Musical Comedy Tonight - 1979

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  • Опубліковано 28 лип 2020
  • MUSICAL COMEDY TONIGHT is an overview of American Musical Comedy through four significant eras."The twenties illustrated by 'Good News', the thirties by 'Anything Goes', the forties by 'Oklahoma', and the seventies by 'Company'. Each era is introduced by a 'newsreel' of the current events, personalities and theatre customs of the time and by a description and analysis of each show. Included are interviews with Ethel Merman on 'Anything Goes' and Agnes de Mille on the use of American Folk Ballet in 'Oklahoma'. The host and narrator is Sylvia Fine Kaye.
    The first performance is the title song from "Good News," a large group musical number. The host Sylvia Fine Kaye discusses other musical comedies of the 1920s and how "Good News" fit into that era. Kaye sings an excerpt from the opening number of "Good News," and the next performance features Bernadette Peters and Bobby Van singing "The Best Things in Life Are Free." Sandy Duncan and company perform "Varsity Drag." Kaye introduces "Anything Goes", giving historical and cultural context of the 1930s that lead to "Anything Goes" being created. Ethel Merman performs "I Get a Kick Out of You," and Kaye interviews Merman about her experience in "Anything Goes." Then, Merman and Rock Hudson perform "You're the Top," and Merman and company perform the title song. The next era is the 1940s with "Oklahoma," given historical and cultural context. Kaye talks about how "Oklahoma" changed the entire genre of the musical comedy, and John Davidson performs "Oh, What a Beautiful Mornin'." Carol Burnett sings "I Cain't Say No," and Kaye interviews choreographer Agnes DeMille about the famous "Dream Ballet." Jamsie Delap and Blaine Savage dance the dream ballet while DeMille gives commentary, and afterwards Davidson and company perform the title song. The final musical is "Company" from the 1970s, representing the first major shift in musical comedy since "Oklahoma." Sandy Duncan performs "Another Hundred People", with Richard Chamberlain as Robert and Bernadette Peters as April, then Chamberlain and Peters sing "Barcelona," and Carol Burnett sings "The Ladies Who Lunch." Finally, the company performs "Side by Side by Side/What Would We Do Without You." - End of video cut off
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КОМЕНТАРІ • 18

  • @muzyqman
    @muzyqman 8 місяців тому +2

    I'm so glad I found these Sylvia Fine Kaye shows again, especially this one. I had forgotten what a beautiful voice John Davidson had.

  • @pfdesilva2076
    @pfdesilva2076 3 роки тому +5

    Sylvia Fine. Class and style

  • @charlesrabb5568
    @charlesrabb5568 3 роки тому +5

    I remember watching this on tv. My first introduction to Company and Stephen Sondheim.

  • @kennethwayne6857
    @kennethwayne6857 3 роки тому +6

    Been hoping to see this again for decades!! Thanks so much for posting!

  • @tomstarkey8712
    @tomstarkey8712 Місяць тому +1

    funny. Danny kaye. 😂😅😂

  • @anniegross183
    @anniegross183 3 роки тому +4

    I love it a lot. They are all so very talented.

  • @rosav1000
    @rosav1000 5 місяців тому

    l love forever richard chamberlain❤❤❤❤💝😍😘💝😍😘💝😍😘💝😍😘💝😍😘💝😍😘💝😍😘❤❤❤

  • @The_momur
    @The_momur 2 роки тому

    Thank you for sharing.

  • @terryhammond1253
    @terryhammond1253 Рік тому

    🎹 Fabulous

  • @nondescript2892
    @nondescript2892 8 місяців тому

    " a relaxed and laid back attitude towards sex and the minuets of social custom"...a bit like her marriage to Danny Kaye perhaps...?

  • @KenDanieli
    @KenDanieli Рік тому +1

    Merman ruins the song. Just awful.

    • @folioio
      @folioio Рік тому +2

      She was a unique performer - and it made her a Broadway legend.

    • @kariannowen9055
      @kariannowen9055 Рік тому +2

      Ethel Merman could never ruin a song. That is what the Gershwins thought.

    • @nondescript2892
      @nondescript2892 8 місяців тому

      too big and hard and loud for tv or film...but on a 1934 stage she must have been electrifying

    • @95KIPPIE
      @95KIPPIE 3 місяці тому +1

      Ethel could never ruin a song!!! How many people could have a Gershwin Porter or Berlin write songs for them? No one, only Ethel!! That’s how special she was!!