Alap, Jor, Jhalla in Raag Bilaskhani Todi | Abhisek Lahiri | Solo Sarod | Music of India
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- Опубліковано 26 сер 2024
- #darbarfestival | Young sarod player Abhisek Lahiri performs the auspicious Raag Bilaskhani Todi, said to have been composed at Tansen’s funeral by his own son, Bilas Khan.
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0:21 - Alap
7:05 - Jor (with slight rhythmic pulse)
11:15 - Jhalla (with strong rhythmic pulse)
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Learn more about the music:
Abhisek Lahiri is a gharana-blending young sarod player, who fuses ideas from the Shahjahanpur, Maihar, and Senia Bangash traditions. Early training under his father Alok Lahiri has led to a successful career, including global tours, participation in Indian cultural delegations, and fusion work with his East Meets Middle East group. Hear more of Abhishek here:
-Malkauns | • Video
-Shree | • Trance Music in Raag S...
-Interview | • In Conversation with A...
The Todi raga family is central to the Hindustani tradition, overflowing with musical ideas not found anywhere else on the planet. Musicologist Rajan Parrikar describes Todi as “the most profound, finespun idea in melodic music...from ecstasy to frolic to pathos to bathos to melancholy - every conceivable human emotion has refracted through the Todi prism.” Many hear an unsettling, existentially anxious mood, while others see it has having “the playfulness of a newborn lying in bed content, smiling and playful”. A Sikh writer considers the raga to “explain things that we may be aware of, but fail to ponder upon”. Suffice to say, it is a versatile, ambiguous raga, to connect with on a deeply personal level.
All Todi ragas are based around the eponymous thaat scale - an angular shape consisting of the swaras SrgMPdNS. There are many variants - Asavari Todi (Komal Rishabh Asavari), Bahaduri Todi, Bilaskhani Todi, Desi Todi, Gujari Todi, and many more - but all centre around core ideas found in the main Raag Todi (also known as Miyan ki Todi, Darbari Todi, and Shuddha Todi). The raga takes a curious vadi-samvadi [king and queen note] pairing of Dha and Ga, and features prominent use of sruti [microtones] - komal Re, Ga, and Dha are tuned a little low, and tivra Ma is strikingly sharp. The ascent can often omit Sa and Pa, instead favouring intimate interactions between Re and Ga to create a distinctive tension.
Bilaskhani Todi is a particularly auspicious Todi family raga. It is said to have been created by Bilas Khan, son of the legendary saint-musician Tansen of Emperor Akbar’s court, who sung Todi at his father’s wake. He found himself so stricken by grief that he mixed up the notes. But his mind was set at rest, as the mourners witnessed his father’s corpse raise one hand in approval of the new melody. Hear more Todi family ragas here:
-Budhaditya Mukherjee (sitar) | • Video
-Indrani Mukherjee (khayal) | • Video
-Abhishek Lahiri (sarod) | • Alap, Jor, Jhalla in R...
Recorded at Darbar Festival in 2015, on location in Singur, West Bengal:
-Abhisek Lahiri (sarod)
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As the Raag progresses, every stress is just fade out and the mind follows the rhythm of eternal peace.
Moving ... Beautiful ....
Very energetic peaceful full of life n vigour this experience has been
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STILL BREATHLESS FROM IMPACT OF THE MUSIC!!
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I am listening this since last 4 years can anybody explain why this is soo good never get board of listening this masterpiece
Fantastic! Thank you for posting these videos. As a student trying to learn this music, these videos really inspire me to keep studying and practicing. Beautiful playing.
Stunning. The alap brought me instantly to stillness, from which a tear arose. धन्यवाद
It was great 👍🏻🍀❤️
Beautifully played......and also the phrases used are really mesmerizing 😊🙏💐💐
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Superb mi dear brother
Speachless
You are an amazing musician - sarod player Abhishek! I am a ...mostly western classical ensemble violin player -- amateur in California. - paula
Splendid and Incredible recital. 💐🌹🌷⚘👌🙏
Apurbo....mon bhorey gelo...
Very good playing, beautiful style and presentation.
Wonderful rendition of Raag Bilaskhani Todi by the sarod maestro Abhisek Lahiri.
Maitreyee Sarcar HF FRSA [Mrs],
Surtarang Broadcast worldwide.
mon bhorlo na ...mone hoche khali suntei thaki....awesome.... purno ongo bajna waah.......
khub valo laglo apnar sorod ... encourage korben kintu next generation ke..
আমার বেশ ভালো লেগেছে | ওনার নাম অনেক দিন ধরেই জানি | আকাশবাণীতেও ওনার বাজনা শুনি |
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Nice play your performance Sir ji..
আহা ❤
❤️
fantastic!!!
Great
Tabahi awesome
Beautiful jor and jhala!
so beautiful! thank you Darbar for creating this magic moments
Simply Superb......
awesome awesome awesome
awesome
Amazing.
I love it
Absolutely beautiful!
Om
Wonderful presentation of this extremely melodious raaga
Beautiful
Brilliant!
Some more information about the artist please!
Applause!
👏👏👏
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Excellent
Divine music... Amazing
Beautiful !!
What a rendition!!
Fabulous 👏👏👏
dats fuckin' mind blowin'. Blow mind out of the universe borders.
Wow
wowwwwwwwwwwwwwwww
bhishon bhalo
I think his is a burma teak but Maihar style sarod. I feel Naba Kumar uses thinner skins and hollows out the wood slightly more then Hemen Sen did hence the more open sound.
It sounded different than sarods I usually hear. I thought they might have just been using a cheaper microphone or something
10:47
Raag Malkaus played by Abhisek Lahiri in sarod, published by Darbar Arts Culture Heritage Trust on UA-cam dated 13th April, 2015, was more "fabulous", "mesmerizing" , "beautiful". That playing is more accurate than this...more expectation for future
Abhishek Roy ...bro bhilaskhani todi played here also is very melodious...
Did Abhisek study with Ustad Ali Akbar Khan? Anybody know?
Nicholas Pearson if I'm not mistaken, he has trained mostly under the tutelage of his illustraous father Pt. Alok Lahiri
Why you don't offer a Discount if we are ready to pay in advance for the whole year's fee - Instead of paying Monthly fee
Thank you for your message and for subscribing to our channel. We are glad to know that our hard work is paying off and we are able to serve people like you with sangeet. The subscription fees for the channel fall under UA-cam's own set of policies and hence, cannot be tweaked by us :-)
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Can anyone tell wat pick up mic is he using and can I use it on rabab
We use broadcast quality microphones and cameras and a multitrack digital recorder. We also have a very talented sound engineer and a great team of editors!
AKG C411
what instrument is that
Sarod
sarod
It's a Sarode, cousin to the Rabab and distant relative of the Ud and Lute.
im not classically trained but is mile sur mera tumhhara has the same raga?
I think "Mile sur" was based on Sindhubhairavi.
Bilaskhani Todi & Bhairavi share the same notes (swara) but in a very different configuration.
10:30
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@@darbarfestival thank you for the ❤️ and reply... I was marking the best piece from the audio for my future endeavours.