Thank you Richie.. I grew up listening to this song ,(and others of Ellington's) , when my parents used to play their Duke Ellington LP's. With your easy to follow lesson I should be able to get this one in the bag, 'eventually', ha-ha !
ok, this is my favorite channel now, I'm telling as many people as i can about it. Bob Ross of guitar jazz :) i even love watching you play pieces i know just to see how you'd do it :) and you never disappoint sir
What kind of progression is this? dm | G7 | Cmaj = ii V I,ok but how about: Am7M | G#m add11+ | C7M add13+ | B add13- forum.troygrady.com/uploads/default/original/2X/3/32744f7ec78ed504ce30ab21c38092ea2a97e359.PNG Do you know any songs in which there is this formula progression?
Thanks Richie for the video! One possible different idea for the into (which I think Ellington played) would be to incorporate a 3rd voice in the intro chords (Duke Ellington plays this 3rd voice as the highest part) but for your arrangement, it could be placed in the middle of the other 2 notes. With the 3rd part added in the middle of the chord, the intro chords notes would be (from top to bottom): EBG to CGE to DAF (repeated 3 times) followed by EBG to FCA to GDB. Ellington didn't put the passing chord (where you played the A and F# notes) though that addition sounds great (though if you put in an F#, then to keep the 3 parts moving up, I would put in a C# and an A# to make a major triad moving up in parallel). Here is the live Ellington recording where you can hear the 3rd part played on top (better than on the Ellington album): ua-cam.com/video/TrytKuC3Z_o/v-deo.html There are obviously so many ways of re-interpreting and reharmonizing jazz standards, and the Ellington version is just one of the possibilities for the song (even if he wrote it).
After I posted the above comment about adding the third part in the middle of the triads, I realized that it is quite easy to finger the triads with the 3rd part on the top (like Ellington played it). It creates spread triads, with the middle voice moved up an octave from where it was previously. You could play it nicely on the E, B, and D strings. I think it might sound better with that type voicing since the important part of the melody is now on top of the triad rather than "buried" in the middle.
@@nicolasolton No recording possible with my computer situation, but here are the notes of the intro chords on the 1st, 2nd, and 4th strings respectively: (BEG, GCE, ADF) repeat 3 times, then follow with BEG, CFA, and DGB (using same 3 strings).
Beautiful clear tones on this piece….took a couple of days practice to get the first 4bars but really enjoying the lesson 🙏🏻
i love how clean and in the pocket you are the whole time! really really digging the subtle swing feel
Thanks, much appreciated!
Great arrangement!!
Thank you Richie.. I grew up listening to this song ,(and others of Ellington's) , when my parents used to play their Duke Ellington LP's. With your easy to follow lesson I should be able to get this one in the bag, 'eventually', ha-ha !
Thanks Pete...enjoy!
master of jazz thank you Richie
Excellent!
This is great Ritchie! It’s a great version to get started with on this classic :)
Thanx for your versions. Nice to get other versions of an Evergreen tune.
Thanks Jay...we can never get enough Satin Doll!
I enjoyed your versions!
Beautiful
Excellent lesson Richie - really made my day 👍
Thanks for this well made video. Keep it up :)
Beautiful arrangement! 👏👏👏
Joe Zawinul on guitar ;-). great played Sir!
Great lesson, Richie! I liked the walking bass in the solo version.
Thanks Ron!
ok, this is my favorite channel now, I'm telling as many people as i can about it. Bob Ross of guitar jazz :)
i even love watching you play pieces i know just to see how you'd do it :) and you never disappoint sir
Thank you kindly!
this lesson is great
Whats up with your time signatures?
@@nicolasolton 7/8
Nice backdrop!
thks!
@@RichieZellon
Maybe a beret though...
Forget the lesson, this is one of the nicest solo arrangements/performances of Satin Doll I've ever listened to.
Thanks...much appreciated!
Super thanks for 📫
Welcome 😊
Thank You
02:18 The First Version, Lesson: 08:50
I slapped subscribe! Now I can sing Satin Doll with just an acoustic guitar! Thanks.👍
What kind of progression is this?
dm | G7 | Cmaj = ii V I,ok
but how about:
Am7M | G#m add11+ | C7M add13+ | B add13-
forum.troygrady.com/uploads/default/original/2X/3/32744f7ec78ed504ce30ab21c38092ea2a97e359.PNG
Do you know any songs in which there is this formula progression?
zapodaj.net/images/eb62c3582ca07.png
Thanks Richie for the video!
One possible different idea for the into (which I think Ellington played) would be to incorporate a 3rd voice in the intro chords (Duke Ellington plays this 3rd voice as the highest part) but for your arrangement, it could be placed in the middle of the other 2 notes.
With the 3rd part added in the middle of the chord, the intro chords notes would be (from top to bottom): EBG to CGE to DAF (repeated 3 times) followed by EBG to FCA to GDB. Ellington didn't put the passing chord (where you played the A and F# notes) though that addition sounds great (though if you put in an F#, then to keep the 3 parts moving up, I would put in a C# and an A# to make a major triad moving up in parallel). Here is the live Ellington recording where you can hear the 3rd part played on top (better than on the Ellington album):
ua-cam.com/video/TrytKuC3Z_o/v-deo.html
There are obviously so many ways of re-interpreting and reharmonizing jazz standards, and the Ellington version is just one of the possibilities for the song (even if he wrote it).
After I posted the above comment about adding the third part in the middle of the triads, I realized that it is quite easy to finger the triads with the 3rd part on the top (like Ellington played it). It creates spread triads, with the middle voice moved up an octave from where it was previously. You could play it nicely on the E, B, and D strings. I think it might sound better with that type voicing since the important part of the melody is now on top of the triad rather than "buried" in the middle.
Hey PS could you show us what you mean? Maybe include a clip of yourself playing it? Many thanks...
@@nicolasolton No recording possible with my computer situation, but here are the notes of the intro chords on the 1st, 2nd, and 4th strings respectively:
(BEG, GCE, ADF) repeat 3 times, then follow with BEG, CFA, and DGB (using same 3 strings).
Satan’s dolls …..love it