Frank Zappa: Black Page #1 & #2 (with embedded score) REACTION | The Daily Doug (Episode 366)
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- Опубліковано 18 тра 2024
- #FrankZappa #BlackPage #FrankZappaReaction
In this edition of #TheDailyDoug, I'm listening to The Black Page by Frank Zappa. Many have been asking me to review this piece for months, and today's the day! We dive into both The Black Page #1 and #2, with the aid of a score. It's a great mid-week #WeirdWednesday kind of vibe today!
Reference Video: • The Black Page #1 // F...
Reference Video: • Frank Zappa - The Blac...
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Two interesting facts about this composition:
Frank wrote this to challenge Terry Bozzio, and after a couple of weeks of practicing it, Bozzio played it for Frank and he replied, "Bozzio, you're a fucking genius!"
Upon hearing this when it was released, Berklee student and Zappa fan, Steve Vai, transcribed The Black Page and mailed it to Frank, along with a cassette of his guitar playing. He transcribed this from listening to it on the record to prove to Frank that he could read music.
Frank contacted Vai and told him to get his butt up to LA and audition for the band.
Vai was too young for the road, so Frank hired him to transcribe his solos for a couple of years. That became The Frank Zappa Guitar Book.
Two years later, Zappa took the 20-year-old Vai on the road and, sure enough, young inexperienced Stevie got dehydrated, fatigued and had a particularly interesting encounter with a groupie that turned into the song Stevie's Spanking. It all started with transcribing The Black Page.
As the great Johnny Carson used to say "I did not know that"!
Far out
Great anecdote.
How can someone that is so musically deranged even think that they could curtail Zappa's music. This joke of a man should find another line of work like cleaning up or something of that nature. Give it up you stupid so called expert.
That's awesome.
So I have an interesting Zappa story to tell. 42-ish years ago I was pre-school age, and my older brother was in high school and big Zappa fan. For an art class project, he make a life sized Frank Zappa stuffed doll. I remember seeing pictures of me sitting on a couch with it next to me posed. After that year, at the end of a Zappa concert he went to, he threw it on stage and Frank held it up as expected.
So life goes on, and my brother now teaches rock history classes at college, including a Zappa appreciation class. In doing so he met band members, and even had a trip out to "the vault". While there he told that whole story of the doll, totally assuming that right after the concert the doll was tossed away or some such, as you'd expect. Some time later, he was contacted by someone "you know that doll you talked about? Well it's still here actually".
They had changed the clothes on it, but otherwise yes Frank had kept the doll in his vault that whole time. I could tell how much that meant to my brother, to know his idol kept his creation like that. I've always like Zappa's music, but that made me like him all the more.
my best friend was in that zappa class and told me all about the professor including that story of the doll!!!! so insane to run into this comment!
Cool story.
Great story! Now, how can I attend - or view - your brother's class?! I'm interested in all things Zappa!
@@chikkipop it’s a class at IU bloomington
@@simonh.3343 Any recordings of the classes? I've actually watched many college lectures online.
I think now you get why "I have played in Frank Zappa's band" is such a badge of honor. Not because of the association with the name, but the skill it represents.
Doug: "This is not easy!"
Frank from somewhere: "I know..."
😄
Saw Frank play I think about 4 or 5 times you know Neverr a bad show
His son dweasel is an awesome musician of his own right Is scene Him About 20 times They do perform the black page Along with many others that are very very difficult to play but a lot of fun
@@kevengreene317 I’ve seen Dweezil a few times with Zappa Plays Zappa. It’s a shame the way the family won’t let him perform with that name anymore or sell merchandise with the name.
@@jigilous agreed, I try to see Dweezil whenever he happens to come around where I live, and he never lets us down. It is a shame how the Zappa family has fragmented after Gail's passing. It really makes me sad.
@@jigilous I was supposed to go see him, but COVID came and that was scrapped. :/
Zappa needs too be recognized as a brilliant composer which he was!
Logical
*@Uncle Remus.* He definitively is, especially in Western and Eastern Europe.
Zappa was an arrogant asshole
@@marlon-jl4ge ya cause you were close to him that’s how you know this!😂
He was last shit
Honestly I don't mind you singing along as you sight-read, I find that fascinating. I have these albums, I can go listen to them any time. To watch you read through The Black Page in real time is extremely entertaining, so please feel free!
@Ron Moses - Yes I agree, sing along is OK! I'm amazed at how closely Doug nails it on an initial read.
Thats a new olympic dicipline Mr.
@@misterghee1 Sight reading should totally be an Olympic event! Or they could make a TV show... "Who's really got talent?"
@@andhemills Maybe not a T.V show but I could see a youtube channel that did this being very successful!
Exactly, anyone who complains about someone talking over a song or stopping it during a reaction video doesn’t get it. You wouldn’t watch a movie for the first time with the director’s commentary on, so you shouldn’t be listening to a song for the first time while watching someone react to it-and if you do, then you can kindly keep it to yourself and listen to it later on it’s own.
Mr. Zappa was basically a self taught composer/musician. The level of his genius is beyond words.
Fortunate enough to see Terry Bozzio + Chad Wackerman DUET the Black Page together in 2001 at the Montreal Drum Fest. It was amazing.
Terry Bozzio IS my Fav Drummer ALL time...!!! to Zappa to Missing Persons to play metal prog with Tony Levin...to Korn!! Bozzio can play everything!!
You lucky lucky man!
Chad Wackerman is a monster too! I saw him with Steven Wilson and damn he is amazing! He plays what ever he wants! Jazz, fusion, rock..
@@antoniocarlin5026 And he was in UK. Superb drummer!
Vinnie colaiuta
This is Pure Ear-Candy.
Zappa was a genius!
Black Page always makes me think of the "musical communication" scene in Close Encounters Of The Third Kind
Perhaps not a coincidence as Steve Vai used that famous Close Encounters theme in the song 'Little Green Men' which was very much influenced by Zappa.
Ah, closet encounters of the turd kind, who could forget such an oevre?
Yeah with the flashing lights.
You should watch the whole Zappa Plays Zappa concert. Bozzio does #1 and then Vai joins Dweezil for #2. The entire show will blow your mind and change your life.
Epic performance! Monthly I watch this.
That means a lot to me. My brother and I produced and directed that live concert film.
@@francoislamoureux5149 that concert is simply perfect. You gathered a constellation of FZ and Mothers's epic musicians and it was all joy.
Where can i find it on YT?
@@clust11 search for Zappa Plays Zappa Black Page
Finally !! The Black Page is so Petrouchka in a dystopian world. It’s my favorite FZ composition and I have been listening to it like a mantra for 40 years.
I agree with you. I always had Peaches in Regalia in my head as a personal theme song.
What about the dog breath variations
Same here.
Zappa not only expected his band to play what was written... he also expected them to watch his hand signals... He may signal for individual members to play different time signatures, make 'peep' noise or scream. He may signal a style change like swing or Reggae (half time or double time depending on how many strands of hair he twisted) etc. He had some insanely talented musicians over the years!
ETA:
Terry Bozzio was/ is just an amazing drummer!
Yup, all of that, and also generally to be able to improvise solos on their instruments, and his rhythmic section musicians to freely interplay to HIS solos. With some exceptions, some couldn’t read music, and some didn’t improvise at all.
Now we're talking. I purchased the score from Frank when he was still with us from Barfko-Swill as a study when I was in college for music composition. I have never achieved his level of "statistical density," but absolutely adore his entire output. He did some very unique reinterpretations of this piece over the years. I love the "new age version" from "make a jazz noise here." Can't wait to see Doug's face when he hears this.
It's hard to keep up with all the posthumous releases, but it's been worth it.
I did the same thing, I have a copy of the Black Page that I bought from Barfko- Swill will back in the day When Frank was still alive.
My band mates and I sat with Ian Underwood to watch Frank, Terry, Steve Vai, Ruth, George, etc debut Black Page Part 1. I still can't believe we were so fortunate to be there that night, in addition to witnessing such an incredible piece performed live. You mentioned the Inca Roads review. We were at the first show at the Roxy where Frank said they were trying out something new that night, which was Inca Roads.
George Duke once said in an interview that rehearsing with Frank was way different than with other bands. George said normally it was; "see you next week" but not with Zappa. Rehearsing with Zappa meant 5 days a week from 9 to 5. Further on he said that he doesn't know how all the bandmembers managed it but it was by far the most complex music he played.
I met a bass player who had auditioned for him, and he said the entire audition was very professional. He sat down across from Frank at a music stand. He opened it up to Bartok and Frank basically said “ please play that backwards, transposed to D”
How did he do? How far did he get before Frank said "Thanks for coming down."
@@chrisogburn8240 he said he did it. Frank was gracious and gave full time. And he got a kind note thanking him for coming by but they chose someone else.
jordanfink8615: Holy crap !!!
I'm absolutely positive - Frank would love this so much!
Supposedly this took Bozzio a couple of weeks of casual practice to master, while Vinnie Colaiuta played it by sight!
...Vinnie actually transcribed this - while at Berklee (before computers/internet) - and learned to play it by memory... When He auditioned for Frank, He threw this music in front of him, and asked him to play it ("sight read" it)... Since he already knew it from memory, he pretended to read through it - and before he was finished - Frank pulled it from the stand, and exclaimed...(in that "Frank Voice"), ..."OK, you obviously CAN read"... and after a few other tasks, he told all the other auditionee's that they could go home... Vinnie got the gig!!!
@@kjc9trader491 That said - Steve Vai said that Vinnie is " _one of the most amazing sight-readers that ever existed on the instrument_ ".
According to Vai, Colaiuta sight-read the even more complex "Mo 'N Herb's Vacation" and played it while grabbing and eating a piece of sushi at the same time.
@@d5uncr Yes ! I saw/heard that too...
At the first rehearsal of Alexander Borodin's Symphony #3 in A Minor, most of the musicians had never seen a 5/8 meter. They couldn't get it at first. So the conductor told them to say "Rimsky-Korsakov, Rimsky-Korsakov" and that worked.
"The cool thing about it is, it's so hard, it's difficult to see if they're actually doing it right" D. Helvering
UA-cam guitar players: FLIGHT OF BUMBLEBEE @999BPM
The band that played on the Zappa in New York album (source Wikipedia)
F.Z - guitar, vocals, conducting
Ray White - guitar and vocals
Patrick O'Hearn - bass guitar, vocals
Terry Bozzio - drums, vocals
Eddie Jobson - keyboards, violin, vocals
Ruth Underwood - percussion, synthesizer and various humanly impossible overdubs
Lou Marini - alto sax, flute
Mike Brecker - tenor sax, flute
Ronnie Cuber - baritone sax, clarinet
Randy Brecker - trumpet
Tom Malone - trombone, trumpet, piccolo
Don Pardo - sophisticated narration
David Samuels - timpani, vibes
John Bergamo - percussion overdubs
Ed Mann - percussion overdubs
Lou Anne Neill - osmotic harp overdub
So yeah, some very high caliber musicians. You probably recognize few names from the SNL band that also performed in the Blues Brothers movie.
Patrick O'Hearn - bass guitar, vocals
Terry Bozzio - drums, vocals
Interesting to note, what takes other people years at college to learn, Frank just taught himself at the library 🤷🏻♂️ That dude...
Little known factoids: the melody for The Black Page was first written for Eddie Jobson to play on electric violin (you can still hear violin in the live mix); the chordal harmony was added much later for the 'Zappa in New York' recordings to be played by the SNL brass and the Brecker Bros, with Ruth Underwood adding marimba to the melody. But the original version was just violin, bass and drums written as a technical challenge for Zappa's only four-piece band - Zappa, Jobson, O'Hearn and Bozzio. Zappa never played the composition himself.
Interesting watching videos of Steve Vai talk about all the transcribing he did for Frank's music while Steve was still relatively young (17-18?)
Finally exposing this masterpiece!! and sooo maaannyy more from the greatest composer of all times. RIp dear Frank
Few things match the excitement I get when I check my UA-cam feed and see Doug has put out another Zappa analysis video!
FYI Zappa LOVED improvisation and spent much of the concert giving himself and his band time to improvise, but at certain times for solos.
Yeah, it's more about getting the best of both worlds.
And he'd record those solos and insert them into new pieces ("Xenochrony"). Almost all of the solos on Joe's Garage had the song written around them.
Thank you! Improvisation and experimental procedures were part of the performance of compositions that sounded absolute. Oddly or sadly this element is either missed or purposefully excluded by ZFT.
PLEASE WATCH RUTH UNDERWOOD PERFORMING THIS ON THE PIANO FROM HIS MOVIE LAST YEAR. Sorry to shout, but she interprets the piece in a way that makes it Frank's finest composition instead of just a show-piece
It seems to be no coincidence that the first recommendation when searching "Ruth Underwood" is "ruth underwood black page piano"
true beauty
Still one of the greatest things I’ve ever heard, and still brings me close to tears after all these years.
God bless Frank Zappa.
The King.
And they play it live from memory, with no notes in front of them. Yet another level of terror.
Yeah, that's nasty.
It’s the only way to play FZ and have it sound authentic
@@Ed_Mann Yeah those London Symphony Orchestra types were so bogus having to read the music sheets. Lame-os couldn't be bothered to memorise.
@@Ed_Mann Yet another Zappa-(Raymond)Scott parallel...
@@smorrowtake a hint
Not being a person who plays any instrument or can read music this was still fascinating. I know what i like though and Terry Bozzio is one of my favourite drummers. Love his playing on Punky's Whips, especially given he's also singing it.
A fantastic song ~ one of my all time favorites!
Great work explaining the rhythm!!! In traditional Hindu music they use a method of counting beats called Konnakol. It is especially suitable for complex rhythmic patterns.
Frank considered himself a composer first. That’s important to know. He spent his entire career working and writing so he could hear a full orchestra play his music, on his dime. He achieved that late in his career, while he was sick. So yes you are right, he took the approach of a classical composer. I write this before listening here. Have fun!
What amazes me the most is that behind the complexity there is a beautiful melody. If you repeat listen, in short time you will see yourself humming some passages. The 2021 Zappa documentary has Ruth Underwood playing it on piano, beautiful.
Sooo sad that the "Duke Ellington" old style jazz part at the end was broken off. I just love that transition
So complex, so challenging, yet so beautiful. He really was one of a kind. Miss you Frank.
Probably should be a masterpiece Friday selection, but I'll take it!! Have fun, Doug!!
Masterpiece Mondays?
It is a masterpiece. I don’t think most people know what a great composer he was. They think of him as this guy who wrote weird novelty pieces.
Thank you for this, what a treat!
I’ve been waiting for this!!
Post watch… in my opinion this is your best Zappa reaction yet, probably not to be topped. The request is perfect for that. Your insight was much more important here and I’m glad you offered it. That hasn’t been my reaction in other Zappa reactions, just being honest. But now I can see that you’re digging Zappa, and as weird as it might sound I get satisfaction from watching people become Zappa fans. Being a Zappa fan is like carrying around a beautiful secret that nobody wants to hear. Also, watching you read that music and hearing more about your career is impressive. Well done. Probably the best Zappa reaction I’ve seen yet, and trust me I’ve seen them all.
I agree 100%... I think it's because this has no lyrics - Doug seems to focus Way too much on Frank's "words" in the previous reactions...which impedes his appreciation of the music... he basically talked all over Inca Roads and Cosmik Debris - thus totally missing many of the beautiful musical complexities that are those pieces... I mentioned this in the comments section in both of those reactions... he did OK with Blessed Relief tho - again - cuz No Lyrics to "get in the way" of the music... ...LOL....
walking out for a breath of half time fresh air at a ZPZ show a few years back, met a stunned twenty something who was in a state of near apoplectic beautification whilst exclaiming ‘that was incredible, how on earth have i never heard this beautiful music before’
When you started demonstrating the 7 I knew right off the bat where I'd heard that before -- another Zappa composition, It's in the middle of the Duke of Prunes suite on Absolutely Free. It's amazing when you have no musical education you know what you're hearing but just can't put it into words :D
Wonderful keep it coming Doug.
Fascinating analysis, Doug. Thanks!
This one I have to see! I've known about The Black Page for years, but somehow have never managed to listen to it. Terry Bozzio even mentioned it in a drum clinic he did in Fort Lauderdale back in 1998. Terry's a great guy. Very down to earth. I hope to watch this tonight.
Been waiting for this one. Great episode! Ive listened to this track for over 40 years and I learned quite a bit from your explanations. Thank you!
Black page(s) is amazing watching live. Especially with Terry "animal" Bozzio on his massive drum set, and of course rest of the band when they come in. A (live) video series well worth watching is "Zappa - a token of his extreme", not just for the excellent numbers but also to watch Frank control his band and how better be paying attention constantly!
Yes, imho that's the best Zappa stuff available in video format
Really well presented, Doug! So much fun. Thank you. :) I love the multi-syllable technique for counting odd times. I'm stealing that.
Always a pleasure to hear you speak and I appreciate your musical knowledge here too. I really enjoyed your explanation of the drills and exercises you teach at the very technical level.
Oh I’m so looking forward to this!
This made my day♥️.. Thank you Doug.
Thanks for this reaction, I had a smile on my face throughout both pieces! It was definitely a fun one!
Doug, what a masterclass this video has been. To hear you talk about the music is so rewarding and enlightening and was so interesting to understand your teaching principles. An absolute joy to view. All the best from Dave from the U.K. ✅✅
Frank has a lot of wonderful spice in his music. It's been about 40 years since I first heard Frank on the Dr. Demento show as a 12 year old boy. Now at 52 he's still my absolute favorite musician. There is a lot that I respect about Frank but most of all I think it's his devotion to be himself and not give a rats ass about what other people thought about him or what he did.
I love hearing you talk about the music Doug. Giving us insight on what we are listening and you present it in an understandable way. All the best!
Learning so much listening to you teach rhythms and this is an amazing piece to work with.
On his introductory speech during the live version on Zappa in New York (1979), Zappa says:
“This song was originally constructed as a drum solo…. Now, after Terry learned how to play ‘The Black Page’ on the drum set, I figured, well, maybe it would be good for other instruments. So I wrote a melody that went along with the drum solo, and that turned into ‘The Black Page, Part 1, The Hard Version.’ Then I said, well, what about the other people in the world who might enjoy the melody of ‘The Black Page’ but couldn’t really approach its statistical density in its basic form? So, I went to work and constructed a little ditty which is now being set up for you with this little disco-type vamp…”
Love your approach and enthusiasm Doug. Thanks.
Thank you Doug! Amazing reaction video.
So glad you got to this piece (both #1 & #2), not only an amazing test of musicianship for any performer as you explain, but also and amazing composition to listen to in it's own right. Loved watching your reactions as you travelled through the piece. Thanks Doug.
That was really fun, I so appreciate the technical analysis. I've listened to many versions of The Black Page since it was released ( 40+ years !! ) but today I gained insight into it's meaning and purpose. Thanks Doug.
When you discover that Edgard Varese was one of Frank's favorite composers (if not his favorite), his compositional style and approach to music becomes much clearer. He was an effing genius composer. I still miss him being in our plane of existence ... but his music lives on.
Legend has it that transcribing this monster got Steve Vai his entrance to Zappa World.
@Paul Lowder - It's fact. Steve has told the story many times through the years. In 1978 when Steve was 18 and attending the Berklee School of Music he mailed Frank the transcription. Frank originally hired Steve as a transcriber, not a band member. Steve was able to join Frank's band when Frank thought he was old enough to handle the road at 20 years old in 1980. Vai toured with Zappa from the fall of 1980 through 1982.
BP #1 begins sounding like a Thai Gamelan piece! Can not imagine counting this, much less sight reading it. To say he had fantastic musicians is a gross understatement. Can you imagine going to a tryout? His auditions were legendary. The video of his drummers convening for a discussion of working for Frank is so worth watching.
Thanks for doing this.. One of my Zappa faves!
I really enjoyed this and got a lot out of you following along. Singing out the notes and using the mouse. It was very helpful in bridging sight reading visuals to hearing the piece. Count out the rhythm was not only entertaining, but educational for me. Glad you do what you do, my good man. Looking forward to more!
Never heard this presented like this before. Thank you!
Doug, journey through this masterpiece with you was like riding a roller coaster in the amusement park. Thank you for this joyful experience, I haven't ride one before =)
FINALLY - thank you! I've only been griping and hounding you for about a year
Ive always thought that this sounded like the soundtrack to a crazy dream.
I always thought thingfish was that
Love how you break things down passionately into something more understandable. Thank you
Wow! This my favorite reaction you’ve posted! As a musician, I totally dig the way you broke down subdivisions. Great to see a composer appreciate the brilliance of FZ!
Doug....I really enjoyed watching you read the music as it played....I bought this album when I was 15 in 1976.....I was alone in my devotion to this wild man with the killer mustache....his music led me to Jean Luc Ponty...Patrick O'hearn....George Duke....sooooo many talented artists over these 40 odd years...outstanding reaction and I'm now subscribed 😁 Thanks again !!!
Frank's main early influence was Edgar Varèse and Igor Stravinsky....I strongly suggest you listen to the album Orchestral Favorites....from a 53 years and counting long fan of Frankie Boy....
I would add The Yellow Shark, I think it was the orchestral project Frank was more satisfied with.
@@HakanTunaMuzik I have yet to pay proper listening to Civilization Phase III, but if I’m not mistaken it’s mostly done on the sinclavier, not played by an orchestra.
@@HakanTunaMuzik Got you. It’s not ensemble musicians playing the parts though, but sampled through the sinclavier, in case you didn’t know.
@@dago87able It's like leftover recordings from Lumpy Gravy mixed with synclavier. I still haven't listened straight through. Not even really too familiar with it. But I know all the Roxy performances by heart.
Ruth Underwood, in the recent Zappa movie, played this perfectly on the piano. It is awesome.
@@tenebrae23 Oh yes, indeed, what a golden moment in the film, I think I cried, so gorgeous.
Same with me, some Zappa I know by heart, even some of the intricate stuff; it’s part of my musical education (I mean from strict listening, I don’t read music).
I personally like when you sing along , I can focus on the notes while you keep me in time. Awesome video!
Excellent! Thanks Doug. Have loved Zappa since the early 70s...
Nice one Doug!
BTW, do a search for "Vinnie Colaiuta Recalls Brutal Zappa Audition, Reveals How Much He Was Paid" to learn more about how Zappa auditioned people.
Vinnie is the best drummer ever, IMHO.
Steve Vai on Vinnie Colaiuta
"I was just enamored with Vinnie. Back in the Frank days, his whole approach, when I heard Vinnie play, his phrasing - it satisfied something in my heart. It was easy to get certain rhythmic gratification from straight up-and-down-type players. Playing grooves, alternate grooves here and there. But Vinnie just came in and threw a wrench into the works. The guy is an alien. He was able to touch buttons with his sense of polyrhythms that no one has ever done. Frank's band was the perfect soundboard for that. I started transcribing his playing for The Frank Zappa Book. I mean, there's five to six different notations for the hi-hat!" [laughs]
"I'll tell you a really great Vinnie story. He's one of the most amazing sight-readers that ever existed on the instrument. One day we were in a Frank rehearsal, this was early '80s, and Frank brought in this piece of music called "Mo 'N Herb's Vacation." Just unbelievably complex. All the drums were written out, just like "The Black Page" except even more complex. There were these runs of like 17 over 3 and every drumhead is notated differently. And there were a whole bunch of people there, I think Bozzio was there."
"Vinnie had this piece of music on the stand to his right. To his left he had another music stand with a plate of sushi on it, okay? Now the tempo of the piece was very slow, like "The Black Page." And then the first riff came in, [mimics bizarre Zappa-esque drum rhythm patterns] with all these choking of cymbals, and hi-hat, ruffs, spinning of rototoms and all this crazy stuff. And I saw Vinnie reading this thing. Now, Vinnie has this habit of pushing his glasses up with the middle finger of his right hand. Well I saw him look at this one bar of music, it was the last bar of music on the page. He started to play it as he was turning the page with one hand, and then once the page was turned he continued playing the riff with his right hand, as he reached over with his left hand, grabbed a piece of sushi and put it in his mouth, continued the riff with his left hand and feet, pushed his glasses up, and then played the remaining part of the bar."
"It was the sickest thing I have ever seen. Frank threw his music up in the air. Bozzio turned around and walked away. I just started laughing."
Io1564Jupitermoon:
I never saw this interview before (I thought I've seen/read/heard EVERYTHING regarding Vinnie/Frank)... Thank You!!!
King Crimson did something similar to Black Page, called Fracture. A guitarist spent 22 years learning to play this song it is so complex
Love your enthusiasm mixed with your deep knowledge of music.
Great stuff as always Doug...loved the 3/4, 4/4, 5/4, 6/4, 7,4 explanations...top work
The first time I heard this piece was in Make A Jazz Noise Here, still my favorite version of it.
Thank you Doug, I have a sense that you really connected with this and enjoyed watching your process. Your explanation of time subdivisions, especially when you get to 5 and 7, suddenly helped me to connect the dots between this music and Indian tintals and other Zappa music and Stravinsky… rhythms which to me had sounded like the clatter of doing the dishes before this video. Familiar and yet daunting to decipher on a written sheet. Keep the weird stuff coming. It’s not weird.
Wow You rule. Love your channel. Love you. Glad to discover this wonderful corner of YT.
Important to remember that FZ started as a drummer...
Watch Zappa on the Roxy Movie and half the time he is playing his guitar like a drum...
@@DWHarper62 and that INSANE rhythm section solo take of Cheepnis. Just bonkers. Ralph Humphrey needs more respect.
@@Green28142814 The Roxy IS a drummer's movie... at one point, essentialy 4 drummers on stage... and that Cheepnis rhythm take is spectacular.... I attended the premier in Los Angeles a few years back with a discussion after with Ralph Humphrey and Bruce Fowler and Ahmet and Joe Travers...
@@DWHarper62 *not overly reverential bow* It's been an honour, good sir.
The pedestrian hi-hat that you mentioned was not written by Zappa. It was added by Terry Bozzio, probably as an aid to keeping his place among all those tuples. Frank and Terry both liked it and Frank decided to keep it in. It's always been one of my favorite parts of the piece as it shows so clearly how the drum hits slide back and forth in amongst the straight beat. Pure genius all around!
Praise should also be given to Ruth Underwood for her contribution on other percussion instruments.
IMO - the steady HH pulse with the left foot was the hardest thing about playing this - I had the most trouble with that initially when I learned this (at Berklee in the early 80's)... It was the last thing I did - I could play it all pretty well at 1st - except for that friggin HH pulse... after many months of shedding - I did finally get it all tho... Then I would play it Daily - so It was ingrained into my head/body!...
Ruth Underwood changes clothes in a phone booth. She's not from here. ❤
I remember hearing Terry Bozzio saying that he added the HiHat to help him getting through the piece. So, originally it wasn't there. The melody is very nice, there is a piano version (Ruth is playing it ;) ) that reveals the beauty of it best. That is what I admire the most, complicated, yes, but also beautiful - happens a lot in Zappas music.
Absolutely true, the piano version is so beautiful and made me appreciate the other versions more as well
5, 7, and 9 stroke rolls were common rudiments for snare drum training, when i were a lad. They became inherent tools.
Pure joy Doug - love your reactions and analysis.
Music IS the best👍
Very best wishes (and thanks) from Ireland 🇮🇪
So glad you hit this one. Knew you'd be intrigued.
This will be a GREAT episode!!
Love seeing you hear this for the first time!! ✌🏻😋
This was very enjoyable!
Hello there! I'm following your channel for some time now and I'm glad because you throw a different perspective over some pieces of music. Now, because of a Steve Vai concert I'm going to attent to in april (Bucharest, Romania), I'm watching everything I can put my eyes on UA-cam and I've remembered of an interview Rick Beato took to Steve Vai 5 years ago and in that interview Steve mentioned "The Black Page"...! That's the moment I've stopped the interview and started to look for the piece I didn't know anything about and, instead of listening to itself, I've chosen to watching you reacting to this amazing piece of music. Once again, thank you for your time and lecture!... Peace and Love (like Ringo use to say...)
That was the best evaluation of Frank I have heard. A shame others could not fathom it.
In my second year of high school music theory my instructor gave me a quadraphonic 8-track Frank Zappa's apostrophe album. My musical life was changed forever! So 1983 what's the year I graduated from the Beatles and Black Sabbath and made me a Frank Zappa fan 4life. Keep it up kind sir, love your Channel
that was fun. thanks! #1 was Steve Vai's intro to FZ, the composer. i had a guitar teacher who told me that story and then loaned me his vinyl of the concert with sheet for The Black Page #1 (1987) and, i still hear layers and lessons listening. I also enjoy reactions to FZ. precision in time and the space it creates is brilliant.
Love the explanation thanks for making rocket science approachable
This was brilliant Doug thanks! You were doing a pretty good job of following it first hand.....I would love to see what you make of some of Frank's "actual" classical compositions for example from his classical "Yellow Shark" album the tracks "Dog Breath Variations + Uncle Meat" or "Outrage at Valdez" are both amazing orchestral pieces that I think you would really enjoy..... anyway great analyses as always!
As John Cleese's French taunter would say 'It's vare naas!' Thank you!
Just discovered Doug’s page today. Did NOT expect this. 🤟🏻 ZAPPED
Love those pieces! But never more than today, watching you, inform me with your understanding. Thanks