LE NOZZE DI FIGARO: Federica Lombardi sings "Dove sono"
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- Опубліковано 1 жов 2024
- Wolfgang Amadeus Mozart
Le nozze di Figaro
Premiere: 26 October 2017
Musikalische Leitung / Conductor: Constantinos Carydis
Inszenierung / Production: Christof Loy
Federica Lombardi (Gräfin Almaviva)
Ciao Federica, ricordo di averti ascoltata la prima volta presso la scuola del bravissimo maestro Romualdo Savastano; eri timida, certamente ignara che il palcoscenico ti avrebbe presto accolta. Il tuo maestro era certo che quella voce, già importante nella sua emissione, presto sarebbe stata capace di esprimere emozionanti armonie. Ti incoraggiammo a non mollare e di seguire anche se faticosamente quell' insegnamento così particolare, perfetto e premiante. Il tuo merito sta nell'aver perseverato umilmente ed intelligentemente in quel percorso di apprendimento e perfezionamento. Ti continuiamo ad ascoltare
Meravigliosa Federica che esprime perfettamente il dolore della Contessa,con emozione,speranza e dignità !! 👏🏼 Per me,è la migliore interpretazione di Dove sono.
Sólo diría que la dirección orquestal es anodina, caprichosa, sin alma, no se entiende a dónde conduce el director la idea musical e interpretativa, por momentos anodina, en otros abrupta. Sonidos poco elegantes..... Ni siquiera bellos. En fin, mucho de lo que se escucha hoy por hoy.
Y la cantante de interesantes medios vocales, un recitativo accompagnato previo al aria desprolijo, y el aria en sí cantada con "lo justo" a nivel charme e interpretación. No haré comparaciones, pero, para decir que algo sobresale debe sobresalir en personalidad (la ópera no puede ni debe resumirse a ciertos clichés vocales, sonoros, o de moda, la opera debe ser teatro de verdad), belleza y entrega auténtica. Y si es bueno, escuchar (no imitar, o en definitiva, si aprender de lo bueno) a voces de referencia. Cosa que creo muchos cantantes hoy en día no hacen. Se ve muchas voces que buscan el sonido..... Y muchas veces, no más que eso.
Federica: sei stupenda!
bravissima ,espressione ,tecnica,interpretazione,fraseggio,viva Federica capace di aggiungere colori ed espressioni nuove a questa bellissima opera .
La nostra nuova star internazione, grande Federica
Marvellous! Gorgeous timber and excellent technique! (There is an "S" or a "T" missing on the verb _sing_ )
bellissima Federica Lombardi! 🎭🎼🎶💃
Bel timbro, buona estensione vocale.
BRAVISSIMA!!!
What the …. Where did the instrumentation starting @ 3:42 come from? And what about the vocal ornamentations? Where did those come from? Both completely distorted the line and spirit of the composition. Are they now re-writing scores at the Bavarian State Opera in the name of innovation and provocation, as they did by inserting the techno-music in I Vespri Siciliani? I am sorry to say but this is Scheiß.
Ornamentation of the written line was NECESSARY in Mozart's time, as it was earlier, and later. We don't have to like it, but ...
@@indeserto That may be but, really, they desecrated the piece here. The disruption of the line is jarring and, frankly, ugly.
@@doGreatartistsgrowontrees fair enough as an opinion, but I think there are more serious technical problems in the singing as well.
@@indeserto Indeed. But the general press/media has everyone believing she is the second coming. Due to the unprecedented disappearance of genuine vocal stars, they (agents, house administrators, the few opera aficionados that are left, and so on), in reaction to their panic, are declaring just about each and every conservatory-level student they throw onstage a star. And there is no bottom in sight.
This is a large and richt voice with a beautiful timbre, owned by a singer who seems to be a real artist and has a story to tell.
Unfortunately, in opera (and especially in Mozart) talent isn't enough. And the overall 'organisation' of this voice - legato, evenness, blending of registers - is unfortunately rather precarious here. Especially the 'passaggio' area between the upper middle range and the high register is somewhat chaotic, often blurring the pitch and resulting in an uneven vibrato.
Given the beautiful instrument and the great talent, I do hope she'll fix those faults and become what she is designed to be!
Why is she having those problems ? Poor training, inability or what do you think ?
She's only 28 in this!!! The voice continues to change and mature until mid-thirties. I think she's headed towards a more full/spinto/dramatic timbre. The Countess is a very lyrical role with A LOT in the middle voice, which is the most difficult to blend and resonate in. Her As above the staff are GORGEOUS!
Meravigliosa esibizione splendida Federica 🌹💏❤️
The timbre wow
dit is nou het summum en laat de onderstaande commentaren voor wat ze zijn. Mij geeft een heleboel rust.
love how she ornamented the aria, and made it her own. we have all heard it a thousand times, so it's nice to be surprised. Not perfect, but still a memorable rendition
In his "birth of tragedy", Nietzsche said music is the metaphysic comfort. Man has metaphysic quest.
Ciao Federica sei una delle più brave soprano al mondo sicuramente la più bella e sei italiana cosa non da poco ❤❤❤❤
❤Прекрасное пение Ангела ...хранителя .Чистейшей прелести,чистейший образец .Брависсимо ....❤
Linda ❤ uma cantora divina contando o maior gênio da música 🎶. MOZART
Why does she move around so much? You can hear it in her singing. The breath is all over the place. Stand still and sing.
Brava Federica ♥
Admirable
c'est SUPERBE !
ausgezeichnet
Why can't singers just stand and sing? Her breath is all over the place.
If you want just good singing, listen Sinatra... In a theater piece, you must play the role. Of course, acting influences the way you sing, but, if you are a good singer, it makes it better (expressive, real, coherent with acting) not worse...
This is why opera is dying. Parking and barking is BORING.
its called acting...staging...drama...not a concert version...really???
She’s not moving a lot. If her breath ain’t right, it’s not cause of the moving.
Unfocused lower notes, especially in the recit. Nice voice, it just seems young in some ways. A little out of tune, as well. Less lined up as the aria progresses. Pushes some too.
Unfocused all notes
SHE IS 28
You know nothing, Michael Snow
@@kamaakestad and therefore has been training for what 7, 8, 10 years? Should be "focused" by now, surely?
Mi sembra piuttosto piatta anche se cerca espressivita