Pretty much no one else I've seen on UA-cam is teaching people how to figure out songs for themselves. I was compelled to watch along even though I already know this. Great stuff.
Ditto. Also, taking my tuba to jam sessions has taught me a lot about harmonizing tunes on the fly but I feel at a loss to pass this on to other musicians including those I'd like to prep to sub for me. You're going to find yourself teaching the teachers.
I like to think of chords as cousins. For example, Am is a cousin of C, Em is a cousin of G, Dm is a cousin of F, Bdim is a cousin of G7, and, to stray out into unfamiliar territory, G13 is a cousin of G6. It's helpful to think of all these chords as one extended family. Thank-you, Aimee, for all these wonderful lessons!
*This* is how music should be taught. It's the missing link from far too much instruction on "learning an instrument." (and not learning music.) Keep up the great work, Aimee!
These are the kind of things I do in lessons with students to try and teach them how them music really works. Seeing you do videos where you say the same stuff reassures me i'm doing the right thing!
I don't even have time to watch this right now but I do have time enough to stop by and hit the LIKE button... You are So AWESOME Aimee Nolte! I will come back later and listen to the lesson. Your husband is the luckiest guy to draw breath. I love that you are SO married you wear your rings on both the left And right hand... LOL. Love you and all that you teach us.
At 7:47 I had to laugh because I’ve never heard of “don’t you want me baby “ but “Shenandoah” is a song I grew to love in my youth. It’s a beautiful song with a beautiful melody.
John doing it inspired me to try it out too for a song which I got stuck in my head for no known reason (I haven't heard it in a long time): True Colors. It actually works. I kept it simple in C major: it starts with I VI V for the chorus and I used inversions to keep the notes close together. A modest starting point. It is a nice brainteaser, figuring out the inversions on the spot. I think that you will get used to it after gaining some experience. As usual, thanks for inspiring and teaching us, Aimee.
That's awesome, well done! You definitely get used to it with more experience, you're right about that. It may seem like it takes a lot of effort to recall what inversions, scales, or 7 chords are on the spot, but if you keep trying it WILL become instinctual. Its like it adds an entire new dimension to your music!
I'm at the staging that I am starting to discover these things myself. I spend a lot of time playing progressions where I keep trying to substitute other chords in the scale to see what works. This helps to crystallize my thinking.
I did the same lesson with my classes this semester and called it the "Money Chords" also. Freeky! I love your lessons Aimee. Keep em coming. Thanks for all that you do!
Aimee, you just made my eyes well up. Played my dad's favorite song as he was born in the Shenandoah Valley, and he's now gone. Not your fault. I'm same way with O Holy Night that my mom sang in solo's in church, last time in her 70's.
I love how u consider all aspects and from different perspectives when u make a point, it’s almost that u consider all (what if) scenarios that pops into my mind as the video proceeds; like I start feeling I am missing something but then bingo..... U hit on it immediately and I just connect the dots 🙏 amazing stuff
I like that you chose 'Don't you want me baby?" by The Human League (1981) for this video. I just played the song in the background while watching your video. Thank you.
Nice to hear you play and sing the Shenandoah Song. it is an old favorite of mine growing up. We learned it in elementary school. As for the 'DYWM Baby' (new age)song, also special but as a grown-up. Thanks - Calv1n😃
This is basically the way I learned to pick chords to go with a song, and basically in the order this video series presents them: I-IV-V, then substituting ii, iii and vi based on notes in common and based on melody notes. The next big breakthrough, many years later, was secondary dominants. I feel like most folk and rock music can be explained once you know about those.
I’m learning guitar. When I can listen to the chords, it’s usually not a problem to find them. But if I can’t listen to it and have to go from memory, your technique of trying out diatonic chords that include the melody notes is a big help, because if I can’t recall the chord, I can recognize it when I play it! Thanks
This takes me back to my teenage years, Amy...discovering I could play certain chart songs by going up and down the white notes in triads. I vividly remember the first tune I found I could bash out by ear in this way was Louis Armstrong's What a Wonderful World. It was quite a few years before my ears tuned in properly and I realised some of my simple chords weren't quite correct (but the melody was all on the white notes so they weren't "wrong" wrong and WORKED fine for me at the time) Guitar later became my instrument and I applied the same techniques to learn by ear. Great video!
I sent some bones Aimee's way a couple of months ago. Those that can should once and awhile. This is gold. Between guitar, music in general, animation, science and history, I get gobs of learning every month and give less than one single lesson's worth. It's easy. Thank em', they'll thank you.
Just Yes - a tripple Yes ! Everytime i listening to your beloved teaching, it's just works imidiately here for everydays plays.. it's Magic" isn't it worth it for saying - beloved that time is Magic ! It works always more & more because after 20 years as a musician the steps to the fullest are smal enpugh to follow.. So glad your are here.. blessings & greetings & hugs. . God bless you / your Family ! Châpeau a tripple time .. happy New Year 2021
Madame Nolte, I just saw this last episode of the greatest youtube piano lessons ever from a professional and as I've already used up all available superlatives, I would simply say "this was great (like all previous ones) too". I've even recorded and uploaded a little song for the previous lesson: nobody (other than me) listened or liked it! anyway; I do like it and I think that's the point ;-). And coming to this last lesson: I can say that I've got basic chord understanding and inversions and variations. Indeed I'm ok with majors, minors, 7th variations, diminished, augmented etc. I can even transpose (of course not like you! but veeeerry slowly compared to how I used to back in my youth). Thanks God, I learned them in my youth. I've to admit that a brain at 10+ captures like a crazy magnet, whereas a brain at 40+ may (and given that you can only practice after all day work) forget faster than it learns...So we shall have empathy to those new learners who find it quite difficult and complex to recognise and remember those chord patterns. Eventhough the theme of these last episodes is "by ear", when it comes to glueing the structures into the brain, writing (with pencil) is also of great help. Yes it's much slower and painful and may be that's why it is more persistent. Eventhough I cannot do it right now (lack of patience and durability!), in my second trial with music (after 15 years of blank period), I still advice people to read some simple songs from sheets and write their own compositons. And finally, the hardest part of piano playing is definetely on the left & right hand coordination; obviously this is the most difficult part of piano playing and it is the definitive distinction between a professional and amateurs just like me. I can hardly play with both hands in a fluent manner. If I try, it's mostly the left hand is less focused with static chord movements, whereas the right hand is fully focused on to the melody. Rarely there are songs that I could use both hands in multitasking; that's the real difficult thing... But also the most enjoyable! May be you can give us some tips on how to improve the right & left hand independence and coordination... Thank you again for your sincere uploads...
Hi Aimee. Just wanted to thank you for releasing such great videos. This "Money Chords" video has helped me solve a chord problem that doesn't sound quite right on a song that I am working up on GarageBand.
Aimee, I love these series of lessons, what a lot of information! I am learning so much such as the minor cords, Rhythms and much more!. Love the Money cords, they have a nice sound to them. Also these series of lesson has my brain doing a lot of thinking, as to how you come up with the cords, that we have not covered in my skype lessons. Stuff is really starting to click, you are such an "AWESOME" Teacher!!! Thank you for you, I so much appreciate you and very grateful of all the "FREE" Lessons you have to offer on youtube, you are truly a gifted person.
WOW! This series just keeps getting better and better. I know you said you think this is the end, but keep going please :) For me, one of the missing pieces for comping is the chord rhythm. Even on chord patterns I'm comfortable with, even when looking at chord changes on a site or app, it doesn't "feel" right. I know you touched on rhythm in the previous episode, but maybe that's an area to go just a little deeper on?
I think there’s one more thing to add. If, say, an F sounds okay but a D sounds better, a D7 might just hit the spot. So when substituting chords, keeping those notes when you find the real chord can sound really good.
That song "Don't You Want Me" was a staple of my listening at about 14 years old. The IV-V-IV-V repeat sounded fine to me, but maybe that's because the bassline in that tune (a synth bass line) was very minimal. The right hand on the synth was doing 16th notes (3rds, I think). The way you play it with the Am for 2 beats before the G sounds good too though--and you're probably right.
5 років тому+72
It's really sad you have to avoid singing words to dance around copyright claims. In this context it is so obviously a case of fair use. Come on UA-cam, this is ridiculous! Great video as always Aimee!
Yeah. If they see the video they will demonetize it. But...I don’t start up with the song until quite a ways into the video so I have a good fighting chance of them not watching that far in.
Too right! Although I don't think UA-cam are to blame. Check out Rick Beato ranting about it :D ua-cam.com/video/wjxYTl2d7xg/v-deo.html It's a crazy world we live in.
@@AimeeNolte Aimee, do you pay annual royalty fees for when you do live performances of songs? If so, it seems, provided the song is within the list, that you would have a legal right to perform the song in video as well. But then, I'm not a lawyer and we all know how they like to twist and turn things to the point of obfuscating the truth.
Aimee, I am a long-time subscriber and this particular lesson is very helpful to me I've always been confused about when and how to choose inverted chords but this lesson and another recent one really help me understand these things better thanks!
You are such a nice teacher! This is how I learned to play guitar and figure out songs. Just amazed at your talent. (fanboy off). And I rode my bike to 7-11 to play video games listening to Human League.
Great lesson Aimee. I like the way you call out the chords on degrees of the scale! IIm7, V7, I7, I, VIm7,IIm7, V7. Now I just have play these changes in different keys for “ drunk uncle Bob”.....
Those are always fun times on stage when someone starts to sing in another key or a different song. You can't and should never just stop, just say to yourself, ok, this is where we're going with this, I'm with 'ya (we'll discuss this later...)
Brilliant lesson Aimee, really enjoyed this. Although I have a decent level of theory, a few things got cemented today. Many thanks for your great lessons.
Interesting bit of synchronicity. After watching this I watched a film trailer (Blinded by the Light) that uses Don't You Want Me Baby. I love the resolution of the suspension at 17:14 -- really satisfying.
amazing video. please do more like this! i imagine they're boring for you, but they're super helpful for many of us I'd bet. there's tons of stuff about how to play super abstract jazz piano on youtube but just dead simple songwriting deconstructions or lessons for pop and rock are few and far between, and even if you've mastered tons of theory it's harder than it seems at first.
Great video lesson. Can you do some lessons on key changes and how they change mood also how they are used by stealth to change a chorus key ect.. Thanks again for this lesson on one of my favorite songs which I used to play whilst out gigging the clubs and bars. Btw, my uncle Bob sang a whole song using only one or two notes so there is nothing we can do for him...lol
A funny thing: I can transpose blindly and instantly on guitar (or bass) but still need time/conscious thought to do the same on piano. I realized I unconsciously used visual patterns which obviously don't translate to the piano. I *thought* I had playing by numbers down; the piano showed me I didn't. I "knew" the place of the next chord before I called it out. Learning a new instrument - especially piano it seems - helps with playing the ones you were already comfortable with.
Exactly the reason I picked up piano on top of guitar. I feel guilty I’m not putting all my time into the instrument I’m actually good at but I’m definitely improving musically as a whole which translates to both instruments.
Thanks, Aimee, great stuff. I think Drunkle Bob needs a lift home. And the 50% speed was fun. Talked like Judy Garland, sang like Peggy Lee. quite nice, really.
My sight singing instructor goes with the common jazz method of all uppercase numerals differentiated with Maj or mi or ma. My theory instructor on the other hand... does go with the proper iii vs III rules. Personally I kinda prefer that latter too
The Human League. Wow. The hooks in that song. Great lesson! This stuff is much easier to see on a keyboard. On guitar one note's over here. Then here's one a couple strings away. We're not sure what it is. Think it's a D maybe.
Great video as usual. Can I ask that, when you use inversions, can ya say what chord you're playing because, we can't see which notes you're pressing down from that distance. The inversions take a lot of getting used to! I watch your videos to pick up skills I'm not familiar with, esp the learn by ear method which is more important than working to sheet music. We'd love to sed ya do more lessons like this to slowly show how you use the 1,4,5 chords (plus addition of the 2nd, 3rd and 6th minor) to work out pop songs or Xmas songs or even Happy Birthday by ear. I noticed you mentioned copyright and resisted singing words to songs. Does this allow people to teach as long as you don't sing the words but hum instead, even tho the notes sound like the song? That's great if so. Well done and, well done to your husband for contributing to you sharing your wonderful skills and lovely manner ;)
I am going to add something to this that I feel is REALLY important, especially for anyone who is fairly new to figuring things out by ear: listen to the song and don't quit trying to figure it out until everything sounds RIGHT. Don't settle for "just good enough." (I will add context to this in the next paragraph). Firstly, let me say this is not a criticism or "correction" against Aimee. What she did is 100% ok and conveys every aspect she is teaching. Also, she doesn't have a direct reference here to listen to. However, the first three chords: F, Am, G aren't what the song actually plays. They are simply F and G. Here is the context part: from an artistic (and even theoretical) standpoint, Am is correct. It follows all of the rules and sounds good. But one thing in my opinion that every person new to learning music by ear should be aware of, is paying attention to what the song ACTUALLY does and not what they BELIEVE the song does. The ONLY reason I point this out is because, with being in non-jazz bands my whole life, so many people will tell me they know something, but they are adding things or taking them out, and it's by mistake, not by artistic interpretation. The reason I'm not criticizing Aimee is because the Am she uses in the first section fits. So it helps to support her points. Also, I know that she actually can hear this while listening to a direct reference. BUT, anyone new to this who is listening to the actual song should know how imperative it is to catch it. Because if you always just let things slide that you don't catch, you'll never catch them. So a little more effort in the beginning goes a LONG LONG way once you get some familiarity in your ears. Thanks again for a great lesson, Aimee!!!
I already figured this out while practicing my mayor scales. It makes a lot of sense So in any mayor scale I and IV chords II and IV Chords III and V Chords can be used interchangeably. We can probably look at it this way why it works. C mayor scale and A minor natural scale is the same . Same goes for F mayor scale/D minor , and G mayor scale/E minor But what about the 7th chord in a major scale ? How is this chord used or how can it be substituted for anothe chord ?
Timothy Salomon I was actually playing with the B diminished chord today and yes it can be used instead of G not so much for Em. Like Aimee said B dim looks like a G7. As far as I can tell B dim works instead of a Dm. After that I started playing with the tetra chord B minor seventh flat five and this chord looks so much like Dm/F chord . So I started playing that chord instead of Dm/F and sounds good as a substitute.
Pretty much no one else I've seen on UA-cam is teaching people how to figure out songs for themselves. I was compelled to watch along even though I already know this. Great stuff.
Ditto. Also, taking my tuba to jam sessions has taught me a lot about harmonizing tunes on the fly but I feel at a loss to pass this on to other musicians including those I'd like to prep to sub for me. You're going to find yourself teaching the teachers.
You are right nobody is composing on UA-cam in real time. Good this lady is composing in her videos.
This series of videos is absolute gold.
Same here, but there are some others teaching this.
I like to think of chords as cousins. For example, Am is a cousin of C, Em is a cousin of G, Dm is a cousin of F, Bdim is a cousin of G7, and, to stray out into unfamiliar territory, G13 is a cousin of G6. It's helpful to think of all these chords as one extended family. Thank-you, Aimee, for all these wonderful lessons!
I paid $3 for a D minor chord when I was 9 years old. I still use it. Never wears out.
*This* is how music should be taught. It's the missing link from far too much instruction on "learning an instrument." (and not learning music.) Keep up the great work, Aimee!
Your husband is so lucky to live with an awesome teacher like you!
These are the kind of things I do in lessons with students to try and teach them how them music really works. Seeing you do videos where you say the same stuff reassures me i'm doing the right thing!
I don't even have time to watch this right now but I do have time enough to stop by and hit the LIKE button... You are So AWESOME Aimee Nolte! I will come back later and listen to the lesson. Your husband is the luckiest guy to draw breath. I love that you are SO married you wear your rings on both the left And right hand... LOL. Love you and all that you teach us.
It seems so obvious.. What’s amazing is that other people can’t explain it like that . Another gem from Aimee..
I just want to say thank you from Brazil for your precious lessons. They're gold! Thank you for all the time you spend sharing your gift with us.
At 7:47 I had to laugh because I’ve never heard of “don’t you want me baby “ but “Shenandoah” is a song I grew to love in my youth. It’s a beautiful song with a beautiful melody.
John doing it inspired me to try it out too for a song which I got stuck in my head for no known reason (I haven't heard it in a long time): True Colors. It actually works. I kept it simple in C major: it starts with I VI V for the chorus and I used inversions to keep the notes close together. A modest starting point. It is a nice brainteaser, figuring out the inversions on the spot. I think that you will get used to it after gaining some experience. As usual, thanks for inspiring and teaching us, Aimee.
That's awesome, well done! You definitely get used to it with more experience, you're right about that. It may seem like it takes a lot of effort to recall what inversions, scales, or 7 chords are on the spot, but if you keep trying it WILL become instinctual. Its like it adds an entire new dimension to your music!
I'm at the staging that I am starting to discover these things myself. I spend a lot of time playing progressions where I keep trying to substitute other chords in the scale to see what works. This helps to crystallize my thinking.
I did the same lesson with my classes this semester and called it the "Money Chords" also. Freeky! I love your lessons Aimee. Keep em coming. Thanks for all that you do!
Amy you are the greatest music teacher in the world, love your Lessons.
A clear concise illuminating lesson on substitution.
Aimee, you just made my eyes well up. Played my dad's favorite song as he was born in the Shenandoah Valley, and he's now gone. Not your fault. I'm same way with O Holy Night that my mom sang in solo's in church, last time in her 70's.
I love how u consider all aspects and from different perspectives when u make a point, it’s almost that u consider all (what if) scenarios that pops into my mind as the video proceeds; like I start feeling I am missing something but then bingo..... U hit on it immediately and I just connect the dots 🙏 amazing stuff
I like that you chose 'Don't you want me baby?" by The Human League (1981) for this video. I just played the song in the background while watching your video. Thank you.
I love ''Don't You Want Me Baby''...I really like the modulations also as it builds tension really well in a dramatic way. Great video Aimee:)
Nice to hear you play and sing the Shenandoah Song. it is an old favorite of mine growing up. We learned it in elementary school. As for the 'DYWM Baby' (new age)song, also special but as a grown-up. Thanks - Calv1n😃
This is basically the way I learned to pick chords to go with a song, and basically in the order this video series presents them: I-IV-V, then substituting ii, iii and vi based on notes in common and based on melody notes. The next big breakthrough, many years later, was secondary dominants. I feel like most folk and rock music can be explained once you know about those.
You are a wonderful teacher Amy. Loved this video! Thanks for sharing your talents and tips with us. God bless!
I’m learning guitar. When I can listen to the chords, it’s usually not a problem to find them. But if I can’t listen to it and have to go from memory, your technique of trying out diatonic chords that include the melody notes is a big help, because if I can’t recall the chord, I can recognize it when I play it! Thanks
This takes me back to my teenage years, Amy...discovering I could play certain chart songs by going up and down the white notes in triads. I vividly remember the first tune I found I could bash out by ear in this way was Louis Armstrong's What a Wonderful World. It was quite a few years before my ears tuned in properly and I realised some of my simple chords weren't quite correct (but the melody was all on the white notes so they weren't "wrong" wrong and WORKED fine for me at the time) Guitar later became my instrument and I applied the same techniques to learn by ear. Great video!
I sent some bones Aimee's way a couple of months ago. Those that can should once and awhile. This is gold. Between guitar, music in general, animation, science and history, I get gobs of learning every month and give less than one single lesson's worth. It's easy. Thank em', they'll thank you.
Just Yes - a tripple Yes ! Everytime i listening to your beloved teaching, it's just works imidiately here for everydays plays.. it's Magic" isn't it worth it for saying - beloved that time is Magic ! It works always more & more because after 20 years as a musician the steps to the fullest are smal enpugh to follow.. So glad your are here.. blessings & greetings & hugs. . God bless you / your Family ! Châpeau a tripple time .. happy New Year 2021
So simple, yet so foreign to this experienced piano player.👍
thanks. from morocco .you re a formidable teatcher .that lessons are what we need ..
Madame Nolte, I just saw this last episode of the greatest youtube piano lessons ever from a professional and as I've already used up all available superlatives, I would simply say "this was great (like all previous ones) too". I've even recorded and uploaded a little song for the previous lesson: nobody (other than me) listened or liked it! anyway; I do like it and I think that's the point ;-). And coming to this last lesson: I can say that I've got basic chord understanding and inversions and variations. Indeed I'm ok with majors, minors, 7th variations, diminished, augmented etc. I can even transpose (of course not like you! but veeeerry slowly compared to how I used to back in my youth). Thanks God, I learned them in my youth. I've to admit that a brain at 10+ captures like a crazy magnet, whereas a brain at 40+ may (and given that you can only practice after all day work) forget faster than it learns...So we shall have empathy to those new learners who find it quite difficult and complex to recognise and remember those chord patterns. Eventhough the theme of these last episodes is "by ear", when it comes to glueing the structures into the brain, writing (with pencil) is also of great help. Yes it's much slower and painful and may be that's why it is more persistent. Eventhough I cannot do it right now (lack of patience and durability!), in my second trial with music (after 15 years of blank period), I still advice people to read some simple songs from sheets and write their own compositons. And finally, the hardest part of piano playing is definetely on the left & right hand coordination; obviously this is the most difficult part of piano playing and it is the definitive distinction between a professional and amateurs just like me. I can hardly play with both hands in a fluent manner. If I try, it's mostly the left hand is less focused with static chord movements, whereas the right hand is fully focused on to the melody. Rarely there are songs that I could use both hands in multitasking; that's the real difficult thing... But also the most enjoyable! May be you can give us some tips on how to improve the right & left hand independence and coordination... Thank you again for your sincere uploads...
😍🙌🏼
I can’t imagine just singing the melody a whole step lower than the harmony like that.
Aimee, you have a gift. Thanks so much for sharing it!
Hi Aimee. Just wanted to thank you for releasing such great videos. This "Money Chords" video has helped me solve a chord problem that doesn't sound quite right on a song that I am working up on GarageBand.
Aimee, I love these series of lessons, what a lot of information!
I am learning so much such as the minor cords, Rhythms and much more!. Love the Money cords, they have a nice sound to them. Also these series of lesson has my brain doing a lot of thinking, as to how you come up with the cords, that we have not covered in my skype lessons. Stuff is really starting to click, you are such an "AWESOME" Teacher!!! Thank you for you, I so much appreciate you and very grateful of all the "FREE" Lessons you have to offer on youtube, you are truly a gifted person.
Love your new album. Also, thank you for all the teachings.
You are the most originally insightful & inspiring teacher. My favourite piano channel with must watch videos. Thank you.
WOW! This series just keeps getting better and better. I know you said you think this is the end, but keep going please :)
For me, one of the missing pieces for comping is the chord rhythm. Even on chord patterns I'm comfortable with, even when looking at chord changes on a site or app, it doesn't "feel" right. I know you touched on rhythm in the previous episode, but maybe that's an area to go just a little deeper on?
Erik Kastner one word solution for you, friend: metronome :)
I think there’s one more thing to add. If, say, an F sounds okay but a D sounds better, a D7 might just hit the spot. So when substituting chords, keeping those notes when you find the real chord can sound really good.
I think you meant Dmi7
This is great stuff! You’re a good teacher.
Helpful and inspiring. So good! thank you!!
I'm with you, Roger. I pretty well knew this material but it was so well done I was compelled to keep watching. Great stuff indeed. Thanks, Aimee.
That song "Don't You Want Me" was a staple of my listening at about 14 years old. The IV-V-IV-V repeat sounded fine to me, but maybe that's because the bassline in that tune (a synth bass line) was very minimal. The right hand on the synth was doing 16th notes (3rds, I think). The way you play it with the Am for 2 beats before the G sounds good too though--and you're probably right.
It's really sad you have to avoid singing words to dance around copyright claims. In this context it is so obviously a case of fair use. Come on UA-cam, this is ridiculous!
Great video as always Aimee!
Agreed on that point. But isn't melody protected equally to lyrics?
Yeah. If they see the video they will demonetize it. But...I don’t start up with the song until quite a ways into the video so I have a good fighting chance of them not watching that far in.
Too right! Although I don't think UA-cam are to blame. Check out Rick Beato ranting about it :D ua-cam.com/video/wjxYTl2d7xg/v-deo.html It's a crazy world we live in.
@@AimeeNolte
Aimee, do you pay annual royalty fees for when you do live performances of songs?
If so, it seems, provided the song is within the list, that you would have a legal right to perform the song in video as well.
But then, I'm not a lawyer and we all know how they like to twist and turn things to the point of obfuscating the truth.
There is much talk over on Twitter about all of this. Adam Neely has the hot thread right now. You should have a look.
Aimee, I am a long-time subscriber and this particular lesson is very helpful to me I've always been confused about when and how to choose inverted chords but this lesson and another recent one really help me understand these things better thanks!
Thanks Aimee!
Bob's your uncle -- that's me.
Thanks for transposing to my key.;
Great teacher. I watched a few vids. Great teacher. Very easy to relate to.
Very good lesson Aimee
You are such a nice teacher! This is how I learned to play guitar and figure out songs. Just amazed at your talent. (fanboy off). And I rode my bike to 7-11 to play video games listening to Human League.
Great lesson Aimee. I like the way you call out the chords on degrees of the scale! IIm7, V7, I7, I, VIm7,IIm7, V7. Now I just have play these changes in different keys for “ drunk uncle Bob”.....
Good stuff Aimee.....I like the "No Astronauts Sent Anywhere" t shirt.
Those are always fun times on stage when someone starts to sing in another key or a different song. You can't and should never just stop, just say to yourself, ok, this is where we're going with this, I'm with 'ya (we'll discuss this later...)
Great lesson!
Brilliant lesson Aimee, really enjoyed this. Although I have a decent level of theory, a few things got cemented today. Many thanks for your great lessons.
This is REALLY helpful! Thank you.
Very nicely explained
Amy I didnt care much for this song until you broke it down here!! thank you for this lesson it is soo very helpful.
Great teacher, you are... Wish I had your videos when I started! Excellent lesson.
Another great lesson. And love the NASA shirt! 👍
Interesting bit of synchronicity. After watching this I watched a film trailer (Blinded by the Light) that uses Don't You Want Me Baby. I love the resolution of the suspension at 17:14 -- really satisfying.
amazing video. please do more like this! i imagine they're boring for you, but they're super helpful for many of us I'd bet. there's tons of stuff about how to play super abstract jazz piano on youtube but just dead simple songwriting deconstructions or lessons for pop and rock are few and far between, and even if you've mastered tons of theory it's harder than it seems at first.
So, so !!! Helpful. Thank you!!
Great video lesson. Can you do some lessons on key changes and how they change mood also how they are used by stealth to change a chorus key ect.. Thanks again for this lesson on one of my favorite songs which I used to play whilst out gigging the clubs and bars. Btw, my uncle Bob sang a whole song using only one or two notes so there is nothing we can do for him...lol
I'm loving this series. Thank you Aimee.
C fits perfect to your voice
Another fine lesson!
A funny thing: I can transpose blindly and instantly on guitar (or bass) but still need time/conscious thought to do the same on piano. I realized I unconsciously used visual patterns which obviously don't translate to the piano. I *thought* I had playing by numbers down; the piano showed me I didn't. I "knew" the place of the next chord before I called it out. Learning a new instrument - especially piano it seems - helps with playing the ones you were already comfortable with.
Exactly the reason I picked up piano on top of guitar. I feel guilty I’m not putting all my time into the instrument I’m actually good at but I’m definitely improving musically as a whole which translates to both instruments.
@@guycollishaw1957
same boat
Love it. Inspired me to learn to play "Don't you want me". But - the lyric is *cocktail* bar!
Brilliant!
I was considering subscribing but then you sang.
I was sold by that. :)
You have a beautiful voice.
I’m new to your videos and already a super fan of your amazing piano playing! Great lesson!
This video is MONEY! Thank you, Aimee!
Your last 3 videos are the best.
Thank you for this simple and consistent lesson I have the same issue to I will try to practice it .
NASA shirt seems appropriate, as this is out of this world ;)
they didnt leave earth since 50 years XD
Excellent! Thank you Aimee.
And: Shenandoah has got to be one of the most beautiful melodies ever.
Thanks... great lesson..
Awesome!
Enjoyed this Aimee.. like your conversational style and you are so patient with us! :o) {Manchester UK}
Thanks, Aimee, great stuff. I think Drunkle Bob needs a lift home. And the 50% speed was fun. Talked like Judy Garland, sang like Peggy Lee. quite nice, really.
Thanks Aimee! This series has been a really interesting watch! :D
My sight singing instructor goes with the common jazz method of all uppercase numerals differentiated with Maj or mi or ma. My theory instructor on the other hand... does go with the proper iii vs III rules. Personally I kinda prefer that latter too
Thank YOU ❤️🎵 🎵
You just got a new subscriber from Sweden.
i like to play piano too. you sing so good, i love you
Really great, find the power...
The Human League. Wow. The hooks in that song. Great lesson! This stuff is much easier to see on a keyboard. On guitar one note's over here. Then here's one a couple strings away. We're not sure what it is. Think it's a D maybe.
Love the shirt!!
I just love your videos..
Jo Stafford does a wonderful version of Shenandoah.
very interesting! just found your channel and will now walk through your videos. really great content!
We sang that song in choir. Pretty song
Thanks for sharing your expertise! This was so helpful to me
Great video as usual. Can I ask that, when you use inversions, can ya say what chord you're playing because, we can't see which notes you're pressing down from that distance. The inversions take a lot of getting used to!
I watch your videos to pick up skills I'm not familiar with, esp the learn by ear method which is more important than working to sheet music.
We'd love to sed ya do more lessons like this to slowly show how you use the 1,4,5 chords (plus addition of the 2nd, 3rd and 6th minor) to work out pop songs or Xmas songs or even Happy Birthday by ear.
I noticed you mentioned copyright and resisted singing words to songs. Does this allow people to teach as long as you don't sing the words but hum instead, even tho the notes sound like the song? That's great if so.
Well done and, well done to your husband for contributing to you sharing your wonderful skills and lovely manner ;)
Love your videos, thanks
Great video!
"68 percent aren’t subscribers" - as I look over and thought to myself didn’t I subscribe sometime last year😂. Fixed it!
I am going to add something to this that I feel is REALLY important, especially for anyone who is fairly new to figuring things out by ear: listen to the song and don't quit trying to figure it out until everything sounds RIGHT. Don't settle for "just good enough." (I will add context to this in the next paragraph).
Firstly, let me say this is not a criticism or "correction" against Aimee. What she did is 100% ok and conveys every aspect she is teaching. Also, she doesn't have a direct reference here to listen to. However, the first three chords: F, Am, G aren't what the song actually plays. They are simply F and G. Here is the context part: from an artistic (and even theoretical) standpoint, Am is correct. It follows all of the rules and sounds good. But one thing in my opinion that every person new to learning music by ear should be aware of, is paying attention to what the song ACTUALLY does and not what they BELIEVE the song does. The ONLY reason I point this out is because, with being in non-jazz bands my whole life, so many people will tell me they know something, but they are adding things or taking them out, and it's by mistake, not by artistic interpretation.
The reason I'm not criticizing Aimee is because the Am she uses in the first section fits. So it helps to support her points. Also, I know that she actually can hear this while listening to a direct reference. BUT, anyone new to this who is listening to the actual song should know how imperative it is to catch it. Because if you always just let things slide that you don't catch, you'll never catch them. So a little more effort in the beginning goes a LONG LONG way once you get some familiarity in your ears.
Thanks again for a great lesson, Aimee!!!
Love the NASA shirt!
I already figured this out while practicing my mayor scales.
It makes a lot of sense
So in any mayor scale
I and IV chords
II and IV Chords
III and V Chords
can be used interchangeably.
We can probably look at it this way why it works.
C mayor scale and A minor natural scale is the same .
Same goes for
F mayor scale/D minor , and G mayor scale/E minor
But what about the 7th chord in a major scale ?
How is this chord used or how can it be substituted for anothe chord ?
Timothy Salomon
I was actually playing with the B diminished chord today and yes it can be used instead of G not so much for Em. Like Aimee said B dim
looks like a G7. As far as I can tell B dim works instead of a Dm.
After that I started playing with the tetra chord B minor seventh flat five and this chord looks so much like
Dm/F chord . So I started playing that chord instead of Dm/F and sounds good as a substitute.
U have a lovely voice