You know I never really will understand how Pat has such great feel and time while doing seemingly impossible lines both in and out of altissimo ranges. It's a mystery to me
When you’re soloing you’re only really able to focus on listening to others and your own time-feel, and maybe some large-picture phrase ideas. The rest is preparation and familiarity, and planning/set-ups. He knows what the changes are and is familiar with ways he can/wants to navigate them, and he’s familiar with navigating the ranges of his horn. Add in practice strategies and some in-the-moment inspiration and boom!
Not only is Bartley incredibly well studied in the old masters' styles, he also adds his own beautiful lyricism to his solos with the control and articulation of a classical master. This is what all jazz musicians strive to do.
Thank you for this transcription! I’m not the slightest bit interested in inspecting it for errors - I’m just grateful you took the time to do it and post it for everyone to enjoy. Hope your music is making you happy and keeping you striving!
it feels like it should be notated in double time, meaning the 8th notes should be 16th notes and 8th should be quarters etc... Is there a reason why you transcribed like this?
Just unbelievable.
You know I never really will understand how Pat has such great feel and time while doing seemingly impossible lines both in and out of altissimo ranges. It's a mystery to me
When you’re soloing you’re only really able to focus on listening to others and your own time-feel, and maybe some large-picture phrase ideas. The rest is preparation and familiarity, and planning/set-ups. He knows what the changes are and is familiar with ways he can/wants to navigate them, and he’s familiar with navigating the ranges of his horn. Add in practice strategies and some in-the-moment inspiration and boom!
Practice. Lots of it. Mystery solved.
@@MarkHallvoc ah. Very informative. I love the specificity behind this and how detailed every aspect was. 10/10 🙌🙌
Transcribe and perform like 800 jazz solos from legends like Patrick...easy peasy.
@@MarkHallvoc imagine he also had talent... What a combo it would be. But fantastic he does it by practice alone... 🙃
His phrasing is so unique. His gorgeous tone is unique. Love this guy. A gift to the world. May he live long and prosper.🖖🏼
Not only is Bartley incredibly well studied in the old masters' styles, he also adds his own beautiful lyricism to his solos with the control and articulation of a classical master. This is what all jazz musicians strive to do.
God. Damn. There is so much history in Patrick's playing but it feels so true to him. Seriously inspiring player.
Thank you for this transcription! I’m not the slightest bit interested in inspecting it for errors - I’m just grateful you took the time to do it and post it for everyone to enjoy.
Hope your music is making you happy and keeping you striving!
This is just.... Damn.. God I love this dude's playing. Bebop perfected and his own thing at the same time.
that charlie parker lick at 2:34 is so goated
Since jamming with Emmet it has been obvious that Patrick is the new Bird . he could be that good ...
Wow! A master class in five minutes!
This was live! incredible chops and feel!
That was downright inspiring…
Man, some of those high notes... Pat's like juicing notes from the heavens!
great job!
Patrick, you're a perfect example of how to include the bounce into your melodies...
Paaaaatt!!!!
Yes, you heard correctly! He did it! 🥳 thanks man!
Amazing technique and improvisation (alt sax of Partick)!!!
Holy Sh*t
Awesome solo
3:01 so good
This guy must truly be GOAT
3:56 that whole section is full of earl Bostic quotes
Another Bostic fan here….
In a day? holy crap. Do you have perfect pitch? thanks for sharing
that’s nuts
so gooddddddd
crazy
ight now post the second part of his solo
Maravilloso 🤩🤩
God!!!.
Damn!!!.
is it possible to get this as a pdf in concert key?
Heavens! Let me grab my Alto and play along. HAHA…
THE AMAZIBG PATRICK BARTLEY!!
bro swings so hard
absolute fucking monster
man could you do the second part too?😭 of them trading at the end?
Wow!
2:20
🔥
At 1:51 was that some kind of common lick and if yes, where is it from?
It's the "Mop Mop" lick.
@ thanks
Is that a player saxophone 😮
Burning!!!!!
1:50 is this rhythm a quote of something or just a rhythm everyone knows? i feel like i hear it so often but dont know where it came from
Heard it in
After you've gone I think
@@benjaminmarks8765 what recording? i dont think its in the head
yeah I was wondering that as well, I don’t think it’s in after you’ve gone that was a different cliche
he does it in after you’ve gone live in tokyo but it’s just a well known rhythm quote
Mop mop quote
kazoo
it feels like it should be notated in double time, meaning the 8th notes should be 16th notes and 8th should be quarters etc... Is there a reason why you transcribed like this?
@seunghoyoum Cherokee is a 64 bar form always
I love how stupidly the enharmonics are written at the bridge. Great job!
Nerd 🤓😭🙏
Music is difficult…
arturo sandoval of the sax?
Much better!!
@@fanfoireI don't think you quite understand how profficient sandoval is??
bar 81 should start on g i think
lots of errors
Oh thank you so much for your constructive comment.
4:26 is unreal