This was so beautiful, both the dance and the underlying talk. I loved every piece of it. I just realized that CI has a very own sense of humor... Even the audience was alive and I could feel direct communication and contact. I recently meditated on something and it had to do with contact improvisation. To be honest, I want to learn this dance with my whole heart and teach others!
Absolutely beautifully well done. superb commentary and movement . Contact improvisation is for me, by far one of the greatest experiences in dance/movement . thanks for putting this on you tube. .
contact improvisation is not a perfomable art, it is ephemeral and transitory, it is anti-traditional-dance form in many ways, but obviously you can say that it is
This was so beautiful, both the dance and the underlying talk.
I loved every piece of it. I just realized that CI has a very own sense of humor...
Even the audience was alive and I could feel direct communication and contact.
I recently meditated on something and it had to do with contact improvisation. To be honest, I want to learn this dance with my whole heart and teach others!
Absolutely beautifully well done. superb commentary and movement . Contact improvisation is for me, by far one of the greatest experiences in dance/movement . thanks for putting this on you tube.
.
and thank you!
Really enjoyed watching and listening.
Martin Keogh and Ray Chung, performing on Contact Festival Freiburg 2001, filmed by Marina Konovalova
Thanks so much for this! I found it just as my friend and I are working on CI for performance.
thank you Martin
😅😅😍Quiero bailarrrrr, volar!
"stick to the form" or remain within normative aesthetics standards?
2:21 shoulder roll
tune the audience to them - necessitates having performance practice
yes
2:13
contact improvisation is not a perfomable art, it is ephemeral and transitory, it is anti-traditional-dance form in many ways, but obviously you can say that it is