Wow. I am genuinely impressed with your tutorials. They are very short and concise but very straightforward and to the point. Thank you for putting in the time to make a quality tutorial like this foreal. you rock
Thanks so much Dave for this great videos. I love the way you explain the subject. Will you ever make one on harmony or perhaps counterpoint? Thanks a lot, I've learned all what I know of music from you.
The Imperfect cadence kind of confuses me. I'm used to seeing 5 different cadences. Here are the 5 that I am used to seeing: PAC(Perfect Authentic Cadence): V in Root position -> I also in Root position, Gives a sense of absolute finality(and those repeated PAC's you played in the Perfect Cadence video, that reminds me of the Beethoven's 5th Finale because it ends exactly like that, fast alternations between V and I and then those alternations slow down until it ends on a final chord of C major) IAC(Imperfect Authentic Cadence): V in Root position -> I in an inversion, Gives a sense of finality of the phrase but still needs to go further to a PAC HC(Half Cadence): I -> V inverted or not, gives a sense that you are halfway through the phrase PC(Plagal Cadence): IV -> I, I commonly see this at the end of a piece by Handel, Messiah probably being the most famous piece ending with a plagal cadence DC(Deceptive Cadence): V -> vi, I have heard this argued to not be a cadence at all but rather a cadence evasion because this leads to an extension of the phrase that would otherwise not be there. Nevertheless, most harmonic analyses I see, especially of Mozart, still treat this as a cadence even though Mozart himself would probably say "No, that's not a cadence, I am delaying the actual cadence."
chord V in the natural minor key is a minor but in the harmonic and melodic minor keys chord V is a major 😊 A natural minor scale ABCDEFGA chord V = Em EGB A harmonic minor scale ABCDEFG#A chord V = E EG#B A melodic minor scale (ascending) ABCDEF#G#A chord V = EG#B 😊
Thanks. Just one question, what is it when you go (eg in C maj) from g to a major, instead of minor ? Is that still an interrupted cadence? Also what about when playing and going from g to Ab major in C major?
tnx dude for sharing ... there is a little false thing.... when u use a minor cord yor 5th cord steel minor ... actually when u are using A minor ... your 5th cord is minor too...u can see it on your piano keyboard :)
Not quite. The minor key actually has two V chords: v and V, which respectively refer to a minor and major chord built on scale degree 5. However, the Aeolian mode (natural minor) does not have a leading tone, and Classical composers really like leading tones. Therefore, they decided to raise the seventh degree, giving us the Harmonic minor scale. If you listen to any sort of minor-key Classical piece, you'll hear that every PAC goes from V -> i by definition of a PAC; the v is very rarely used.
2:08 Twinkle Twinkle Little Star
2:15 The Tragedy of the Forgotten Star
thanks
mad
@@kishanpopat6313 it's a mad ting
Wow. I am genuinely impressed with your tutorials. They are very short and concise but very straightforward and to the point. Thank you for putting in the time to make a quality tutorial like this foreal. you rock
Ur welcome
Thanks so much Dave for this great videos. I love the way you explain the subject. Will you ever make one on harmony or perhaps counterpoint?
Thanks a lot, I've learned all what I know of music from you.
The Imperfect cadence kind of confuses me. I'm used to seeing 5 different cadences. Here are the 5 that I am used to seeing:
PAC(Perfect Authentic Cadence): V in Root position -> I also in Root position, Gives a sense of absolute finality(and those repeated PAC's you played in the Perfect Cadence video, that reminds me of the Beethoven's 5th Finale because it ends exactly like that, fast alternations between V and I and then those alternations slow down until it ends on a final chord of C major)
IAC(Imperfect Authentic Cadence): V in Root position -> I in an inversion, Gives a sense of finality of the phrase but still needs to go further to a PAC
HC(Half Cadence): I -> V inverted or not, gives a sense that you are halfway through the phrase
PC(Plagal Cadence): IV -> I, I commonly see this at the end of a piece by Handel, Messiah probably being the most famous piece ending with a plagal cadence
DC(Deceptive Cadence): V -> vi, I have heard this argued to not be a cadence at all but rather a cadence evasion because this leads to an extension of the phrase that would otherwise not be there. Nevertheless, most harmonic analyses I see, especially of Mozart, still treat this as a cadence even though Mozart himself would probably say "No, that's not a cadence, I am delaying the actual cadence."
Would an interrupted cadence also be known as deceptive cadence?
Yep!
Best exemple : Old Boy OST: Yeong Wook Jo - Farewell, My Lovely
Thanks for the free music class
You're welcome!
TEACH ME, SENPAII LOVE THIS
Can someone explain why the V chord in minor key is a major? I thought it's a minor.
chord V in the natural minor key is a minor but in the harmonic and melodic minor keys chord V is a major 😊
A natural minor scale
ABCDEFGA chord V = Em EGB
A harmonic minor scale
ABCDEFG#A chord V = E EG#B
A melodic minor scale (ascending)
ABCDEF#G#A chord V = EG#B
😊
Grade 8 RCM theory exam today!
Isn't chord 5 of a minor key always minor not major?
Thanks dave it is good for me
learned something. very nice videos!
i love this so so much
Thanks. Just one question, what is it when you go (eg in C maj) from g to a major, instead of minor ? Is that still an interrupted cadence? Also what about when playing and going from g to Ab major in C major?
Did you figure it out???
nice work :) Thanks man
Emotional punch!
why do ya keep using harmonic minor damn it
This is a deceptive cadence man
Hi Elizabeth - there are a few names for these I think - in the UK we say interrupted, in the US I've heard deceptive.
tnx dude for sharing ... there is a little false thing.... when u use a minor cord yor 5th cord steel minor ... actually when u are using A minor ... your 5th cord is minor too...u can see it on your piano keyboard :)
Not quite. The minor key actually has two V chords: v and V, which respectively refer to a minor and major chord built on scale degree 5. However, the Aeolian mode (natural minor) does not have a leading tone, and Classical composers really like leading tones. Therefore, they decided to raise the seventh degree, giving us the Harmonic minor scale. If you listen to any sort of minor-key Classical piece, you'll hear that every PAC goes from V -> i by definition of a PAC; the v is very rarely used.
Got my grade 8 piano exam todaY
Got my grade 8 guitar exam tomorrow
how did it go?
thx omg :D
satisfied! :]
VEEER GOOD
Wow my name is good?!
Such a troll
I can spell potato