Another great jam with chord changes. Having this with visual measures is totally awesome. I play guitar and bass. Great grooves every time much thanks Los Angeles
At first glance, this track looks like an E-minor, but the key is actually a b-minor. When playing ad lib, B minor pentatonic, D major pentatonic, and A mixolydian are cool.
@@MusicJamTracks Checked yup they sound good but the tonality must be Em you can't be in Bm with a B7 it's a I IV V in Em A myxolidian can be risky on the B7 but sound lovely on the others degree. So i think it's F# dorian not A mixolydian and so we are in Em.
I for one hear B minor! (where the B7 is simply a secondary dominant turn-around to predominant Em). I also recognize that this tonal ambiguity may contribute to why the groove is so good and versatile.
to think of the B7 as a secondary dominant in this case is silly. There are four main reasons why this track is undoubtedly in E minor (dorian). 1.) Progression starts in E and ends with B7 2.) The A/B chords you use throughout greatly weaken the sense of B being our tonic. This is a very suspended sound. Nothing "home" about it. 3.) Every single B chord is in a metrically weak spot of the progression (bars 2 and 4, for example), with E chords on the strong bars (1 and 3). This works the same way as it would with beats within a single bar. 4.) You used a b13 chord to transition back to E, which has arguably the most tension of any dominant chord. This only further implies an E tonic. This tune is in E dorian. The only way in which you are correct is that you can use the B minor scale to improvise over this, which, as we all know, is the same as the E dorian scale.
Thanks FreshPansen 😁 The key to this track is b minor or D major. The key to this track is b minor or D major. There are several ways of thinking when playing a solo, but I mainly use A mixolydian.
The key to this track is B minor.However, B7 in the 4th and 8th bars is a chord progression that regards the E minor in the next bar as a tonic.This is called a secondary dominant.Secondary dominants are often used to temporarily change keys.
Music Jam Tracks to think of the B7 as a secondary dominant in this case is silly. There are four main reasons why this track is undoubtedly in E minor (dorian). 1.) Progression starts in E and ends with B7 2.) The A/B chords you use throughout greatly weaken the sense of B being our tonic. This is a very suspended sound. Nothing "home" about it. 3.) Every single B chord is in a metrically weak spot of the progression (bars 2 and 4, for example), with E chords on the strong bars (1 and 3). This works the same way as it would with beats within a single bar. 4.) You used a b13 chord to transition back to E, which has arguably the most tension of any dominant chord. This only further implies an E tonic. This tune is in E dorian. The only way in which you are correct is that you can use the B minor scale to improvise over this, which, as we all know, is the same as the E dorian scale. EDIT: Clarity
Damn dude! I started this groove in rhythm mode and was not feeling it. Then I switched to a more melodic bass line playing in the key of Em and not really sticking to the chord changes and DAMN! Super fun groove!
The official name is Harmonic Minor Perfect 5th Below. Abbreviated to HMP5 ↓. This HMP5 ↓ is a scale effective at the time of dominant 7th. In the case of B7, usable sounds are B, C, D #, E, F # G, A, B. Please play it.
I've never had so much fun just playing one note before
So great to hear that. Stay tuned for the new video!!
Another great jam with chord changes. Having this with visual measures is totally awesome. I play guitar and bass. Great grooves every time much thanks Los Angeles
If you notice the meaning of B7, you can understand the goodness of this track more.👍👍👍
@@MusicJamTracks b
Bass-ically "Lowdown" by Boz Scaggs... nice!
Some people have similar faces in the world, and some songs have similar chord progressions.
I'm feeling it, thank you.
Funky grooves are the genre we are best at. Have fun and learn music!
some of this jams are big inspiration ! thank you Music Jam Tracks ! ! !
Your musical sense is correct.👍👍
I love your tracks man👍👌
Thank you man! Please do a lot of groove and practice. Listen as many times as you can😃✨
Great track btw. 🙂👌
Funky grooves are the genre we are best at. Have fun and learn music!
Great groove, man! Thank you!
Thx man!You understand the true groove.
Nice jam track..
You understand real music and bass.Perfect！
Thanks!!!
👍👍👍👍👍
Thank you. Please enjoy. And listen as long as possible.
Why Bm its Em by the way good track!
At first glance, this track looks like an E-minor, but the key is actually a b-minor. When playing ad lib, B minor pentatonic, D major pentatonic, and A mixolydian are cool.
@@MusicJamTracks ok i'll check ;) But A GM chord is goos too.Also usually the first chord is the first degree and also we have B7 for the dominant.
@@MusicJamTracks Checked yup they sound good but the tonality must be Em you can't be in Bm with a B7 it's a I IV V in Em A myxolidian can be risky on the B7 but sound lovely on the others degree. So i think it's F# dorian not A mixolydian and so we are in Em.
@@phosphore7991 It's A in the click intro.
perfect :)))
Thank you. Please practice and enjoy yourself.
Love This!!
thanks!
getting a Michael brecker vibe out of the sax with this one. just absolutely loosing it on my G flats and Bs!
Please think that the orange part has a partial transposition.
I for one hear B minor! (where the B7 is simply a secondary dominant turn-around to predominant Em).
I also recognize that this tonal ambiguity may contribute to why the groove is so good and versatile.
I agree with you!
to think of the B7 as a secondary dominant in this case is silly. There are four main reasons why this track is undoubtedly in E minor (dorian).
1.) Progression starts in E and ends with B7
2.) The A/B chords you use throughout greatly weaken the sense of B being our tonic. This is a very suspended sound. Nothing "home" about it.
3.) Every single B chord is in a metrically weak spot of the progression (bars 2 and 4, for example), with E chords on the strong bars (1 and 3). This works the same way as it would with beats within a single bar.
4.) You used a b13 chord to transition back to E, which has arguably the most tension of any dominant chord. This only further implies an E tonic.
This tune is in E dorian. The only way in which you are correct is that you can use the B minor scale to improvise over this, which, as we all know, is the same as the E dorian scale.
Em pentatonic or
E melodic minor - E F# G A B C# D# E
Note chord spellings -
Em = E G B
A = A C# E
B7= B D# F# A
Im IV(7) V7 = melodic minor
Love the track but how can you put adds half way into the groove
Remove the midroll little by little.
Music Jam Tracks, I'm so sorry for all the ignorant comments thinking its in E minor 😂
Thanks FreshPansen 😁
The key to this track is b minor or D major. The key to this track is b minor or D major. There are several ways of thinking when playing a solo, but I mainly use A mixolydian.
Emin
Это Ми дорийский и точка. Не надо чушь нести в коментах на эту тему.
E dorian, not B minor. How you gonna have a B dominant chord as the last chord of the progression and call it B minor???? lol
The key to this track is B minor.However, B7 in the 4th and 8th bars is a chord progression that regards the E minor in the next bar as a tonic.This is called a secondary dominant.Secondary dominants are often used to temporarily change keys.
Music Jam Tracks to think of the B7 as a secondary dominant in this case is silly. There are four main reasons why this track is undoubtedly in E minor (dorian).
1.) Progression starts in E and ends with B7
2.) The A/B chords you use throughout greatly weaken the sense of B being our tonic. This is a very suspended sound. Nothing "home" about it.
3.) Every single B chord is in a metrically weak spot of the progression (bars 2 and 4, for example), with E chords on the strong bars (1 and 3). This works the same way as it would with beats within a single bar.
4.) You used a b13 chord to transition back to E, which has arguably the most tension of any dominant chord. This only further implies an E tonic.
This tune is in E dorian. The only way in which you are correct is that you can use the B minor scale to improvise over this, which, as we all know, is the same as the E dorian scale.
EDIT: Clarity
Acid funk?
Yes!
Sounds like E minor to me...
Damn dude! I started this groove in rhythm mode and was not feeling it. Then I switched to a more melodic bass line playing in the key of Em and not really sticking to the chord changes and DAMN! Super fun groove!
Thanks for the great message. The point is B7 in measures 4 and 8. You can make a nice bass line with B P5. Do you understand?
Music Jam Tracks the only part I don’t understand is the end of the sentence. What do you mean “B P5”?
The official name is Harmonic Minor Perfect 5th Below. Abbreviated to HMP5 ↓. This HMP5 ↓ is a scale effective at the time of dominant 7th. In the case of B7, usable sounds are B, C, D #, E, F # G, A, B. Please play it.