Shakuhachi Lesson #19 How to play Banshiki 盤涉 一朝轩传
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- Опубліковано 5 лют 2025
- From Komuso.com
Kinko-ryu: BANSHIKI-CHO
1-shaku 9-sun
4 min. 17 sec.
1. About the title:
In Kinko-ryu the name of this piece is read as Banshiki-cho (emphasis on cho); Jin Nyodo also passed on this pronunciation. Pronounced this way it sounds like one word, but as it was originally a maebuki i.e. an introductory piece (according to the book Kokin Techo), it could also be explained as meaning Banshiki-no-shirabe. The ri-tone on a 1-shaku 9-sun flute corresponds to the tone banshiki (=b).
2. Structure of the piece
The form is [A (KO) - B (KO) - A' (RO) - B" (RO-KO)]. In section A the melody climbs gradually within the second octave from the bottom to the highest tone. Section B begins in the midrange of the second octave, but this time the melody gradually descends. Section A, is the same melody as A played in the first octave. In section B', the first half of B is repeated in the first octave and the second half of B is repeated in the second octave. Not just in this piece, but in Kinko-ryu honkyoku in general, entire dan or the melodies which form their units are repeated to suit the performance, but on this recording there are no such repeats.
3. Special features of the piece:
The tone banshiki was traditionally the note of autumn, the note of sadness. In Kinko-ryu this piece is also used as an introduction for Shin-Kyorei and Shika-no-Tone.
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Thanks for this. I love how in-depth this instructional is!
You are very welcome! It is my pleasure to serve and provide materials for the shaku community
Thank you for all this wonderful content!Please keep going 🙏🏽❤️🍀
Thank you, will do!
Thank you for this nice master class on one of my my favourite
You are very welcome!
Great lesson！thanks， you may want to put the Japanese/Chinese name (《盤涉》一朝轩传）of the piece on the title, it definitely will increase your view number, as many don't use the English name for shakuhachi music.
Noted and added!
Beautiful flute, never saw one like it w red inside.
Ah, it is actually very common! The interior colors are usually Black, Brown, or Red. Black tends to be colder and stiffer in sound though not always the case. In Japanese, they call this Katasa and tsumeasa. Red tends to be warmer and rounder sounding. However, there is no science to back this. This is just what has been told to me by master craftsman from Japan and at the same time, another master told me that the color is nonsense and has no relationship to the sound.
@@TairyuShakuhachi I love the obscure and confusing mysteries of Japanese arts.
Great lesson,thank you, I hope you upload a short lesson about How you make a tamane sound on Tsuru no Sugomori ?is it on the lips or on the tongue??
I’ll make a flutter tongue tutorial video.