King Crimson - We'll Let You Know
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- Опубліковано 22 сер 2024
- Full Album Playlist: • Starless And Bible Bla...
WE'LL LET YOU KNOW
(Bruford, Cross, Wetton, Fripp)
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David Cross: Violin, Viola, Keyboards
Robert Fripp: Guitar, Mellotron, Devices
John Wetton: Bass and Voice
William Bruford: Percussives
Produced by King Crimson at AIR Studios, London. January 1974.
Acoustic Co-ordinator: George Chkiantz
Assistant Engineer: Peter Henderson
Cover Design by Tom Phillips
#KingCrimson
#RobertFripp
Was lucky enough- and old enough- to have been in the audience when this was recorded. Truly memorable and powerful.
Oh, man, how I envy you! (in a healthy manner, of course!)
The experience of these concerts must have been unmatchable.
@@Wizuu0274 Yip. I was a15 year old kid and it changed my life. Four supremely talented musicians playing a major tour and half of it was improvised! It was so exciting. Hard to believe now - everything is so sanitized.
@@showtimegocrazy Can I ask where this was recorded?
@@johnh5463 it was the Apollo Theatre in Glasgow, Scotland. Long demolished sadly.
@@showtimegocrazy sorry to hear…at least you’re a part of history! Cheers Brother
... and they never let us know.
This tune is so frickin awesome and groovy, john wetton was a very underated bassist
Thank God for Robert Fripp.
Thank God twice for Bill Bruford.
@@MagMusicwell Wetton & Lake too...
I was lucky enough to see this lineup live in 1974. I swear that the show changed my life.
dude no one i knew who was into king crimson EVER talked about this album. It's just fuckin' solid man, and surprisingly vast in scope. It's honestly a pretty good intro album to KC as well. I liked a bunch of their songs but never really a full LP til I heard this one.
In awe, as usual. This record is the bee's pajamas
2:48 What a nice funky groove this settles into.
I figured it’d just be a jam style track but then that groove hit and gave me permanent stank face
@@jbasti227 how’s it been one year with stank face
it is John Wetton and you know
@@igorrodrigues97. Wetton being Wetton and Bruford being Bonham. Heavy!
@@banjoshua Bruford being Bruford 👍🏽
The ending is hilarious
Delicious and highly original, must be improvised... First heard this in '76
The thing about King Crimson is that not only can they play it like this, they can play it like this *again*.
It's actually taken from a live show in the netherlands, They just took out the audience and called it a studio track without telling anyone. Pretty Cool. This is the case with about half the songs on the album (including fracture, though fripp doubles his guitar later in the song). Plus providence from Red is done this way too.
@@kidflersh7807 this one is not from the netherlands gig, its in glasgow, scotland
Many people would pick Fracture as their favorite tune from this album. I pick this one, it's absolutely brilliant!
Trio for me (or maybe because I need the tranquillity of the piece), but this is good too as is "Fracture" if you like the heavier side of the band.
(P.S. If it sounds like I'm teaching you to suck eggs here, I'm also writing for anyone reading this who isn't familiar with the band's work.)
The Night Watch, the self title song, Trio, The Mincer
It doesn't get any better than this, fortunately they were as good as this for three studio albums, Larks, Starless and Red
Also Discipline, Beat and Three of a perfect pair. And also THRAK, ConstruKction of Light not so much, but closing with The Power to Believe. I like to think about King Crimson following these three trilogies with their own sounds, yet quite distinct from each other
🎶 this rhythm that is decided to start only at the end, deadly 🎶
Wetton Massive Bass & Bruford Percussion, Temple Blocks & Super Grove (2:45) !!👍🎶
Bruford yelling "Yeah" (1:45) stick inside Cowbell then the Sheet Metal Crash !!! 😊
Excellent, Hope I can see KC live before the EOTW :-)
@Bobber R Thanks, I will check it out :-)
Intense thanks💕
Have loved this album since I was 16, Wetton is a huge influence on me, by 17 i had a bass and a band and still play Lament and We'll Let You Know from memory at least a few times in a year...but today was the first time I have heard Guts On The Side. Between that and Dr Diamond, I can see why the original LP didnt include such numbers. But its always fun to find a new Crimsnack hiding on some new rerelease. The lyrics remind me of Savoy Truffle...
this was a live perform made at apollo theater in glasgow , the noise of the crew is deleteted in post production but this is a real live recording in theater
Самый сильный альбом КС, в обрамлении предыдущего шедевра Larks Tongues и последующего шедевра Red... Получился фантастический монолитный триптих - неповторимый, уникальный, выдающийся. Минимальные средства и максимум правдивого свидетельства о первой половине 70-х, неповторимое аутентичное настроение времени. Привет из России/Советского Союза😅
1:44 Yeahhhh!!!!
Yeahhhh!
J'adore ce morceau !
No klasyka
We need a 12" mix of this.
Love you, Cassie
Wohn Jetton
Jehn Wotten
Fobert Ripp
@@marmota7615 Brill Buford
Cavid Dross
Mamie Juir
I had an intelligent conversation with a premantis and became friends
@Showtimegocrazy I was unfortunately too young, and only discovered this band when it disbanded in 1974.
I envy you enormously !
I saw Crimson 3 times since then. First was around 1982, in my hometown, Hamburg, still with Bill on the drums. Then 2 times here in Paris, in the 2010 years, when Fripp had decided to eview his or Crimson's back-Catalogue, means this and all the other records from the 1970ties.
Fat bass is fat.
Tis how I like it.
The title always makes me think of that Monty Python sketch where "A Different Gestapo Officer" says "We'll let you know" to the nazi scientist and shoots him. Perhaps that's where the band got the title from?
lol youtube added subtitles to an instrumental track
Nice instrumental. Too shirt though.
2:49.
So most of this was recorded live
Mysterious violin...
This track says it was produced at air Studios London @David Cumming
Yes, but it was obviously recorded live. A total improvisation. All of SSBB was recorded live with a few studio overdubs.
SUPERMODEL TWIGGY GET ME. THE INVISIBLE SON BOOK BY HG WELLS
The supermodel Twiggy got me here. I also read The Invisible Son by H. G. Wells thanks to her.
A waste of time
Then spend your precious time another way
Obviously, you're missing the point: this is time well wasted. Sometimes, in order to realize a band is actually good, you have to accept that you have only been listening to bad bands who cant teach you anything about music.
Consider death
guess they didn't let you know