Beginning of vid-Sounds like you settin up the altar call at a black church. I’m a bass player. But Only thing I’d suggest is for instance @2:35 when doing that progression that you add the 7th (flat 7) to your 4 chord, at least sometimes. Typically with this progression and it’s variances, the four chord is dominant based. You got it bro👌🏾
Thank you for breakdown! I would add Jahari has 2 things that ‘flavor’ his playing. The 1st is he stated he grew up in Apostolic Church, 2nd playing drums. I was invited to play at a couple of apostolic churches. I was exhausted the rhythms are incredibly fast, complex and listening constantly is the only way I have KINDA caught hold. Jahari seems to use his f DRUMMER’S skills playing percussion piano. Incredible
Wow I never realized the potential of scalar counterpoint in the bass like this. Combined with arpeggios it’s incredible. Not to mention the insanely beautiful voicings he uses. Really need to practice my left hand scales lol.
I cant lie. . your voicings are next level. . just a journey traveling through chords. . You and Rob Araujo have similar play styles and voicing patterns.
Thanks, Daniele. Yeah, I'm really enjoying the process of combining those techniques. Jahari had some really fantastic ideas to offer. Mehldau is of course another pianist who has bridged those boundaries quite a bit. Does anyone come to mind to you who has blended the two genres?
@@NoahKellman I would say Jacques Loussier just "replayed" in a jazzy version the classical masterpiece and Eugen Cicero did too (someone might say this is a eresy, but I think you are talking about really morphing classical into jazz so, again, they don't count but it is worth naming them, especially Cicero, his tecnique is mindblowing to me.) And I would add Jarrett (maybe) and Corea are filled of classical thinking and classical tecnique. I really appreciate the work of charles plessis and his trio, but, again, we are talking about "replaying" some classical in a jazzy version or a standard filled with classical structure. I don't know if anything of what I just wrote make sense to you ahah
Beginning of vid-Sounds like you settin up the altar call at a black church. I’m a bass player. But Only thing I’d suggest is for instance @2:35 when doing that progression that you add the 7th (flat 7) to your 4 chord, at least sometimes. Typically with this progression and it’s variances, the four chord is dominant based. You got it bro👌🏾
Please bring Jahari back! Great lesson.
Best jazz piano Chanel because he puts out the most consistent interesting/useful videos.
Thanks Roberto, always doing me best. Appreciate the kind words.
Definitely
I agree! I love You'll Hear It too though.
No kap thee best‼️
The best teacher. Thanks a lot
Man this video break down something that i didnt get for a long time! I'm going to practice it hard thank you for your videos 🙏🏾🙏🏾
Thank you for breakdown! I would add Jahari has 2 things that ‘flavor’ his playing. The 1st is he stated he grew up in Apostolic Church, 2nd playing drums. I was invited to play at a couple of apostolic churches. I was exhausted the rhythms are incredibly fast, complex and listening constantly is the only way I have KINDA caught hold. Jahari seems to use his f
DRUMMER’S skills playing percussion piano. Incredible
Thanks for the explanation! Great podcast also! ✨
This is good stuff Noah
Wow I never realized the potential of scalar counterpoint in the bass like this. Combined with arpeggios it’s incredible. Not to mention the insanely beautiful voicings he uses. Really need to practice my left hand scales lol.
This is the first video of yours that I've watched where I felt like we're both here to learn vs you showing how much more than me you know lol
I cant lie. . your voicings are next level. . just a journey traveling through chords. . You and Rob Araujo have similar play styles and voicing patterns.
Wow! You are gradually diving in the classical techniques meet jazz. Great great lesson, cant wait for the next one
Thanks, Daniele. Yeah, I'm really enjoying the process of combining those techniques. Jahari had some really fantastic ideas to offer. Mehldau is of course another pianist who has bridged those boundaries quite a bit. Does anyone come to mind to you who has blended the two genres?
@@NoahKellman I would say Jacques Loussier just "replayed" in a jazzy version the classical masterpiece and Eugen Cicero did too (someone might say this is a eresy, but I think you are talking about really morphing classical into jazz so, again, they don't count but it is worth naming them, especially Cicero, his tecnique is mindblowing to me.)
And I would add Jarrett (maybe) and Corea are filled of classical thinking and classical tecnique. I really appreciate the work of charles plessis and his trio, but, again, we are talking about "replaying" some classical in a jazzy version or a standard filled with classical structure.
I don't know if anything of what I just wrote make sense to you ahah
@@NoahKellman Ramsey Lewis. He was from Chicago, too.
Super! Thank you! What about "dark harmony" Jahari Stampley? How to built those beautiful dark chords? In J.S Techn. part 2?)))
Great Noah! Thank you very much brother!!!! God bless you!!!!!
❤️👑 my brother
Thank you, Noah! 🎶
Hey, you are welcome! Glad you enjoyed it.
“We are the continuation of Classical” - Barry Harris
Thank you Noah, exactly what I was hoping for..
You're welcome, Christian! Did it answer some questions from the last video?
It answered even more than I expected! Btw I plan to purchase another of your courses in the near future. Thank you.
Are you using Keyscape? Whatever it is, it sounds so nice. Fantastic videos!
🐐 teacher
great
13:43 annnnnnnd now it's Bach lol... awesome.
So pretty. Thank you for more awesome content
🔥
🔥🔥
b7 on the 4 chord is pretty noticeable
Why leave it out?
I’ve always called that piano pickin’. Like chicken pickin’, but on a piano