Values: The Most Important Aspect of Color In Your Landscape Painting

Values are the most important aspect of color, so it helps to focus on them while thinking of color. A good way of doing that is to use a muted limited palette. Today I’m using ivory black, cadmium red deep and cadmium yellow light. It’s a muted palette because of the black but it can be intense because of the cadmium red and yellow. The black acts as a blue and gives a muted aspect to the colors and helps us to understand grays. It also helps me to focus on value because of the limited colors.
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[@kathyfoxweinberg111]

Thanks!

[@philstarke.artist]

Thank you Kathy!

[@thinker8889]

Excellent, I much prefer your painting demos to your digital overlay examples.

[@philstarke.artist]

Glad you like them!

[@Dennis-Hare]

Man, really incredible example of what you can achieve with a limited palette.

[@philstarke.artist]

Thanks Dennis

[@wyzeyzere]

Finally someone who values black in a painting. It is beautiful!

[@philstarke.artist]

Thank You!

[@lizcoyle8788]

Phil, you have really helped me to see the power of getting the values balanced. Thank you for covering a difficult concept with such clarity.

[@philstarke.artist]

You are welcome Liz

[@Mikes10241]

That was fantastic Phil. Thanks for the longer video.

[@philstarke.artist]

Glad you enjoyed it Mike!

[@momijiyamanishi4548]

I had to rewind and watch the blue sky. That was fascinating

[@philstarke.artist]

Thanks

[@robertsmith5096]

I like the demo as well. Much easier to understand than the digital approach. Many thanks.

[@philstarke.artist]

Thanks robert

[@PaintingandExercise]

I never knew what my black paint was for. Who knew that you could use black so wonderfully? Thank you.

[@philstarke.artist]

You're welcome!

[@oldepersonne]

Limited palette, one colour dominating in the mixture to prevent mud. Thank you.

[@philstarke.artist]

You're welcome!

[@barnbre2]

I learned more from this video than anything else I've ever seen! I can't wait to try it out!!! Thank you so much for sharing your knowledge.

[@philstarke.artist]

You are so welcome!

[@pintorazer6006]

Thank you maestro! Limited palette is the basis of classical painting.

[@philstarke.artist]

You're Welcome!

[@europeanroyalty4778]

This was great to watch you paint.Really enjoyed the long format.

[@philstarke.artist]

Thanks

[@nikkisomplasky8738]

I really loved this one - actually seeing you paint. I learn so much. Thank you!

[@philstarke.artist]

You are so welcome!

[@alexlynn7219]

Phil, I really love your videos. Especially how much focus and effort you put into explaining your logic and decision-making. Much appreciated. I'll definitely try out this 3 colour constant-use approach.

[@philstarke.artist]

Thanks Alex

[@marywebb1138]

Great lesson 👍 so much info.

[@philstarke.artist]

Thanks Mary

[@richmoab]

This was really really interesting and helpful. Thank you very much.

[@philstarke.artist]

You're welcome Rich

[@margaretsmith9637]

The blue sky!

[@momijiyamanishi4548]

I know! I had to rewind and watch again. It was fascinating

[@philstarke.artist]

Thanks Mom

[@ginnapalma6057]

Really liked this demo vs the digital demos.
Beautiful painting!

[@philstarke.artist]

Thank you very much!

[@elizabethhunt5536]

Absolutely fantastic demo! Who'd have thought you could paint a blue sky using black??
Suppose this is the famed Zorn palette of Andreas Zorn. Thanks Phil

[@philstarke.artist]

Yes, Zorn used a similar palette

[@janetchang3657]

Thanks for another excellent demo of painting. I enjoyed watching it.

[@philstarke.artist]

Thank you very much!

[@azimegultekin1408]

Very good lesson🙏👌✌️

[@philstarke.artist]

Thank you!

[@joanswim4736]

Outstanding!!!!

[@philstarke.artist]

Thanks Joan

[@dons7077]

Nice lesson! Hoping for more vids like this one.

[@philstarke.artist]

Thanks

[@skipstitch]

Awesome Job

[@philstarke.artist]

Thanks Skip

[@cherylwetsi9021]

Thank you. Cheryl from Sydney

[@philstarke.artist]

thanks Cheryl

[@reneekroyer5104]

Hi Phil. I enjoy painting red rock scenes and I'd like to find a good way to make shadows that come over the rocks as the sun moves across the horizon. I was wondering if there was a good way to do that -- where you could still see the colors of the red-gold-bronze rocks beneath the shadow of the sun? Maybe use a transparent blue-lavender color?

[@philstarke.artist]

Hi Renee, you can paint the shadows a bluish violet, then while its still wet scrub in.a little burnt sienna and orange, but not too much. blending the colors on the canvas instead of the palette will keep the color cleaner.

[@morsar2009]

Pls add turkish subtitles

[@reneekroyer5104]

I'm confused . . . is your `black' in this video really a dark blue? Or, is it a true black?

[@philstarke.artist]

It is ivory black, a true black. In context with everything in the landscape it appears blusish.

[@gordonnosworthy]

i don't generally add a comment, but this time i had to thank you for everything i am learning in this video. just really enjoyed your explanations. thank you

[@philstarke.artist]

You're welcome Gordon