ALEXA 35 captures the dark yet vibrant cinematography of “Out”

With a multitude of improvisations, fast lighting changes, and action-packed scenes, Director Hiroshi Shinagawa and DP Yohei Tateishi JSC share why the ALEXA 35 was the best choice to capture the dark but colorful world of the Japanese film “Out.”
多くのアドリブ、絶え間ないライティングの変化、アクション満載のシーンを通じて、品川祐監督と立石洋平撮影監督（JSC）はなぜ『アウト』という日本映画のダークでカラフルな世界観を撮影するのにALEXA35が最良の選択であったかを語る。

[@ebita3874]

The movement in the dark was certainly spectacular！

[@yasha1928]

Fantastic stuff!

[@tiewlarun8043]

Love arri Alexa

[@mayurangafernando4586]

Amazing ❤❤❤

[@user-qu6kq4og5u]

Fewer and fewer people are using ARRI Camera in China because your service is really bad ! ALEXA Out, SONY Venice in !