Vittorio Storaro: Cinematography Masterclass

1-Hour Masterclass with legendary cinematographer Vittorio Storaro, ASC, AIC.
He has received three Academy Awards for Best Cinematography for the films, Apocalypse Now (1979), Reds (1981), and The Last Emperor (1987).
For educational purposes only. Non-commercial purposes.

[@tommiegreen]

Thought I was going to learn about cameras, ended up learning about life, Thanks!

[@clifford7594]

Got to work with Vittorio once, then with several other masters over time. No one compares. No one compares.

[@mvrz6]

Yeah sure 😂

[@AshishMistry2312]

He is my legend and I always love to hear him. Every single word of this session is like flowing energy in veins.🙌. Thanks for posting

[@Cinematographyofmarvin]

Master Vittorio will always be my teacher in cinema because I love each and every word that he says 🎥👍.

[@Cinematographyofmarvin]

Master Vittorio will always be my teacher in cinema because I love each and every word that he says 🎥👍.
1:49

[@thehouseinthemiddle6830]

This is pure gold. Thanks!

[@CareggiStudio]

What an inspiring lecture! A New Renaissance is about to begin thanks to the internet. The old way to make art is finally changing.
Thanks for sharing!

[@atsusonjr1385]

Very informative 💯

[@donhendricks3190]

Brilliant! So inspirational and enlightening. I have much to reconsider ... and my journey has begun a new chapter. Grazie Sig. Storaro!

[@swkaushik]

With Respect

[@otavioleitefotografia]

Simply great!

[@robertobuatti7226]

I love the movie Little Buddha it's so beautifully photographed, truly some breathtaking cinematography in it. As someone like myself that would love to learn cinematography this really interested me, he's very knowledgeable not just in cinematography but in Philosophy.

[@cuatrocaminos2067]

thank you maestro

[@fabriciodias7608]

Tanks for This

[@rupanjanpaul3612]

So informative and inspiring truly a Master.....

[@mikeGer87]

This man is a true artist! Thank you for sharing :)

[@Ingyar]

Thank you Vittorio.

[@culturallyunited3972]

Anthony Bourdain introduced me to Vittorio Storaro, I can see why he admired his work and I can see it now in Tony’s work. Two legends influenced by the other.

[@sejalshah6338]

GOD of cinematography

[@modshiftmotion]

Thank you for your wisdom. I love this.

[@flaviomontelli1305]

STORARO : THE MASTER.

[@AlbertoALeone]

I have enjoyed from start to finish grazie per averlo caricato su youtube I will bear thes words along my jurney. thanks for that !

[@galihfajarkusuma8375]

Thank you!

[@KhaldyFathy]

Legend

[@jaishankarms]

Loved it. Thank you for sharing.

[@roadcrewfilms]

Great !!!

[@maniveiszadeh8030]

Amazing!

[@brauliomorrison]

A+

[@Venkatahanuma]

Brilliant ❤

[@yosoyalbertico]

Thanks for vídeo

[@khairyjenkins]

Legendary

[@marlofilms6239]

The GOAT along with Deakins and Tolland

[@marcohowe1853]

Toland

[@SanderAM]

Conrad Hall

[@moonriverdiver]

One disappointment for me regarding Apocalypse Now 40th anniversary blu-ray and commentary by FF Coppola and wife in Hearts of Darkness is NOTHING about Storaro's cinematography (despite it getting an Oscar that year) . That film's main strength is its shimmering and moody filmic style. Same as with Last Tango in Paris. He has the eye of a Caravaggio and the drama of Rubens.

[@teamdharmaproductions9377]

Worthy of applause at 19:50

[@Noxlux527]

Wow

[@davemckay4359]

Maybe..mthe angle if a shadow somehow makebthe light hend in different rays fause it wantsbto go around, therefore you have particle

[@sanilalkuttimon1755]

😍😍😍😍

[@andremccree8937]

people always assume cinematography is about pretty screenshots. that's photography. not cinematography. most people have no idea what cinematogarphy is.

[@jas_bataille]

So you think that photography is about pretty screenshots?... Wow.

[@waflletoast11]

@@jas_bataille yes, as a cinematographer and product photographer i could tell you cinematography adds an extra layer of depth and dynamic range that makes it even more difficult.

[@MC_Theta]

@@waflletoast11 both are challenging in their own way.

[@humpfreylupin8292]

Love the CIA shout out at the end. When he’s reading up on Islam and then he gets a call about making a movie about Mohamed. But I don’t think his theory of vices in the ether explained that coincidence.

[@humpfreylupin8292]

*vibes
Also I’m not really a fan of his colour theory. It’s cultural. Whether purple means wealth or death or whatever. Some of it is a feeling from instinct. But his level of detail is more into culture.
Also I kind I’d wish he hadn’t taken a break after apocalypse now and had actually just done the same style over and over again cause that move looked great.

[@thekaiser4333]

Somehow the video thumbnail image does not match up with the video content.

[@stinkystealthysloth]

A master cinematographer and... pseudoscientist?

[@alpha_berchermuesli5975]

great ideas and he's saying amazing things - but a terrible presentation

[@totallybored5526]

It’s not as if they didn’t have access to a decent cinematographer

[@theblindowl3828]

As an Iranian I say, he destroyed his career with the film Muhammad - The film was historically inaccurate & just a religious propaganda. It was financed so much that became Iran's most expensive movie of all time! a state-movie! It only showed the childhood of Muhammad when every child is considered innocent. But the film didn't show Muhammad's crimes, child-marriage, polygamy & mass-murder. It was criticized even by religious & also secular critics inside & outside Iran. Also the cinematography was average, not too hot!

[@vittoriostoraro]

Please. As a non-Iranian I say: I don’t give a fuck, like 99% of the world.
“He destroyed his career”
LOL.
No DP “destroys their career” over one Film because some disapprove of it.
That happens more often to
Directors, and even then it’s the exception, not the rule.
And no, I’m not THAT Vittorio.

[@Cinematographyofmarvin]

Master Vittorio will always be my teacher in cinema because I love each and every word that he says 🎥👍.
1:49

[@vivjos1262]

Thank you!