I can't specify why (maybe it's the pacing of your videos), but your techniques make way more sense to me than others I've seen. Gonna go try this on my gobbos 😎
i really like the ork skins! one question, with a contrast paint, how do you neaten up later if you splash other paint on an area thats supposed to be green?
Thanks for the kind words! And yes you can either use a spray can to get the same effect or even a drybrush will give you a zenithal, although maybe a bit rougher
Cheers thanks for your answer. Anyway I’m considering getting an airbrush, black priming + zenital is a very smart way to apply contrast paints so I would love to better understand the zenital technique you used in this video: I thought zenital highlighting was supposed to make the “light” hit the model just from a fixed angle but you seem to rotate the model and “hit” it from every angle. Is it because you are applying the artificial light source from directly on top of the model? Do you have videos where you show this even better? Thanks a lot.
Love the different skintones, great for future orks
Cool as always. 👍
Thank you!
I can't specify why (maybe it's the pacing of your videos), but your techniques make way more sense to me than others I've seen. Gonna go try this on my gobbos 😎
So happy to hear this! I hope your Gobbo's score many points and don't randomly die while tripping on the grass
i really like the ork skins! one question, with a contrast paint, how do you neaten up later if you splash other paint on an area thats supposed to be green?
Thanks! As for you question: i usually come back with the midtone and/or highlight
These look amazing, incredible work. I don't have an airbrush, any alternative way to apply the zenithal highlight?
Thanks for the kind words! And yes you can either use a spray can to get the same effect or even a drybrush will give you a zenithal, although maybe a bit rougher
Cheers thanks for your answer. Anyway I’m considering getting an airbrush, black priming + zenital is a very smart way to apply contrast paints so I would love to better understand the zenital technique you used in this video: I thought zenital highlighting was supposed to make the “light” hit the model just from a fixed angle but you seem to rotate the model and “hit” it from every angle. Is it because you are applying the artificial light source from directly on top of the model? Do you have videos where you show this even better? Thanks a lot.