Mesmerizing notes echo amidst doses of Natural Wood, turpentine, warm wires and rosined bow... Of vibrant striking Of fingertips upon Ebony So in turn a Module probability ... Loquacious vibrality ~
Thank you! Adam used a large condenser mic, which requires phantom power. He doesn’t have a module that can power a mic, so the signal first goes into an outboard analog mixer for the 48V, and the mixer line out is connected to a Joranalogue RX 2 in his case. BTW, if the live sound is going to go through a PA or stage monitors, Adam uses a piezoelectric pickup under the cello bridge. Otherwise, feedback is a big problem. In the videos, he uses in-ear monitors only, so a pickup isn’t necessary.
Adam says: Blend is turned up on Melotus for the first time at that point which opens an MV setting with high Delay, low Cohere, and a medium Regen. A few seconds later I nudge down Regen on both Melotus and Imitor, to give myself more room.
Adam says, "I haven’t named my cello yet, so in fairness I feel I can’t name the duck at this point. She is a good friend that comes from a hilariously large collection at NE🙂"
wow.. I LOVE this
I remember doing similar test when I load mellitus on my Versio.. Amazing new ideas emerge from it
Absolutely gorgeous
incredible technique. the cello is such an expressive instrument
SoundS. ... Simply BEAUTYFUL !
What a wonderful combination!
Look what you guys made possible! What a marriage of art and tech. Congratulations
Thank you so much. Adam is amazing.
Mesmerizing notes echo amidst doses of Natural Wood, turpentine, warm wires and rosined bow...
Of vibrant striking
Of fingertips upon Ebony
So in turn
a Module
probability ...
Loquacious vibrality ~
Sooooooo awesome!! ❤❤❤❤
Nice! Cellotus Versio 😁
This is beauuuuutiful!
reminds me of the soundtrack of Journey
Beautiful piece! What is the instrument interface with the modular setup? Do you have a module for that?
Thank you! Adam used a large condenser mic, which requires phantom power. He doesn’t have a module that can power a mic, so the signal first goes into an outboard analog mixer for the 48V, and the mixer line out is connected to a Joranalogue RX 2 in his case.
BTW, if the live sound is going to go through a PA or stage monitors, Adam uses a piezoelectric pickup under the cello bridge. Otherwise, feedback is a big problem. In the videos, he uses in-ear monitors only, so a pickup isn’t necessary.
Thank You for responding. Very helpful.@@NoiseEngineering
Nice!
Wow! Tell me what happened here @1:43!
Adam says: Blend is turned up on Melotus for the first time at that point which opens an MV setting with high Delay, low Cohere, and a medium Regen. A few seconds later I nudge down Regen on both Melotus and Imitor, to give myself more room.
what's the duck called?
Adam says, "I haven’t named my cello yet, so in fairness I feel I can’t name the duck at this point. She is a good friend that comes from a hilariously large collection at NE🙂"