Two interesting facts about this composition: Frank wrote this to challenge Terry Bozzio, and after a couple of weeks of practicing it, Bozzio played it for Frank and he replied, "Bozzio, you're a fucking genius!" Upon hearing this when it was released, Berklee student and Zappa fan, Steve Vai, transcribed The Black Page and mailed it to Frank, along with a cassette of his guitar playing. He transcribed this from listening to it on the record to prove to Frank that he could read music. Frank contacted Vai and told him to get his butt up to LA and audition for the band. Vai was too young for the road, so Frank hired him to transcribe his solos for a couple of years. That became The Frank Zappa Guitar Book. Two years later, Zappa took the 20-year-old Vai on the road and, sure enough, young inexperienced Stevie got dehydrated, fatigued and had a particularly interesting encounter with a groupie that turned into the song Stevie's Spanking. It all started with transcribing The Black Page.
How can someone that is so musically deranged even think that they could curtail Zappa's music. This joke of a man should find another line of work like cleaning up or something of that nature. Give it up you stupid so called expert.
There are two more anecdotes. The first is Vai's audition for the band. Zappa told him to study an insanely huge and insanely difficult amount of music - which was completely ignored during the audition. At a certain point, Zappa improvised a guitar part and told Vai to play it, which Steve did on the spot. So Zappa told him to play it in 7/8, and Vai did too. And Zappa told him to play it reggae, and Vai did this too. Vai played it even when Zappa told him to play it in 7/8, reggae and with a certain note added, but had to give up when Zappa wanted him to add another note, because "it was impossible, not just for me, I mean humanly impossible"; and Zappa shouted to him "I heard Linda Rosenthal is looking for a guitar player!". So, the audition concludes. Vai picks up his stuff, thanks everybody and apologizes for not having been good enough. Zappa replies: "What are talking about, boy? You're in the band". The other anecdote is related to Terry Bozzio's successor in Zappa's band, Vinnie Colaiuta. When Bozzio left the band, Colaiuta auditioned for the job, and played The Black Page entirely by memory. There are also anecdotes related to Zappa's incredibly precise ear and sense of rhythm, but for that, I guess one could just watch his live shows. What an incredible musician.
So I have an interesting Zappa story to tell. 42-ish years ago I was pre-school age, and my older brother was in high school and big Zappa fan. For an art class project, he make a life sized Frank Zappa stuffed doll. I remember seeing pictures of me sitting on a couch with it next to me posed. After that year, at the end of a Zappa concert he went to, he threw it on stage and Frank held it up as expected. So life goes on, and my brother now teaches rock history classes at college, including a Zappa appreciation class. In doing so he met band members, and even had a trip out to "the vault". While there he told that whole story of the doll, totally assuming that right after the concert the doll was tossed away or some such, as you'd expect. Some time later, he was contacted by someone "you know that doll you talked about? Well it's still here actually". They had changed the clothes on it, but otherwise yes Frank had kept the doll in his vault that whole time. I could tell how much that meant to my brother, to know his idol kept his creation like that. I've always like Zappa's music, but that made me like him all the more.
Honestly I don't mind you singing along as you sight-read, I find that fascinating. I have these albums, I can go listen to them any time. To watch you read through The Black Page in real time is extremely entertaining, so please feel free!
Exactly, anyone who complains about someone talking over a song or stopping it during a reaction video doesn’t get it. You wouldn’t watch a movie for the first time with the director’s commentary on, so you shouldn’t be listening to a song for the first time while watching someone react to it-and if you do, then you can kindly keep it to yourself and listen to it later on it’s own.
I think now you get why "I have played in Frank Zappa's band" is such a badge of honor. Not because of the association with the name, but the skill it represents.
Martin Lickert: "What do you do? You join the Mothers and you end up working for Zappa! And he makes you be a creep! You could have played the blues with John Mayall, or far-out exciting jazz with Blood, Sweat & Tears." Don Preston: "You really think so?" Martin Lickert: "Look, no one'll ever take you seriously after this . . . how can they take you seriously? In this business you either gotta play the blues or sing with a high voice." Don Preston: "You're right, I never should have joined the Mothers, oh I . . . I could be a star now, oh . . ."
My band mates and I sat with Ian Underwood to watch Frank, Terry, Steve Vai, Ruth, George, etc debut Black Page Part 1. I still can't believe we were so fortunate to be there that night, in addition to witnessing such an incredible piece performed live. You mentioned the Inca Roads review. We were at the first show at the Roxy where Frank said they were trying out something new that night, which was Inca Roads.
His son dweasel is an awesome musician of his own right Is scene Him About 20 times They do perform the black page Along with many others that are very very difficult to play but a lot of fun
@@kevengreene317 I’ve seen Dweezil a few times with Zappa Plays Zappa. It’s a shame the way the family won’t let him perform with that name anymore or sell merchandise with the name.
@@jigilous agreed, I try to see Dweezil whenever he happens to come around where I live, and he never lets us down. It is a shame how the Zappa family has fragmented after Gail's passing. It really makes me sad.
Finally !! The Black Page is so Petrouchka in a dystopian world. It’s my favorite FZ composition and I have been listening to it like a mantra for 40 years.
George Duke once said in an interview that rehearsing with Frank was way different than with other bands. George said normally it was; "see you next week" but not with Zappa. Rehearsing with Zappa meant 5 days a week from 9 to 5. Further on he said that he doesn't know how all the bandmembers managed it but it was by far the most complex music he played.
Now we're talking. I purchased the score from Frank when he was still with us from Barfko-Swill as a study when I was in college for music composition. I have never achieved his level of "statistical density," but absolutely adore his entire output. He did some very unique reinterpretations of this piece over the years. I love the "new age version" from "make a jazz noise here." Can't wait to see Doug's face when he hears this.
You should watch the whole Zappa Plays Zappa concert. Bozzio does #1 and then Vai joins Dweezil for #2. The entire show will blow your mind and change your life.
Hey Doug! Thanks for this reaction video! Can i say that the level of excitement in your eyes when you listen to Zappa is on an other level than usually? It is a joy to be able to see you discovering this musical magician. Thank you for sharing this journey publicly. I'm sure that as a composer you will only have a lot of fun with Franks music. He truly was one of a kind, an expression too frequently used nowadays. Zappa cannot be compared to anything else, it doesn't fit into categories or genres. It is a genre in itself (if you want to stick to a concept of genres, that is. Something i don't like to do personally). Long live Zappa, long live Doug!
At the first rehearsal of Alexander Borodin's Symphony #3 in A Minor, most of the musicians had never seen a 5/8 meter. They couldn't get it at first. So the conductor told them to say "Rimsky-Korsakov, Rimsky-Korsakov" and that worked.
Post watch… in my opinion this is your best Zappa reaction yet, probably not to be topped. The request is perfect for that. Your insight was much more important here and I’m glad you offered it. That hasn’t been my reaction in other Zappa reactions, just being honest. But now I can see that you’re digging Zappa, and as weird as it might sound I get satisfaction from watching people become Zappa fans. Being a Zappa fan is like carrying around a beautiful secret that nobody wants to hear. Also, watching you read that music and hearing more about your career is impressive. Well done. Probably the best Zappa reaction I’ve seen yet, and trust me I’ve seen them all.
I agree 100%... I think it's because this has no lyrics - Doug seems to focus Way too much on Frank's "words" in the previous reactions...which impedes his appreciation of the music... he basically talked all over Inca Roads and Cosmik Debris - thus totally missing many of the beautiful musical complexities that are those pieces... I mentioned this in the comments section in both of those reactions... he did OK with Blessed Relief tho - again - cuz No Lyrics to "get in the way" of the music... ...LOL....
walking out for a breath of half time fresh air at a ZPZ show a few years back, met a stunned twenty something who was in a state of near apoplectic beautification whilst exclaiming ‘that was incredible, how on earth have i never heard this beautiful music before’
Great work explaining the rhythm!!! In traditional Hindu music they use a method of counting beats called Konnakol. It is especially suitable for complex rhythmic patterns.
What amazes me the most is that behind the complexity there is a beautiful melody. If you repeat listen, in short time you will see yourself humming some passages. The 2021 Zappa documentary has Ruth Underwood playing it on piano, beautiful.
Little known factoids: the melody for The Black Page was first written for Eddie Jobson to play on electric violin (you can still hear violin in the live mix); the chordal harmony was added much later for the 'Zappa in New York' recordings to be played by the SNL brass and the Brecker Bros, with Ruth Underwood adding marimba to the melody. But the original version was just violin, bass and drums written as a technical challenge for Zappa's only four-piece band - Zappa, Jobson, O'Hearn and Bozzio. Zappa never played the composition himself.
Zappa not only expected his band to play what was written... he also expected them to watch his hand signals... He may signal for individual members to play different time signatures, make 'peep' noise or scream. He may signal a style change like swing or Reggae (half time or double time depending on how many strands of hair he twisted) etc. He had some insanely talented musicians over the years!
Yup, all of that, and also generally to be able to improvise solos on their instruments, and his rhythmic section musicians to freely interplay to HIS solos. With some exceptions, some couldn’t read music, and some didn’t improvise at all.
When you started demonstrating the 7 I knew right off the bat where I'd heard that before -- another Zappa composition, It's in the middle of the Duke of Prunes suite on Absolutely Free. It's amazing when you have no musical education you know what you're hearing but just can't put it into words :D
The band that played on the Zappa in New York album (source Wikipedia) F.Z - guitar, vocals, conducting Ray White - guitar and vocals Patrick O'Hearn - bass guitar, vocals Terry Bozzio - drums, vocals Eddie Jobson - keyboards, violin, vocals Ruth Underwood - percussion, synthesizer and various humanly impossible overdubs Lou Marini - alto sax, flute Mike Brecker - tenor sax, flute Ronnie Cuber - baritone sax, clarinet Randy Brecker - trumpet Tom Malone - trombone, trumpet, piccolo Don Pardo - sophisticated narration David Samuels - timpani, vibes John Bergamo - percussion overdubs Ed Mann - percussion overdubs Lou Anne Neill - osmotic harp overdub So yeah, some very high caliber musicians. You probably recognize few names from the SNL band that also performed in the Blues Brothers movie.
Doug....I really enjoyed watching you read the music as it played....I bought this album when I was 15 in 1976.....I was alone in my devotion to this wild man with the killer mustache....his music led me to Jean Luc Ponty...Patrick O'hearn....George Duke....sooooo many talented artists over these 40 odd years...outstanding reaction and I'm now subscribed 😁 Thanks again !!!
This one I have to see! I've known about The Black Page for years, but somehow have never managed to listen to it. Terry Bozzio even mentioned it in a drum clinic he did in Fort Lauderdale back in 1998. Terry's a great guy. Very down to earth. I hope to watch this tonight.
Not being a person who plays any instrument or can read music this was still fascinating. I know what i like though and Terry Bozzio is one of my favourite drummers. Love his playing on Punky's Whips, especially given he's also singing it.
That was really fun, I so appreciate the technical analysis. I've listened to many versions of The Black Page since it was released ( 40+ years !! ) but today I gained insight into it's meaning and purpose. Thanks Doug.
I met a bass player who had auditioned for him, and he said the entire audition was very professional. He sat down across from Frank at a music stand. He opened it up to Bartok and Frank basically said “ please play that backwards, transposed to D”
@@chrisogburn8240 he said he did it. Frank was gracious and gave full time. And he got a kind note thanking him for coming by but they chose someone else.
So glad you got to this piece (both #1 & #2), not only an amazing test of musicianship for any performer as you explain, but also and amazing composition to listen to in it's own right. Loved watching your reactions as you travelled through the piece. Thanks Doug.
PLEASE WATCH RUTH UNDERWOOD PERFORMING THIS ON THE PIANO FROM HIS MOVIE LAST YEAR. Sorry to shout, but she interprets the piece in a way that makes it Frank's finest composition instead of just a show-piece
Hello there! I'm following your channel for some time now and I'm glad because you throw a different perspective over some pieces of music. Now, because of a Steve Vai concert I'm going to attent to in april (Bucharest, Romania), I'm watching everything I can put my eyes on UA-cam and I've remembered of an interview Rick Beato took to Steve Vai 5 years ago and in that interview Steve mentioned "The Black Page"...! That's the moment I've stopped the interview and started to look for the piece I didn't know anything about and, instead of listening to itself, I've chosen to watching you reacting to this amazing piece of music. Once again, thank you for your time and lecture!... Peace and Love (like Ringo use to say...)
It's great watching you listen to Zappa, the joy in your face! And I will keep suggesting Sonny Sharrock/ Last Exit for Weird Wednesday. It's Jazz like you never heard before.
it is not strictly jazz it is a mix of free jazz and rock and from a composers reacting view Helvering doesn´t care about performance ..little to analize ...Henry Cow would be more interesting or some Braxton visual scores......
Wow! This my favorite reaction you’ve posted! As a musician, I totally dig the way you broke down subdivisions. Great to see a composer appreciate the brilliance of FZ!
Bravo for your expertise, it’s very interresting, thank you for your work. I just want to tell you that I’m 57, been a Zappa fan since the age of 13, saw him twice in France in the 80´s and I never got bored, more, I know all the albums and I am still amazed by the man.. keep on reacting!
Doug, journey through this masterpiece with you was like riding a roller coaster in the amusement park. Thank you for this joyful experience, I haven't ride one before =)
In my second year of high school music theory my instructor gave me a quadraphonic 8-track Frank Zappa's apostrophe album. My musical life was changed forever! So 1983 what's the year I graduated from the Beatles and Black Sabbath and made me a Frank Zappa fan 4life. Keep it up kind sir, love your Channel
BP #1 begins sounding like a Thai Gamelan piece! Can not imagine counting this, much less sight reading it. To say he had fantastic musicians is a gross understatement. Can you imagine going to a tryout? His auditions were legendary. The video of his drummers convening for a discussion of working for Frank is so worth watching.
Frank's main early influence was Edgar Varèse and Igor Stravinsky....I strongly suggest you listen to the album Orchestral Favorites....from a 53 years and counting long fan of Frankie Boy....
@@HakanTunaMuzik I have yet to pay proper listening to Civilization Phase III, but if I’m not mistaken it’s mostly done on the sinclavier, not played by an orchestra.
@@dago87able It's like leftover recordings from Lumpy Gravy mixed with synclavier. I still haven't listened straight through. Not even really too familiar with it. But I know all the Roxy performances by heart. Ruth Underwood, in the recent Zappa movie, played this perfectly on the piano. It is awesome.
@@tenebrae23 Oh yes, indeed, what a golden moment in the film, I think I cried, so gorgeous. Same with me, some Zappa I know by heart, even some of the intricate stuff; it’s part of my musical education (I mean from strict listening, I don’t read music).
Learning so much listening to you teach rhythms and this is an amazing piece to work with. On his introductory speech during the live version on Zappa in New York (1979), Zappa says: “This song was originally constructed as a drum solo…. Now, after Terry learned how to play ‘The Black Page’ on the drum set, I figured, well, maybe it would be good for other instruments. So I wrote a melody that went along with the drum solo, and that turned into ‘The Black Page, Part 1, The Hard Version.’ Then I said, well, what about the other people in the world who might enjoy the melody of ‘The Black Page’ but couldn’t really approach its statistical density in its basic form? So, I went to work and constructed a little ditty which is now being set up for you with this little disco-type vamp…”
17:40 "I can never be the same" that's what happened to me when I heard this song and many other Zappa creations same with my friends at high school back in the 70's
Frank has a lot of wonderful spice in his music. It's been about 40 years since I first heard Frank on the Dr. Demento show as a 12 year old boy. Now at 52 he's still my absolute favorite musician. There is a lot that I respect about Frank but most of all I think it's his devotion to be himself and not give a rats ass about what other people thought about him or what he did.
that was fun. thanks! #1 was Steve Vai's intro to FZ, the composer. i had a guitar teacher who told me that story and then loaned me his vinyl of the concert with sheet for The Black Page #1 (1987) and, i still hear layers and lessons listening. I also enjoy reactions to FZ. precision in time and the space it creates is brilliant.
Frank considered himself a composer first. That’s important to know. He spent his entire career working and writing so he could hear a full orchestra play his music, on his dime. He achieved that late in his career, while he was sick. So yes you are right, he took the approach of a classical composer. I write this before listening here. Have fun!
So glad you finally got to the Black Page! I have several comments: 1) To me the piece is very musical and beautiful even as complex as it is. I've seen comments from some of how it is random noise; but to me, I find it repeating in my head as I think about it later. A lot of Zappa's music is like that for me. 2) There is a UA-cam video "The Drummers of Frank Zappa" with Ralph Humphrey, Chester Tompson, Terry Bozzio, Chad Wakerman, and Ruth Underwood. In this video someone talks about how they would try to approximate some of the complex rhythms by using slightly different rhythm counting to make it easier to play. Ruth would call them out on it saying you are playing it like this, while actually is should be like this. So for at least some of the musicians (or most or all of them) they were playing exactly what was written, not an approximation. It's long (like 40 minutes" but really gives you an inside scoop to the drumming and rhythmic nature of Zappa's compositions. 3) Frank stated that Steve Vai was the most accurate in terms of getting the rhythms exactly right of all of his guitar players. In fact, Steve used to transcribe music for Frank, and he wrote a paper on how to play nested tuples. www.vai.com/tempo-mental/ Check it out! If you want to watch something funny, find the UA-cam video of Steve talking about the time he interviewed to be in the Zappa band! ("Well, I think that Linda Rondstat is looking for a guitar player!") Also there is a cool interview on UA-cam with Rick Beato and Steave Vai and they talk about Frank for quite a bit. Also long at about 40 minutes but also very interesting. 4) Another fun UA-cam video is Vinnie Colaiuta which includes talking abut his interview with Frank Zappa. They pulled out the Black Page sheet music and as they were placing the music on his stand to test his sight reading he was playing it with one hand. They quickly took it off realizing OK obviously you can play that but now try something else! There is another fun story somewhere about one of his drummers playing the black page with one hand while initially sight reading it and eating sushi with the other hand. I think it was Terry Bozio watching this in disbelief as it happened... Have you done "The Grand Wazoo" from the album of the same name? How about "Big Swifty" and "Waka Jawaka" from the "Waka Jawaka" album? Still want to hear you do a reaction to the Berklee School of Music Zappa Medley! Cheers! Regards! Thanks again!
The Vinnie stories are 1) he had already transcribed and memorized The Black Page well before the audition, so Zappa had to give him another piece to audition on, I think it was Pedro's Dowry; and 2) Frank wrote an even more difficult piece than The Black Page, called Mo N' Herb's Vacation, which Vinnie sight-read while Bozzio, Vai, etc., watched. Vinnie started playing one-handed in order to turn the page, then he switched hands to grab a piece of sushi, then he switched hands again to push his glasses up, before resuming using both hands. A short but interesting story is Chad Wackerman's audition. Frank asked him, "Are you a good sight-reader, or are you a phenomenal sight-reader?" That must've been intimidating, especially knowing that you're replacing arguably the best sight-reader ever in Vinnie.
Black page(s) is amazing watching live. Especially with Terry "animal" Bozzio on his massive drum set, and of course rest of the band when they come in. A (live) video series well worth watching is "Zappa - a token of his extreme", not just for the excellent numbers but also to watch Frank control his band and how better be paying attention constantly!
You are GREAT Doug, it’s really interesting and also a lot of fun to listen to your passionate analysis’s!👍🙂 And since I love the music of Mr. Zappa so much I strongly urge you to return to him ASAP!!!🤪
Thank you! Improvisation and experimental procedures were part of the performance of compositions that sounded absolute. Oddly or sadly this element is either missed or purposefully excluded by ZFT.
Frank always had some of the greatest musicians to ever grace the planet. The Black Page was originally written for Terry Bozzio, as a drum solo. To me it's more of a drum composition. Don’t forget about the great Ruth Underwood on percussion.
Really enjoyable watch as usual!! Still hoping for some heavily composed Phish one of these days. One of the few bands that take a lot from FZ. Keep up the great work!
I really enjoyed this and got a lot out of you following along. Singing out the notes and using the mouse. It was very helpful in bridging sight reading visuals to hearing the piece. Count out the rhythm was not only entertaining, but educational for me. Glad you do what you do, my good man. Looking forward to more!
This was brilliant Doug thanks! You were doing a pretty good job of following it first hand.....I would love to see what you make of some of Frank's "actual" classical compositions for example from his classical "Yellow Shark" album the tracks "Dog Breath Variations + Uncle Meat" or "Outrage at Valdez" are both amazing orchestral pieces that I think you would really enjoy..... anyway great analyses as always!
...Vinnie actually transcribed this - while at Berklee (before computers/internet) - and learned to play it by memory... When He auditioned for Frank, He threw this music in front of him, and asked him to play it ("sight read" it)... Since he already knew it from memory, he pretended to read through it - and before he was finished - Frank pulled it from the stand, and exclaimed...(in that "Frank Voice"), ..."OK, you obviously CAN read"... and after a few other tasks, he told all the other auditionee's that they could go home... Vinnie got the gig!!!
@@kjc9trader491 That said - Steve Vai said that Vinnie is " _one of the most amazing sight-readers that ever existed on the instrument_ ". According to Vai, Colaiuta sight-read the even more complex "Mo 'N Herb's Vacation" and played it while grabbing and eating a piece of sushi at the same time.
Doug, Frank is the the Mozart, Beethoven etc (pick your classical favorite ) composer of contemporary music in my opinion. He is a composer, conductor (what some of his videos conducting) accomplished guitar player with a gift for the obsurd in the rock era. Frank is THE most interesting and utterly unique musician that I've ever heard, and I'm glad your finding this out. Watch the Zappa documentary that was put out last year by Alex Winter ( Bill & Ted fame) and you'll see what I mean and love him even more. He was also an intellectual even though his lyrics and on stage antics would make you think otherwise. I don't like everything he's done but there is so much of it you'll always find something new and wonderful with him. I think over 30 years or so he put out like 60 or 70 studio records and 57 posthumous ones for a total of around 120, and that's not including the live ones. So you could listen all your life and probably not get to all of them. Keep up the great work and I'm telling you that your on the verge of being a Frank superfan because of your music background. Keep up the great work!
@@ChromaticHarp interesting perspective, I guess if in MY opinion you reminded me of someone you disliked, MY expressing MY opinion would be inappropriate? I think you might have meant to say you disagree and then make an argument, but the fact that Frank disliked those composers isn't really an argument now is it? As a matter of fact Frank would protect my right to say it and your right to disagree, but it's certainly not inappropriate and there are far to many actually inappropriate things on the internet but this is not one of them.
@@swirll360 No argument at all, it seems you’re really put off by my comment, which was not my intention. I was just stating something that FZ said. No one is trying to control your right to freedom of speech.
Doug, what a masterclass this video has been. To hear you talk about the music is so rewarding and enlightening and was so interesting to understand your teaching principles. An absolute joy to view. All the best from Dave from the U.K. ✅✅
Nice one Doug! BTW, do a search for "Vinnie Colaiuta Recalls Brutal Zappa Audition, Reveals How Much He Was Paid" to learn more about how Zappa auditioned people. Vinnie is the best drummer ever, IMHO.
Steve Vai on Vinnie Colaiuta "I was just enamored with Vinnie. Back in the Frank days, his whole approach, when I heard Vinnie play, his phrasing - it satisfied something in my heart. It was easy to get certain rhythmic gratification from straight up-and-down-type players. Playing grooves, alternate grooves here and there. But Vinnie just came in and threw a wrench into the works. The guy is an alien. He was able to touch buttons with his sense of polyrhythms that no one has ever done. Frank's band was the perfect soundboard for that. I started transcribing his playing for The Frank Zappa Book. I mean, there's five to six different notations for the hi-hat!" [laughs] "I'll tell you a really great Vinnie story. He's one of the most amazing sight-readers that ever existed on the instrument. One day we were in a Frank rehearsal, this was early '80s, and Frank brought in this piece of music called "Mo 'N Herb's Vacation." Just unbelievably complex. All the drums were written out, just like "The Black Page" except even more complex. There were these runs of like 17 over 3 and every drumhead is notated differently. And there were a whole bunch of people there, I think Bozzio was there." "Vinnie had this piece of music on the stand to his right. To his left he had another music stand with a plate of sushi on it, okay? Now the tempo of the piece was very slow, like "The Black Page." And then the first riff came in, [mimics bizarre Zappa-esque drum rhythm patterns] with all these choking of cymbals, and hi-hat, ruffs, spinning of rototoms and all this crazy stuff. And I saw Vinnie reading this thing. Now, Vinnie has this habit of pushing his glasses up with the middle finger of his right hand. Well I saw him look at this one bar of music, it was the last bar of music on the page. He started to play it as he was turning the page with one hand, and then once the page was turned he continued playing the riff with his right hand, as he reached over with his left hand, grabbed a piece of sushi and put it in his mouth, continued the riff with his left hand and feet, pushed his glasses up, and then played the remaining part of the bar." "It was the sickest thing I have ever seen. Frank threw his music up in the air. Bozzio turned around and walked away. I just started laughing."
When you discover that Edgard Varese was one of Frank's favorite composers (if not his favorite), his compositional style and approach to music becomes much clearer. He was an effing genius composer. I still miss him being in our plane of existence ... but his music lives on.
I remember hearing Terry Bozzio saying that he added the HiHat to help him getting through the piece. So, originally it wasn't there. The melody is very nice, there is a piano version (Ruth is playing it ;) ) that reveals the beauty of it best. That is what I admire the most, complicated, yes, but also beautiful - happens a lot in Zappas music.
Greetings Doug. As much as I love Frank Zappa and appreciate your reactions to his music, I'd like to introduce you to another form of music that I find captivating and encourage you to explore the group Return to Forever. A good first go would be the track "Duel of the Jester and the Tyrant" from their "Romantic Warrior" release. Musicians are: Chick Corea, Al Di Meola, Stanley Clarke and Lenny White. There are tons of great music for you to discover created by these excellent musicians.
Love Romantic Warrior. Great shout out. Return to Forever is phenomenal. Stanley Clarke is a beast obviously I’m a bass player lol no one likes the bass player.
@@joemartucci4786 Don't sell yourself short. I am quite sure that I am not the only person who appreciates bass players. Though you are not always in the spotlight, the music is not complete without you. AND, you are often given the opportunity to show your stuff. Again, I am one who appreciates the talent. I am an armature guitar player of 40 years who always knew I was a bass player at heart. 😉 As far as Return to Forever is concerned, anyone wanting to experience them at perhaps their best should get the Blu-ray of their concert Live at Montreux in 2008. (no affiliation with no dog in the race) Edit: And Stanly Clarke gets to show his stuff. 😉
Thank you Doug, I have a sense that you really connected with this and enjoyed watching your process. Your explanation of time subdivisions, especially when you get to 5 and 7, suddenly helped me to connect the dots between this music and Indian tintals and other Zappa music and Stravinsky… rhythms which to me had sounded like the clatter of doing the dishes before this video. Familiar and yet daunting to decipher on a written sheet. Keep the weird stuff coming. It’s not weird.
The pedestrian hi-hat that you mentioned was not written by Zappa. It was added by Terry Bozzio, probably as an aid to keeping his place among all those tuples. Frank and Terry both liked it and Frank decided to keep it in. It's always been one of my favorite parts of the piece as it shows so clearly how the drum hits slide back and forth in amongst the straight beat. Pure genius all around! Praise should also be given to Ruth Underwood for her contribution on other percussion instruments.
IMO - the steady HH pulse with the left foot was the hardest thing about playing this - I had the most trouble with that initially when I learned this (at Berklee in the early 80's)... It was the last thing I did - I could play it all pretty well at 1st - except for that friggin HH pulse... after many months of shedding - I did finally get it all tho... Then I would play it Daily - so It was ingrained into my head/body!...
Always a pleasure to hear you speak and I appreciate your musical knowledge here too. I really enjoyed your explanation of the drills and exercises you teach at the very technical level.
@@ClichéGuevara-2814 The Roxy IS a drummer's movie... at one point, essentialy 4 drummers on stage... and that Cheepnis rhythm take is spectacular.... I attended the premier in Los Angeles a few years back with a discussion after with Ralph Humphrey and Bruce Fowler and Ahmet and Joe Travers...
Well, it's true that Frank Zappa wanted his music played as he had written it, but it's not true for all his pieces. He gave his musicians room to improvise in some songs, sometimes even lyrics (Ike Willis was his favorite in that respect). Some music, like King Kong, was actually made to give everyone in the band room to improvise. Zappa knew that to maintain discipline he had to give the musicians freedom too.
Hi doug, I send you my best from Germany. I love Zappa's music. And I really like your reaction videos. I hadn't heard Zappa for some time that intensely. I was a bit more into Glasper and Chris Dave lately. But now I went to the local record store and had my LPs washed. Zappa LPs, that is. Thank you very much for that. But. One thing I would like to add, especially to your reaction on this video. Zappa himself mentions the statistical dancity of the No. 1 solo on the Live in New York LP and as a drummer I would like to add that I understand the attraction of those words. But still, I think that sometimes I forgot that those songs were also just pretty good 'songs' with fantastic melodies. But maybe it's just that I heard the stuff so often, that I can whistle along those lines in the car.
Can we just admit that Frank Zappa was a true musical genius? I truly hope that a 100 or so years from now (unless the world destroys itself before then) holds Zappa to the level of classical composers who are still admired. Is he even in the Rock & Roll Hall Of Fame? If he isn't, the fact that Eminem is more than likely going in this year is a true insult. Though I really do not consider Zappa rock but neither is Eminem. Then again how many bands who name Judas Priest as a major influence are in there but, Judas Priest isn't? 🤔
Two interesting facts about this composition:
Frank wrote this to challenge Terry Bozzio, and after a couple of weeks of practicing it, Bozzio played it for Frank and he replied, "Bozzio, you're a fucking genius!"
Upon hearing this when it was released, Berklee student and Zappa fan, Steve Vai, transcribed The Black Page and mailed it to Frank, along with a cassette of his guitar playing. He transcribed this from listening to it on the record to prove to Frank that he could read music.
Frank contacted Vai and told him to get his butt up to LA and audition for the band.
Vai was too young for the road, so Frank hired him to transcribe his solos for a couple of years. That became The Frank Zappa Guitar Book.
Two years later, Zappa took the 20-year-old Vai on the road and, sure enough, young inexperienced Stevie got dehydrated, fatigued and had a particularly interesting encounter with a groupie that turned into the song Stevie's Spanking. It all started with transcribing The Black Page.
As the great Johnny Carson used to say "I did not know that"!
Far out
Great anecdote.
How can someone that is so musically deranged even think that they could curtail Zappa's music. This joke of a man should find another line of work like cleaning up or something of that nature. Give it up you stupid so called expert.
That's awesome.
There are two more anecdotes.
The first is Vai's audition for the band. Zappa told him to study an insanely huge and insanely difficult amount of music - which was completely ignored during the audition. At a certain point, Zappa improvised a guitar part and told Vai to play it, which Steve did on the spot. So Zappa told him to play it in 7/8, and Vai did too. And Zappa told him to play it reggae, and Vai did this too. Vai played it even when Zappa told him to play it in 7/8, reggae and with a certain note added, but had to give up when Zappa wanted him to add another note, because "it was impossible, not just for me, I mean humanly impossible"; and Zappa shouted to him "I heard Linda Rosenthal is looking for a guitar player!". So, the audition concludes. Vai picks up his stuff, thanks everybody and apologizes for not having been good enough. Zappa replies: "What are talking about, boy? You're in the band".
The other anecdote is related to Terry Bozzio's successor in Zappa's band, Vinnie Colaiuta. When Bozzio left the band, Colaiuta auditioned for the job, and played The Black Page entirely by memory.
There are also anecdotes related to Zappa's incredibly precise ear and sense of rhythm, but for that, I guess one could just watch his live shows. What an incredible musician.
So I have an interesting Zappa story to tell. 42-ish years ago I was pre-school age, and my older brother was in high school and big Zappa fan. For an art class project, he make a life sized Frank Zappa stuffed doll. I remember seeing pictures of me sitting on a couch with it next to me posed. After that year, at the end of a Zappa concert he went to, he threw it on stage and Frank held it up as expected.
So life goes on, and my brother now teaches rock history classes at college, including a Zappa appreciation class. In doing so he met band members, and even had a trip out to "the vault". While there he told that whole story of the doll, totally assuming that right after the concert the doll was tossed away or some such, as you'd expect. Some time later, he was contacted by someone "you know that doll you talked about? Well it's still here actually".
They had changed the clothes on it, but otherwise yes Frank had kept the doll in his vault that whole time. I could tell how much that meant to my brother, to know his idol kept his creation like that. I've always like Zappa's music, but that made me like him all the more.
my best friend was in that zappa class and told me all about the professor including that story of the doll!!!! so insane to run into this comment!
Cool story.
Great story! Now, how can I attend - or view - your brother's class?! I'm interested in all things Zappa!
@@chikkipop it’s a class at IU bloomington
@@simonh.3343 Any recordings of the classes? I've actually watched many college lectures online.
Honestly I don't mind you singing along as you sight-read, I find that fascinating. I have these albums, I can go listen to them any time. To watch you read through The Black Page in real time is extremely entertaining, so please feel free!
@Ron Moses - Yes I agree, sing along is OK! I'm amazed at how closely Doug nails it on an initial read.
Thats a new olympic dicipline Mr.
@@misterghee1 Sight reading should totally be an Olympic event! Or they could make a TV show... "Who's really got talent?"
@@andhemills Maybe not a T.V show but I could see a youtube channel that did this being very successful!
Exactly, anyone who complains about someone talking over a song or stopping it during a reaction video doesn’t get it. You wouldn’t watch a movie for the first time with the director’s commentary on, so you shouldn’t be listening to a song for the first time while watching someone react to it-and if you do, then you can kindly keep it to yourself and listen to it later on it’s own.
I think now you get why "I have played in Frank Zappa's band" is such a badge of honor. Not because of the association with the name, but the skill it represents.
Martin Lickert: "What do you do? You join the Mothers and you end up working for Zappa! And he makes you be a creep! You could have played the blues with John Mayall, or far-out exciting jazz with Blood, Sweat & Tears."
Don Preston: "You really think so?"
Martin Lickert: "Look, no one'll ever take you seriously after this . . . how can they take you seriously? In this business you either gotta play the blues or sing with a high voice."
Don Preston: "You're right, I never should have joined the Mothers, oh I . . . I could be a star now, oh . . ."
Fortunate enough to see Terry Bozzio + Chad Wackerman DUET the Black Page together in 2001 at the Montreal Drum Fest. It was amazing.
Terry Bozzio IS my Fav Drummer ALL time...!!! to Zappa to Missing Persons to play metal prog with Tony Levin...to Korn!! Bozzio can play everything!!
You lucky lucky man!
Chad Wackerman is a monster too! I saw him with Steven Wilson and damn he is amazing! He plays what ever he wants! Jazz, fusion, rock..
@@antoniocarlin5026 And he was in UK. Superb drummer!
Vinnie colaiuta
My band mates and I sat with Ian Underwood to watch Frank, Terry, Steve Vai, Ruth, George, etc debut Black Page Part 1. I still can't believe we were so fortunate to be there that night, in addition to witnessing such an incredible piece performed live. You mentioned the Inca Roads review. We were at the first show at the Roxy where Frank said they were trying out something new that night, which was Inca Roads.
Doug: "This is not easy!"
Frank from somewhere: "I know..."
😄
Saw Frank play I think about 4 or 5 times you know Neverr a bad show
His son dweasel is an awesome musician of his own right Is scene Him About 20 times They do perform the black page Along with many others that are very very difficult to play but a lot of fun
@@kevengreene317 I’ve seen Dweezil a few times with Zappa Plays Zappa. It’s a shame the way the family won’t let him perform with that name anymore or sell merchandise with the name.
@@jigilous agreed, I try to see Dweezil whenever he happens to come around where I live, and he never lets us down. It is a shame how the Zappa family has fragmented after Gail's passing. It really makes me sad.
@@jigilous I was supposed to go see him, but COVID came and that was scrapped. :/
Zappa needs too be recognized as a brilliant composer which he was!
Logical
*@Uncle Remus.* He definitively is, especially in Western and Eastern Europe.
Zappa was an arrogant asshole
@@marlon-jl4ge ya cause you were close to him that’s how you know this!😂
He was last shit
Finally !! The Black Page is so Petrouchka in a dystopian world. It’s my favorite FZ composition and I have been listening to it like a mantra for 40 years.
I agree with you. I always had Peaches in Regalia in my head as a personal theme song.
What about the dog breath variations
Same here.
I'm absolutely positive - Frank would love this so much!
This is Pure Ear-Candy.
Zappa was a genius!
Few things match the excitement I get when I check my UA-cam feed and see Doug has put out another Zappa analysis video!
George Duke once said in an interview that rehearsing with Frank was way different than with other bands. George said normally it was; "see you next week" but not with Zappa. Rehearsing with Zappa meant 5 days a week from 9 to 5. Further on he said that he doesn't know how all the bandmembers managed it but it was by far the most complex music he played.
Now we're talking. I purchased the score from Frank when he was still with us from Barfko-Swill as a study when I was in college for music composition. I have never achieved his level of "statistical density," but absolutely adore his entire output. He did some very unique reinterpretations of this piece over the years. I love the "new age version" from "make a jazz noise here." Can't wait to see Doug's face when he hears this.
It's hard to keep up with all the posthumous releases, but it's been worth it.
I did the same thing, I have a copy of the Black Page that I bought from Barfko- Swill will back in the day When Frank was still alive.
Mr. Zappa was basically a self taught composer/musician. The level of his genius is beyond words.
Way beyond words.
Finally exposing this masterpiece!! and sooo maaannyy more from the greatest composer of all times. RIp dear Frank
So complex, so challenging, yet so beautiful. He really was one of a kind. Miss you Frank.
Pretty cool getting to hear the later mix with the full ending! (smile) I needed to hear that today!
You should watch the whole Zappa Plays Zappa concert. Bozzio does #1 and then Vai joins Dweezil for #2. The entire show will blow your mind and change your life.
Epic performance! Monthly I watch this.
That means a lot to me. My brother and I produced and directed that live concert film.
@@francoislamoureux5149 that concert is simply perfect. You gathered a constellation of FZ and Mothers's epic musicians and it was all joy.
Where can i find it on YT?
@@clust11 search for Zappa Plays Zappa Black Page
Hey Doug! Thanks for this reaction video!
Can i say that the level of excitement in your eyes when you listen to Zappa is on an other level than usually? It is a joy to be able to see you discovering this musical magician. Thank you for sharing this journey publicly. I'm sure that as a composer you will only have a lot of fun with Franks music. He truly was one of a kind, an expression too frequently used nowadays. Zappa cannot be compared to anything else, it doesn't fit into categories or genres. It is a genre in itself (if you want to stick to a concept of genres, that is. Something i don't like to do personally). Long live Zappa, long live Doug!
At the first rehearsal of Alexander Borodin's Symphony #3 in A Minor, most of the musicians had never seen a 5/8 meter. They couldn't get it at first. So the conductor told them to say "Rimsky-Korsakov, Rimsky-Korsakov" and that worked.
Post watch… in my opinion this is your best Zappa reaction yet, probably not to be topped. The request is perfect for that. Your insight was much more important here and I’m glad you offered it. That hasn’t been my reaction in other Zappa reactions, just being honest. But now I can see that you’re digging Zappa, and as weird as it might sound I get satisfaction from watching people become Zappa fans. Being a Zappa fan is like carrying around a beautiful secret that nobody wants to hear. Also, watching you read that music and hearing more about your career is impressive. Well done. Probably the best Zappa reaction I’ve seen yet, and trust me I’ve seen them all.
I agree 100%... I think it's because this has no lyrics - Doug seems to focus Way too much on Frank's "words" in the previous reactions...which impedes his appreciation of the music... he basically talked all over Inca Roads and Cosmik Debris - thus totally missing many of the beautiful musical complexities that are those pieces... I mentioned this in the comments section in both of those reactions... he did OK with Blessed Relief tho - again - cuz No Lyrics to "get in the way" of the music... ...LOL....
walking out for a breath of half time fresh air at a ZPZ show a few years back, met a stunned twenty something who was in a state of near apoplectic beautification whilst exclaiming ‘that was incredible, how on earth have i never heard this beautiful music before’
Great work explaining the rhythm!!! In traditional Hindu music they use a method of counting beats called Konnakol. It is especially suitable for complex rhythmic patterns.
Black Page always makes me think of the "musical communication" scene in Close Encounters Of The Third Kind
Perhaps not a coincidence as Steve Vai used that famous Close Encounters theme in the song 'Little Green Men' which was very much influenced by Zappa.
Ah, closet encounters of the turd kind, who could forget such an oevre?
Yeah with the flashing lights.
What amazes me the most is that behind the complexity there is a beautiful melody. If you repeat listen, in short time you will see yourself humming some passages. The 2021 Zappa documentary has Ruth Underwood playing it on piano, beautiful.
Little known factoids: the melody for The Black Page was first written for Eddie Jobson to play on electric violin (you can still hear violin in the live mix); the chordal harmony was added much later for the 'Zappa in New York' recordings to be played by the SNL brass and the Brecker Bros, with Ruth Underwood adding marimba to the melody. But the original version was just violin, bass and drums written as a technical challenge for Zappa's only four-piece band - Zappa, Jobson, O'Hearn and Bozzio. Zappa never played the composition himself.
Zappa not only expected his band to play what was written... he also expected them to watch his hand signals... He may signal for individual members to play different time signatures, make 'peep' noise or scream. He may signal a style change like swing or Reggae (half time or double time depending on how many strands of hair he twisted) etc. He had some insanely talented musicians over the years!
ETA:
Terry Bozzio was/ is just an amazing drummer!
Yup, all of that, and also generally to be able to improvise solos on their instruments, and his rhythmic section musicians to freely interplay to HIS solos. With some exceptions, some couldn’t read music, and some didn’t improvise at all.
When you started demonstrating the 7 I knew right off the bat where I'd heard that before -- another Zappa composition, It's in the middle of the Duke of Prunes suite on Absolutely Free. It's amazing when you have no musical education you know what you're hearing but just can't put it into words :D
The band that played on the Zappa in New York album (source Wikipedia)
F.Z - guitar, vocals, conducting
Ray White - guitar and vocals
Patrick O'Hearn - bass guitar, vocals
Terry Bozzio - drums, vocals
Eddie Jobson - keyboards, violin, vocals
Ruth Underwood - percussion, synthesizer and various humanly impossible overdubs
Lou Marini - alto sax, flute
Mike Brecker - tenor sax, flute
Ronnie Cuber - baritone sax, clarinet
Randy Brecker - trumpet
Tom Malone - trombone, trumpet, piccolo
Don Pardo - sophisticated narration
David Samuels - timpani, vibes
John Bergamo - percussion overdubs
Ed Mann - percussion overdubs
Lou Anne Neill - osmotic harp overdub
So yeah, some very high caliber musicians. You probably recognize few names from the SNL band that also performed in the Blues Brothers movie.
Patrick O'Hearn - bass guitar, vocals
Terry Bozzio - drums, vocals
Doug....I really enjoyed watching you read the music as it played....I bought this album when I was 15 in 1976.....I was alone in my devotion to this wild man with the killer mustache....his music led me to Jean Luc Ponty...Patrick O'hearn....George Duke....sooooo many talented artists over these 40 odd years...outstanding reaction and I'm now subscribed 😁 Thanks again !!!
This one I have to see! I've known about The Black Page for years, but somehow have never managed to listen to it. Terry Bozzio even mentioned it in a drum clinic he did in Fort Lauderdale back in 1998. Terry's a great guy. Very down to earth. I hope to watch this tonight.
I can't belive I never saw this vid!! Big fan of yours and huge fan of the Black Page!
Not being a person who plays any instrument or can read music this was still fascinating. I know what i like though and Terry Bozzio is one of my favourite drummers. Love his playing on Punky's Whips, especially given he's also singing it.
A fantastic song ~ one of my all time favorites!
Been waiting for this one. Great episode! Ive listened to this track for over 40 years and I learned quite a bit from your explanations. Thank you!
Interesting watching videos of Steve Vai talk about all the transcribing he did for Frank's music while Steve was still relatively young (17-18?)
That was really fun, I so appreciate the technical analysis. I've listened to many versions of The Black Page since it was released ( 40+ years !! ) but today I gained insight into it's meaning and purpose. Thanks Doug.
I met a bass player who had auditioned for him, and he said the entire audition was very professional. He sat down across from Frank at a music stand. He opened it up to Bartok and Frank basically said “ please play that backwards, transposed to D”
How did he do? How far did he get before Frank said "Thanks for coming down."
@@chrisogburn8240 he said he did it. Frank was gracious and gave full time. And he got a kind note thanking him for coming by but they chose someone else.
jordanfink8615: Holy crap !!!
So glad you got to this piece (both #1 & #2), not only an amazing test of musicianship for any performer as you explain, but also and amazing composition to listen to in it's own right. Loved watching your reactions as you travelled through the piece. Thanks Doug.
PLEASE WATCH RUTH UNDERWOOD PERFORMING THIS ON THE PIANO FROM HIS MOVIE LAST YEAR. Sorry to shout, but she interprets the piece in a way that makes it Frank's finest composition instead of just a show-piece
It seems to be no coincidence that the first recommendation when searching "Ruth Underwood" is "ruth underwood black page piano"
true beauty
Hello there! I'm following your channel for some time now and I'm glad because you throw a different perspective over some pieces of music. Now, because of a Steve Vai concert I'm going to attent to in april (Bucharest, Romania), I'm watching everything I can put my eyes on UA-cam and I've remembered of an interview Rick Beato took to Steve Vai 5 years ago and in that interview Steve mentioned "The Black Page"...! That's the moment I've stopped the interview and started to look for the piece I didn't know anything about and, instead of listening to itself, I've chosen to watching you reacting to this amazing piece of music. Once again, thank you for your time and lecture!... Peace and Love (like Ringo use to say...)
It's great watching you listen to Zappa, the joy in your face!
And I will keep suggesting Sonny Sharrock/ Last Exit for Weird Wednesday. It's Jazz like you never heard before.
Yeah, now that’s what I call music
it is not strictly jazz it is a mix of free jazz and rock and from a composers reacting view Helvering doesn´t care about performance ..little to analize ...Henry Cow would be more interesting or some Braxton visual scores......
@@jabu003 You make a good point, however they did have the one studio album and it's 'free' aspect is what I think Dr Doug might find interesting.
Wow! This my favorite reaction you’ve posted! As a musician, I totally dig the way you broke down subdivisions. Great to see a composer appreciate the brilliance of FZ!
I'm only a casual Zappa fan (if there is such a thing) but this is the best episode yet, Doug. Well done.
Bravo for your expertise, it’s very interresting, thank you for your work. I just want to tell you that I’m 57, been a Zappa fan since the age of 13, saw him twice in France in the 80´s and I never got bored, more, I know all the albums and I am still amazed by the man.. keep on reacting!
Doug, journey through this masterpiece with you was like riding a roller coaster in the amusement park. Thank you for this joyful experience, I haven't ride one before =)
In my second year of high school music theory my instructor gave me a quadraphonic 8-track Frank Zappa's apostrophe album. My musical life was changed forever! So 1983 what's the year I graduated from the Beatles and Black Sabbath and made me a Frank Zappa fan 4life. Keep it up kind sir, love your Channel
BP #1 begins sounding like a Thai Gamelan piece! Can not imagine counting this, much less sight reading it. To say he had fantastic musicians is a gross understatement. Can you imagine going to a tryout? His auditions were legendary. The video of his drummers convening for a discussion of working for Frank is so worth watching.
Thanks for this reaction, I had a smile on my face throughout both pieces! It was definitely a fun one!
Frank's main early influence was Edgar Varèse and Igor Stravinsky....I strongly suggest you listen to the album Orchestral Favorites....from a 53 years and counting long fan of Frankie Boy....
I would add The Yellow Shark, I think it was the orchestral project Frank was more satisfied with.
@@HakanTunaMuzik I have yet to pay proper listening to Civilization Phase III, but if I’m not mistaken it’s mostly done on the sinclavier, not played by an orchestra.
@@HakanTunaMuzik Got you. It’s not ensemble musicians playing the parts though, but sampled through the sinclavier, in case you didn’t know.
@@dago87able It's like leftover recordings from Lumpy Gravy mixed with synclavier. I still haven't listened straight through. Not even really too familiar with it. But I know all the Roxy performances by heart.
Ruth Underwood, in the recent Zappa movie, played this perfectly on the piano. It is awesome.
@@tenebrae23 Oh yes, indeed, what a golden moment in the film, I think I cried, so gorgeous.
Same with me, some Zappa I know by heart, even some of the intricate stuff; it’s part of my musical education (I mean from strict listening, I don’t read music).
Learning so much listening to you teach rhythms and this is an amazing piece to work with.
On his introductory speech during the live version on Zappa in New York (1979), Zappa says:
“This song was originally constructed as a drum solo…. Now, after Terry learned how to play ‘The Black Page’ on the drum set, I figured, well, maybe it would be good for other instruments. So I wrote a melody that went along with the drum solo, and that turned into ‘The Black Page, Part 1, The Hard Version.’ Then I said, well, what about the other people in the world who might enjoy the melody of ‘The Black Page’ but couldn’t really approach its statistical density in its basic form? So, I went to work and constructed a little ditty which is now being set up for you with this little disco-type vamp…”
That was the best evaluation of Frank I have heard. A shame others could not fathom it.
17:40 "I can never be the same" that's what happened to me when I heard this song and many other Zappa creations same with my friends at high school back in the 70's
Frank has a lot of wonderful spice in his music. It's been about 40 years since I first heard Frank on the Dr. Demento show as a 12 year old boy. Now at 52 he's still my absolute favorite musician. There is a lot that I respect about Frank but most of all I think it's his devotion to be himself and not give a rats ass about what other people thought about him or what he did.
that was fun. thanks! #1 was Steve Vai's intro to FZ, the composer. i had a guitar teacher who told me that story and then loaned me his vinyl of the concert with sheet for The Black Page #1 (1987) and, i still hear layers and lessons listening. I also enjoy reactions to FZ. precision in time and the space it creates is brilliant.
Frank considered himself a composer first. That’s important to know. He spent his entire career working and writing so he could hear a full orchestra play his music, on his dime. He achieved that late in his career, while he was sick. So yes you are right, he took the approach of a classical composer. I write this before listening here. Have fun!
FINALLY - thank you! I've only been griping and hounding you for about a year
Sooo sad that the "Duke Ellington" old style jazz part at the end was broken off. I just love that transition
So glad you finally got to the Black Page! I have several comments:
1) To me the piece is very musical and beautiful even as complex as it is. I've seen comments from some of how it is random noise; but to me, I find it repeating in my head as I think about it later. A lot of Zappa's music is like that for me.
2) There is a UA-cam video "The Drummers of Frank Zappa" with Ralph Humphrey, Chester Tompson, Terry Bozzio, Chad Wakerman, and Ruth Underwood. In this video someone talks about how they would try to approximate some of the complex rhythms by using slightly different rhythm counting to make it easier to play. Ruth would call them out on it saying you are playing it like this, while actually is should be like this. So for at least some of the musicians (or most or all of them) they were playing exactly what was written, not an approximation. It's long (like 40 minutes" but really gives you an inside scoop to the drumming and rhythmic nature of Zappa's compositions.
3) Frank stated that Steve Vai was the most accurate in terms of getting the rhythms exactly right of all of his guitar players. In fact, Steve used to transcribe music for Frank, and he wrote a paper on how to play nested tuples. www.vai.com/tempo-mental/ Check it out!
If you want to watch something funny, find the UA-cam video of Steve talking about the time he interviewed to be in the Zappa band! ("Well, I think that Linda Rondstat is looking for a guitar player!") Also there is a cool interview on UA-cam with Rick Beato and Steave Vai and they talk about Frank for quite a bit. Also long at about 40 minutes but also very interesting.
4) Another fun UA-cam video is Vinnie Colaiuta which includes talking abut his interview with Frank Zappa. They pulled out the Black Page sheet music and as they were placing the music on his stand to test his sight reading he was playing it with one hand. They quickly took it off realizing OK obviously you can play that but now try something else!
There is another fun story somewhere about one of his drummers playing the black page with one hand while initially sight reading it and eating sushi with the other hand. I think it was Terry Bozio watching this in disbelief as it happened...
Have you done "The Grand Wazoo" from the album of the same name? How about "Big Swifty" and "Waka Jawaka" from the "Waka Jawaka" album? Still want to hear you do a reaction to the Berklee School of Music Zappa Medley!
Cheers! Regards! Thanks again!
The Vinnie stories are 1) he had already transcribed and memorized The Black Page well before the audition, so Zappa had to give him another piece to audition on, I think it was Pedro's Dowry; and 2) Frank wrote an even more difficult piece than The Black Page, called Mo N' Herb's Vacation, which Vinnie sight-read while Bozzio, Vai, etc., watched. Vinnie started playing one-handed in order to turn the page, then he switched hands to grab a piece of sushi, then he switched hands again to push his glasses up, before resuming using both hands.
A short but interesting story is Chad Wackerman's audition. Frank asked him, "Are you a good sight-reader, or are you a phenomenal sight-reader?" That must've been intimidating, especially knowing that you're replacing arguably the best sight-reader ever in Vinnie.
Black page(s) is amazing watching live. Especially with Terry "animal" Bozzio on his massive drum set, and of course rest of the band when they come in. A (live) video series well worth watching is "Zappa - a token of his extreme", not just for the excellent numbers but also to watch Frank control his band and how better be paying attention constantly!
Yes, imho that's the best Zappa stuff available in video format
Thank you for this, what a treat!
Probably should be a masterpiece Friday selection, but I'll take it!! Have fun, Doug!!
Masterpiece Mondays?
It is a masterpiece. I don’t think most people know what a great composer he was. They think of him as this guy who wrote weird novelty pieces.
Love how you break things down passionately into something more understandable. Thank you
You are GREAT Doug, it’s really interesting and also a lot of fun to listen to your passionate analysis’s!👍🙂 And since I love the music of Mr. Zappa so much I strongly urge you to return to him ASAP!!!🤪
I second that!!
Love your enthusiasm mixed with your deep knowledge of music.
Thanks for tackling this Doug. Its fun to watch you so fully engaged in a piece. It requires all the braincells to be firing!
Zappa Plays Zappa : The Black Page #1 & #2 Incredible .
FYI Zappa LOVED improvisation and spent much of the concert giving himself and his band time to improvise, but at certain times for solos.
Yeah, it's more about getting the best of both worlds.
And he'd record those solos and insert them into new pieces ("Xenochrony"). Almost all of the solos on Joe's Garage had the song written around them.
Thank you! Improvisation and experimental procedures were part of the performance of compositions that sounded absolute. Oddly or sadly this element is either missed or purposefully excluded by ZFT.
A couple times I've heard Doug say something along the lines of, "Now I've heard it and I can never be the same." That's the Zappa experience.
Frank always had some of the greatest musicians to ever grace the planet.
The Black Page was originally written for Terry Bozzio, as a drum solo. To me it's more of a drum composition.
Don’t forget about the great Ruth Underwood on percussion.
The melody was originally written for Eddie Jobson on violin (his second instrument).
Love your approach and enthusiasm Doug. Thanks.
Really enjoyable watch as usual!! Still hoping for some heavily composed Phish one of these days. One of the few bands that take a lot from FZ. Keep up the great work!
YEM
I really enjoyed this and got a lot out of you following along. Singing out the notes and using the mouse. It was very helpful in bridging sight reading visuals to hearing the piece. Count out the rhythm was not only entertaining, but educational for me. Glad you do what you do, my good man. Looking forward to more!
Somehow becomes an elegy in the Piano Version arranged and played by Ruth Underwood. My favorite version. I favor it.
Didn't know it, looked it up, thank you..
This was brilliant Doug thanks! You were doing a pretty good job of following it first hand.....I would love to see what you make of some of Frank's "actual" classical compositions for example from his classical "Yellow Shark" album the tracks "Dog Breath Variations + Uncle Meat" or "Outrage at Valdez" are both amazing orchestral pieces that I think you would really enjoy..... anyway great analyses as always!
Supposedly this took Bozzio a couple of weeks of casual practice to master, while Vinnie Colaiuta played it by sight!
...Vinnie actually transcribed this - while at Berklee (before computers/internet) - and learned to play it by memory... When He auditioned for Frank, He threw this music in front of him, and asked him to play it ("sight read" it)... Since he already knew it from memory, he pretended to read through it - and before he was finished - Frank pulled it from the stand, and exclaimed...(in that "Frank Voice"), ..."OK, you obviously CAN read"... and after a few other tasks, he told all the other auditionee's that they could go home... Vinnie got the gig!!!
@@kjc9trader491 That said - Steve Vai said that Vinnie is " _one of the most amazing sight-readers that ever existed on the instrument_ ".
According to Vai, Colaiuta sight-read the even more complex "Mo 'N Herb's Vacation" and played it while grabbing and eating a piece of sushi at the same time.
@@d5uncr Yes ! I saw/heard that too...
Still one of the greatest things I’ve ever heard, and still brings me close to tears after all these years.
God bless Frank Zappa.
The King.
Doug, Frank is the the Mozart, Beethoven etc (pick your classical favorite ) composer of contemporary music in my opinion. He is a composer, conductor (what some of his videos conducting) accomplished guitar player with a gift for the obsurd in the rock era. Frank is THE most interesting and utterly unique musician that I've ever heard, and I'm glad your finding this out. Watch the Zappa documentary that was put out last year by Alex Winter ( Bill & Ted fame) and you'll see what I mean and love him even more. He was also an intellectual even though his lyrics and on stage antics would make you think otherwise. I don't like everything he's done but there is so much of it you'll always find something new and wonderful with him. I think over 30 years or so he put out like 60 or 70 studio records and 57 posthumous ones for a total of around 120, and that's not including the live ones. So you could listen all your life and probably not get to all of them. Keep up the great work and I'm telling you that your on the verge of being a Frank superfan because of your music background. Keep up the great work!
Frank did not like Beethoven nor did he like Mozart, not an appropriate comparison.
@@ChromaticHarp interesting perspective, I guess if in MY opinion you reminded me of someone you disliked, MY expressing MY opinion would be inappropriate? I think you might have meant to say you disagree and then make an argument, but the fact that Frank disliked those composers isn't really an argument now is it? As a matter of fact Frank would protect my right to say it and your right to disagree, but it's certainly not inappropriate and there are far to many actually inappropriate things on the internet but this is not one of them.
@@swirll360 No argument at all, it seems you’re really put off by my comment, which was not my intention. I was just stating something that FZ said. No one is trying to control your right to freedom of speech.
Doug, what a masterclass this video has been. To hear you talk about the music is so rewarding and enlightening and was so interesting to understand your teaching principles. An absolute joy to view. All the best from Dave from the U.K. ✅✅
Nice one Doug!
BTW, do a search for "Vinnie Colaiuta Recalls Brutal Zappa Audition, Reveals How Much He Was Paid" to learn more about how Zappa auditioned people.
Vinnie is the best drummer ever, IMHO.
Steve Vai on Vinnie Colaiuta
"I was just enamored with Vinnie. Back in the Frank days, his whole approach, when I heard Vinnie play, his phrasing - it satisfied something in my heart. It was easy to get certain rhythmic gratification from straight up-and-down-type players. Playing grooves, alternate grooves here and there. But Vinnie just came in and threw a wrench into the works. The guy is an alien. He was able to touch buttons with his sense of polyrhythms that no one has ever done. Frank's band was the perfect soundboard for that. I started transcribing his playing for The Frank Zappa Book. I mean, there's five to six different notations for the hi-hat!" [laughs]
"I'll tell you a really great Vinnie story. He's one of the most amazing sight-readers that ever existed on the instrument. One day we were in a Frank rehearsal, this was early '80s, and Frank brought in this piece of music called "Mo 'N Herb's Vacation." Just unbelievably complex. All the drums were written out, just like "The Black Page" except even more complex. There were these runs of like 17 over 3 and every drumhead is notated differently. And there were a whole bunch of people there, I think Bozzio was there."
"Vinnie had this piece of music on the stand to his right. To his left he had another music stand with a plate of sushi on it, okay? Now the tempo of the piece was very slow, like "The Black Page." And then the first riff came in, [mimics bizarre Zappa-esque drum rhythm patterns] with all these choking of cymbals, and hi-hat, ruffs, spinning of rototoms and all this crazy stuff. And I saw Vinnie reading this thing. Now, Vinnie has this habit of pushing his glasses up with the middle finger of his right hand. Well I saw him look at this one bar of music, it was the last bar of music on the page. He started to play it as he was turning the page with one hand, and then once the page was turned he continued playing the riff with his right hand, as he reached over with his left hand, grabbed a piece of sushi and put it in his mouth, continued the riff with his left hand and feet, pushed his glasses up, and then played the remaining part of the bar."
"It was the sickest thing I have ever seen. Frank threw his music up in the air. Bozzio turned around and walked away. I just started laughing."
Io1564Jupitermoon:
I never saw this interview before (I thought I've seen/read/heard EVERYTHING regarding Vinnie/Frank)... Thank You!!!
When you discover that Edgard Varese was one of Frank's favorite composers (if not his favorite), his compositional style and approach to music becomes much clearer. He was an effing genius composer. I still miss him being in our plane of existence ... but his music lives on.
I remember hearing Terry Bozzio saying that he added the HiHat to help him getting through the piece. So, originally it wasn't there. The melody is very nice, there is a piano version (Ruth is playing it ;) ) that reveals the beauty of it best. That is what I admire the most, complicated, yes, but also beautiful - happens a lot in Zappas music.
Absolutely true, the piano version is so beautiful and made me appreciate the other versions more as well
I love hearing you talk about the music Doug. Giving us insight on what we are listening and you present it in an understandable way. All the best!
Interesting to note, what takes other people years at college to learn, Frank just taught himself at the library 🤷🏻♂️ That dude...
Quelle incroyable et belle musique, FZ nous manque tant...
Greetings Doug. As much as I love Frank Zappa and appreciate your reactions to his music, I'd like to introduce you to another form of music that I find captivating and encourage you to explore the group Return to Forever. A good first go would be the track "Duel of the Jester and the Tyrant" from their "Romantic Warrior" release. Musicians are: Chick Corea, Al Di Meola, Stanley Clarke and Lenny White. There are tons of great music for you to discover created by these excellent musicians.
Love Romantic Warrior. Great shout out. Return to Forever is phenomenal. Stanley Clarke is a beast obviously I’m a bass player lol no one likes the bass player.
@@joemartucci4786 Don't sell yourself short. I am quite sure that I am not the only person who appreciates bass players. Though you are not always in the spotlight, the music is not complete without you. AND, you are often given the opportunity to show your stuff. Again, I am one who appreciates the talent. I am an armature guitar player of 40 years who always knew I was a bass player at heart. 😉 As far as Return to Forever is concerned, anyone wanting to experience them at perhaps their best should get the Blu-ray of their concert Live at Montreux in 2008. (no affiliation with no dog in the race) Edit: And Stanly Clarke gets to show his stuff. 😉
or THE CHICK COREA ELEKTRIC BAND....
I personally like when you sing along , I can focus on the notes while you keep me in time. Awesome video!
Thank you for doing this song, it really takes me back. Great reaction.
Check out Waka Jawaka when you get a chance, you'll love it.
Thanks for doing this.. One of my Zappa faves!
Ive always thought that this sounded like the soundtrack to a crazy dream.
I always thought thingfish was that
Thank you Doug, I have a sense that you really connected with this and enjoyed watching your process. Your explanation of time subdivisions, especially when you get to 5 and 7, suddenly helped me to connect the dots between this music and Indian tintals and other Zappa music and Stravinsky… rhythms which to me had sounded like the clatter of doing the dishes before this video. Familiar and yet daunting to decipher on a written sheet. Keep the weird stuff coming. It’s not weird.
The pedestrian hi-hat that you mentioned was not written by Zappa. It was added by Terry Bozzio, probably as an aid to keeping his place among all those tuples. Frank and Terry both liked it and Frank decided to keep it in. It's always been one of my favorite parts of the piece as it shows so clearly how the drum hits slide back and forth in amongst the straight beat. Pure genius all around!
Praise should also be given to Ruth Underwood for her contribution on other percussion instruments.
IMO - the steady HH pulse with the left foot was the hardest thing about playing this - I had the most trouble with that initially when I learned this (at Berklee in the early 80's)... It was the last thing I did - I could play it all pretty well at 1st - except for that friggin HH pulse... after many months of shedding - I did finally get it all tho... Then I would play it Daily - so It was ingrained into my head/body!...
Ruth Underwood changes clothes in a phone booth. She's not from here. ❤
Always a pleasure to hear you speak and I appreciate your musical knowledge here too. I really enjoyed your explanation of the drills and exercises you teach at the very technical level.
Important to remember that FZ started as a drummer...
Watch Zappa on the Roxy Movie and half the time he is playing his guitar like a drum...
@@DWHarper62 and that INSANE rhythm section solo take of Cheepnis. Just bonkers. Ralph Humphrey needs more respect.
@@ClichéGuevara-2814 The Roxy IS a drummer's movie... at one point, essentialy 4 drummers on stage... and that Cheepnis rhythm take is spectacular.... I attended the premier in Los Angeles a few years back with a discussion after with Ralph Humphrey and Bruce Fowler and Ahmet and Joe Travers...
@@DWHarper62 *not overly reverential bow* It's been an honour, good sir.
The first time I heard this piece was in Make A Jazz Noise Here, still my favorite version of it.
Well, it's true that Frank Zappa wanted his music played as he had written it, but it's not true for all his pieces. He gave his musicians room to improvise in some songs, sometimes even lyrics (Ike Willis was his favorite in that respect). Some music, like King Kong, was actually made to give everyone in the band room to improvise. Zappa knew that to maintain discipline he had to give the musicians freedom too.
Or "Approximate"--which, true to its title, had notated rhythms but almost no specific notes!
Really well presented, Doug! So much fun. Thank you. :) I love the multi-syllable technique for counting odd times. I'm stealing that.
"The cool thing about it is, it's so hard, it's difficult to see if they're actually doing it right" D. Helvering
UA-cam guitar players: FLIGHT OF BUMBLEBEE @999BPM
Hi doug, I send you my best from Germany. I love Zappa's music. And I really like your reaction videos. I hadn't heard Zappa for some time that intensely. I was a bit more into Glasper and Chris Dave lately. But now I went to the local record store and had my LPs washed. Zappa LPs, that is. Thank you very much for that. But. One thing I would like to add, especially to your reaction on this video. Zappa himself mentions the statistical dancity of the No. 1 solo on the Live in New York LP and as a drummer I would like to add that I understand the attraction of those words. But still, I think that sometimes I forgot that those songs were also just pretty good 'songs' with fantastic melodies. But maybe it's just that I heard the stuff so often, that I can whistle along those lines in the car.
Can we just admit that Frank Zappa was a true musical genius? I truly hope that a 100 or so years from now (unless the world destroys itself before then) holds Zappa to the level of classical composers who are still admired. Is he even in the Rock & Roll Hall Of Fame? If he isn't, the fact that Eminem is more than likely going in this year is a true insult. Though I really do not consider Zappa rock but neither is Eminem. Then again how many bands who name Judas Priest as a major influence are in there but, Judas Priest isn't? 🤔
He is.
Zappa was inducted in 1995.
@@mournblade1066 Okay, thank for the info.
Love those pieces! But never more than today, watching you, inform me with your understanding. Thanks