What Sean is doing for the photography community will be remembered. He's the living example that you can have a profitable business while creating quality free content for people that want to learn. No bs, no clickbait, no gear wars, just art and knowledge. Thank you Samuel for uploading this.
@@maxbashyrov5785 Just take a look at his work and you'll see if he knows what exposure is. I'd like to see some of your shots: it seems to me that the one not knowing what he is talking about is you.
@@AlejandroRamos-im4to the guy is lecturing without even knowing theory, it's a fact, whether you feel offended or not. Another fact is that nowadays UA-cam is a source of knowledge for untrained people with short attention span.
@@maxbashyrov5785 Since when "knowing theory" is important for a form of art? It is not about me "feeling offended or not": it's about you showing a lot of ignorance about art, about art history, THAT IS A FACT. Do some research about the great masters of photography, or painting. A work of art speaks openly, obviously, directly, to your heart and mind based or not on "theory". How much did Van Gogh know about "theory", how many university courses did he attend in order to learn painting "theory"?.. THAT'S A FACT. Do you have some idea how many paintings did he sell while still being alive? THAT'S ANOTHER FACT. Again, please tell us where we can see your photographic work so we all "can finally understand the importance of theory in photography", so we can finally see how all of your "FACTS" are based on the reality of the quality of your work as a photographer... and that is the final "FACT".
@@AlejandroRamos-im4to Ehm. Knowing theory is important in any form of art, I'm not even sure who would question that. It is also important, when you're lecturing a big audience (this is the case I pointed out here). Thinking of a theory as an obstacle of some sort on the way to Creativity is pretty common, unfortunately, not only in photography. But you can still have a piece of work that is enjoyable without having a knowledge and/or laboring under delusions. BTW, don't bother using those cheap polemical tricks with me (speaking on behalf of others, getting personal, introducing some irrelevant comparisons etc.), it won't work.
This is a Masterclass. Thanks so much for doing this project. Sean is so consistent in his message. Inspiring but I felt out of breath just watching how fast he walks.
He gets it. although he isnt a street photographer for a long time, i think a lot of people can learn from him. Always annoyed me, when i saw youtubers who recommend full frame sensors for the "cinematic" look. Most movies were shot on super35 which is closer to a canon rebel than a 1dx.
Samuel, Sean seemed to really open up to you. Your questions and your sincere interest in his work and his thoughts brought this interview-day to life. The long close-ups of his face while he was answering you worked really well for me. I cannot imagine the amount of work you put into making this whole interview flow so well on screen. Thank-you -- I learned a lot. The time passed so quickly!
Watch from begining to the end, Sean Tucker is so generous and sincere to share his presious technique and insight of photography,and show his other side of personality as well, good work,Samuel.
Two years later and I realize how beautiful is that scene in 38:40, with the old building being reflected on the glass façade of the new one on the right
21:20 Man I got tears in my eyes from the passionate emotion that comes from his eyes somehow. I'm a cinema lover and it's definitly movies that bring me to photography. This man is amazing. I love your job Samuel, you're such a nice fellow and I'm glad i've discoverd you ! Take care mate ! And thank you !
I love how Sean explains the light, location, time and composition of his vision. He knows his city very well and it seems he has been to the same location multiple times. I wish I know my city that well and take beautiful shots.
Why is it that I could listen to Sean Tucker all day? His knowledge and ability to talk straight is unparalleled. Great documentary style Samuel. Thanks for sharing.
At about 38 minutes, when Sean remarks that his Ricoh "just becomes a scrapbooking tool", that "not every shot has to be a keeper, or a print, or go in a book... it's just shoot stuff you find interesting even if you don't know why, and then look at it later and think about it, and then maybe you learnt something"... That resonates a lot with me and how I approach photography when I'm out and about (and people wonder why I carry one or two pocketable cameras with me, heh heh). Fantastic video. Cheers!
I’ve watched this through probably 6 times already, and each time I get more warmth and love-of-the-craft out of it. My grii is arriving Saturday, and even if I’m useless with it, this video will always make me feel better.
When Sean was talking cinematography and using the light to highlight your subject or anytime he’s dropping some philosophy on photography, it’s inspiring! Dude makes me want to go shoot immediately!!
From this video, I find Sean Tucker very articulate and eloquent in expressing his thoughts, direction, and photographic philosophy. This is much much more important to me than his superb photographs. Many thanks to Samuel for creating this wonderful project I just stumbled onto.
Sean Tucker is real tough guy ... and i am great as follower of his contents specifically from videos ... his philosophy is absolutely incredible ... wiseman ...
By far the best 46 minutes I spent on UA-cam. What a great episode. That man is a genius. Went straight to his website and bought one of his books (the only one who wasn't sold out!!!!)
I first saw this several years ago just as I was starting to street photography. Really cool to revisit now and pick up a different set of lessons. Sean is great.
This was a great collab. I watch a lot of Sean's videos and it's cool to seem him relaxed and unrehearsed, but still offer up the same thoughtfulness and inspiration.
Sean Tucker: “Why would you stop there?” Classic - and a much nicer thing to say than what I usually mutter under my breath. Wonderful, wonderful video. Mega thanks. Full respect.
This is incredible. I love hearing about why he shoots what he shoots and the philosophy behind it. I could geek out with street photographers all day talking about these things. Also, this video alone might have convinced me to get a GR III. I had the original GR and loved it.
My apologies in advance for the short input, (=... great job gentlemen. London looks likes a fantastic place to shoot including during the short days of winter. The amount of reflections, wall art and etc appear to be unlimited. Samuel, keep it up.... You are becoming more and more proficient at these.
Why is that when you watch a video like this you keep seeing all of the keeper shots and angles but when you are out yourself you don't? Thanks to both of you, that was a GReat watch
Because in most cases I find people's taste of photography is much better than their skill level at the time. I personally think it's natural to be able to appreciate a great scene once it's already been captured but having to be the one that brings out what makes it special on your own is a completely different beast. Thing is, the more you do it and the more you start getting "keeper shots" of your own it makes it that much more satisfying, that's the case for me at least :D
@@georgekamenov_ Basically true of course but I wasn't really talking about the stills taken and adjusted with a bit of editing magic. It was during the video walk around when you said to yourself "that would have made a nice shot" or "you missed an opportunity there". The skill is seeing the shot and knowing how to capture it. Not many of us are as analytical as Sean about knowing what those special factors are that make his and other photographers just that bit special. I include you too Samuel but I think you made it obvious that you too were learning alongside us throughout the video. I'm hardly out of pre school!
@@delukxy it comes with experience to be able to quickly identify a scene. When you shoot a lot with purpose, your senses heighten, and you easily identify scenes that you would have passed by. That's why when you watch videos like this don't worry about not getting the scenes. Focus more on understanding the principles. For example, Sean said when he is shooting in the streets he focused on lights and shadows and not people. After he did it a while he realized that he could transfer what learned from the streets into his portrait shoots. Don't worry now. You will get it eventually. I don't own a camera yet but watching these stuff make me see the world differently. Try to see the world in your eyes. Yes learn from the pros but always ask how can I use the knowledge the have to tell my own story. That's why I like it when Sean always say do what you want to do not because some one says so.
it's because you are watching the video attentively and are relaxed. when you're in the street your focus is much more occupied by the environment and your mind, and you aren't as relaxed. These are things that you learn with experience and being in the moment when you're shooting street takes time.
A lot of similarities here to how I like to engage my environment. Visual notes for later. Not wanting to wait too long. Not wanting to "shoot people" up too close (but also not be sneaky). Wanting to get the "full stride" with burst mode! :-) And having the one methodology (street) influence the other (studio). Great stuff here, Samuel. And now I'm thinking about the GRIII again instead of the X100V, because I'm also one who loves to move fast and not carry anything resembling "gear". Thanks for holding on that scene where he's "dialing down" to create that half-moon highlight. This is exactly what I do while out and about here in Berlin - and it was helpful seeing how to "work" the features of the GRIII. Really like this guy. Now I understand the hype: he's an articulate, thoughtful human being creating beautiful images. Thanks!
Facts shooting in manual will allow you to get the shots exactly what you visualize. If you typically allow it on auto or aperture control your iso will auto control and it will blow out your highlights or I wasn’t satisfied with the pictures because it wasn’t creating the shadows. Sean is the real deal I learned a lot from him.
Sean Tucker is one my favourite photographers on IG. Even if it’s not my way of photographing, I love his work based on shapes, lights and shadows. He has an incredible vision and undeniable talent.
My favorite video from your channel, thank you Samuel for giving us the opportunity to discover Sean's vibes and workflow. Very inspiring, please keep meeting these amazing photographic actors for everyone to enjoy, i bet you first .
I’ve become such a fan of his work, I tend to do my own thing when I shoot but I really want to take what I’ve seen with light and shadows in street photography and just focus on that for a day or two walking around. Imitating other people’s style is a great tool for me at least to learn how to do things. Another excellent episode
What a great video! It was wonderful to experience the sharing and the thought processes that are part of making photos. Sean and Samuel together are a great combination!
Thanks Samuel, another great episode. With Sean, as much as I enjoy the aesthetic of his photographs, it’s also a great excuse to listen to him talk about the philosophy and psychology within photography. Two thumbs up and looking forward to the next.
Amazing as always, my favorite tip that Sean emphasized on is knowing the day of the year the visual note was taken. It's something that's usually overlooked. As someone who live and go out to shoot around the city, I noticed that as well. It depends on the composition but I think that the light will stay the same around 3 days or so. Either wait for a subject or come back as soon as you can.
21:00 A guy named O. Winston Link took all kinds of photos at night many decades ago in the USA. Steam engines a lot, streets in small towns, etc. His idea was that it is very difficult to get the lighting one wants in the day. So he lit up the scene at night with A LOT of lights. I've done the same, just not that grand a scale. I bought a series of these 2,000 lumen lights from Wal-Mart to light up a smallish train trestle outside of town. I was getting such graininess at the higher ISO to freeze the action that I decided to give it a go. LED lamps are a lot cheaper than all the lighting rig he had plus it can be run off an inverter plugged into the cigarette lighter.
Your videos really bring out how passionate your interviewees are about what they do and how much effort and concentration is condensed in those images. That's super helpful for everybody who devotes time to photography and aspires to come up with something of lasting value. Love your channel!
What an awesome collaboration, I loved the dynamic between the two of you and banter made it all the more enjoyable. Thank you for taking the time to travel an make this video. I have liked and subscribed.
I truly enjoyed the opportunity to listen to this in depth interview/photowalk with you and Sean Tucker. I learned a little of his thought process when he takes his photos. I also learned a little about how a street photographer must think about his shots when he/she takes during a walk around session. The presentation was both fun and informative for me. I cannot wait to see your next video in this series.
That's one of the most inspiring videos I've seen in a long time. Wish I had found it earlier, but I'm really happy I eventually did. Sean seems to be a really good guy. I've seen many of his videos, but never him being interviewed. It feels a bit like looking behind the scenes and I enjoyed watching it. Thank you!
Absolutely loves this video Samuel! Fantastic to get to see how Sean works. The capture you got at 21:52 is amazing. I had to pause the video just to look at that for longer 🙌
wow, loved this vlog! Learnt heaps too - visiting the same places to take visual notes with light and season changes. Plus shooting the impermanence of things.
So much great advice in this video and shared so freely. Thank you to Sam and Sean for being so generous with their time and knowledge. This was truly entertaining and well done.
Talked about Fan ho, locations, light and shadows, the thing about having people in street photography or not, balancing youtubering and personal photographic journey and many many more... this is one of the ultimate video for street photographers. Absolute banger, guys.
If you only knew how much you inspire me by talking about street photography. It gives me such a powerful bust to go to he street and shoot and learn and explore...
This was a fantastic video, so kudos to you for putting it together. Sean Tucker is amazing, not only for his work, but for his way of communicating. His style is so unpretentious and honest. I will watch this again and again.
Thank you for giving us on this photo walk with Sean Tucker on the streets of London. Because of Sean's influence, I have begun to look at how I can use shadows and light as I walk in my city in Seattle into my photographs.
![Lp. Сердце Вселенной #60 РОЖДЕНИЕ ЛОЛОЛОШКИ [Финал] • Майнкрафт](http://i.ytimg.com/vi/YoR0pAV9FVQ/mqdefault.jpg)
What Sean is doing for the photography community will be remembered. He's the living example that you can have a profitable business while creating quality free content for people that want to learn. No bs, no clickbait, no gear wars, just art and knowledge.
Thank you Samuel for uploading this.
that guy doesn't even know what exposure is. "knowledge", right.
@@maxbashyrov5785 Just take a look at his work and you'll see if he knows what exposure is. I'd like to see some of your shots: it seems to me that the one not knowing what he is talking about is you.
@@AlejandroRamos-im4to the guy is lecturing without even knowing theory, it's a fact, whether you feel offended or not. Another fact is that nowadays UA-cam is a source of knowledge for untrained people with short attention span.
@@maxbashyrov5785 Since when "knowing theory" is important for a form of art? It is not about me "feeling offended or not": it's about you showing a lot of ignorance about art, about art history, THAT IS A FACT. Do some research about the great masters of photography, or painting. A work of art speaks openly, obviously, directly, to your heart and mind based or not on "theory". How much did Van Gogh know about "theory", how many university courses did he attend in order to learn painting "theory"?.. THAT'S A FACT. Do you have some idea how many paintings did he sell while still being alive? THAT'S ANOTHER FACT. Again, please tell us where we can see your photographic work so we all "can finally understand the importance of theory in photography", so we can finally see how all of your "FACTS" are based on the reality of the quality of your work as a photographer... and that is the final "FACT".
@@AlejandroRamos-im4to Ehm. Knowing theory is important in any form of art, I'm not even sure who would question that.
It is also important, when you're lecturing a big audience (this is the case I pointed out here).
Thinking of a theory as an obstacle of some sort on the way to Creativity is pretty common, unfortunately, not only in photography. But you can still have a piece of work that is enjoyable without having a knowledge and/or laboring under delusions.
BTW, don't bother using those cheap polemical tricks with me (speaking on behalf of others, getting personal, introducing some irrelevant comparisons etc.), it won't work.
This is a Masterclass. Thanks so much for doing this project. Sean is so consistent in his message. Inspiring but I felt out of breath just watching how fast he walks.
Hehe, yeah he walks fast :)
20:05 Sean Tucker delivering knowledge like a paperboy delivering newspapers.
He gets it. although he isnt a street photographer for a long time, i think a lot of people can learn from him.
Always annoyed me, when i saw youtubers who recommend full frame sensors for the "cinematic" look. Most movies were shot on super35 which is closer to a canon rebel than a 1dx.
he's great.
His explanation of the use of light in cinema was on fire.
Indeed!
Title should be "24 hours with Sean tucker"
Great to see Sean break out of his character, cracking jokes and having fun. Quality video
you need to see this then x) ua-cam.com/video/_ntHNgDkBUg/v-deo.html
Samuel, Sean seemed to really open up to you. Your questions and your sincere interest in his work and his thoughts brought this interview-day to life. The long close-ups of his face while he was answering you worked really well for me. I cannot imagine the amount of work you put into making this whole interview flow so well on screen. Thank-you -- I learned a lot. The time passed so quickly!
Sean Tucker is my favourite PhotoPhilosopher, giving courses for free, what a good heart
AbdoR Rahim PhotoPhilosopher is the word I've been looking for. Thank you!
Photlosopher
@@DylanFoglesong or just Pholosopher :)
I am watching this already 10 times. I can listen to sean for hours.
So im not the only one who listens to soundtracks when shooting?
Thats Another reason for me to admire Sean.
Watch from begining to the end, Sean Tucker is so generous and sincere to share his presious technique and insight of photography,and show his other side of personality as well, good work,Samuel.
Two years later and I realize how beautiful is that scene in 38:40, with the old building being reflected on the glass façade of the new one on the right
21:20 Man I got tears in my eyes from the passionate emotion that comes from his eyes somehow. I'm a cinema lover and it's definitly movies that bring me to photography.
This man is amazing.
I love your job Samuel, you're such a nice fellow and I'm glad i've discoverd you !
Take care mate ! And thank you !
Sean Tucker, OMG yes !
I love how Sean explains the light, location, time and composition of his vision. He knows his city very well and it seems he has been to the same location multiple times. I wish I know my city that well and take beautiful shots.
Two of my favorite people on UA-cam. Inspiration overload. 👍
What I wouldn’t give to spend 45mins photographing with Mr Tucker. He makes it look so easy with fantastic images
Love Sean Tucker's generosity--sharing his process and his visual notes with Samuel and us the audience
Why is it that I could listen to Sean Tucker all day? His knowledge and ability to talk straight is unparalleled. Great documentary style Samuel. Thanks for sharing.
Sean Tucker is the best thing to happen to photography in a looooooong time.
Sean is a photographer after my own heart. His approach, method, and philosophy really resonate with me.
At about 38 minutes, when Sean remarks that his Ricoh "just becomes a scrapbooking tool", that "not every shot has to be a keeper, or a print, or go in a book... it's just shoot stuff you find interesting even if you don't know why, and then look at it later and think about it, and then maybe you learnt something"... That resonates a lot with me and how I approach photography when I'm out and about (and people wonder why I carry one or two pocketable cameras with me, heh heh).
Fantastic video. Cheers!
I’ve watched this through probably 6 times already, and each time I get more warmth and love-of-the-craft out of it. My grii is arriving Saturday, and even if I’m useless with it, this video will always make me feel better.
Sean is great, he has a way with words to explain his thought process that makes it a delight to hear. So elocuent and educational. GReat duo too.
When Sean was talking cinematography and using the light to highlight your subject or anytime he’s dropping some philosophy on photography, it’s inspiring! Dude makes me want to go shoot immediately!!
From this video, I find Sean Tucker very articulate and eloquent in expressing his thoughts, direction, and photographic philosophy. This is much much more important to me than his superb photographs. Many thanks to Samuel for creating this wonderful project I just stumbled onto.
these 36 people dislike clearly shows is jealousy no appreciation to the guy who give much time and effort hes talent in photography.
I constantly go back to this one to inspire me to go back out and shoot! Thank you and Sean for making this video.
I've watched this 3 times already. Sean Tucker is super smart, lots of knowledge and great at explaining his process.
Every time I hear Sean speak I learn something new.
Sean Tucker is real tough guy ... and i am great as follower of his contents specifically from videos ... his philosophy is absolutely incredible ... wiseman ...
This was so insightful to watch. Thanks to both of you.
Sean really look so genuinely passionate about what he's doing. That's really inspiring
By far the best 46 minutes I spent on UA-cam. What a great episode. That man is a genius. Went straight to his website and bought one of his books (the only one who wasn't sold out!!!!)
Sean is an amazing guy.. He's so freakin talented and he really can see the light.
It's so nice to see Sean smile, dunno why
I first saw this several years ago just as I was starting to street photography. Really cool to revisit now and pick up a different set of lessons. Sean is great.
This was a great collab. I watch a lot of Sean's videos and it's cool to seem him relaxed and unrehearsed, but still offer up the same thoughtfulness and inspiration.
Sean Tucker: “Why would you stop there?” Classic - and a much nicer thing to say than what I usually mutter under my breath. Wonderful, wonderful video. Mega thanks. Full respect.
I love Sean Tucker and that nerdy comment about depth of field and lighting about cinemas... Wow
Brilliant! I’ve learned so much watching this one video! Well done! Sean Tucker, you have a new fan!
This is incredible. I love hearing about why he shoots what he shoots and the philosophy behind it. I could geek out with street photographers all day talking about these things. Also, this video alone might have convinced me to get a GR III. I had the original GR and loved it.
Love to see Sean on how he do his photography and how he actually talk just being him. Always love his words and his project.
Amazing. I have learned more in these 45 min with you than in many tutorials. Many thanks guys!
My apologies in advance for the short input, (=... great job gentlemen. London looks likes a fantastic place to shoot including during the short days of winter. The amount of reflections, wall art and etc appear to be unlimited. Samuel, keep it up.... You are becoming more and more proficient at these.
Why is that when you watch a video like this you keep seeing all of the keeper shots and angles but when you are out yourself you don't?
Thanks to both of you, that was a GReat watch
Because in most cases I find people's taste of photography is much better than their skill level at the time. I personally think it's natural to be able to appreciate a great scene once it's already been captured but having to be the one that brings out what makes it special on your own is a completely different beast. Thing is, the more you do it and the more you start getting "keeper shots" of your own it makes it that much more satisfying, that's the case for me at least :D
@@georgekamenov_ Basically true of course but I wasn't really talking about the stills taken and adjusted with a bit of editing magic. It was during the video walk around when you said to yourself "that would have made a nice shot" or "you missed an opportunity there". The skill is seeing the shot and knowing how to capture it. Not many of us are as analytical as Sean about knowing what those special factors are that make his and other photographers just that bit special. I include you too Samuel but I think you made it obvious that you too were learning alongside us throughout the video. I'm hardly out of pre school!
Most likely it's because they're involved in the interview and not the photography. It's quite an obvious answer.
@@delukxy it comes with experience to be able to quickly identify a scene. When you shoot a lot with purpose, your senses heighten, and you easily identify scenes that you would have passed by. That's why when you watch videos like this don't worry about not getting the scenes. Focus more on understanding the principles.
For example, Sean said when he is shooting in the streets he focused on lights and shadows and not people. After he did it a while he realized that he could transfer what learned from the streets into his portrait shoots.
Don't worry now. You will get it eventually. I don't own a camera yet but watching these stuff make me see the world differently. Try to see the world in your eyes. Yes learn from the pros but always ask how can I use the knowledge the have to tell my own story.
That's why I like it when Sean always say do what you want to do not because some one says so.
it's because you are watching the video attentively and are relaxed. when you're in the street your focus is much more occupied by the environment and your mind, and you aren't as relaxed. These are things that you learn with experience and being in the moment when you're shooting street takes time.
it's a very good documentary. it must be a great chance to talk to Sean Tucker. I've been watching this video over and over with out getting bored.
A lot of similarities here to how I like to engage my environment. Visual notes for later. Not wanting to wait too long. Not wanting to "shoot people" up too close (but also not be sneaky). Wanting to get the "full stride" with burst mode! :-) And having the one methodology (street) influence the other (studio). Great stuff here, Samuel. And now I'm thinking about the GRIII again instead of the X100V, because I'm also one who loves to move fast and not carry anything resembling "gear". Thanks for holding on that scene where he's "dialing down" to create that half-moon highlight. This is exactly what I do while out and about here in Berlin - and it was helpful seeing how to "work" the features of the GRIII. Really like this guy. Now I understand the hype: he's an articulate, thoughtful human being creating beautiful images. Thanks!
Them: Avengers is the greatest crossover in history
Me:
The 2nd best after Sam Lintaro and Tatsuo Suzuki collab.
@@insanqolbi50 I want to see Sean Tucker and Tatsuo Suzuki collab, they have quite opposite styles but I love them both
I really love Sean's approach and hearing what motivates him is inspiring. Fantastic episode, well done!
See and hear the passion of Sean hipnotize.
Great episode, thanks Samuel!
This gr project series is gold
Loved Sean’s work and leant lots from his perspective. Have started following his work as a result!
Facts shooting in manual will allow you to get the shots exactly what you visualize. If you typically allow it on auto or aperture control your iso will auto control and it will blow out your highlights or I wasn’t satisfied with the pictures because it wasn’t creating the shadows. Sean is the real deal I learned a lot from him.
Sean Tucker is one my favourite photographers on IG. Even if it’s not my way of photographing, I love his work based on shapes, lights and shadows. He has an incredible vision and undeniable talent.
Yes, he's a great guy.
Amazing insight into Sean & Samuel’s creative thought process and how much leg work is required to discover some great images. Loved it.
Sean Tucker, it's fantastic, I enjoy his teachings on UA-cam very much. Thanks to you Samuel. Regards from Bogota, Colombia.
Thanks Luis! Cheers to Bogota :)
Thanks for a wonderful video! Your conversation and how you got Sean to show us how he thinks and the techniques he uses when he shoots. A revelation!
My favorite video from your channel, thank you Samuel for giving us the opportunity to discover Sean's vibes and workflow. Very inspiring, please keep meeting these amazing photographic actors for everyone to enjoy, i bet you first .
Sean Tucker
Inspiration overload
You guys are great together. It is so much enjoyable to see you two roaming the city!!!
You guys rule and put together the best urban photography videos on the Internet. The GRIII always goes out with me anywhere I go too.
Very nice, so interesting to listen to Sean Tucker talking.
I’ve become such a fan of his work, I tend to do my own thing when I shoot but I really want to take what I’ve seen with light and shadows in street photography and just focus on that for a day or two walking around. Imitating other people’s style is a great tool for me at least to learn how to do things. Another excellent episode
What a great video! It was wonderful to experience the sharing and the thought processes that are part of making photos. Sean and Samuel together are a great combination!
Always nice to see Sean.....so much to learn about this guy
I have to say this is already my fave episode and I’m only 20 minutes in. So much knowledge and wisdom from Sean. Nice one!!
I’ve watched this multiple times. Just wanted to say thank you both
Thank you I appreciate that!
Thanks Samuel, another great episode. With Sean, as much as I enjoy the aesthetic of his photographs, it’s also a great excuse to listen to him talk about the philosophy and psychology within photography. Two thumbs up and looking forward to the next.
This video is pure Master class 👏 thanks for having this. Sean Tucker is genuine, No BS straight to point.
Sean being candid is refreshing.
Also, thank you for your GR project. Love it!
You two are some of the best of our current generation... Keep up the great work
Great video, Samuel; great sharing, as always, Sean! Thanks from Lima, Peru. Keep doing, both if you.
Don’t know why I have only just got around to seeing this but have to say I enjoyed it immensely.
Amazing as always, my favorite tip that Sean emphasized on is knowing the day of the year the visual note was taken. It's something that's usually overlooked. As someone who live and go out to shoot around the city, I noticed that as well. It depends on the composition but I think that the light will stay the same around 3 days or so. Either wait for a subject or come back as soon as you can.
"You can't direct real life man, you get what it gives you."
21:00 A guy named O. Winston Link took all kinds of photos at night many decades ago in the USA. Steam engines a lot, streets in small towns, etc. His idea was that it is very difficult to get the lighting one wants in the day. So he lit up the scene at night with A LOT of lights. I've done the same, just not that grand a scale. I bought a series of these 2,000 lumen lights from Wal-Mart to light up a smallish train trestle outside of town. I was getting such graininess at the higher ISO to freeze the action that I decided to give it a go. LED lamps are a lot cheaper than all the lighting rig he had plus it can be run off an inverter plugged into the cigarette lighter.
Your videos really bring out how passionate your interviewees are about what they do and how much effort and concentration is condensed in those images. That's super helpful for everybody who devotes time to photography and aspires to come up with something of lasting value. Love your channel!
Haven’t commented in a long time, but man, Sean Tucker! Thank you for this episode and good luck on your journey with the Ricoh
What an awesome collaboration, I loved the dynamic between the two of you and banter made it all the more enjoyable. Thank you for taking the time to travel an make this video. I have liked and subscribed.
Words of wisdom, great videography and amazing photographs. just wow! Samuel and Sean the best!
I truly enjoyed the opportunity to listen to this in depth interview/photowalk with you and Sean Tucker. I learned a little of his thought process when he takes his photos. I also learned a little about how a street photographer must think about his shots when he/she takes during a walk around session. The presentation was both fun and informative for me. I cannot wait to see your next video in this series.
21:19 waooooo. masterclass!!!!
That's one of the most inspiring videos I've seen in a long time. Wish I had found it earlier, but I'm really happy I eventually did.
Sean seems to be a really good guy. I've seen many of his videos, but never him being interviewed. It feels a bit like looking behind the scenes and I enjoyed watching it. Thank you!
Absolutely loves this video Samuel! Fantastic to get to see how Sean works. The capture you got at 21:52 is amazing. I had to pause the video just to look at that for longer 🙌
I'm amazed at how articulate Sean is. I could listen to him talk all day. Great video! Interesting take on light and shadows. 🙂
Great video, Samuel. Really enjoyed this one, and love the location Sean took you to. Many thanks for all that you do with your videos!
wow, loved this vlog! Learnt heaps too - visiting the same places to take visual notes with light and season changes. Plus shooting the impermanence of things.
So much great advice in this video and shared so freely. Thank you to Sam and Sean for being so generous with their time and knowledge. This was truly entertaining and well done.
Talked about Fan ho, locations, light and shadows, the thing about having people in street photography or not, balancing youtubering and personal photographic journey and many many more... this is one of the ultimate video for street photographers. Absolute banger, guys.
Thank you Claudio! It was hard to keep this under 1 hour... We had so many good conversations :)
These visuals are like therapy
My God.. I love Sean Tucker. 30:35
If you only knew how much you inspire me by talking about street photography. It gives me such a powerful bust to go to he street and shoot and learn and explore...
0,001 Seconds into the video and I hit the like button ! you know it's quality content, when it's the GR Project
Loved it both great photography Sean is a real gentleman
Love to watch replays. I get a bit more out of it. GRIII is one great camera.. Now I want an X
This was a fantastic video, so kudos to you for putting it together. Sean Tucker is amazing, not only for his work, but for his way of communicating. His style is so unpretentious and honest. I will watch this again and again.
Thank you for giving us on this photo walk with Sean Tucker on the streets of London. Because of Sean's influence, I have begun to look at how I can use shadows and light as I walk in my city in Seattle into my photographs.
So good! Thanks so much for that. Great insight. In awe of how much he shared - clearly, you made me feel at ease!
Always good to see through the eyes of others........ nice work, fellas. I enjoyed spending time with you both.
That intro leading up to Sean interview was incredible.
I like your street photographers' visits, and I've always loved Sean's channel, and both together is incredibly good! Great video, many thanks!