I just have a question for you, which one you think looks better 13 vs 16 for videos, I have the Sony A7 IV but if I get the nisi will be arrow like 13.5 vs if I get the 10-18 will be 16mm
if you shoot 4K60 with the A7IV you get a 1,5 times crop. So then the 10mm will be cropped to 15mm. If you have bigger real estate venues that’s fine. For really tight spaces the cropped 9mm to 13,5mm (1,5mm wider) would be a slight advantage. But you could work around this, if you switch to 30p when shooting tight rooms, like the bathroom etc., so you don’t have to deal with the crop.
@@captainfilmmaking this was what I was thinking, I am a sucker for sharpness, this is why I asked you this because I want to get the lens with the sharpest one, and thank you so much
1. What do you do about white balance? 2. when shooting Slog3, how do you expose? Are you using false color? zebras? 3. if so, what settings work best for real estate where there's no human subject and there's nothing but inconsistent and uneven lighting? 4. with the FX30 specifically, how do you deal with low light like closets or rooms with no windows? are you going beyond the base iso? if not, how are you getting enough light to the sensor at F4? 5. What's your editing process? davinci? fcpx? do you typically have noisy footage that you're having to clean up?
Hi, 1. Mostly I use fixed WB settings. I evaluate the lighting color inside and how it mixes with the daylight from the outside and fine tune it, so it looks the way I want on my monitor with the LUT applied. The rest can be fixed in post. 2. I usually overexpose most of the time. By that you'll shift some of the dynamic range to the shadows - which I want, when I film interior. And the FX30 is rather noise at 2500 ISO. With skin tones I use a false color Lut, or Zebras. For other cases I rather have my lut displayed on the external monitor and my eye already knows how it should look like. 3. A general answer is difficult. As mentioned above - get as bright as possible, it's easier to bring the lights down in post than the other way round. Maybe don't make so much movement between the rooms/changed lighting, and rather shoot smaller bits where the light is consistent and then change the settings for the next part. 4. It depends. I think up to 6400 it can be usable, depending on the situation, but you'll need noise reduction in post anyway. It that case you could also go down to f2.8, which in a small room isn't that big of a deal. 5. fcp. Yes, I use neat video for noise reduction on a regular basis - especially in indoor shots.
Do you use any picture profile on the fx30? These shots look insane! Also how do you convert the s log footage into rec. 709. Didnt find the best way to do it yet with my fx30 :)
Hi - thx for the feedback! 90% of the time I shot in SLog3. If it’s darker, S-Cinetone works also fine. Yes, usually I do the conversion - sometimes with a conversion Lut, sometimes with a specific Lut for Sony which includes both the conversion and a look, and sometimes the conversion it’s part of the film emulation - like within Dehancer Pro, which I use. I this particular case it was a standard rec709 conversion with a Phantom Lut.
I'm interested on how you shoot real estate on a manual focus lens? I've only used AF lenses for real estate, but I'd love to be able to use a wider prime like this on my S5 II X. Can you explain a bit on how you do focusing with it?
I try to shoot in a higher aperture like f4, f8 or so. The higher you go, the wider is your depth of field. The restricted factor is the how bright your location is, and how good your camera performs in higher ISO ranges. Then I set the focus distance to about the middle of my subject/room I’m filming. Mostly a couple of meters ahead in a standard sized room. I think for real estate, I would recommend also setting an AF-lens to manual focus.
Great video bro! I just upgraded and ai have the same lens and camera! Been struggling to get this pro level type of look. How do you get the colors to pop so well? Is it your color grading? I’m currently shooting in Cine EI but thinking I need to switch to flexible ISO mode instead to push the iso higher than 2500. But what settings are you using? Are you shooting in slog? Love this content! More real estate content with fx30 would be lovely
Hi! - Yes, color grading is an important factor. The key is to practise and train your eye on things which look good, and over time being able to create the image you're looking for. - Creating contrast in both color and light is one of many things you to keep in mind to get better results. - Correct and a slightly higher exposure then usual is also key with the FX30 to built the base for a proper color grade. Here follow the tips, how to get a bright image in the first place. - Yes, Slog3. When in low(or lower) ight S-Cinetone also works fine. - I Also shoot in flexible ISO, but usually don't go above 2500, as the FX30 is quite prone to noise. Cine EI doesn't offer much to my workflow. Shooting in XAVC S-I does. Some de-noise in post also helps to clean up the image and improve the quality. Hope that helps a bit! Best regards
Hi! I have a question, there's apparently a video specific with gears for focusing also Laowa 9mm. T2.9 i think. What are your thoughts? Love your work. Thanks!
I don't own the T2.9 lens, but I think for the most use cases it will be very similar to the f2.8 lens. If you need gears you can easily retrofit them with rubber gear rings from amazon (around 10$). I think unless you're in a high production scenario, where you have to exactly match a set of other LAOWA Cine lenses, you will be better off with the standard 9mm f2.8, as this is way cheaper as the cine version.
No, not really - that’s the advantage of these LAOWA wide angle lenses, which are marketed as „Zero-D Lenses“ (zero distortion). The video you see wasn’t corrected for any distortion either.
@@toninoaldajani hi, yes in 60fps the quality is still very good - only in 120fps you see a drop in quality, because then the image isn’t downsampled anymore, but a 1:1 readout in 4k.
@@captainfilmmaking thank you for your replying, you shooting in 60 4 k ? Its enough for slow motion ? What you think is the best for real state and resturant ?
@toninoaldajani 4k60fps (or 50fps, if you’re shooting in Pal) is perfectly fine for real estate. For a Restaurant you may include b-roll shoots from the food or cooking. Here you may included super-slowmo shots
One question, how do you set focus on this laowa lens? I have it (I shoot on A7IV, 4k has 1.5 crop so this is a perfect lens for it) but I noticed that sharpness is not the best, I have it shy off infinity focus.
It wouldn’t set it to infinity, but rather to a couple of meters, depending on the room-size. So I set the focus to about 5-6meters in a large room. Shooting in a higher aperture(f4 and above) also helps getting more space in focus. When you use a big camera monitor, it’s easier to judge focus issues, instead of relying on the small Sony screen, or focus peaking display.
Hi, thanks @captainfilmmaking always give us Good information and we waiting another video for real estate, It’s mazing ، few questions here : what the best setting for fx30 to shot real estate vedio ? Do you recommend any good filter ND flexible or other filter for fx30 ? Sigma lens 18 50 mm for aspc camera its good enough for detail shots? hope you can teach online courses? For real estate video ? If no ! Do you recommend any course ? And which the best software for beginners for editing real estate video ? If i use laowa 9 mm with fx30 what best f , do you recommend for shooting real estate vedio ? You think sony lens 11 mm its good enough for real estate vedio ?
Thanks! - Try to get a high exposure (bright day; curtains open; upper ISO 2500 if needed). 4K 50/60fps. Gimbal. SteadyShot “Std.” Aperture around f8 if light situation permits. - ND not required. If image is to bright use ISO 800, or close down your aperture. - Polarizer filter useful when dealing with reflections of glass surfaces. - Yes, 18-50 ok for B-Roll (use preferably the tighter end 50mm) - The best software is the one which fits your workflow. I’m already invested in FinalCut Pro, but Davinci Resolve is a good option if you’re starting. - For the time being I do not offer specific online real estate Coaching, but only 1 on 1 coaching here in Vienna. For the future online coaching calls are planned at some point. - 11mm is ok, but the Laowa 9mm is the better choice for just real estate. Sigma 10-18mm f2.8 would be also a great choice. Best regards from Austria
@@captainfilmmaking👏👏👏 i was a photographer and took alot of courses/lessons around the world and i would like to tell you that your an amazing videographer teacher talented really , you make all the steps/work easy and simple ❤
Mega Video! Paar Fragen hätte ich aber noch. Shootest du den ganzen dreh auf der gleichen Iso und änderst für jeden Raum nur die WB? Findest du man könnte auch Real Estate Shoots in 1080p drehen? Mein PC hält nämlich 4k nicht mehr so gut aus Und benutzt du für deine Shoots ND filter und falls ja, nur draußen oder auch drinnen bei der Fx30? LG
@@GoblinhutDE hi, - Ich bleibe bei ISO800 bzw. 2500. Vom Licht her benötige ich eher die 2500. - WB bleibt im großen und ganzen ähnlich, kann sich aber ändern, wenn das Kunstlicht innen stark variiert. - Ich würde sehr stark 4K empfehlen. Das HD Bild der FX30 ist im Vergleich zum HD der FX3/ZV-E1 relativ schlecht. - ND eher nein, weil es innen oft eh am (Low)Light scheitert, und ich auf Grund der Tiefenschärfe ohnedies auf F8 oder so abblende. Ggf. eher einen Polariser für Glasflächen/Spiegelungen. Liebe Grüße
Mega Video! Kannst du mir vielleicht sagen ob du auch fotos machst und wenn ja welche kamera zu verwendest? Ich habe auch eine Fx30 und bin mega zufrieden, für Fotos ist die aber wirklich nicht besonders gut geeignet...
@@IDH-m9b Vielen Dank Ilias, nein - ich fotografiere relativ wenig. Die FX30 ist für meine Zwecke ok, aber natürlich nicht vergleichbar mit einer wirklich Foto- oder Hybrid Kamera. Die A7IV wäre ein guter Kompromiss, wenn du sie auch für Videozwecke als B-Cam zu deiner FX30 verwenden möchtest.
@@sufij hi, I try to shoot quite closed - maybe around f8 or so. That helps to have a wider depth of field. Then I set the focus to a distance which fits the room I’m filming - maybe 3-5m ahead. And so you should be good to go.
Please help I am using Fujifilm XT3 and TTartisans 10MM for Real Estate photo and video work. Photo Quality is good but in video Quality not good. Can you Recommend me Laowa 9mm Or Sigma 10-18 MM. Please Suggest me which one should i buy for video.
@@captainfilmmaking Thank You So much it's very Helpful to make decisions. Your video is so amazing. Laowa 9mm used I found around 300$ Sigma New : 650$
Yes, that’s the disadvantage .. if you can afford it, go with the Sigma. If you are doing real estate only, and want to save money, then the LAOWA 9mm is fine. The Sony 10-20mm f4 would be another option if you can live with the f4 for your needs.
Hi Melvin, I think they are both solid options. The Nisi 9mm is very similar to the LAOWA 9mm (maybe a touch better in some areas), but the sigma with it's zoom range and autofocus is very versatile too, but a bit pricy. As an alternative you could look for the Sony 10-20mm - for real estate I hardly ever shoot below f4 - or the Sony 11mm f1.8. Either way, you can't go wrong, it's more a question of price and your primary use case.
Yes, it's shines because it's so light and small, yet very wide. So for an APS-C, like the FX30 it's a perfect match. And even on the full frame ZV-E1 I use it, when doing handheld stuff in dynamic active stabilisation mode. Alternatively I use my Sony 12-24mm f4 full frame lens on the ZV-E1 too. It's even wider, has autofocus and is more versatile in some scenarios.
Fore pure real-estate shooting, I would pick the Laowa 9mm. The Sony 11mm f1.8 aps-c lens is a great versatile lens too, and better suited for vlogging, because it has autofocus.
This is how we approach real estate shoots - if you have any questions in regard of equipment and settings, let me know in the comments down below.
This is so kind for you bro I really appreciate
I just have a question for you, which one you think looks better 13 vs 16 for videos, I have the Sony A7 IV but if I get the nisi will be arrow like 13.5 vs if I get the 10-18 will be 16mm
you‘re welcome
if you shoot 4K60 with the A7IV you get a 1,5 times crop. So then the 10mm will be cropped to 15mm. If you have bigger real estate venues that’s fine. For really tight spaces the cropped 9mm to 13,5mm (1,5mm wider) would be a slight advantage.
But you could work around this, if you switch to 30p when shooting tight rooms, like the bathroom etc., so you don’t have to deal with the crop.
@@captainfilmmaking this was what I was thinking, I am a sucker for sharpness, this is why I asked you this because I want to get the lens with the sharpest one, and thank you so much
This video was incredibly helpful thank you!
@@MIGMORRIS111 thanks for watching!
1. What do you do about white balance?
2. when shooting Slog3, how do you expose? Are you using false color? zebras?
3. if so, what settings work best for real estate where there's no human subject and there's nothing but inconsistent and uneven lighting?
4. with the FX30 specifically, how do you deal with low light like closets or rooms with no windows? are you going beyond the base iso? if not, how are you getting enough light to the sensor at F4?
5. What's your editing process? davinci? fcpx? do you typically have noisy footage that you're having to clean up?
Hi,
1. Mostly I use fixed WB settings. I evaluate the lighting color inside and how it mixes with the daylight from the outside and fine tune it, so it looks the way I want on my monitor with the LUT applied. The rest can be fixed in post.
2. I usually overexpose most of the time. By that you'll shift some of the dynamic range to the shadows - which I want, when I film interior. And the FX30 is rather noise at 2500 ISO. With skin tones I use a false color Lut, or Zebras. For other cases I rather have my lut displayed on the external monitor and my eye already knows how it should look like.
3. A general answer is difficult. As mentioned above - get as bright as possible, it's easier to bring the lights down in post than the other way round. Maybe don't make so much movement between the rooms/changed lighting, and rather shoot smaller bits where the light is consistent and then change the settings for the next part.
4. It depends. I think up to 6400 it can be usable, depending on the situation, but you'll need noise reduction in post anyway. It that case you could also go down to f2.8, which in a small room isn't that big of a deal.
5. fcp. Yes, I use neat video for noise reduction on a regular basis - especially in indoor shots.
Great content! I would love to see an example of backlighting.
Thx for the feedback 👍
Do you use any picture profile on the fx30? These shots look insane! Also how do you convert the s log footage into rec. 709. Didnt find the best way to do it yet with my fx30 :)
Hi - thx for the feedback!
90% of the time I shot in SLog3. If it’s darker, S-Cinetone works also fine. Yes, usually I do the conversion - sometimes with a conversion Lut, sometimes with a specific Lut for Sony which includes both the conversion and a look, and sometimes the conversion it’s part of the film emulation - like within Dehancer Pro, which I use.
I this particular case it was a standard rec709 conversion with a Phantom Lut.
Great job
Thx for watching! 👍
I'm interested on how you shoot real estate on a manual focus lens? I've only used AF lenses for real estate, but I'd love to be able to use a wider prime like this on my S5 II X. Can you explain a bit on how you do focusing with it?
I try to shoot in a higher aperture like f4, f8 or so. The higher you go, the wider is your depth of field. The restricted factor is the how bright your location is, and how good your camera performs in higher ISO ranges.
Then I set the focus distance to about the middle of my subject/room I’m filming. Mostly a couple of meters ahead in a standard sized room.
I think for real estate, I would recommend also setting an AF-lens to manual focus.
@@captainfilmmaking thank you for this!
Great video bro! I just upgraded and ai have the same lens and camera! Been struggling to get this pro level type of look. How do you get the colors to pop so well?
Is it your color grading?
I’m currently shooting in Cine EI but thinking I need to switch to flexible ISO mode instead to push the iso higher than 2500. But what settings are you using? Are you shooting in slog?
Love this content! More real estate content with fx30 would be lovely
Hi!
- Yes, color grading is an important factor. The key is to practise and train your eye on things which look good, and over time being able to create the image you're looking for.
- Creating contrast in both color and light is one of many things you to keep in mind to get better results.
- Correct and a slightly higher exposure then usual is also key with the FX30 to built the base for a proper color grade. Here follow the tips, how to get a bright image in the first place.
- Yes, Slog3. When in low(or lower) ight S-Cinetone also works fine.
- I Also shoot in flexible ISO, but usually don't go above 2500, as the FX30 is quite prone to noise. Cine EI doesn't offer much to my workflow. Shooting in XAVC S-I does. Some de-noise in post also helps to clean up the image and improve the quality.
Hope that helps a bit! Best regards
@@captainfilmmaking it helps tremendously! Thank you for taking the time to share! I will be applying!
@AerialShotsMedia you’re welcome. Let me if it worked out 👍
Hey, I really like the effects and icons on your talking head video. What software are you using. Envato elements?
Hey ShaddyBaker, the cut is done with Fcp and there I use certain plugins from motion VFX. Which one of them catched your eye?
@@captainfilmmaking All the effects were dope so it's had to choose my favorite. Quality work!
Especially the glow effect on the text at minute 2:19..is that motionvfx too?
@@ShaddyBaker thanks!
@@ShaddyBaker They text used in the video are mostly from the motionVFX plugin called mReview
Hi! I have a question, there's apparently a video specific with gears for focusing also Laowa 9mm. T2.9 i think. What are your thoughts? Love your work. Thanks!
I don't own the T2.9 lens, but I think for the most use cases it will be very similar to the f2.8 lens.
If you need gears you can easily retrofit them with rubber gear rings from amazon (around 10$).
I think unless you're in a high production scenario, where you have to exactly match a set of other LAOWA Cine lenses, you will be better off with the standard 9mm f2.8, as this is way cheaper as the cine version.
Thank you, this helps!
You’re welcome 👍
does this lens make fisheye distortion?, i have a 11mm ttartisan for a full frame sony a7 IV and the image looks very spherical and fisheyed....
No, not really - that’s the advantage of these LAOWA wide angle lenses, which are marketed as „Zero-D Lenses“ (zero distortion).
The video you see wasn’t corrected for any distortion either.
oh thanks! is there any equivalent lens for full frame e-mount?@@captainfilmmaking
Yes, the LAOWA 12mm f2.8 for instance:
amzn.to/3OWybrA
@@kadeshcan
Thanks 😊 for video i appreciated , i think the camera is so good with slow motion in 60 fbs ?
@@toninoaldajani hi, yes in 60fps the quality is still very good - only in 120fps you see a drop in quality, because then the image isn’t downsampled anymore, but a 1:1 readout in 4k.
@@captainfilmmaking thank you for your replying, you shooting in 60 4 k ? Its enough for slow motion ? What you think is the best for real state and resturant ?
@toninoaldajani 4k60fps (or 50fps, if you’re shooting in Pal) is perfectly fine for real estate.
For a Restaurant you may include b-roll shoots from the food or cooking.
Here you may included super-slowmo shots
One question, how do you set focus on this laowa lens? I have it (I shoot on A7IV, 4k has 1.5 crop so this is a perfect lens for it) but I noticed that sharpness is not the best, I have it shy off infinity focus.
It wouldn’t set it to infinity, but rather to a couple of meters, depending on the room-size. So I set the focus to about 5-6meters in a large room.
Shooting in a higher aperture(f4 and above) also helps getting more space in focus.
When you use a big camera monitor, it’s easier to judge focus issues, instead of relying on the small Sony screen, or focus peaking display.
Hi, thanks @captainfilmmaking always give us Good information and we waiting another video for real estate, It’s mazing ، few questions here :
what the best setting for fx30 to shot real estate vedio ? Do you recommend any good filter ND flexible or other filter for fx30 ? Sigma lens 18 50 mm for aspc camera its good enough for detail shots? hope you can teach online courses? For real estate video ? If no ! Do you recommend any course ? And which the best software for beginners for editing real estate video ? If i use laowa 9 mm with fx30 what best f , do you recommend for shooting real estate vedio ? You think sony lens 11 mm its good enough for real estate vedio ?
Thanks!
- Try to get a high exposure (bright day; curtains open; upper ISO 2500 if needed). 4K 50/60fps. Gimbal. SteadyShot “Std.” Aperture around f8 if light situation permits.
- ND not required. If image is to bright use ISO 800, or close down your aperture.
- Polarizer filter useful when dealing with reflections of glass surfaces.
- Yes, 18-50 ok for B-Roll (use preferably the tighter end 50mm)
- The best software is the one which fits your workflow. I’m already invested in FinalCut Pro, but Davinci Resolve is a good option if you’re starting.
- For the time being I do not offer specific online real estate Coaching, but only 1 on 1 coaching here in Vienna. For the future online coaching calls are planned at some point.
- 11mm is ok, but the Laowa 9mm is the better choice for just real estate. Sigma 10-18mm f2.8 would be also a great choice.
Best regards from Austria
@@captainfilmmaking👏👏👏 i was a photographer and took alot of courses/lessons around the world and i would like to tell you that your an amazing videographer teacher talented really , you make all the steps/work easy and simple ❤
Thanks for the kind feedback! 👍 If you have further questions, feel free to ask.
Mega Video! Paar Fragen hätte ich aber noch.
Shootest du den ganzen dreh auf der gleichen Iso und änderst für jeden Raum nur die WB?
Findest du man könnte auch Real Estate Shoots in 1080p drehen? Mein PC hält nämlich 4k nicht mehr so gut aus
Und benutzt du für deine Shoots ND filter und falls ja, nur draußen oder auch drinnen bei der Fx30?
LG
Die Fragen sind übrigens alle auf die fx30 bezogen :)
@@GoblinhutDE hi,
- Ich bleibe bei ISO800 bzw. 2500. Vom Licht her benötige ich eher die 2500.
- WB bleibt im großen und ganzen ähnlich, kann sich aber ändern, wenn das Kunstlicht innen stark variiert.
- Ich würde sehr stark 4K empfehlen. Das HD Bild der FX30 ist im Vergleich zum HD der FX3/ZV-E1 relativ schlecht.
- ND eher nein, weil es innen oft eh am (Low)Light scheitert, und ich auf Grund der Tiefenschärfe ohnedies auf F8 oder so abblende. Ggf. eher einen Polariser für Glasflächen/Spiegelungen.
Liebe Grüße
@@captainfilmmaking Okay verstehe vielen dank dir! Benutzt du dann den XAVC HS 4K Modus? Meine SD Karte kann glaube ich nur den verwenden.
@GoblinhutDE ich verwende den XAVC-S weil in PAL es dabei mehr Auswahl an Framerates gibt als bei HS
Mega Video! Kannst du mir vielleicht sagen ob du auch fotos machst und wenn ja welche kamera zu verwendest? Ich habe auch eine Fx30 und bin mega zufrieden, für Fotos ist die aber wirklich nicht besonders gut geeignet...
@@IDH-m9b Vielen Dank Ilias, nein - ich fotografiere relativ wenig. Die FX30 ist für meine Zwecke ok, aber natürlich nicht vergleichbar mit einer wirklich Foto- oder Hybrid Kamera.
Die A7IV wäre ein guter Kompromiss, wenn du sie auch für Videozwecke als B-Cam zu deiner FX30 verwenden möchtest.
I believe this is a manual focus lens, how do you control that on the gimbal for Resl Estate in a moving shot?
@@sufij hi, I try to shoot quite closed - maybe around f8 or so. That helps to have a wider depth of field. Then I set the focus to a distance which fits the room I’m filming - maybe 3-5m ahead.
And so you should be good to go.
Awesome, thank you!
@@sufij You're welcome - if other questions pop up, feel free to ask.
do you use auto ISO or just set the iso fixed when your on site ?
No I stick to fixed ISO.
Please help
I am using Fujifilm XT3 and TTartisans 10MM for Real Estate photo and video work. Photo Quality is good but in video Quality not good. Can you Recommend me Laowa 9mm Or Sigma 10-18 MM.
Please Suggest me which one should i buy for video.
Hi, the Sigma 10-18mm is very versatile - I would go with this one. 👍
@@captainfilmmaking
Thank You So much it's very Helpful to make decisions. Your video is so amazing.
Laowa 9mm used I found around 300$
Sigma New : 650$
Yes, that’s the disadvantage .. if you can afford it, go with the Sigma. If you are doing real estate only, and want to save money, then the LAOWA 9mm is fine.
The Sony 10-20mm f4 would be another option if you can live with the f4 for your needs.
Hi, do you shoot in S&Q mode? What mode do you shoot in?
Hi, for real-estate I shoot in 50fps (or 60fps if you are in NTSC), which is a good compromise for slowing down in post - so no need for S&Q.
Do you tey the nisi 9mm or or the sigma 10-18 mm
Hi Melvin, I think they are both solid options. The Nisi 9mm is very similar to the LAOWA 9mm (maybe a touch better in some areas), but the sigma with it's zoom range and autofocus is very versatile too, but a bit pricy. As an alternative you could look for the Sony 10-20mm - for real estate I hardly ever shoot below f4 - or the Sony 11mm f1.8. Either way, you can't go wrong, it's more a question of price and your primary use case.
you still usong this lens? i wann get the nisi 9mm for my a7iv
Yes, it's shines because it's so light and small, yet very wide. So for an APS-C, like the FX30 it's a perfect match. And even on the full frame ZV-E1 I use it, when doing handheld stuff in dynamic active stabilisation mode. Alternatively I use my Sony 12-24mm f4 full frame lens on the ZV-E1 too. It's even wider, has autofocus and is more versatile in some scenarios.
Would you choose the laowa 9mm over the 11mm 1.8?
Fore pure real-estate shooting, I would pick the Laowa 9mm.
The Sony 11mm f1.8 aps-c lens is a great versatile lens too, and better suited for vlogging, because it has autofocus.
Thank you so much needed to hear this
Nice video.
Thx! :)
Do you shoot on Slog3 for real estate ?
Hi, yes I do. But S-Cinetone would also be an option.
In welchem Log Modus Shootest du? Flexible Iso, Cine El oder Cine El Schnell
Hi, in Flexible ISO. Cine EI bietet in meinem Augen keinen Mehrwert. Liebe Grüße
@@captainfilmmaking Okay danke dir vielmals! Dann aber auch im S-Gamut3/S-Log3 statt dem S-Gamut3.Cine/S-Log 3 Modus oder?
@IDA-Media s-3gamut.cine
Unterschied ist aber kaum auszumachen (zumindest für mich)
All your info in Video & comments very useful , thanks, do you have what’s up? How can i contact you ?
Thanks for the feedback! 👍 If you have any questions, feel free to ask them in the comments, so others can profit from the answers too!