Hey hey, thanks for this! Due to teachers and contributors like you, I have progressed and learned so much about jazz. One year ago, I could not play more than power chords and one scale, and now I am starting to follow along with the arpeggios and chromatic passing tones that link them, anticipating the changes and adding color and movement to my lines. Without men and women (although I wish there were more women guitarists in jazz and blues) like you, I would be in the dark still. You touch at least this heart, at least this mind, and I hope that will help push you forward. What you do matters!
Gracias 🙂
bravo! belle pompe aussi!
Superbe morceau Martin! Un vrai régal de vous écouter. Merci 😊
un petit bijoux à rajouter dans ma liste de "nouveaux morceaux " ,excellent martin pour ce debut 2019..
Merci beaucoup Yannick !
Very smooth. I love that intro Bb-Bb E-E. Thanks for your videos!
Thanks ! This idea is at the end of Django's version (1946)
Amazing, congratulations!!!
Thanks a lot !
This is really great. Thanks for all your effort!! Question: what kind of pick do you use? Thanks al lot and keep up the good work!
Thanks!!
Great! i play with your backing tracks in the street , thanks ... Saludos desde Argentina !
Cool !
Thank you Martín!! You are great!!!
Awesome stuff.
What string gauge do you use?
Thanks !! 011-046, Argentine Savarez
Super !! :)
(PS: le lien UA-cam dans le PDF ne correspond pas à Embraceable You )
Ha? Je viens de vérifier, ça fonctionne de mon côté. Quel document voyez vous ?
@@guitareimprovisation Je parlais du lien dans le PDF téléchargeable. L'url indiquée (ua-cam.com/video/670dH5nlpNk/v-deo.html) correspond à Topsy.
Ok super, merci beaucoup de la notification !! Je viens de corriger ça :-)
Beautiful. Thank you! What kind of guitar is that?
It is a Gypsy Jazz guitar made by Morgan Briant (www.morganbriant-guitars.com)
@@jean-pierresallet54 Thank you. I looks and sounds beautiful and you are a master of it!
🎸🎼👍
Hey hey, thanks for this! Due to teachers and contributors like you, I have progressed and learned so much about jazz. One year ago, I could not play more than power chords and one scale, and now I am starting to follow along with the arpeggios and chromatic passing tones that link them, anticipating the changes and adding color and movement to my lines. Without men and women (although I wish there were more women guitarists in jazz and blues) like you, I would be in the dark still. You touch at least this heart, at least this mind, and I hope that will help push you forward. What you do matters!
Wow, thanks a lot Ryan ! Your coment goes straight to my heart. I'm flattered.