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How to Improvise Over Really Hard Chord Changes
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- Опубліковано 14 сер 2015
- This is one of my FAVORITE techniques, and I'm so excited to share it with you in this lesson. Let me know how it goes!
Gear (but does it really matter?):
Reeds - amzn.to/2byJByQ
Ligature - amzn.to/2b1uYll
Mouthpiece - bit.ly/2acqB6Z
Saxophone - Selmer Mark VI SN: 111XXX - bit.ly/29W1Srz
EWI - amzn.to/2b1EKXj
Midi Controller - amzn.to/2bdjNtd
Hair (the most important gear of all): Bb Texture by Bumble and Bumble - amzn.to/2byJROm
To book Skype lessons, please email me at JeffSchneiderMusic@gmail.com.
Instagram: @JeffSchneiderMusic
Snapchat/Facebook/Twiiter: @JSchneidsMusic
www.JeffSchneiderMusic.com
Great lesson Jeff; very interesting concept. I have heard jazz gurus using this on recordings; now I can hear what's going on, thanks! I don't play sax; I'm a guitarist. I really enjoy your lessons and channel; you're an excellent player/teacher.
+Warren McDonald Hi Warren, thanks for the kind words and for watching. Glad to hear you're enjoying the videos. If you ever have any questions, give a shout anytime: JeffSchneiderMusic@gmail.com
Thumbs up to guitarists learning from Jeff! Im a guitarist too.
Best saxophone approach to this tough topic. Keep doing these videos man!
+5t3r3054x Thanks!
Great tip! Although I am a jazz guitar player, I really needed a tip on playing fast over chord changes, for bebops like Blues for Alice. Thanks!
Thanks, Filip! Good luck with those fast tempos!
As said before also by Jeff reduce the chords and half the internal tempo and its done
Jeff you are a wonderful teacher/performer. I really like your videos Ksaxman.
Fascinating tool in the toolbox. I will definitely try to pull out this spanner at some point. I suppose I need to change my perspective on improvisation. I always thought great improv is just that...improvising over anything...without necessarily knowing the harmony below..and try to let your ear guide you. This is not necessarily wrong, but it probably takes years / decades to get there. But what you are pointing out is that one must carefully study the harmony , memorize it even, and the improv really is playing around with notes to a pre-planned structure you worked out before. Anticipating the changes is a great tool. Thank you Jeff.
For sure. You can definitely improvise by ear only, but know the theory behind it can help A LOT. Keep up the good work.
Great lesson Jeff! I enjoy these videos where you play a little longer examples. The lessons where you talk more is also good, it's just nice to hear you play and get inspiration from your improvised lines!
+Gustav Dalemo Thanks, Gustav! Gonna try to fit more playing in going forward.
Well I think I saw most of your videos. You are very eloquent. I really like the way you approach each topic. You have a great sound a beautiful horn. Congratz. Wish you the best ;)
+linkcell Thanks so much!!
Cool, I think I've been doing this here and there unconsciously, usually on simple stuff that I'm really familiar with. I just tried actively applying this approach with a couple standards I've been working on and wow, it really does help tie things together. Thanks for the info!
love to learning from you, thank you so much
+薩克斯風張志宇 My pleasure. Thanks for watching!
You got wonderful sound a great language man :) Great inspiration for me :) I hope you will make some long DVD about jazz technique and improvisation :) Great job, keep doing this for us. Thanks a lot Jeff.
Thank you, David. I will be coming out with more long form materials soon, so stay tuned. Thanks for watching!
Hey Jeff, like your channel. I think these anticipations work for other reasons too but I’ll state the obvious. Playing Bb7 chord tones over F7 yields Bb 4th, Ab flatted 3rd, F 5th, D 13th, all related to the F7. kind of like playing an Fm I into a Bb7 v chord. The b2 works anyway as an outside line against the chord. But anyway, good stuff thanks for posting
Another classic device is landing 1/2 step ABOVE the chord you're approaching with a big jazzy arpeggiated chord ( just a beat or so before the destination chord) & sliding down to the target chord. It's very common & popular in Bluesy Jazz / Jazzy Blues.
Great lesson Jeff. I subscribed
Excellent tutorial thanks Jeff 👍
Tell us how Brecker approached "someday my prince will come", that would be cool!
Fantastic teacher!
loving the tips,very helpful Jeff
+Travis Moody Thanks, Travis. Getting ready to make some new ones, so stay tuned!
Well Jeff...I have to say....I don't understand all you are saying ( coz I am more of a "busker"..)But..I am working on it!!..what a great sax player you are.....brilliant tone!..
+Nigel Pugh Thank you, Nigel! Keep up the good work!
Yes, Jeff! Give me all the knowledge!
Thanks for sharing.
Awesome chops, Man!
Great stuff Jeff. "Bite size" lessons are awesome. I'll check out the background tracks you're offering. The Aebersold play-a-longs are great overall, but it's hit or miss. Some sound hip and are fun to play with, but some not so much. Thanks for all your efforts man. Cheers!
Great lesson!
fantastic teacher
I appreciate that, thank you!
Genius teacher! Thanks!
Congrats Jeff, teaching others is a very noble thing especially when you approach it in such a humble and straight forward fashion. Curious: what gizmo are you using to add reverb or tremolo to your sound? This is not to say that you have a mature and full sound but adds spice whatever it is.. Anyhow keep up the excellent work that you are doing..
+Juan Miguel Orrego (Chilisax) Thanks so much, Juan. That's just a bit of hall reverb mixed in on the sax.
This channel is going to be so popular in good time
+shysaxguy Thanks, man! I appreciate it.
Thanks, great tip, appreciate it good sir.
Doin' some good work there
Mr!
These are really good lessons which I transcribe to guitar.
Awesome! Keep up the good work, Mike.
Thanks Jeff,
Much Love:)
Great video and explained so well, thanks a mil.
+Barry Farrell Glad you like! Thanks, Barry.
Hey, thanks so much for your videos, you're a fantastic teacher! Cheers :)
thank you
great sound
you are great meen, continue doing what you do
Awesome channel! Thanks for great lessons. Is that a Selmer Mark VI? And which mouthpiece do you use? I love your tone for alto, so I'm quite curious. Thank you!
+Michael Bauer Thanks, Michael! It is a Mark VI. I play on a Pillinger mouthpiece. Thanks again for the kind words.
BRILLIANT!
great lesson!
and I'm an amateur alto player have some impediments in reading lead sheet..
I know the first chord is B-7 and second is B7 but how to solo melody through these changes?...
can you share a series of methods for beginners about chord changes?
Really tasty playing. Fun to watch. I'm a guitar player
Wuhu! Yeah man! nice tip! Helps a lot! Thanks!
How do you set up your recording? What plug in do you use or echo?
Your channel is the bee's knees
+Alex Hills Thanks so much, Alex. I appreciate it.
Nice
A genius!
Dude...Nice!
Hi!
Is this video of how to do arpeggios and chord changes are still available?
I just don't see any link.
You the man
I play clarinet and this is amazing
This is great info, and I really like using this technique on tunes with odd or fast changes to "push" the harmonic motion forward and give more momentum to the section, but I have sort of the opposite issue. I have difficulty making interesting solo lines over tunes with very static or slow changes. I can make it sound good but I find that it's tough to create truly interesting lines over 4 or even 8 bars of the same chord, such as in All Blues. I know I can always insert turnarounds or "mini ii-V-I's" but this is often too dissonant on such tunes. Any advice?
Soooooo cool...
As a guitar player I envy horn players who can switch keys really quickly. A guitar player can just use the same scale patterns up and down the fretboard, i.e. first fret for the F7, sixth fret for the Bb7 if using a minor penatonic scale.
Crunkboy415 ik this was a year ago but just use different positions lol.
You are welcome
Why do you curve your left hand like that? You need to keep a straight wrist.
eres super chido hermano!
Young and talented ...
+God's Oracle I hope I still feel young on my birthday this May! Thanks!
what about anticipation starting on 3rd beat.. or even 2nd?
+dalebi Absolutely! There are no limits.
I'm a fan of your playing. I play tenor sax, sing soul and keys. I would think if my jazz chops on keys got tighter my sax harmony would be right there.
I'm also into getting better on neo soul.i live those videos you do in that too.
I'm with you too, voodoo is one if my favorite albums. It I inspired me to be a soul singer. What do you charge on Skype?
Why is there loud pink noise competing with your vox?
Great videos Jeff! Which reeds do you play on?
+Daniel Madison Thanks, Daniel. I play on Hemke reeds.
I can't think of more "Jazz" name than Jess Schneider
Hey jeff where did you get these sweet backing tracks?
+tboi2 That's a Jamey Aebersold backing track. Are you familiar?
what kind of scale do you use for this blues?
...the blues scale
What software do you use for editing the sound
I used Logic Pro on this one.
I have a chord change every 2 beats from F7 to G7, any tips?
You can get weird and use C melodic minor. If you harmonize the whole scale, you have both of those chords in it. Harmonizing up the scale on F, you'd have F A C Eb G B D. For G, you'd have G B D F A C Eb.
Let me know how this works out for you!
Chase and the Barons alright I'll try it out, thanks!
Joseph Wawrzyniak arpegiate up the f7 chord and then arpegiate a f#7 chord and then arpegiate the g7 chord when it changes. chromatics really work man
whats your email jeff you are a great teacher
+HORIZON WIRELESS Center Thanks so much. I'm at jeffschneidermusic@gmail.com
so basically, use passing notes in the key of the anticipated chord.
skype lessons? cost?
+Alfred Madere Hey Alfred, shoot me an email at JeffSchneiderMusic@gmail.com for Skype info. Thanks!
+Jeff Schneider you got it
The spirit of Charlie Parker is in you!
I love your teaching but I do not believe that most players do this when they are playing they just play what they feel from the soul.
great video for the most part except for i accidentally got very seduced when you made faces at the camera while playing
You are such a show off at the beginning of your videos playing all those fast notes and making me feel bad ! Just kidding ! Ha !