How about the later Rubenstein recording. One of the things I love about Rubenstein is his unfussy approach. Most recent interpretations have too many gimmicks, and too little textual honesty. Everybody emphasizes originality over truth of text and claity. It's interpretive anarchy. One performance that comes to mind is of the Chopin Etude in G# minor, Op 25. The Young man played a left hand part staccato rather than the portato/portamento than Chopin clearly indicates in all original editions. Young pianists wish to highlight their skill. The man's intention was probably an effort to draw attention to his legato double thirds, which I regard as an ego driven proposition. Here, in this Waltz, Barenboim plays the section i g# minor muddier than I have ever heard, and does not repeat it. The brevity of this section begs the repetition Chopin asks for. Why on earth??? The performance therefore sounds truncated. It lost it's head!
Por muchísimos años, he escuchado a Barenboim, tocar el piano y dirigir orquestas, siempre supe que es argentino, pero hasta este momento nunca lo había oído hablar Español. ¡Que interesante!
He paraphrases Kissin, who, as a teenager, introduced it as "another Chopin waltz" before playing it as an encore. He was a little disappointed when the audience didn't seem amused.
It feel so crispy! XD 🤣 It feels like chewing chips. Articulation: Awesome Dynamic Surprises: Legendary Changes of musical stuff: How did he do that?!? Dynamic: Insane Confidence: ??? Combining emotions with music: ... Nani?!?
Kissin, 1997, Royal Albert Hall, the last encore: "Another waltz by Chopin", this piece Barenboim, 2000, Teatro Colón, one of the encores: "... tocar otro vals de Chopin (...another waltz by Chopin)", this piece
Una obra maestra realmente pero vaya a saber que pasaría por la cabeza del autor para haberla suprimido del catálogo de su obras a esta obra tan perfectamente lograda..misterio
Perhaps Chopin intended changes that he never got around to making. He expressly asked that all of his unpublished works to be destroyed at his death. He was known to having his works published separately in France, England and Germany at the same time. He had an excellent business head. He would have had a reason for withholding this piece, despite it's beauty. Great artists are like that.
Bravo ed in alcune cose, ma alcuni tempi non rispettano il teeto: il fFinale non è Presto ma Tempo I. La Barcarola non ha un carattere eroico ma molto più intimo.
Not gonna lie, this was a bit bad compared to other performances out there. Like Kissin's, just to name one example. No, I'm not going to sugarcoat it just because it's Barenboim. In fact, I rarely love his renditions.
I really love Barenboim! A great pianist!
God I love Daniel, he’s so colourful and playful in his performances but always maintains his professionalism
Absolutely beautiful. Gorgeous phrasing.
So crisp, yet full of orchestral color. Masterful.
Beautiful tone ,he is a great pianist ,this is very beautiful !!!!
never seen it played so well
後面太驚采了！❤❤❤❤❤❤
I think this is the best version of this song yet
How about the later Rubenstein recording. One of the things I love about Rubenstein is his unfussy approach. Most recent interpretations have too many gimmicks, and too little textual honesty. Everybody emphasizes originality over truth of text and claity. It's interpretive anarchy. One performance that comes to mind is of the Chopin Etude in G# minor, Op 25. The Young man played a left hand part staccato rather than the portato/portamento than Chopin clearly indicates in all original editions. Young pianists wish to highlight their skill. The man's intention was probably an effort to draw attention to his legato double thirds, which I regard as an ego driven proposition.
Here, in this Waltz, Barenboim plays the section i g# minor muddier than I have ever heard, and does not repeat it. The brevity of this section begs the repetition Chopin asks for. Why on earth??? The performance therefore sounds truncated. It lost it's head!
That is a great performance! I love the amount of dynamics Daniel put in the beautiful piece.
Best tempo ever💫
Por muchísimos años, he escuchado a Barenboim, tocar el piano y dirigir orquestas, siempre supe que es argentino, pero hasta este momento nunca lo había oído hablar Español. ¡Que interesante!
Beautiful tone!
There shouldn’t be any dislikes (opinion)
fact
Love it!!!
Barenboim es genial 🧔
🎉it is so good
Pls upload more like this. It's a treasure seeing him playing Chopin
Wow~~~ beautiful~~
Che fenomeno! Bravo!
Fascinating. Thank you.
Glad you enjoyed it ;)
⭐⭐⭐⭐🌟🌷
He paraphrases Kissin, who, as a teenager, introduced it as "another Chopin waltz" before playing it as an encore. He was a little disappointed when the audience didn't seem amused.
why was he disappointed?
Because they didn't get the joke.
sorry, what was the joke exactly? What was supposed to be funny about him saying "another Chopin waltz?" Sorry, I'm a little bit slow.@@cameliar2681
@@cameliar2681 what's the joke?
@@Mosil0The paraphrase itself.
Muy hermoso
It feel so crispy! XD 🤣 It feels like chewing chips.
Articulation: Awesome
Dynamic Surprises: Legendary
Changes of musical stuff: How did he do that?!?
Dynamic: Insane
Confidence: ???
Combining emotions with music: ... Nani?!?
Kissin, 1997, Royal Albert Hall, the last encore: "Another waltz by Chopin", this piece
Barenboim, 2000, Teatro Colón, one of the encores: "... tocar otro vals de Chopin (...another waltz by Chopin)", this piece
Love it
❤❤❤❤
hi i am playing this omg
I am too. It is so challenging 😅
Me encanta
Una obra maestra realmente pero vaya a saber que pasaría por la cabeza del autor para haberla suprimido del catálogo de su obras a esta obra tan perfectamente lograda..misterio
Perhaps Chopin intended changes that he never got around to making. He expressly asked that all of his unpublished works to be destroyed at his death. He was known to having his works published separately in France, England and Germany at the same time. He had an excellent business head. He would have had a reason for withholding this piece, despite it's beauty. Great artists are like that.
♥️♥️♥️
Lindos recuerdos. 🇮🇷✅✅
❤
AGAIN…Barenboim plays like a Good of music….
0:16
buenisimo
La musica de Chopin fue mi compañera en la pandemia .
Pero relacione la tristeza del momento con su musica y ahora me hace daño escucharlo
2:24 I hear the mistake from right hand.
This is a very nice tempo. Treat the "vivace" remark too seriously and you miss all the "grazioso"-ness :/
Ok
omg
Ain’t like you can play any better
Agree🎉
I agree. His tempo is excellent.
Me gusta mucho!
Did anyone hear him trip on the arpeggio at the end
0:14
0:21
► 00:15 ♥
Om zo licht te kunnen spelen ,
Talented at more than the obvious
Came here for jo yuri
Wdym?
0.22
Garcia Richard Robinson Sarah Gonzalez Susan
Who thinks it’s so good? Leave a like🎉❤
I liked my own comment😅😂
😂@chanemma7047
👍 but it is not good, this master class...very VERY Good😅
Barenboim looks a lot like Mourinho
He messed up pretty badly in the last part
What the……..
What do you mean
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?????
????????
???????????
????????
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對這首曲子陌生,所以最後的突然強奏快奏,有點適應不過來,但可做為訓練腦袋的機會 !
Bravo ed in alcune cose, ma alcuni tempi non rispettano il teeto: il fFinale non è Presto ma Tempo I. La Barcarola non ha un carattere eroico ma molto più intimo.
He’s old guy
Hes a legend
Not gonna lie, this was a bit bad compared to other performances out there. Like Kissin's, just to name one example. No, I'm not going to sugarcoat it just because it's Barenboim. In fact, I rarely love his renditions.
0:15
0:22
2:12
0:16
1:36
0:15
0:15