Piano Lesson on How to Trill with Ease
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- Опубліковано 16 лип 2024
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Graham Fitch breaks down the popular topic of TRILLS. Should the trill start on the main note? The note above? Should the trill be short or long? Graham answers all the questions! This video complements his article inside Pianist 135, which you can get here: www.pianistmagazine.com/store...
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◼️ LESSON BY: GRAHAM FITCH - Pianist, teacher, writer and adjudicator gives masterclasses and workshops on piano playing internationally. He is also in high demand as a private teacher in London. Graham is a regular tutor at the Summer School for Pianists in Walsall and also a tutor for the Piano Teachers’ Course EPTA (UK). He writes a popular piano blog and has launched an online piano academy. practisingthepiano.com/
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I have spent many years looking on line for videos regarding piano playing but always come back to Grahams lessons. They really are top class! I am not getting advice like this from my (expensive) teacher ! I just get told kept practicing and relax
Mr Fitch: I have often thought of writing to suggest that Pianist Magazine collect all of your columns and publish them in one or more volumes, so seeing this ebook (though not my preferred format) was encouraging. I have actually clipped your columns over the years to save with the scores section, since I judge them to contain some of the best advice available, and always of the highest quality.
Trills have haunted me my entire life. Your lesson is so helpful! Thank you!
Very helpful and systematic
So useful. I wish I had learnt this years ago.
Lovely presentation, makes it look effortless.
Thanks so much for knowledgeable, clear, and practical instructions! Very generous!
excellent video, very educational and informative. not only it presents excellent tips on technique but also browse over interesting musical compositions on the way. thank you for this lovely content !
Love your content. I've learned so much. And for free, I'm astounded at the quality.
Excellent
You’re absolutely right. You don’t have to let the keys all the way up. You experiment and see how far down you can keep the keys and still have sound. It’s like spiccato playing on the cello. You keep the bow as close to the string and still have the next note sound.
How extraordinarily good analyze, tutorial and advice, Graham!
Thank you for the advice 🙂
Thank you 🙂⭐🙏🏼❤
I really miss your regular lessons, Graham. I hope all is well with you.
Hello Professor Fitch, I have been working on the JS Bach chorales for a while and am just getting around to their tricky fingering; either Bach had large hands or he used the foot pedals on the organ for bass notes. Nonetheless, there are moments when the right hand will play three or more notes, yet there are those when the left hand must assume responsibility for multiple notes. Pardon the pun, but, is there a rule of thumb? Are you planning any tutorials on this subject?
Great advice as ever, Graham - esp for Op 109 - I'll be trying that one out!
Any tips for the nasty upper trills in the 2nd movement of the "Moonlight" (eg. bars 30 & 32 in my Henle edition)? It's a killer if you have small hands - like me!
Thanks so much. I have a question,
at ua-cam.com/video/aDivCeV3Azo/v-deo.html
were you using any pedal?