Thanks for explaining and critiquing the MV technically. I heard the birds were real. This is a multi-layered song that can be interpreted several different ways but fans see it first as a song about their 7 year journey as Mamamoo as they reflect back, stock of where they are and ponder where they're going from here. I like the way the MV separates the journey from their pressing questions by contrasting the shots of them at the camper in casual clothes with various other settings with them in the white dresses and other more fashionable threads. As usual in a MMM MV their solo scenes express the members' personal take on the theme of the song. Hwasa's shots recall her recent solo MVs, Moonbyul is seen at a crossroads and Wheein with books and records that inspire her as she contemplates her post-RBW solo career. Solar's scene where she's wearing the black dress in the dark mirrored hallway seems out of place at first glance. I think there might be clue about what she had in mind in the scene with all the spotlights. Imo that scene represents MMM surrounded by moomoos. Their love seems to lift the girls to the heavens as the song hits its climax. If the lights represent the fans then maybe they also do in Solar's scene. Perhaps she's feeling lost these days in a dark place where she can only see her stage persona as sexy Solar and can't find her way forward but she feels comforted by knowing that moomoos are there to support her.
@@snowfreezer2863 Thanks. I assume the video note is correct. It wouldn't be the first time a member was wrong about CGI in an MV. As I recall Hwasa said the jaguar in Egotistic was a cheetah.
In a video where mamamoo reacted to their own mv, byul explained that there was something else they were trying to get with the train tracks shots. The director (and byul) really wanted to catch a train passing below during filming that scene but the only time a train came by was when they were on lunch break... Typically, rbw (mamamoo's agency) uses zany bros to film the mv for all their artists, have been doing that since "decalcomanie" in 2016. This particular mv was done by hanbin, who had previously filmed for both hwasa's "lmm" and wheein's "water color"
love your insights..can you react to mamamoo "windflower" mv it was filmed in hong kong..most beautiful visuals for the girls and background sets artisitcally..love your insight as its paying homage to chinese cinema
The birds were real but they did use the same shot twice. It always seemed weird to me. Beautiful song. That scene inside the camper with Wheein sitting on the suitcase that stands out , I believe was intentional. At the time of filming the video Wheenin had not resigned her contract with RBW. It was a week after the video release did RBW confirm that Wheenin did not resign but signed a type of "extention" to her contract. ( i could be wrong on the dates though) Others have mentioned taking a look at "Wind Flower" a powerful song with great visuals. I have watched many reactions to it but there are a couple scenes that nobody seems to mentions what I believe the scene represents. Just want to see if it was just my take on it.
I wonder if you've seen LMM MV by Hwasa and Water Color by Wheein - they were both shot by this director HOBIN (and are the only three mvs done by him) I'd love to hear your review and also just because these solo songs are amazing!
Hey there, could I recommend a reaction to fromis_9 recent comeback "We Go"? It was a super enjoyable and unique MV, also in my opinion one of the best "pandemic-style" videos I've seen so far. Really like your reactions btw, thanks for the good content!
In terms of safety, I don’t remember seeing anything in the bts footage. My workers-rights brain gets REAL uncomfortable watching a lot of Korean stuff tbh.
Hwasa said in their reaction to the video (the first time they saw the completed MV, and the first time they each saw the others solo scenes) that she was scared to move as they had her standing next to the edge and nothing below her.
I’m not sure whether it’s because of the song but for me I wish you didn’t stop/start so much as I just wanted you to get the full feeling of the song first. But also you need a new chair or don’t move so much! The creaking is hella annoying.
Thanks for explaining and critiquing the MV technically. I heard the birds were real.
This is a multi-layered song that can be interpreted several different ways but fans see it first as a song about their 7 year journey as Mamamoo as they reflect back, stock of where they are and ponder where they're going from here. I like the way the MV separates the journey from their pressing questions by contrasting the shots of them at the camper in casual clothes with various other settings with them in the white dresses and other more fashionable threads. As usual in a MMM MV their solo scenes express the members' personal take on the theme of the song. Hwasa's shots recall her recent solo MVs, Moonbyul is seen at a crossroads and Wheein with books and records that inspire her as she contemplates her post-RBW solo career. Solar's scene where she's wearing the black dress in the dark mirrored hallway seems out of place at first glance. I think there might be clue about what she had in mind in the scene with all the spotlights. Imo that scene represents MMM surrounded by moomoos. Their love seems to lift the girls to the heavens as the song hits its climax. If the lights represent the fans then maybe they also do in Solar's scene. Perhaps she's feeling lost these days in a dark place where she can only see her stage persona as sexy Solar and can't find her way forward but she feels comforted by knowing that moomoos are there to support her.
Great comment! Pinned!
wait..but in mamamoo's reaction video on their main channel, wheein said the birds were real but the note said on the video its actually not real.
@@snowfreezer2863 Thanks. I assume the video note is correct. It wouldn't be the first time a member was wrong about CGI in an MV. As I recall Hwasa said the jaguar in Egotistic was a cheetah.
@@kudgeond755 no problem
@@kudgeond755 Not wrong but joking/trolling - they like to do that
Wheein is my ultimate bias in K-pop because of her voice and technique
Wheein being your favorite voice in the group....PREACH!!!
Me: clicks subscribe button immediately
In a video where mamamoo reacted to their own mv, byul explained that there was something else they were trying to get with the train tracks shots. The director (and byul) really wanted to catch a train passing below during filming that scene but the only time a train came by was when they were on lunch break...
Typically, rbw (mamamoo's agency) uses zany bros to film the mv for all their artists, have been doing that since "decalcomanie" in 2016. This particular mv was done by hanbin, who had previously filmed for both hwasa's "lmm" and wheein's "water color"
love your insights..can you react to mamamoo "windflower" mv it was filmed in hong kong..most beautiful visuals for the girls and background sets artisitcally..love your insight as its paying homage to chinese cinema
also that song windlfower is one mamamoo's favorite song and so underrated and the song is amazing
Wheein is my favorite voice too🥺❤can u react to wheein watercolor please
ur right about the briefcase but i also think that was the point. being it next to wheein kinda made sense in hindsight regarding her departure
The birds were real but they did use the same shot twice. It always seemed weird to me. Beautiful song.
That scene inside the camper with Wheein sitting on the suitcase that stands out , I believe was intentional. At the time of filming the video Wheenin had not resigned her contract with RBW. It was a week after the video release did RBW confirm that Wheenin did not resign but signed a type of "extention" to her contract. ( i could be wrong on the dates though)
Others have mentioned taking a look at "Wind Flower" a powerful song with great visuals. I have watched many reactions to it but there are a couple scenes that nobody seems to mentions what I believe the scene represents. Just want to see if it was just my take on it.
Nice to see you back.
Thank you for the reacting!
its a song of their 7 year journey together up and downs together
there are several objects in the van including the suitcase that represents their past music, The crown from Eclipse etc.
I wonder if you've seen LMM MV by Hwasa and Water Color by Wheein - they were both shot by this director HOBIN (and are the only three mvs done by him) I'd love to hear your review and also just because these solo songs are amazing!
Can you watch to Mamamoo's Wind Flower music video?
Can you please react to Mamamoo's windflower?
Hey there, could I recommend a reaction to fromis_9 recent comeback "We Go"? It was a super enjoyable and unique MV, also in my opinion one of the best "pandemic-style" videos I've seen so far. Really like your reactions btw, thanks for the good content!
In terms of safety, I don’t remember seeing anything in the bts footage. My workers-rights brain gets REAL uncomfortable watching a lot of Korean stuff tbh.
Hwasa said in their reaction to the video (the first time they saw the completed MV, and the first time they each saw the others solo scenes) that she was scared to move as they had her standing next to the edge and nothing below her.
they def were woman voices lol proved you are right
I’m not sure whether it’s because of the song but for me I wish you didn’t stop/start so much as I just wanted you to get the full feeling of the song first. But also you need a new chair or don’t move so much! The creaking is hella annoying.