to create. I’m not saying disregard practicing your subject I am simply saying that experimenting with different mediums and subjects frequently is a good way to inspire new ideas and learn techniques that can be transferred to your chosen subject. Again personally I felt like I plateaued with my Wildlife art a few years ago because I only painted animals, it was stretching and challenging myself with new subjects that has helped me grow as an artist. But again that’s just my experience of it.
@@StudioWildlife yes I do understand the point your trying to make , and of coarse these are personal experiences for us all , sometimes I believe wildlife artist go off the beaten track and try other subjects because they feel it’s what the art world desires, I’ve seen a lot of that and I’m guilty of it to ! But if your heart and passion is wildlife art you will always do a full circle and come back to painting animals , of coarse landscapes are part of that puzzle so I understand that you need to practice landscape painting , as for painting a lemon ( not a chance ) , the best advice I’ve taken so far is if you do anything in life that’s good enough, people will want it , so for me it’s mastering painting animals and there’s surroundings , no time to waste on other subjects as life is to short , keep up the great work , your doing a good job 👍
At some point I agree with you also.. But also depends how much time you give to each artwork