Israeli Chamber Project | Khachaturian: Trio for Clarinet, Violin, and Piano
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- Опубліковано 17 жов 2024
- Israelichamberproject.org
israeli.chamber.project
Tibi Cziger, Clarinet; Daniel Bard, Violin; Assaff Weisman, Piano
Live performance at Israeli Conservatory, Tel Aviv
June 14th, 2014 Sound: Yaron Aldema Video: Roy Ettinger
Thank you for this performance, wonderful Trio, with Clarinet. Energetic and bright music. Thank you again!
Thanks for listening! ❤
What a riveting performance. Spellbinding! I've started working on this piece and this video is definitely my reference point. Bravo again.
+Averell DeSouza Thank you, Averell! We're glad you can find some inspiration in this. Enjoy the piece!
Instablaster
Thank you for performing and recording this undeservedly under-performed music. Also, congratulations for all you other music videos. Greetings from Cambridge, UK.
thank you!
awesome playing, awesome recording.
Une merveille ! Bravo !
Beautiful performance!
+Jessica Krash Thanks so much, Jessica!
8:38 3. Moderato
Thank YOU for performing also no main-stream - music ! There are lots of
to discover ! I do not like the commercial thinking of the music-industrie !
Superbe....
+miguale merci beaucoup!
4:30
love you midori
UNder thhe stalinist dictatorship, the composers were forced to write in line with the so-called 'socialist realism'. But unlike Prokofiev and Chostakovitch, who faced serevre problems, Katchaturian was a convinced communist and probably felt himself comfertable with this political line. We won an incredible number of offdicial prizes and honors. Actually, his music is most often as far from academic musical rules than that of Shostakovitch, but when Shostakovitch expressed an implicit ce ritical vision od the life in USSR, Katchaturian used soms popular or even folkloric tones, as we can hear in this trio, which is indeed sophisticatred under its popular and sometimes dancing tone. Nowadays, the music of Khatchaturian should be heard without taking these political considerations into account, just for what it is.After all, it is not so far from Bartok's 'Contrasts' foir the same combination of instruments, which clearly derives from traditional hungarian songs.
Dear Gerard, Khachaturians music is over the politics. In 1948 he was as well condemned in "formalist" and "western influences" as Shostakovich and Prokofjew. There are very good documentary here: ua-cam.com/video/hIJUWrcA6Hw/v-deo.html
Dear Gerard, Khachaturian suffered even more than Shostakovich and Prokofiev and could not write pieces for many years. Your description is not just.