Thank you for your compliments! Using ochre or burnt umber as an underpainting enhances shadows, making them appear darker and more pronounced. This warmth adds depth and complexity, ensuring the final gray layers look richer and more dynamic
Congratulazioni. Lei è un vero e grande artista, con capacità tecniche strabilianti. Resto allibito di fronte a questi straordinari dipinti. Voglia gradire, assieme alla più sincera ammirazione, un cordiale saluto da un modesto pittore italiano. Gianpiero Bertolone
Thank you for your kind words! I’ll be sharing a complete tutorial this month, which will include my recipe for the glazes. Stay tuned for all the details!
can you add timestamps for the different painting sessions? so that we know what part was painting on which days, since you leave time between layers? thanks!
In the end, I completed the painting in four sessions. Each session focused on layering and refining different aspects of the work. This allowed me to build depth and ensure each glaze had the right effect.
This is such a beautiful painting !! 🤯🔥
Bravo une merveille !😮
So beautiful friend
Congratulations on your masterpiece. Please tell me why you put the first layer of reddish color if you had to cover it with gray anyway?
Thank you for your compliments! Using ochre or burnt umber as an underpainting enhances shadows, making them appear darker and more pronounced. This warmth adds depth and complexity, ensuring the final gray layers look richer and more dynamic
@@MINCHEN-QMIET Thank you very match
Congratulazioni. Lei è un vero e grande artista, con capacità tecniche strabilianti. Resto allibito di fronte a questi straordinari dipinti. Voglia gradire, assieme alla più sincera ammirazione, un cordiale saluto da un modesto pittore italiano. Gianpiero Bertolone
Amazing work !! Wow !😍
Thank you for this video ❤❤❤
Amazing work!
Would you mind sharing your recipe for the glaces?
Thank you for your kind words! I’ll be sharing a complete tutorial this month, which will include my recipe for the glazes. Stay tuned for all the details!
Very good!!
can you add timestamps for the different painting sessions? so that we know what part was painting on which days, since you leave time between layers? thanks!
I'm currently working on the tutorial version and have spent some time on it, but it will be updated soon. Thank you for your support!
Very nice. Three glazes? How long did you wait between glazes?
I wait at least 24 hours between glazes. This allows the underlying layer to dry sufficiently to prevent mixing.
What colors are you using in palette???
Maravilloso
In the end, how many sessions?
In the end, I completed the painting in four sessions. Each session focused on layering and refining different aspects of the work. This allowed me to build depth and ensure each glaze had the right effect.
@@MINCHEN-QMIET Thank you for the answer
Gracias sirvió de mucha ayuda❤
Nice!
thanks！
👍
Pprque si ,asi de sencillo
Extraordinaria!!!