Era una sigla/stacchetto musicale mattutino scelto dal RadioRai .Non so dire per quanti risvegli mi ha accompagnato la Rai aveva persone di un tale acume musicale al tempo. Bellissima performace, complimenti
Birividi e lacrime..pensavo fosse una versione live di Jarrett e Garbarek...non vi conoscevo Fabio Picchiami e Alessandro Musco...ora vi conosco e provo immensa ammirazione e gratitudine. Grazie, davvero.
Uncluttered...interesting term. Sounds like a judgment to me. I think you should listen to the original again. Garbarek's solo is much less "cluttered" than this one (although I like both), and Jarrett's playing is I(as always) beyond soulful. That said, I like this version very much. This should be a standard. It is as beautiful as a Handel harp concerto, perfect in its shimmering innocence and depth. Playing Tin Pan Alley songs decade after decade is fun and comfortable like old slippers, but makes jazz into a historical oddity rather than the vibrantly evolving, unnamable thing ("jazz"? what's that?) it was until...about Wynton Marsalis' entry. Notice how Ken Burns' series ends in the early '60s, as if jazz as an art form was arrested then, even though he made the series almost 40 years later, and Wynton pontificates (lovingly) on the history but not the ongoing evolution of the music, e.g. Jarrett, McCoy, Metheny, McLaughlin, Chris Potter, (OK he came later), etc. See Jarrett's liner notes on Inside Out for a scathing critique on this .
Can u give mee info on the origins of this song, by any chance? … it’s a tough search & i don’t even kno who wrote it. Believe mee, as soon as “country” & “music” are in a search bar together in any way the results are very.far.afield. from all things jazz😅
Keith has another original with country in the title that I've been trying to remember the title of for a very long time. If anyone knows it or knows how I can find it please let me know as I am a jazz pianist that loves that song and loves playing it but would be embarrassed to play it's in front of an audience without knowing the title! And this tune is lovely too.
Sûr et certain, les sons sont plus "chauds". C'est autre chose par rapport aux CD où les sons sont tellement compressés que les graves ne ressortent pas. Ciao.
Keith Jarrett + Jan Garbarek, Palle Danielssohn, Jon Christensen CD: My Song Label: ECM, 1977. In 2006 Jarrett also played this piece solo (Marian McPartland's piano, September 8, 2006). I have put a cover version of it online 🍀
Scusate, ma perché non inserite insieme al titolo che è una vostra esibizione, così non illudete le persone che cercano su tuo tube il pezzo originale!!!
Suena bien. Felicidades a los dos. Sin embargo, en mi opinión hay detalles que hacen mejor el original. Ahí van un par de ellos: cuando el saxo soprano expone la melodía al principio, en la versión original el piano apenas lo dobla, y si lo hace apenas se nota. En esta versión la intensidad es la misma y quita todo el protagonismo al saxo que debería hacer su entrada a lo grande. A mi modo de ver, doblar el saxo le otorga demasiado peso lo que, en sí mismo, constituye en tema delicado, simple en el buen sentido, honesto en la claridad de formas y lejos de cualquier artificio sonoro. Para terminar, otro detalle que arruina un poco lo dicho anteriormente. Ese growling del saxo soprano escapa a mi comprensión. El growling es un recurso estilístico típico de otros estilos más agresivos, como el rock, el blues...pero aquí lo veo gratuito y no aporta nada a la honestidad sonora y cristalina de un tema que evoca claridad y sencillez evocando paisajes bellamente mundanos, el retorno a la esencia en su concepción más antropológica. Recordad que las cosas aparentemente simples, son, en muchos casos, increiblemente complejas. De ahí que versionar Country me parezca en cierto sentido temerario. Gracias.
@@helenaville5939 The bass is 'required' throughout the entire song, however. And a pianist's left hand is not the same as a double-bassist, I am sure you would agree. Therefore not having an acoustic bass part in this version makes the version a bit lacking compared to the original.
「My Song」のなかで一番針を置いた楽曲、目を閉じれば素晴らしい景色が浮かんてきます。
本当にきれいな曲です。
有り難うございます😊
Very Very very beautiful ❤I love
Es ist mehr als nur Musik es ist ein Klang der Seele die das Herz schreibt es fühlt es berührt
La escuché en la película Deliciosa Martha, muy bella melodía😍
I love it since years..
Era una sigla/stacchetto musicale mattutino scelto dal RadioRai .Non so dire per quanti risvegli mi ha accompagnato la Rai aveva persone di un tale acume musicale al tempo. Bellissima performace, complimenti
Che programma era? Quale radio era nello specifico?
Vero! L'ho adorato subito. Avevo capito subito che era un pezzo "di valore": Altro che la RAI di ora🤮
Great sax solo !!!!!!!!!!!!!!!!!!!!!!!!
what a sweet tune🤣😍🤣 i love it😍🤣😍🎵
Thanks for posting this. Glad to see this song is still very much relevant
めっちゃ好きやー
ー
Birividi e lacrime..pensavo fosse una versione live di Jarrett e Garbarek...non vi conoscevo Fabio Picchiami e Alessandro Musco...ora vi conosco e provo immensa ammirazione e gratitudine.
Grazie, davvero.
Una canción, un sueño , una esperanza...
Very beautiful
Most beautiful. A great classic from the Master of Piano
Wow very nice Country cover
My favorite! Wonderful!!
I love this uncluttered version of a beautiful composition.
Uncluttered...interesting term. Sounds like a judgment to me. I think you should listen to the original again. Garbarek's solo is much less "cluttered" than this one (although I like both), and Jarrett's playing is I(as always) beyond soulful. That said, I like this version very much.
This should be a standard. It is as beautiful as a Handel harp concerto, perfect in its shimmering innocence and depth. Playing Tin Pan Alley songs decade after decade is fun and comfortable like old slippers, but makes jazz into a historical oddity rather than the vibrantly evolving, unnamable thing ("jazz"? what's that?) it was until...about Wynton Marsalis' entry. Notice how Ken Burns' series ends in the early '60s, as if jazz as an art form was arrested then, even though he made the series almost 40 years later, and Wynton pontificates (lovingly) on the history but not the ongoing evolution of the music, e.g. Jarrett, McCoy, Metheny, McLaughlin, Chris Potter, (OK he came later), etc. See Jarrett's liner notes on Inside Out for a scathing critique on this .
Wonderful!
Complimenti, esecuzione meravigliosa!
This was a great accidental listen, lol, Great Playing and feeling, much respect my brothers
Truly beautiful
Excelente, luminoso y a la vez melancólico, Bravo!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!¡!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
❤️❤️❤️❤️
Nun se batte….!
Formidabile
旅と音楽好きな親愛なるMへ😊
47 デッサウ
モダニズムの聖地 Bauhaus
エルベ川に続く長閑な小道を抜ける。
静寂と新緑🌿の中でそよ風に乗って響き渡るキツツキの突音に耳を澄ましながら癒される😌
Wow. Nice job, guys!! NEVER thought I'd say anything was more beautiful than the original. I've been drumming along with it in my studio!! :)
Lovely rendition 😃
Can u give mee info on the origins of this song, by any chance? … it’s a tough search & i don’t even kno who wrote it. Believe mee, as soon as “country” & “music” are in a search bar together in any way the results are very.far.afield. from all things jazz😅
Grande🥰
Elton & Bernie would love this as much as I do
beautiful:]
thx
Grazie di esistere :)
enjoyable relaxing piece of music enjoyed it. blue thumbs up!
Carlos.
I LOVE THIS... THANKS FOR SHARING ALEX, CONGRATULATIONS FOR ALL♫
bellissima!
e' vero !!!
Great job, guys !
good job
Good music
Merci pour votre générosité et votre présence
Dream.....I remember...
サックスむせび泣き過ぎやろこれｗ
❤
最高な、曲やー
関西の方ですか。
@@jazztemple2 わい、関西ですねん
Keith has another original with country in the title that I've been trying to remember the title of for a very long time. If anyone knows it or knows how I can find it please let me know as I am a jazz pianist that loves that song and loves playing it but would be embarrassed to play it's in front of an audience without knowing the title! And this tune is lovely too.
You might be referring to 'The Old Country'?
Pierwszoklaśne
トミさん どうぞ安らかに
Bella Martha anyone?
Me, German class.
thanks.
Sublime
Con mí AMOR lo danzabamos
Desnudos❤
Ella no está
Un bello recuerdo😢
기분이 좋아지는 음악
이거 원본 맞죠?????
I like it
title should be 'cover'.
Title should be "Better than original".
@@helenaville5939 There is NO version better than the original. Period.
Nice version, however.
Un tema precioso, que siempre ha tenido un significado muy especial para mi. Por cierto, quien toca el saxo en esta version? No es Jan Garbarek .
Sax: Alessandro Musco
what a t%nder tune🤣😭💕
i love it😍🎵
Sûr et certain, les sons sont plus "chauds". C'est autre chose par rapport aux CD où les sons sont tellement compressés que les graves ne ressortent pas.
Ciao.
Ottimo lavoro! Sarebbe possibile avere la traccia senza l'alto che vorrei suonarci sopra il soprano?
La canzone di RADIO RAI della notte
Esto es un cover, no engañeis a la gente. Estais a años luz del original.
Jan so prominent on sax
Please, someone can tell me who's playing in the original version? Thanks
Keith Jarrett + Jan Garbarek, Palle Danielssohn, Jon Christensen CD: My Song Label: ECM, 1977.
In 2006 Jarrett also played this piece solo (Marian McPartland's piano, September 8, 2006). I have put a cover version of it online 🍀
Hi Fabio, do You have piano sheet music for this tune ? thanks
Rick Beato brought me here...🐱
Scusate, ma perché non inserite insieme al titolo che è una vostra esibizione, così non illudete le persone che cercano su tuo tube il pezzo originale!!!
Where to buy this version? Like it better than the original
North Holland farm
マヒでピアノ弾けなくなったって聞いて....凄く悲しい
マジ？
@@titanom マジやで
脳梗塞だったと思う
2018年になって最近やっと動けるようになったらしい
More beautiful than the original ....
Yoel Schwartz
LG ...ich liebe diese Musik auch sehr...Hilke
LoL. Not better than the original. But still a nice version.
Never !!!!!
Suena bien. Felicidades a los dos. Sin embargo, en mi opinión hay detalles que hacen mejor el original. Ahí van un par de ellos: cuando el saxo soprano expone la melodía al principio, en la versión original el piano apenas lo dobla, y si lo hace apenas se nota. En esta versión la intensidad es la misma y quita todo el protagonismo al saxo que debería hacer su entrada a lo grande. A mi modo de ver, doblar el saxo le otorga demasiado peso lo que, en sí mismo, constituye en tema delicado, simple en el buen sentido, honesto en la claridad de formas y lejos de cualquier artificio sonoro. Para terminar, otro detalle que arruina un poco lo dicho anteriormente. Ese growling del saxo soprano escapa a mi comprensión. El growling es un recurso estilístico típico de otros estilos más agresivos, como el rock, el blues...pero aquí lo veo gratuito y no aporta nada a la honestidad sonora y cristalina de un tema que evoca claridad y sencillez evocando paisajes bellamente mundanos, el retorno a la esencia en su concepción más antropológica. Recordad que las cosas aparentemente simples, son, en muchos casos, increiblemente complejas. De ahí que versionar Country me parezca en cierto sentido temerario. Gracias.
Nice version, missed something without a Bass part, however. Nevertheless, good playing.
The piano is playing bass where bass is required.
@@helenaville5939 The bass is 'required' throughout the entire song, however. And a pianist's left hand is not the same as a double-bassist, I am sure you would agree.
Therefore not having an acoustic bass part in this version makes the version a bit lacking compared to the original.
Nothing comes close to the original. Why do you only get copies here? Fuck!!!!
❤️
North Holland farm