Jack Gilbert - interviewed by Henry Lyman for Poems to a Listener (1994 series)

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  • Опубліковано 3 лис 2024
  • Reading poems from The Great Fires, some of them in earlier versions, Jack Gilbert looks back on the loves and solitudes of a life lived acutely, seen in terms of the Pittsburgh steel mills where he worked as a youth: “Eighth-of-an-inch gauge isn’t much of a life. But you get some giant mill, or shear, that will shear three-quarter-inch steel, that’s big. That’s a powerful machine.”

КОМЕНТАРІ • 5

  • @dominiczerafa8990
    @dominiczerafa8990 4 роки тому +3

    I wish there was soooo much more of him recorded and filmed

  • @BUKCOLLECTOR
    @BUKCOLLECTOR 2 роки тому +1

    Enjoyed your poems and reading. And your unique word choices enhanced the poems emotional impact as well as kept me engaged throughout.
    I’m a poet specializing in Japanese forms: haiku, tanka, haibun, kyoka, senryu. I hope you don’t mind me sharing a tanka and my haiku, a tribute poem to Bashō’s frog with commentary by the late AHA founder and poet Jane Reichhold who considered my Basho haiku among her top 10 haiku of all time. What an honor.
    Here’s the Bashō poem and commentary:
    Bashō’s frog
    four hundred years
    of ripples
    At first the idea of picking only 10 of my favorite haiku seemed a rather daunting task. How could I review all the haiku I have read in my life and decide that there were only 10 that were outstanding? Then realized I was already getting a steady stream of excellent haiku day by day through the AHA
    forum.
    The puns and write-offs based on Basho's most famous haiku are so
    numerous I would have said that nothing new could be said with this
    method, but here Al Fogel proved me wrong. Perhaps part of my delight in this haiku lies in the fact that I agree with him. Here he is saying one thing
    about realism-ripples are on a pond after a frog jumps in, but because it refers back to Basho and his famous haiku, he is also saying something about the haiku and authors who have followed him. We, and our work, are just ripples while Basho holds the honor of inventing the idea of the
    sound of a frog leaping is the sound of water
    As haiku spreads around the world, making ripples in more and larger ponds, its ripples are wider-including us all. But his last word reminds us all that we are ripples and our lives ephemeral. It will be the frogs that will remain.
    ~~
    And my tanka:
    returning home
    from a Jackson Pollock
    exhibition
    I smear my face with paint
    and morph into art
    ~~
    -All love in isolation
    from Miami Beach,
    Florida,
    Al