this is your best video imo. long form specific breakdowns of your own work is really what i was hoping to see on this channel! thank you and merry belated christmas
Wow- love the wonderfully thoughtful descriptions of the decision making process for each location - amazing to see how much you accomplished in such a short amount of time... I love your more basic lighting/shooting BTS the best as they are in line with the way I create - but to see what is possible on a bigger scale with a crew is fantastic!
First of all.....thanks for all the content. Seen most of it and it's given me alot of great info and inspiration. Much much appreciated. Can i ask you what monitor you use for Colour Grading? I noticed in one of your vids a monitor that looked like an Eizo! If so...what model is it? Is it calibrated and do you run it through an i/o device? I've been using a BenQ 32" but it's full of dead pixels so I'm currently looking at upgrading and i'd be interested to know your thoughts if you find the time. Thanks again. Please keep this content coming. It's all great stuff.
Thanks! In the edit pods and grade suite at Still Moving we use Eizo monitors, the Colour edge models… can’t recall the exact product name. The ones that we use as clean feed reference monitors are fed from ultra studios, in the pods the tiny ones and in the grade suite the huge rack mounted extreme. They’ve served us well and don’t really have any complaints about 🙌
@@StillMovingMedia Thanks for the reply. Yes, i think Eizo is the way to go. They've got some great monitors that seem to be respected by 'them that know'. I've been prettyy disappointed with my BenQ. It's ok, but the colour drift is awful. Thanks again for the quick response. Hope you're having a good Christmas.
As always, your content is some of my favorite on UA-cam! Beautiful, thorough and efficient. Thank you!
Thanks Jeremey!
Another excellent look at the thought and craft that goes into this. Thank you!
Thanks Mark!
this is your best video imo. long form specific breakdowns of your own work is really what i was hoping to see on this channel! thank you and merry belated christmas
Thanks Steve! This is actually an older series but complied into one for more traction and a fresh launch 🤫
so cool, your explanations are so helpful
Beatiful work - thank you for sharing!
Thanks Derek 👊
You put in a lot of effort making these videos@@StillMovingMedia and I always pickup a tip or two from your posts.
Your BTS production shots are amazing! Thank you for sharing your knowledge.
Thanks 😊
Wow- love the wonderfully thoughtful descriptions of the decision making process for each location - amazing to see how much you accomplished in such a short amount of time... I love your more basic lighting/shooting BTS the best as they are in line with the way I create - but to see what is possible on a bigger scale with a crew is fantastic!
😁 thanks 🙏
Great stuff !
Thanks Michal!
Really nice explanation!
Thanks 🙏
First of all.....thanks for all the content. Seen most of it and it's given me alot of great info and inspiration. Much much appreciated.
Can i ask you what monitor you use for Colour Grading? I noticed in one of your vids a monitor that looked like an Eizo! If so...what model is it? Is it calibrated and do you run it through an i/o device? I've been using a BenQ 32" but it's full of dead pixels so I'm currently looking at upgrading and i'd be interested to know your thoughts if you find the time.
Thanks again. Please keep this content coming. It's all great stuff.
Thanks! In the edit pods and grade suite at Still Moving we use Eizo monitors, the Colour edge models… can’t recall the exact product name. The ones that we use as clean feed reference monitors are fed from ultra studios, in the pods the tiny ones and in the grade suite the huge rack mounted extreme.
They’ve served us well and don’t really have any complaints about 🙌
@@StillMovingMedia
Thanks for the reply.
Yes, i think Eizo is the way to go. They've got some great monitors that seem to be respected by 'them that know'.
I've been prettyy disappointed with my BenQ. It's ok, but the colour drift is awful.
Thanks again for the quick response. Hope you're having a good Christmas.
Which specific URSA camera models did you use?
Hmmmm I think this was a mix of URSA mini 4.6k & URSA mini pro G1 4.6k
@@StillMovingMedia I use a mix of the original URSA and the G2 depending on the look. Very nice work! Thank you.
@@zzfactor nice 👌 the original 4.6k doesn’t get much mention these days but still solid and full DNG raw 🤌