Adagio in G-minore (1958.) - Remo Giazotto (generosamente atributo a Tomaso Albinoni /velikodušno pripisano Tomasu Albinoniju) „È una specie di inno non ufficiale, per noi futuri morti, che abbiamo ordinato a un certo momento dagli attuali viventi, per tutta l'eternità e per tutti gli uomini.“ „To je svojevrsna nezvanična himna nas budućih mrtvih, koju smo u jednom trenutku naručili od trenutno živih, za cijelu vječnost i sve ljude.“
Why it is such a problem if somone is influenced by Bach. He is developing his style, and those harmonies, even if they come from Bach, they come to bottom of soul.
His instrumental music greatly attracted the attention of Johann Sebastian Bach, who wrote at least two fugues on Albinoni's themes (Fugue in A major on a theme by Tomaso Albinoni, BWV 950, Fugue in B minor on a theme by Tomaso Albinoni, BWV 951) and frequently used his basses for harmony exercises for his pupils. Part of Albinoni's work was lost in World War II with the destruction of the Dresden State Library. As a result, little is known of his life and music after the mid-1720s. The famous "Adagio in G minor" for violin, strings and organ, the subject of many modern recordings, is by some thought to be a musical hoax composed by Remo Giazotto. However, a discovery by musicologist Muska Mangano, Giazotto's last assistant before his death, brought up new findings. Among Giazotto's papers, she discovered a modern but independent manuscript transcription of the figured bass portion and six fragmentary bars of the first violin, "bearing in the top right-hand corner a stamp stating unequivocally the Dresden provenance of the original from which it was taken". This provides support for Giazotto's account that he did base his composition on a source.[5]
Adagio in G-minore (1958.) - Remo Giazotto
(generosamente atributo a Tomaso Albinoni /velikodušno pripisano Tomasu Albinoniju)
„È una specie di inno non ufficiale, per noi futuri morti, che abbiamo ordinato a un certo momento dagli attuali viventi, per tutta l'eternità e per tutti gli uomini.“
„To je svojevrsna nezvanična himna nas budućih mrtvih, koju smo u jednom trenutku naručili od trenutno živih, za cijelu vječnost i sve ljude.“
Why it is such a problem if somone is influenced by Bach. He is developing his style, and those harmonies, even if they come from Bach, they come to bottom of soul.
His instrumental music greatly attracted the attention of Johann Sebastian Bach, who wrote at least two fugues on Albinoni's themes (Fugue in A major on a theme by Tomaso Albinoni, BWV 950, Fugue in B minor on a theme by Tomaso Albinoni, BWV 951) and frequently used his basses for harmony exercises for his pupils. Part of Albinoni's work was lost in World War II with the destruction of the Dresden State Library. As a result, little is known of his life and music after the mid-1720s.
The famous "Adagio in G minor" for violin, strings and organ, the subject of many modern recordings, is by some thought to be a musical hoax composed by Remo Giazotto. However, a discovery by musicologist Muska Mangano, Giazotto's last assistant before his death, brought up new findings. Among Giazotto's papers, she discovered a modern but independent manuscript transcription of the figured bass portion and six fragmentary bars of the first violin, "bearing in the top right-hand corner a stamp stating unequivocally the Dresden provenance of the original from which it was taken". This provides support for Giazotto's account that he did base his composition on a source.[5]
¡Excelente! Muchas gracias. Saludos desde la ciudad de Puebla, México.
nice, simple version i can learn
Oh, like honey to my ears
1:19😍
PERFECT!
Очень понравилось!
Muy bonita me lo voy a aprender
Brava 👍
Who’s else here because of a STUNNING ACS s2 finale?
Manchester by the sea brought me here
1:11
This is cool. Is it improvised or based on the original music? Just learning the main melody but like some of this embellishment
It does have a little embellishments.
We nonno, guarda che se non la smetti, ti sfilo la colonna vertebrale e ci suono l'adagio di Albinoni- Aldo Giovanni e Giacomo
7:07 > 8:04
Nice !
Sounds great at 0.75x speed 🤙🏿
LANA BONANA
Jim morrison the severed garden
Звук какой-то железный. Вообще сомневаюсь что это фортепиано
Русские вперёд! Ты с кряком скачал или лицензионную?
Я не русский! С кряком)
@@LanaBananaMusic так у тебя же synthesia русская)
@@АндерграунднаяКанава а в Мексике говорят на испанском, значит ли это что там живут испанцы?)
@@LanaBananaMusic то-есть ты пользуешься Google переводчиком?
@@АндерграунднаяКанава нет, я говорю на русском
My brother's life is always sorrowful.
Pub horrible d Europe 2 j en peux plus
No Bach influence here whatsoever
0:31