Incredible content man! Glad to have found your channel, just know that you are helping a lot of pianists to enjoy their playing and improve at their instruments. Thanks a lot and God bless you :)
I bought your rhytmic excercises pack, and that was my first connection to you channel. This kind of videos cover so much great tips and tricks and our on point and fast. Big support!!
I’m only 2:09 into your video, but already I’m looking at your use of the 6/9 chords and thinking, “Noah’s studied the Barry Harris Method!!” Might I be correct in that observation?
Hey, great videos. Do you take requests? Theres one I'm working on right now that I would like if you could break it down. It's a little complicated one,
Hey man, great stuff, thanks. Just wondering if you have a video that addresses the pentatonic shapes you're using in your right hand improv? I'm really keen to add that sound to my playing but I'm yet to have anyone explain it to me fluently. Thanks again from Melbourne, Australia.
Hey, awesome! Thank you for your contribution in the realm of art and music! By the way I love the way you present and explain the material, you are great musician and truly have the ability and talent of teaching! Thank you again, it is very interesting, clear, digestive and educative your videos. Good luck✌️👏👏👏🙏🙏🙏
Hey, thanks Arutyun. That means a lot to hear! I appreciate you letting me know. Keep practicing and I'm very glad to hear all the information is helpful to you.
Hey Theo, great question- I actually think it's easier than it sounds. The great thing about these substitutions is that they really work regardless of what the other musicians are doing, and it's really up to the guitar player to either 1) follow what you're doing or 2) leave you the space to change the chords! Make sense?
Hey what's up Ramon! That's a really great question. So, sometimes I'm guilty of using the terms interchangeably, but here's how I would define the difference: -Substitutions are short chord replacements inside a progression, regardless of any bass or root motion. You still end up in the same places, you just might sub out a II-V and get to the I differently. -Reharmonization is especially important when speaking regarding a melody. You can simply substitute chords, but they might not function well with a melody note. When you reharmonize, you change one chord for another chord that still works great with that same melody. For example, if you have a G in the melody and a G7, you could change for an Em7 chord instead, and this would reharmonize the melody. However, overall, I really think of substitutions as a type of reharmonization, like they fall under the umbrella of reharmonization. Not 100% sure if that's the most technical way a theoretician would describe it, but that's my two cents! Does that make sense?
Hi! Wonderful video. Does it work to change chords on the left hand keeping the bass playing in C? For example, a Cmaj as you said. I play C and then Fm6. If the bass player keep playing C ok, right? Even If I move to C, Eb, Gb, A as an effect? Thanks a lot
Hey Christianne, yes, exactly. Even if the bass player keeps playing the same thing, the point of this exercise is that you can use these chords as substitutions on top of the bass line.
Hi Noah. I was playing the piano right now and there was a chord , but minor, I mean , an Am. I stuck on this for at least 16 bars for impro. How can I adapt your lesson for minor chords? thanks
Hey Christianne, you can actually try using the same intervalic patterns for minor substitutions- move your chords up in minor thirds, or up in whole steps and see how it sounds.
where's that lick from that you played at 2:48? I heard peter martin play the same thing in one of his videos. I'm wondering if it's from somewhere in particular.
Hey Christianne, thanks for your question. I don't have a specific PDF that covers this at the moment, but I will be talking about it more in depth in a really awesome course I'm working on. I can't say too much now, but shoot me an email if you think you may be interested! JazzPianoConcepts@gmail.com
![Solo Piano Textures - Tips & Tricks For Crushing It Without a Rhythm Section [Jazz Piano Tutorial]](http://i.ytimg.com/vi/aW9rSwljgO4/mqdefault.jpg)
![Solo Piano Textures - Tips & Tricks For Crushing It Without a Rhythm Section [Jazz Piano Tutorial]](/img/tr.png)
![How to Sound Like McCoy Tyner: Pentatonics & Melodic Cells for Sick Lines [Jazz Piano Tutorial]](/img/n.gif)
Liked just for reminding me to use the 6/9 chord more often... love your videos, thank you
hahaha good reason! Thanks happy to hear you're finding them useful
I love this, thank you noah
This guidance is dope.
I was looking for that progression for a longtime thanks you very much
You're welcome, Nick. Glad you found it!
Incredible content man! Glad to have found your channel, just know that you are helping a lot of pianists to enjoy their playing and improve at their instruments. Thanks a lot and God bless you :)
Gabriel Toledo Hey, Thanks Gabriel 🙏 means a lot to hear.
Great, thanks for breaking this down.
Very handy!
I bought your rhytmic excercises pack, and that was my first connection to you channel. This kind of videos cover so much great tips and tricks and our on point and fast. Big support!!
Thanks, Anton. Appreciate that! Glad to hear you're enjoying the exercises. Feel free to let me know if you have any questions.
Thanks I really needed this
You're welcome, Emmanuel. Happy to hear it was helpful! Do you have any questions about any of the material?
Thanks Noah,really appreciate these vids,hope all is well!
Thanks, Ed! All is well on my end. How have you been?
All good,miss playing out!
finally a video that's clean cut, interesting and the person can actually can speak/explain....
thanks, Gautier, glad you enjoyed it!
Definitely going to use those chromatic progressions
Awesome! Let me know how it goes.
Simply fantastic
William Perry Thanks, William 🙏
I’m only 2:09 into your video, but already I’m looking at your use of the 6/9 chords and thinking, “Noah’s studied the Barry Harris Method!!” Might I be correct in that observation?
Hey, great videos. Do you take requests? Theres one I'm working on right now that I would like if you could break it down. It's a little complicated one,
Do you have any videos explaining how to improvise??
This is so cool! Thank you Noah for the master class =)
You're welcome! Let me know if you have any questions about anything.
Thank you!!!🙌🏾🙌🏾🙌🏾
You're welcome, Austin! Lemme know if you've got any questions about any of this stuff. We can always discuss in our lesson too.
Excellent Tutorial Noah, you're simply the best 🔥
- Imkon - thanks, glad you enjoyed it!
Great video!
Thanks, Martin!
Great stuff. Thanks Noah.
You're welcome!
Hey man, great stuff, thanks.
Just wondering if you have a video that addresses the pentatonic shapes you're using in your right hand improv? I'm really keen to add that sound to my playing but I'm yet to have anyone explain it to me fluently.
Thanks again from Melbourne, Australia.
Sean Wilde hey Sean, I think one of my super old McCoy videos talks about it briefly, but I’ll put it on my list for new stuff
@@NoahKellman, that'd be amazing. Thank you :)
Hey, awesome! Thank you for your contribution in the realm of art and music! By the way I love the way you present and explain the material, you are great musician and truly have the ability and talent of teaching! Thank you again, it is very interesting, clear, digestive and educative your videos. Good luck✌️👏👏👏🙏🙏🙏
Hey, thanks Arutyun. That means a lot to hear! I appreciate you letting me know. Keep practicing and I'm very glad to hear all the information is helpful to you.
hi Noah, interesting (as always😊). How do you deal with playing those substitutions in a group setting with a bass player en maybe a guitar player?
Hey Theo, great question- I actually think it's easier than it sounds. The great thing about these substitutions is that they really work regardless of what the other musicians are doing, and it's really up to the guitar player to either 1) follow what you're doing or 2) leave you the space to change the chords! Make sense?
Noah Kellman absolutely, makes sense. Thanks!
@@theoooms7277 for sure!
Noah what is the difference between SUBSTITUTIONS & REHARMONIZATIONS?
Hey what's up Ramon! That's a really great question. So, sometimes I'm guilty of using the terms interchangeably, but here's how I would define the difference:
-Substitutions are short chord replacements inside a progression, regardless of any bass or root motion. You still end up in the same places, you just might sub out a II-V and get to the I differently.
-Reharmonization is especially important when speaking regarding a melody. You can simply substitute chords, but they might not function well with a melody note. When you reharmonize, you change one chord for another chord that still works great with that same melody. For example, if you have a G in the melody and a G7, you could change for an Em7 chord instead, and this would reharmonize the melody.
However, overall, I really think of substitutions as a type of reharmonization, like they fall under the umbrella of reharmonization. Not 100% sure if that's the most technical way a theoretician would describe it, but that's my two cents!
Does that make sense?
@@NoahKellman I got it Teacher 😄👍
Hi! Wonderful video. Does it work to change chords on the left hand keeping the bass playing in C? For example, a Cmaj as you said. I play C and then Fm6. If the bass player keep playing C ok, right? Even If I move to C, Eb, Gb, A as an effect? Thanks a lot
Hey Christianne, yes, exactly. Even if the bass player keeps playing the same thing, the point of this exercise is that you can use these chords as substitutions on top of the bass line.
That’s fine! Thanks a lot
Hi Noah. I was playing the piano right now and there was a chord , but minor, I mean , an Am. I stuck on this for at least 16 bars for impro. How can I adapt your lesson for minor chords? thanks
Hey Christianne, you can actually try using the same intervalic patterns for minor substitutions- move your chords up in minor thirds, or up in whole steps and see how it sounds.
Great! I Will try this out. All the best!
What scale did you used for the Fm6 chord?
Looks like an EbMajor scale, jus wanted to be sure
Great Value. clicked on ads :D
Thanks, Jorge!!
where's that lick from that you played at 2:48? I heard peter martin play the same thing in one of his videos. I'm wondering if it's from somewhere in particular.
Good question-- honestly no idea. Just something I was playing, but always possible I heard it somewhere!
@@NoahKellman Aw lol well it's identical to the one I heard. Good playing!
@@triton1060 Thanks appreciate it!
Please, what is the name of the pdf that correspond to this lesson on the store? Thanks a lot
Hey Christianne, thanks for your question. I don't have a specific PDF that covers this at the moment, but I will be talking about it more in depth in a really awesome course I'm working on. I can't say too much now, but shoot me an email if you think you may be interested! JazzPianoConcepts@gmail.com
Dude you're great, a fwck1n m0nster! Thanks 👐
Hey Maxi, thanks, and you're welcome!
please next version slow
My problem is finding that awesome improv in tue right hand without sounding like a basic major robotic chord spread out
I want to know the scale your right hand is playing... can you teach slowly?
Hey David! Have you tried just going into the UA-cam video settings and slowing down the video? That might help a lot. Let me know if that works.
Tocar um pouco devagar, favor
5:49 central park west
Pleasse subtítulos en español
Sin duda subtítulos en español son algo me gustaría hacer en el futuro
Slowly please