The biggest issue i am having currently is that i cannot silence tracks temporarily without turning the gain all the way down losing where it was previously set. I was able to do this on the F4 and it makes checking on the positioning of radio mics on set too tedious. Hoping to find a solution otherwise i will be sending it back!
Chances are the noise is introduced before the recorder. Test your F6 with a short XLR and hand held mic that you know works well, and from there introduce môre equipment until you figure out the cause
Have you ever taken a 1/4” feed(s) from a sound board? Since it only has XLR inputs instead of combo inputs like other devices, I’m curious if line level can be sent and received through a male 1/4” to male XLR from the sound board to the F6 input(s) or is a DI box is required?
Hi, It's in the back of my head to get an f4 or an f6, what are your experiences, which do you like better? Also is it possible on the F6 to send a momentary slate tone out for sync like on the F4 or the tascams?
I think the F6 is a better device than the F4, it does have time code out yes. The only drawback is tiny controls that feel crammed. If you get the Bluetooth adapter and hook it up to an iPad you get a nice mixer experience and can change all the settings from the app as well. Great for more stationary gigs
Appreciate the recording walk through, seems pretty straight forward. 👌🏻
at 12:50, it’s called an attenuator cable
Nothing visible you should keep F6 screen closer to the camera
Thanks for making this video! The ZOOM F6 has a lot of options and it is hard to understand everything. :-)
If you were to send the audio to a (4-channel) headphone amplifier, would you use the line-out, or headphone out?
how would you record 4 or more wireless receivers,, it doesnt seem nice to have 4 receivers dangling from cables to the f6
did you apply any noise gate? I am listening via in ear and there’s no background noise at all, how did you do it?
The biggest issue i am having currently is that i cannot silence tracks temporarily without turning the gain all the way down losing where it was previously set. I was able to do this on the F4 and it makes checking on the positioning of radio mics on set too tedious. Hoping to find a solution otherwise i will be sending it back!
You can change the routing in menu > output > headphones > routing and deactivate the tracks you don't want to monitor
That's too long-winded for mid-boom operation. I need the buttons the F4 has.
Hey thanks for this, i think you missed the timecode sections though ?
Very informative, thanks for the video
yeah, I got a TON of noise floor and hum using this on set?????? Any ideas guys?
Chances are the noise is introduced before the recorder. Test your F6 with a short XLR and hand held mic that you know works well, and from there introduce môre equipment until you figure out the cause
When that happened to me it was a bad cable
How do I monitors multiple channels on my headphones?
zoom operator🎶🎶
Have you ever taken a 1/4” feed(s) from a sound board? Since it only has XLR inputs instead of combo inputs like other devices, I’m curious if line level can be sent and received through a male 1/4” to male XLR from the sound board to the F6 input(s) or is a DI box is required?
Does Zooms Automix damage the raw footage?
Do you have a link for that audio cable mentioned at 12:50 ?
Thats just Trs to trs (ep to ep) cable
link me that cable please
Hi, It's in the back of my head to get an f4 or an f6, what are your experiences, which do you like better?
Also is it possible on the F6 to send a momentary slate tone out for sync like on the F4 or the tascams?
I think the F6 is a better device than the F4, it does have time code out yes. The only drawback is tiny controls that feel crammed. If you get the Bluetooth adapter and hook it up to an iPad you get a nice mixer experience and can change all the settings from the app as well. Great for more stationary gigs