Bass is the most underrated and underestimated instrument. I didnt realize how cool it is until I was in a band with a bassist who knows the ins and outs and takes pride his craft. It shouldn't be treated as an afterthought, though it often is. A bassist kinda acts as the subconscious mind of a band; their contributions are mainly subliminal, but they impact and augment the final output so much. When the bass is tight and tasteful, the subconscious and consious minds are in sync, and the whole band is elevated. When the bass is obnoxious or even just boring, the two sides of the mind are out of sync, and the whole band suffers. This dynamic is so subtle and subliminal that it's hard for most people to pick up on, which is probably why bass is so underrated and underestimated.
I LOVE my trusty Antoria Jazz copy (1982) - must say though, psychologically speaking, one of the saddest things to witness is a bass player throwing shapes while playing - I prefer to stay relatively still, concentrate and ENJOY!
The most underutilised bass technique is implied harmony. If you have dual guitar tracks or an otherwise very repetitive main riff, you can transfer the job of chord progressing to the bass player. Instead of playing the entire chord, they can play different root notes to change the context of the guitar part. For some reason, no one wants to use this other than iron maiden, prog bands, and Metallica
Knowing when not to play is like a technique in itself. Silence is the note you don't hear. It's the one you don't hear but it's there putting the spotlight on the snare hit or the kick drum pop or the Rhythm guitiar chop. I love the feeling of that give and take.
At 19 years old and having practised a really bad guitar in my teens against early Beatles, I got a pretty good idea about chords and root notes. I can usually hear what the next chord should be based on its root. Even today, I can hear most chord changes in old songs I haven't heard in many years. A gift, to be sure! Anyway, a friend at that time handed me a bass and said ... no problem..just playit. Wow..I immediately fell in love with bass playing. It began to feel as if I was breathing, not tackling a new instrument. So, at 19, I got a gig playing with some excellent musicians in a popular restaurant. Wooo! All went really well. Four piece band, all instrumental. I learned a lot. Then the restaurant owner said he couldn't afford all four so one had to go. One weekend went by without me and the next weekend I was back. The other guys paid me my share out of theirs. They said it was hell to play without the bass! We are essential! At that age, it really pumped my confidence and I never looked back. Since then I've played churches, school plays, half a dozen different rock bands, my own jazz trio, and later a jazz quartet. Oh yes, I took early ten years of classical piano which bored me to tears, and I sang tenor in many choirs...all helped train my ear. Thanks for listening....Just a story told by a 74 year old guy, still hacking around, breathing my bass! Old guys have many stories!!
I've always thought my ultimate job as a bass player was to tie the rhythm (drums) and chord structure/melody (guitars/keys, etc) together. Yes, outlining the chords is a part of that, but to get the rhythm groove while you're doing it is the real goal. THAT, to me, is what makes the bass the most important instrument in the band (and I feel that way whether I'm playing guitar, keys, drums or bass.)
"Serve the song" is still some of the best advice ever for bass players. Like you said, you don't have to use everything all the time. Nor should you. In addition to knowing how, there's a lot to be said for when, knowing when to(and when NOT to) approach a bass line a certain way. Geezer Butler is a big influence on me as a bass player and I've noticed over the years that he has three main approaches, depending on the song. Sometimes he just doubles the guitar riff for maximum heaviness and really makes Tony's parts sound huge. Sometimes he uses more notes and creates interesting movement underneath the riffing, without stepping on it, and sometimes he pounds away on a simple root or root/fifth based bass line.Knowing your techniques is half the battle. Knowing which to use and when is pretty much the other half.
Couldn't agree more. With great power comes great responsibility !!!! I like to lay back sometimes and just put down the foundation, as a newer player I err on the side of caution when it comes to playing too many notes. As I gain experience I will add a bit here and there if I feel it truly serves the entire song.
This really put it in perspective as a guitar player. As i guitarist I thought it was easy. I’ve been looking at bass as “Aw okay imma just play the root note and travel around the pentatonic” but now you put it in perspective as to why bassists always refer to the chords.
Great lesson! I'm fortunate enough to have learnt that from the Scott Bass Academy. Just one year of learning to play the bass and I can already put so many arpeggios, chord scales, modes and chromatic notes into bass lines of a variety of tunes! It's great!
For me, the bass is the most important rhythmic instrument in any band. The best compliment I ever got was when my drummer told me that my bass lines made him want to dance. So true. Even more than the drums, it's the bass line that gets people dancing! 💃🕺
Scott, you make the this world more beautiful by what you do and how you do it. Thank you for all the care you put into helping us be better in playing this instrument.
Bass players look like they are doing nothing, but actually there is a lot of concentration going on looking for opportunities to play what they would like to. It cant be done at the expense of the timing, or the phrasing of the the singer and lead guitar, it can't be so busy that it muddles up the song. The choice of note and where its placed has to be perfect. I remember having 3 or 4 variations of every bass part just to fit in with how the other band members were feeling the song on that night.
Charles, I was in a band too where I had to have variations of my basslines. The keyboardist used to play with himself a lot, er... play BY himself a lot, and between rehearsals would incorporate my bassline into his playing. On the plus side he wasn't one of those keyboard players who pounded out a bunch of unimaginative low notes to try to tell me what they thought I should be playing (as a sound engineer I would high-pass filter any keyboardist I spotted doing that).
Knowing when not to play is like a technique in itself. Silence is the note you don't hear. It's the one you don't hear but it's there putting the spotlight on the snare hit or the kick drum pop or the Rhythm guitiar chop. I love the feeling of that give and take.
Knowing when not to play is like a technique in itself. Silence is the note you don't hear. It's the one you don't hear but it's there putting the spotlight on the snare hit or the kick drum pop or the Rhythm guitiar chop. I love the feeling of that give and take.
i've watched a faire amount of lessons from you now. Though I'm not too fond of your stile (to much jaco, if you know what I mean) I've realized that your tips and lessons are really good and valid. You focus on the fundamentals of bass playing not just how to play tunes and learn licks and that means a lot to me. keep up the good work in the shed.
Agreed. Listening to Scott is the path to going from being a Bass Player to a musician on the bass guitar. He doesn't approach it as just a bass guitar. And his approach in a few of his videos of "why this sucks" and then showing that either it doesn't, in its correct place, or how to solve it is really an excelent musical approach. It gets you to really listen. I'm not really into Scott's jazzy style, either. But... that puts me in a different mind-frame to really examine what he's teaching.
Scott There's a lot of bass players self taught that hold there own Maybe not doing it by the book but they are happy doing what their doing I started up bass 5 years ago No experience of music no one to teach me couldn't afford lessons i learnt myself I am 62 years young and haven't got the time to worry about how right i am or not I joined a band and i have fun and for me i would love to know what you know and play like you but i never had the support I can read tab which gets me by I put a lot of smiles on people's faces including mine most of all i enjoy it I ACHIEVED IT ON MY OWN and build on what i can day to day right or wrong One of the Best things i did in my life time i have three proud boys love u Josehine
Good bassists are a bridge for the other parts and instruments in the band--like a nexus. :) It's a challenging role intellectually and mentally. It's not just about the rhythm section: kick, snare, fills, and pocket. I always try to pull in and nuance particles of lead guitar and vocals, tying them all in, with little flourishes and embellishments---without overdoing it---while staying with the groove and roots. We're pretty badass. Bass = the bridge where all things connect. We are excellent conversationalists, musically speaking: knowing when and what to say.
Even as I’m playing a different style including slightly different requirements for my bassplaying - your videos still are very inspirational and helpful. Thanx for that!
My bass player has a great feel like this. Even songs where you would just play the root, he walks around on the chords where he wants to spice the song up. Gives things a nice flavor.
Here, you've just shown the world the difference between an beginner, a decent, a good and a brilliant bass player. This is what I needed. Thank you =)
I always thought the role of the bass player was to be the bridge between the rhythm and harmonic section. Like outlining the chords being played while following the drums. I guess just outlining the chords is more important then?
yep bass marries the rythum to the harmony it varies a bit with respect to how many peices your band is for example a bass player in a trio plays different than a bassplayer in lets say,a four peice rock combo
It seems that Scott answered that exact same question at 6:53. "Yes, it's to create great rhythm, to lock in with the drums. And lock in with the rest of the band... but you should be able to outline the chords." The job of all musicians is to outline the music as it goes along. As Scott said at 3:55 "As bass players, our job is exactly the same as the guitar player or the keys player. It's to outline the chords as they go along in the song". That is to say that outlining the chords is the job of all players of tonal instruments.
You explained it the best way possible by adding chord notes gradually, it was made really easy. Using chords effectively was a bit tricky for me before this class. Thank you a lot, Scott.
Scott. Drums and Bass. The inseparable union. The Bass player ties the rhythm section together. Joined to the beat of the drummer, bound to the notes of the melody, a complete musical experience is produced. Underscore the significance of the relationship between drums and bass in your next iteration of this important message.
I never truly understood the importance of a bass before until my stepdad got me one and I started practicing on it frequently. When you take out the bass out of a song it just doesn't sound right anymore, I can't specifically explain it but bass is just like the cherry on top
Basically, not just keeping Rhythm but also being able to Harmonize using the individual notes within a Chord/Scale. As a good listener, i always though that the instruments sounded isolated from eachother when the bass is absent. I would compare music without the bass element to 2D visual art. Very linear. But once the bass plays, it becomes 3D. It creates a dimension in between that "glues" all the individual instruments together.
Interesting way of putting it. I've always loved the way the bass guitar sounds and subconsciously listen for it in a song. Most of my headphones were/are mediocre and my phone doesn't have stereo speakers but I think these AKG headphones I'm getting will amplify that bass a bit. If there's one song i could not bear to hear without the bass, it's Make It Real by Scorpions. It makes the song so catchy and even reflects the emotion of the message (if thar makes sense). I've kind of noticed that the bass also "softens" the guitars and makes whatever riffs they're creating "feel lighter or heavier" (that harmonic effect). I'm no musician but that's what I get out of it.
@@jemzomaclain yes, definitely more than just time; for me as a bass player the drummer absolutely makes the band - everyone else is replaceable. If I was putting together a band I would take the most care with recruiting the drummer. If they couldn't deeply groove and rock out on a jazz kit (with single kick pedal) they'd fail the audition. If they came in with assistants and a Peart-sized kit I'd tell them not to bother.
If I may offer an another view, I'd like to suggest that the bass player has a second and equally important job: to keep time. Like guitarists and keyboard players who share duties, so do drums and bass in the area of time. It's quite obvious in traditional walking bassist does this, but even in your R&B groove, you are almost always hit the root on the one -- and strongly. The rest of the band can lock on the bassist to know where they are in the song as what is the temp and feel of the tune.
I didn't really understand what you meant until you started playing it. Then I realized I do thst the most when I'm just jammin with friends. This video reinvented my view of being a bass player. I'm gonna try to implement this more in the music I play.
As a new bassist that has several years as a guitarist under his belt, one challenge I have is trying not to overplay. As I'm learning new material, I approach it like this - start out forcing myself to learn the basic changes with the root notes and any riffs or walking bass lines that might be deemed key to the song. Once I have the basics of the song, I begin to learn fills or any kind of things I can play such as passing notes and the chord tones to make the bass line more interesting. I find by doing this approach I'm less likely to go crazy and overplay. Especially since the focus of the early stage of learning the song was an exercise in self restraint.
A bass player's job is to meld the rhythm section with the melodic elements of a tune. You have the most weight and ability to move a person's body aside from the kick drum. It's your job to make people attach the raw movement of an atonal beat to the more melodically rich elements. You are the glue between two worlds.
Thank You Soo much. Novice player here first time in a band. The CHORD OUTLINE task you describe will deff help me to become a more integral part of my group and improve our sound overall !!! Being I've played guitar in the past, so being familiar with many chords already gives me a head start. Thanks Again, very nice playing btw.
BRILLIANT! This looks like it’s confirmation that the arpeggios I need to be playing are in fact not just Major arpeggios when in a major key. i.e.: When playing a II-V-I, in the Key of C, the II arpeggio is minor, and the I & V are Major arpeggios. e.g.: M m m M M m dim. [Wow, 2016! Hmm... 🤔] ALSO, See this lesson: “Killer Bass Exercise to Build Your Technique, Fluidity and Harmony Chops...” It confirms the different arpeggio types. For some reason my brain was stuck on using Major arpeggios throughout the C Major Key. Now my brain is fixed - at least on that topic. 🙄 Thank you Scott!
Some bass players can outline chords by ear, but the theory doesn't hurt them either :) Good lesson! I jam a lot with random songs on the radio etc. Great for your ear and a lot of fun
Yep..I have always been able to hear the chords and where they are going...transitioning is where things happen for the bass...lead into the next chord. Playing Random songs is a great exercise..until you get to a piece where the original is beyond my skills!😎
The electric bass is the rudder that steers the chordal ship along its musical journey. From the first note struck, until the final trace of sustain decay, the bass player directs the different sounds of the intricate combinations of chords and rhythms, produced by the other band mates. With his/her defining outlines, the bassist charts the course, and sets sail for the inner spiritual destination that the composition takes us to. Every member of the band is critical to the song. The electric bass and its captain are indispensable to the music. 👑🎸🎵
Thank you for this lesson! I have seen few lessons where the importance of a certain skill has been outlined so clearly and understandable. This has made me want to practice stuff i've considered as boring before. Best Regards from Austria
Great video Scott, Just taught myself your jam over the 7th's. Old territory in my journey, but I love your phrasing. Broke it down and learnt a lot. Thank you. Can you do a lesson on putting aside theory and composing relying on your ear? I've found that just writing melodies note by note has really pushed my playing in weird and wonderful (and disastrous) directions over the years. Deconstructing it afterwards and figuring out what you've done has been a great experience for my students as well. Part of me is asking just to see where your mind wanders with no rules. =D Cheers again for the consistently killer content.
He is right. Every instrument has fundamental techniques that should be learned first and until you learn them you will never be very good at your playing. My experiences in teaching is that many kids and teenagers want to learn how to play like Geddy Lee of RUSH and they have no interests in playing 1, 4, 5 as in an old Beatles song. Too boring for them. But until they learn the fundamentals, they'll never truly understand their bass guitar and what it can do. I also teach them to "learn your fretboard" until you have it memorized. Great videos Scott.
The bass is what makes the booty shake. I've been playing bass for 35 years. The bass player is driving the bus in the band. Everyone else is riding the bus. You're welcome. ;)
Lol. I couldn't have said it better. No, I mean, really. I'm a bass player. I'm the dark, silent one with the big guitar. If you pay attention, I'm actually there. :D
Usually the Bass Player get the least credit, both from audience and mostly less experienced players. As drummer I often say: you can replace me even with a nice drumloop - no problem, no offense. But you can't replace a good Bassplayer. He or she are breathing life into your music.
Scott,this is something I've secretly longed to do.play an instrument with a sense of freedom.your teaching has unlocked it for me. The emotions I felt shocked me, as I shed some tears privately.im eternally grateful
New to this channel...what a great player, great teacher, and all round great dude...so many great tips, looking forward to the next few hours watching these vids. I'll say it again...bloody great
great lesson. Plus I finally found my answer about how you can sound so Motown in a moment and then supper sapping and modern. Tone knob and volume to compensate.
you are a true visionary and flame to inspire one... i havent stopped playing bass since i’ve been watching your vids, i have “learned” pickin’ (yah that thing i was too unco to do) and that rubber washer/straplock suggestion was GOLD. unless you’re bothered by too much money and need to fork out for the schaller shiny real deal (ugh no thanks) 🙂🙂🙂
Adding in all those chromatic notes reminded me of what McCartney was doing around the time of Pepper and Abbey Rd. Listen to his Bass line on the track, Something.
I would actually argue that bass players job is to be the ''glue person''. The one who plays what the song requires. We mostly see guitarists play more of a melody side - chords, solos etc. Drummers obviously hold down the rhythm. The bassist however can be very flexible and add different stuff to the song. We can follow guitar / singer, counter it, follow the drummer or play tic-tac-toe with the drummer. Not a lot of other instruments have that capability.
The base is A. the cement between the rythm of the drums and the chords and melodies of the other instruments (both rythmically and harmonically), B. it provides a great deal of the "feel" of the song, which most non-musicians don't even consiously notice, but do react to
i've never looked at a chord chart in my entire life. I just have taken music theory and the relationship between two strings and put things together via numbers. This made it easier to improvise but hbrder to communicate with people who haven't thought outside of "CMaj7- C, E, G, B" to the point where they don't need to know what each and every position is.
I run into the same problem. I think in scale degrees and intervals mostly.... most other people can't spit things out by interval relationship the same way
I usually play southern and contemporary gospel music. the bass role in southern gospel and most country music is to keep time by playing 2-note chords. for example, if you see lead guitar go to G play a 1st string G and on beat 2 play a 2nd string D. in 3/4 you have to play one note per measure, but you can still use chords
@@claudelamoreux8543 Even if we go to that level of silliness, the first 11 frets on the E string, the first 6 on the A and the first fret of D should be kept since all those notes are below a standard tuned guitar's range.
i always enjoy your videos dude. i knew that from other videos that you made just by looking and practicing but know that you said it, the few questions that was in my mind flew away hahah thanks bro from Panamá City blessings
Yes, it is easy to physically play a simple bass line, but to give it a "feel" or "groove" is another thing. Some people have that innate ability and some don't. I really don't but I'll die trying!
I just recently started jamming with friends again. I guess I've been practicing with UA-cam for to long. I got to tighten up on my timing and learn how to match different fill ins with different styles of music (if that makes sense).
Bass drives the bus. He defines the basic melody. He defines the key of the song. He is connected to the drummer in creating rythm. the hardest part of playing bass is hitting the notes on time and locking in.
Bass is the most underrated and underestimated instrument. I didnt realize how cool it is until I was in a band with a bassist who knows the ins and outs and takes pride his craft. It shouldn't be treated as an afterthought, though it often is. A bassist kinda acts as the subconscious mind of a band; their contributions are mainly subliminal, but they impact and augment the final output so much. When the bass is tight and tasteful, the subconscious and consious minds are in sync, and the whole band is elevated. When the bass is obnoxious or even just boring, the two sides of the mind are out of sync, and the whole band suffers. This dynamic is so subtle and subliminal that it's hard for most people to pick up on, which is probably why bass is so underrated and underestimated.
Great words
I LOVE my trusty Antoria Jazz copy (1982) - must say though, psychologically speaking, one of the saddest things to witness is a bass player throwing shapes while playing - I prefer to stay relatively still, concentrate and ENJOY!
Obnoxious bass kicks ass .
Bass player, the curious job of combining a keyboardists left hand with a drummers right foot. With strings
I've never heard it put that way but you pretty much nailed it. Cheers
Well put
If you play with a piano player who hasn’t learned keyboard yet anyway ;)
The most underutilised bass technique is implied harmony. If you have dual guitar tracks or an otherwise very repetitive main riff, you can transfer the job of chord progressing to the bass player. Instead of playing the entire chord, they can play different root notes to change the context of the guitar part.
For some reason, no one wants to use this other than iron maiden, prog bands, and Metallica
I mean it’s the same with guitar except your combining the right hand with the drummers both hands. You gotta be able to play the drummer’s pocket
Knowing when not to play is like a technique in itself. Silence is the note you don't hear. It's the one you don't hear but it's there putting the spotlight on the snare hit or the kick drum pop or the Rhythm guitiar chop. I love the feeling of that give and take.
I wish more bass players knew this...
At 19 years old and having practised a really bad guitar in my teens against early Beatles, I got a pretty good idea about chords and root notes. I can usually hear what the next chord should be based on its root. Even today, I can hear most chord changes in old songs I haven't heard in many years. A gift, to be sure! Anyway, a friend at that time handed me a bass and said ... no problem..just playit. Wow..I immediately fell in love with bass playing. It began to feel as if I was breathing, not tackling a new instrument. So, at 19, I got a gig playing with some excellent musicians in a popular restaurant. Wooo! All went really well. Four piece band, all instrumental. I learned a lot. Then the restaurant owner said he couldn't afford all four so one had to go. One weekend went by without me and the next weekend I was back. The other guys paid me my share out of theirs. They said it was hell to play without the bass! We are essential!
At that age, it really pumped my confidence and I never looked back. Since then I've played churches, school plays, half a dozen different rock bands, my own jazz trio, and later a jazz quartet. Oh yes, I took early ten years of classical piano which bored me to tears, and I sang tenor in many choirs...all helped train my ear.
Thanks for listening....Just a story told by a 74 year old guy, still hacking around, breathing my bass! Old guys have many stories!!
Thank you for sharing ✌️😎
Thank you sir.
I've always thought my ultimate job as a bass player was to tie the rhythm (drums) and chord structure/melody (guitars/keys, etc) together. Yes, outlining the chords is a part of that, but to get the rhythm groove while you're doing it is the real goal. THAT, to me, is what makes the bass the most important instrument in the band (and I feel that way whether I'm playing guitar, keys, drums or bass.)
"Serve the song" is still some of the best advice ever for bass players. Like you said, you don't have to use everything all the time. Nor should you. In addition to knowing how, there's a lot to be said for when, knowing when to(and when NOT to) approach a bass line a certain way. Geezer Butler is a big influence on me as a bass player and I've noticed over the years that he has three main approaches, depending on the song. Sometimes he just doubles the guitar riff for maximum heaviness and really makes Tony's parts sound huge. Sometimes he uses more notes and creates interesting movement underneath the riffing, without stepping on it, and sometimes he pounds away on a simple root or root/fifth based bass line.Knowing your techniques is half the battle. Knowing which to use and when is pretty much the other half.
Couldn't agree more. With great power comes great responsibility !!!! I like to lay back sometimes and just put down the foundation, as a newer player I err on the side of caution when it comes to playing too many notes. As I gain experience I will add a bit here and there if I feel it truly serves the entire song.
Geezer = Electric Jesus 🤗🤘🤘🤘
This really put it in perspective as a guitar player. As i guitarist I thought it was easy. I’ve been looking at bass as “Aw okay imma just play the root note and travel around the pentatonic” but now you put it in perspective as to why bassists always refer to the chords.
Great lesson! I'm fortunate enough to have learnt that from the Scott Bass Academy. Just one year of learning to play the bass and I can already put so many arpeggios, chord scales, modes and chromatic notes into bass lines of a variety of tunes! It's great!
Boom! THAT'S what I like to hear! Awesome man :)
Scott's Bass Lessons thanks for this...it appears that I play a lot of chromatic notes, just never knew they had a name lol
For me, the bass is the most important rhythmic instrument in any band. The best compliment I ever got was when my drummer told me that my bass lines made him want to dance. So true. Even more than the drums, it's the bass line that gets people dancing! 💃🕺
I've heard a lot about the bass players role in outlining chords. But I've never seen it so effectively demonstrated as in this video. Thanks so much!
Scott, you make the this world more beautiful by what you do and how you do it. Thank you for all the care you put into helping us be better in playing this instrument.
Bass players look like they are doing nothing, but actually there is a lot of concentration going on looking for opportunities to play what they would like to. It cant be done at the expense of the timing, or the phrasing of the the singer and lead guitar, it can't be so busy that it muddles up the song. The choice of note and where its placed has to be perfect. I remember having 3 or 4 variations of every bass part just to fit in with how the other band members were feeling the song on that night.
Charles, I was in a band too where I had to have variations of my basslines. The keyboardist used to play with himself a lot, er... play BY himself a lot, and between rehearsals would incorporate my bassline into his playing. On the plus side he wasn't one of those keyboard players who pounded out a bunch of unimaginative low notes to try to tell me what they thought I should be playing (as a sound engineer I would high-pass filter any keyboardist I spotted doing that).
well said
Knowing when not to play is like a technique in itself. Silence is the note you don't hear. It's the one you don't hear but it's there putting the spotlight on the snare hit or the kick drum pop or the Rhythm guitiar chop. I love the feeling of that give and take.
Knowing when not to play is like a technique in itself. Silence is the note you don't hear. It's the one you don't hear but it's there putting the spotlight on the snare hit or the kick drum pop or the Rhythm guitiar chop. I love the feeling of that give and take.
i've watched a faire amount of lessons from you now. Though I'm not too fond of your stile (to much jaco, if you know what I mean) I've realized that your tips and lessons are really good and valid. You focus on the fundamentals of bass playing not just how to play tunes and learn licks and that means a lot to me. keep up the good work in the shed.
Agreed.
Listening to Scott is the path to going from being a Bass Player to a musician on the bass guitar. He doesn't approach it as just a bass guitar.
And his approach in a few of his videos of "why this sucks" and then showing that either it doesn't, in its correct place, or how to solve it is really an excelent musical approach. It gets you to really listen.
I'm not really into Scott's jazzy style, either. But... that puts me in a different mind-frame to really examine what he's teaching.
I love how you make look so easy and simplified, thank you Scott !
Scott
There's a lot of bass players self taught that hold there own
Maybe not doing it by the book but they are happy doing what their doing
I started up bass 5 years ago
No experience of music
no one to teach me couldn't afford lessons
i learnt myself
I am 62 years young and haven't got the time to worry about how right i am or not
I joined a band and i have fun and for me i would love to know what you know and play like you but i never had the support
I can read tab which gets me by
I put a lot of smiles on people's faces including mine
most of all i enjoy it
I ACHIEVED IT ON MY OWN and build on what i can day to day right or wrong
One of the Best things i did in my life time i have three proud boys
love u Josehine
Good bassists are a bridge for the other parts and instruments in the band--like a nexus. :) It's a challenging role intellectually and mentally. It's not just about the rhythm section: kick, snare, fills, and pocket. I always try to pull in and nuance particles of lead guitar and vocals, tying them all in, with little flourishes and embellishments---without overdoing it---while staying with the groove and roots. We're pretty badass. Bass = the bridge where all things connect. We are excellent conversationalists, musically speaking: knowing when and what to say.
Marrying the rhythm and melody/ harmony. That’s our gig.
Even as I’m playing a different style including slightly different requirements for my bassplaying - your videos still are very inspirational and helpful. Thanx for that!
I really appreciate that you give such great lessons for free, it has really helped me progress
My bass player has a great feel like this. Even songs where you would just play the root, he walks around on the chords where he wants to spice the song up. Gives things a nice flavor.
Scott, you are so freaking knowledgeable, I appreciate everything you show us and try to show us,thanx for bein there
Thanks for checking out the video dude! Glad this was helpful for you! 🙌🏻🧡🔥
Here, you've just shown the world the difference between an beginner, a decent, a good and a brilliant bass player. This is what I needed. Thank you =)
I always thought the role of the bass player was to be the bridge between the rhythm and harmonic section. Like outlining the chords being played while following the drums. I guess just outlining the chords is more important then?
You hit the nail right on the head
yep bass marries the rythum to the harmony
it varies a bit with respect to how many peices your band is
for example
a bass player in a trio plays different than a bassplayer in lets say,a four peice rock combo
It seems that Scott answered that exact same question at 6:53. "Yes, it's to create great rhythm, to lock in with the drums. And lock in with the rest of the band... but you should be able to outline the chords." The job of all musicians is to outline the music as it goes along. As Scott said at 3:55 "As bass players, our job is exactly the same as the guitar player or the keys player. It's to outline the chords as they go along in the song". That is to say that outlining the chords is the job of all players of tonal instruments.
You explained it the best way possible by adding chord notes gradually, it was made really easy. Using chords effectively was a bit tricky for me before this class. Thank you a lot, Scott.
Scott. Drums and Bass. The inseparable union. The Bass player ties the rhythm section together. Joined to the beat of the drummer, bound to the notes of the melody, a complete musical experience is produced. Underscore the significance of the relationship between drums and bass in your next iteration of this important message.
Very beautiful lesson. Thank you. Outline the Chords - using fifths, thirds, sevenths and chromatics. God bless you real good ❤
I never truly understood the importance of a bass before until my stepdad got me one and I started practicing on it frequently. When you take out the bass out of a song it just doesn't sound right anymore, I can't specifically explain it but bass is just like the cherry on top
That moment when you have been playing wrong your whole life lol. Great lesson Scott!
The moment you realize you suck at bass xD
No one sucks at bass!!
Your way of playing is your way of playing
Ollie Heads yes, a lot of people suck at bass. I don't consider myself one of them though.
Basically, not just keeping Rhythm but also being able to Harmonize using the individual notes within a Chord/Scale.
As a good listener, i always though that the instruments sounded isolated from eachother when the bass is absent.
I would compare music without the bass element to 2D visual art. Very linear. But once the bass plays, it becomes 3D. It creates a dimension in between that "glues" all the individual instruments together.
Interesting way of putting it. I've always loved the way the bass guitar sounds and subconsciously listen for it in a song. Most of my headphones were/are mediocre and my phone doesn't have stereo speakers but I think these AKG headphones I'm getting will amplify that bass a bit. If there's one song i could not bear to hear without the bass, it's Make It Real by Scorpions. It makes the song so catchy and even reflects the emotion of the message (if thar makes sense). I've kind of noticed that the bass also "softens" the guitars and makes whatever riffs they're creating "feel lighter or heavier" (that harmonic effect). I'm no musician but that's what I get out of it.
Drums=time
Guitar=mind cleansing melody
Vocals=making people understand your music
Bass=keeping them all together.
And I'm a drummer by the way.
Drums are soooo much more than time, for me the drums are the roots of any song
Jemzo Maclain i know like if u don’t have a good speaker u don’t even hear the bass 😂😂😂
@@jemzomaclain yes, definitely more than just time; for me as a bass player the drummer absolutely makes the band - everyone else is replaceable. If I was putting together a band I would take the most care with recruiting the drummer. If they couldn't deeply groove and rock out on a jazz kit (with single kick pedal) they'd fail the audition. If they came in with assistants and a Peart-sized kit I'd tell them not to bother.
As a drum player, is it easiest to hear the bass while you are playing?
If I may offer an another view, I'd like to suggest that the bass player has a second and equally important job: to keep time. Like guitarists and keyboard players who share duties, so do drums and bass in the area of time. It's quite obvious in traditional walking bassist does this, but even in your R&B groove, you are almost always hit the root on the one -- and strongly. The rest of the band can lock on the bassist to know where they are in the song as what is the temp and feel of the tune.
Unbelievably useful and inspiring! So many of my favorite basslines break down to simply this! Thank you, Scott for so much!
I didn't really understand what you meant until you started playing it. Then I realized I do thst the most when I'm just jammin with friends. This video reinvented my view of being a bass player. I'm gonna try to implement this more in the music I play.
Such an enlightment for me. I was always trying to add something extra, but didn't realize you just have to follow the chord guitarist is playing.
Wow this sequential adding of the notes was the real revelation to me!
This is one of my favorite lessons thanks Scott
This is one of the most important lessons I have taken, thank you Scott.
As a new bassist that has several years as a guitarist under his belt, one challenge I have is trying not to overplay. As I'm learning new material, I approach it like this - start out forcing myself to learn the basic changes with the root notes and any riffs or walking bass lines that might be deemed key to the song. Once I have the basics of the song, I begin to learn fills or any kind of things I can play such as passing notes and the chord tones to make the bass line more interesting. I find by doing this approach I'm less likely to go crazy and overplay. Especially since the focus of the early stage of learning the song was an exercise in self restraint.
A bass player's job is to meld the rhythm section with the melodic elements of a tune. You have the most weight and ability to move a person's body aside from the kick drum. It's your job to make people attach the raw movement of an atonal beat to the more melodically rich elements. You are the glue between two worlds.
💯💯💯
Thank You Soo much. Novice player here first time in a band. The CHORD OUTLINE task you describe will deff help me to become a more integral part of my group and improve our sound overall !!! Being I've played guitar in the past, so being familiar with many chords already gives me a head start. Thanks Again, very nice playing btw.
The 💡just came on in my 🧠..... Scott you the best..... plz never stop.... I pray I’ll meet you one day✊🏽✊🏽💪🏽
love how this guy teaches
must admit that this one helped much more to get significantly further on bass than those rather technical lessons.
BRILLIANT!
This looks like it’s confirmation that the arpeggios I need to be playing are in fact not just Major arpeggios when in a major key.
i.e.: When playing a II-V-I, in the Key of C, the II arpeggio is minor, and the I & V are Major arpeggios.
e.g.: M m m M M m dim.
[Wow, 2016! Hmm... 🤔]
ALSO, See this lesson: “Killer Bass Exercise to Build Your Technique, Fluidity and Harmony Chops...”
It confirms the different arpeggio types.
For some reason my brain was stuck on using Major arpeggios throughout the C Major Key.
Now my brain is fixed - at least on that topic. 🙄
Thank you Scott!
Keep in mind that the chords are typically ii-7 V7 and IMaj7. Those sevenths matter.
This is the first time i ever heard you sound really really serious i love it
Some bass players can outline chords by ear, but the theory doesn't hurt them either :) Good lesson! I jam a lot with random songs on the radio etc. Great for your ear and a lot of fun
Yep..I have always been able to hear the chords and where they are going...transitioning is where things happen for the bass...lead into the next chord. Playing Random songs is a great exercise..until you get to a piece where the original is beyond my skills!😎
This is the bit of information that I'm most grateful for for tonight
Thanks scott
The electric bass is the rudder that steers the chordal ship along its musical journey. From the first note struck, until the final trace of sustain decay, the bass player directs the different sounds of the intricate combinations of chords and rhythms, produced by the other band mates. With his/her defining outlines, the bassist charts the course, and sets sail for the inner spiritual destination that the composition takes us to. Every member of the band is critical to the song. The electric bass and its captain are indispensable to the music. 👑🎸🎵
Thank you sir for making these videos. I’m learning a lot! I’m a guitar player and now just started playing bass and loving it!
Thank you for this lesson! I have seen few lessons where the importance of a certain skill has been outlined so clearly and understandable. This has made me want to practice stuff i've considered as boring before. Best Regards from Austria
Thank you, indeed, for this extraordinary lesson on your channel. It is all new to me.
Cheers!
Great video Scott, Just taught myself your jam over the 7th's. Old territory in my journey, but I love your phrasing. Broke it down and learnt a lot. Thank you.
Can you do a lesson on putting aside theory and composing relying on your ear? I've found that just writing melodies note by note has really pushed my playing in weird and wonderful (and disastrous) directions over the years. Deconstructing it afterwards and figuring out what you've done has been a great experience for my students as well.
Part of me is asking just to see where your mind wanders with no rules. =D
Cheers again for the consistently killer content.
He is right. Every instrument has fundamental techniques that should be learned first and until you learn them you will never be very good at your playing. My experiences in teaching is that many kids and teenagers want to learn how to play like Geddy Lee of RUSH and they have no interests in playing 1, 4, 5 as in an old Beatles song. Too boring for them. But until they learn the fundamentals, they'll never truly understand their bass guitar and what it can do. I also teach them to "learn your fretboard" until you have it memorized.
Great videos Scott.
Sometimes you make me love our instrument even more with your words and playing :)
The bass is what makes the booty shake. I've been playing bass for 35 years. The bass player is driving the bus in the band. Everyone else is riding the bus. You're welcome. ;)
i agree, it makes the beat
Smh... Everybody's in the driver seat you condescending wonka.
Lol. I couldn't have said it better. No, I mean, really. I'm a bass player. I'm the dark, silent one with the big guitar. If you pay attention, I'm actually there. :D
Yeah. Just look at john paul jones. Only person in ledzep that never missed a beat.
Usually the Bass Player get the least credit, both from audience and mostly less experienced players. As drummer I often say: you can replace me even with a nice drumloop - no problem, no offense. But you can't replace a good Bassplayer. He or she are breathing life into your music.
I don't know if I've ever commented on one of your videos, but I want to make sure I thank you for all the great work you put out. stellar lesson!
Ahhhh thanks Daniel!
@@devinebass awesome
Scott,this is something I've secretly longed to do.play an instrument with a sense of freedom.your teaching has unlocked it for me. The emotions I felt shocked me, as I shed some tears privately.im eternally grateful
Scott just seems like such a nice person super chill really helpful 5 stars
What Ecott is saying about the role of the bass is as true now as it was back in the Baroque era with figured bass and continuo
good stuff Scott always fun to watch your videos
Cheers Joe!
New to this channel...what a great player, great teacher, and all round great dude...so many great tips, looking forward to the next few hours watching these vids. I'll say it again...bloody great
Really solid Scott! Great lesson on an important topic! Cheers!
great lesson. Plus I finally found my answer about how you can sound so Motown in a moment and then supper sapping and modern. Tone knob and volume to compensate.
you are a true visionary and flame to inspire one... i havent stopped playing bass since i’ve been watching your vids, i have “learned” pickin’ (yah that thing i was too unco to do) and that rubber washer/straplock suggestion was GOLD. unless you’re bothered by too much money and need to fork out for the schaller shiny real deal (ugh no thanks) 🙂🙂🙂
Bass.. its a literaly background in the music world. Its gives life to music.
Top vid! Great playing and really shows what is possible with a few simple chord
I’m definitely going to binge watch all your vids! You got a subscriber!
I love learning all of this and enjoy gathering the knowledge but it can be so hard to practice and apply.
Adding in all those chromatic notes reminded me of what McCartney was doing around the time of Pepper and Abbey Rd. Listen to his Bass line on the track, Something.
My role is to play the best I can within the music I'm making. Fuck what other people think a bass player "should" play.
Punk rock will never die!
twocsies punk rock sucks
that was a great lesson Scott , well needed for me . thanks !!
I would actually argue that bass players job is to be the ''glue person''. The one who plays what the song requires.
We mostly see guitarists play more of a melody side - chords, solos etc. Drummers obviously hold down the rhythm. The bassist however can be very flexible and add different stuff to the song. We can follow guitar / singer, counter it, follow the drummer or play tic-tac-toe with the drummer.
Not a lot of other instruments have that capability.
The base is A. the cement between the rythm of the drums and the chords and melodies of the other instruments (both rythmically and harmonically), B. it provides a great deal of the "feel" of the song, which most non-musicians don't even consiously notice, but do react to
i've never looked at a chord chart in my entire life. I just have taken music theory and the relationship between two strings and put things together via numbers. This made it easier to improvise but hbrder to communicate with people who haven't thought outside of "CMaj7- C, E,
G, B" to the point where they don't need to know what each and every position is.
I run into the same problem. I think in scale degrees and intervals mostly.... most other people can't spit things out by interval relationship the same way
You're a huge inspiration to me, Scott!
Great lesson
9:20
*I HEAR THE DRUMS ECHOING TONIGHT,*
*BUT SHE HEARS ONLY WHISPERS OF SOME QUIET CONVERSAAAAAAAAAAAAAAAAAAAATION*
*BUM BUMBUM BADUM BUM BUUUUUU-*
Great lesson Scott. thanks. Not quite there yet... will keep practicing 👍🎸
Thank you very much Scott, the video was very helpful.
I'm going to be playing like you one day!
Great lesson, thanks Scott!
I thought the role of the bass player was to be Glen Fricker's best friend! LOL
He'll still think you're a useless ****.
remember the rule #2
I have t-shirt with rule#2 lol
🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣
HAHAHAHAHA!!!!!!!!!!
Always great tips Scott
I usually play southern and contemporary gospel music. the bass role in southern gospel and most country music is to keep time by playing 2-note chords. for example, if you see lead guitar go to G play a 1st string G and on beat 2 play a 2nd string D. in 3/4 you have to play one note per measure, but you can still use chords
Which is why church basses have only two strings and five frets. 😜
@@claudelamoreux8543 Even if we go to that level of silliness, the first 11 frets on the E string, the first 6 on the A and the first fret of D should be kept since all those notes are below a standard tuned guitar's range.
Great lesson!
The sound of the bass was great !!
It's actually great to feel like you are basically a toddler with a maraca. It gives you motivation. :)
Awesome lesson!!! Vibes!
Totally appreciate the advice, such as if a bass player cannot play the chord notes, then, well, not good.
i always enjoy your videos dude. i knew that from other videos that you made just by looking and practicing but know that you said it, the few questions that was in my mind flew away hahah thanks bro from Panamá City blessings
Sweet chops there scott! :)
Thanks man!
Scott is my hero
Great Lesson. Thank you!
4:28 just marking this sweet chill chord progression so I can learn it myself :P
Great advice. Absolutely agree. Thank you!!
Yes, it is easy to physically play a simple bass line, but to give it a "feel" or "groove" is another thing. Some people have that innate ability and some don't. I really don't but I'll die trying!
Great guidance
The first riff I learned was green onions, and I thought, the guy who did this first went down in history but it is so easy.
Thanks Scott!! This video helped me alot!!
I just recently started jamming with friends again. I guess I've been practicing with UA-cam for to long.
I got to tighten up on my timing and learn how to match different fill ins with different styles of music (if that makes sense).
Bass drives the bus. He defines the basic melody. He defines the key of the song. He is connected to the drummer in creating rythm. the hardest part of playing bass is hitting the notes on time and locking in.