Applause from the other side of the world. The presence of Natalie as a conductor seems an embodiment of overwhelming authority that transcends artistic excellence, technical proficiency, and interpretative depth. This singular presence, in itself, suffices to warrant her an elevated appraisal, surpassing the conventional metrics of artistic and technical evaluation. It emanates from an intricate synthesis of profound understanding and fervent passion for the art form, thereby instilling in both the audience and performers an indelible impact and adeptly conveying the quintessence of music and eliciting profound emotional responses from the audience.
Great Bruckner conductor? She has no idea about Bruckner and you can hear that on this video... So weak and empty, meaningless. Never like great Maestros as Jochum, Wand, Giulini, Asahina, even Thielemann.
@@felixdavidsalas It is a matter of preference I guess. I read that many critics in Bruckner's lifetime did not like his music. Many people think Maestro Stutzmann is a great conductor and I am one. I have attended every concert she has directed in Atlanta, 14 to date. I look forward to the April German Romantic series as well. I am not that familiar with a lot of the conductors you name but very happy Maestro Stutzmann is in Atlanta.
@@cbr0wn25l No, it is not a "matter of preferences" and we are talking about standards on Bruckner's music performace, not about if people like Bruckner or not. Glad that you enjoy this weak conductor, but the truth is she doesn't have any idea about Bruckner ideal... And this sounds bad!
@@felixdavidsalas Interestinly the Bruckner 9 I heard in Atlanta had more of what might be called raw energy. It was very intense. The movement on the video posted here has a different quality. I am not a critic nor a musician. But preference does matter. We support the musicians via our attendance and applause. That matters..
@@cbr0wn25l I miss old times when quality and not sympathy was the reason to support musician and conductors. However, I'm sure she's doing his job in Atlanta professionally, thats the important thing for organizations and communities.
now very moved am I in that I consider this another sign of my Mama Natalie - my nigthingale - ( of course I do not forget Mama Nathalie and drop a curtsy in front of her... ) and now comes my unrivaled exegesis... ...I think Mama did choose because of the marching motiv that has its tonic centre on the < d > ( ...now d... ...like Daniel... ), to stress the forward movement in my calamity, so we can be together veeeeeery soon, to find out about the rest... Le p'tit Daniel, just hold on some few more moments in time, my little Princess, so we can find out, if we are made to live on as one, if you want me to be the light on your side!
@@petereden9224 If you think that this interpretation of Bruckner's Ninth Symphony is great, you seriously need to listen to other better recordings of this piece. This interpretation, Nathalie Stutzmann makes the Scherzo sound like Mendelssohn. It can't be light and fluffy. It needs to be really big and heavy duty. It's such a bad interpretation with no character whatsoever. Listen to Carlo Maria Giulini's recording with the Wiener Philharmoniker and you'll see what I'm talking about.
Bruckner as a lightweight, without force and very nice sounding. You can do it that way if you want it to be transparent and easy. I don't like it that way at all. No power, the rhythm is too sluggish and the timpani is much too discreet as a powerful impulse generator. A pity!
@@The80sBoy The picture was changed; previously Beethoven stood there. Yes, there are good female conductors - Joana Mallwitz for example. But she wasn't supposed to conduct Beethoven either. Women are more suitable for feminine composers, such as Vivvaldi, Liszt, etc. Mozart could also be conducted by a few female conductors. Men shouldn't interpret female composers either...
Stellar and fiery perfomance which inspires!
The Accents! Really, really good! Thank you.
Applause from the other side of the world. The presence of Natalie as a conductor seems an embodiment of overwhelming authority that transcends artistic excellence, technical proficiency, and interpretative depth. This singular presence, in itself, suffices to warrant her an elevated appraisal, surpassing the conventional metrics of artistic and technical evaluation. It emanates from an intricate synthesis of profound understanding and fervent passion for the art form, thereby instilling in both the audience and performers an indelible impact and adeptly conveying the quintessence of music and eliciting profound emotional responses from the audience.
Love Bruckner! Top performance🎉
Bravo! So good!
Nice to see Kira Doherty from the Philharmonia depping on 4th horn.
Wow, this clip has certainly brought crazy commenters out of the woodwork.
❤ Συγχαρητήρια
Stutzmann sempre tão brilhante. 😍💖🤗
Maestro Stutzmann is a great conductor of Beethoven and Bruckner which is the video posted here. ❤👏
Great Bruckner conductor? She has no idea about Bruckner and you can hear that on this video... So weak and empty, meaningless. Never like great Maestros as Jochum, Wand, Giulini, Asahina, even Thielemann.
@@felixdavidsalas It is a matter of preference I guess. I read that many critics in Bruckner's lifetime did not like his music. Many people think Maestro Stutzmann is a great conductor and I am one. I have attended every concert she has directed in Atlanta, 14 to date. I look forward to the April German Romantic series as well. I am not that familiar with a lot of the conductors you name but very happy Maestro Stutzmann is in Atlanta.
@@cbr0wn25l No, it is not a "matter of preferences" and we are talking about standards on Bruckner's music performace, not about if people like Bruckner or not. Glad that you enjoy this weak conductor, but the truth is she doesn't have any idea about Bruckner ideal... And this sounds bad!
@@felixdavidsalas Interestinly the Bruckner 9 I heard in Atlanta had more of what might be called raw energy. It was very intense. The movement on the video posted here has a different quality. I am not a critic nor a musician. But preference does matter. We support the musicians via our attendance and applause. That matters..
@@cbr0wn25l I miss old times when quality and not sympathy was the reason to support musician and conductors. However, I'm sure she's doing his job in Atlanta professionally, thats the important thing for organizations and communities.
6:58
now very moved am I in that I consider this another sign of my Mama Natalie - my nigthingale - ( of course I do not forget Mama Nathalie and drop a curtsy in front of her... ) and now comes my unrivaled exegesis... ...I think Mama did choose because of the marching motiv that has its tonic centre on the < d > ( ...now d... ...like Daniel... ), to stress the forward movement in my calamity, so we can be together veeeeeery soon, to find out about the rest...
Le p'tit Daniel, just hold on some few more moments in time, my little Princess, so we can find out, if we are made to live on as one, if you want me to be the light on your side!
Too light throughout. In the tutti passages it needs to be earthy and heavy. This is missing.
But this this is exactly the perspective she brings to this music: transparency, no doubt from her huge contribution to Bach.
And that is exactly the wrong perspective. It's the new fad to play Bruckner lighter. Bruckner is not light.@@petereden9224
@@petereden9224 If you think that this interpretation of Bruckner's Ninth Symphony is great, you seriously need to listen to other better recordings of this piece. This interpretation, Nathalie Stutzmann makes the Scherzo sound like Mendelssohn. It can't be light and fluffy. It needs to be really big and heavy duty. It's such a bad interpretation with no character whatsoever. Listen to Carlo Maria Giulini's recording with the Wiener Philharmoniker and you'll see what I'm talking about.
Entschuldigen Sie bitte aber la Maestra dirigiert mit. Das Orchester spielt vollkommen allein. Das ist doch lächerlich.
Bruckner as a lightweight, without force and very nice sounding. You can do it that way if you want it to be transparent and easy. I don't like it that way at all. No power, the rhythm is too sluggish and the timpani is much too discreet as a powerful impulse generator. A pity!
Bruckner’s music is desultory and insipid. =Peace=
Frauen sollten nicht Beethoven dirigieren!
❓❓❓
This is Bruckner, by the way, not Beethoven, and women make great conductors.
@voenigs612 😂😂😂😆😆😉😂😂👎👎👎
@@The80sBoy The picture was changed; previously Beethoven stood there.
Yes, there are good female conductors - Joana Mallwitz for example. But she wasn't supposed to conduct Beethoven either. Women are more suitable for feminine composers, such as Vivvaldi, Liszt, etc. Mozart could also be conducted by a few female conductors. Men shouldn't interpret female composers either...
@@voenigs612 With respect, what utter sexist twaddle!